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Poison Study: Magic Study / Poison Study / Fire Study (The Chronicles of Ixia #1)
by Maria V. SnyderChoose: A quick death or a slow poison
The Poisoned Crown: The Sangreal Trilogy Three (The\sangreal Trilogy Ser. #Vol. 3)
by Amanda HemingwayThe concluding part of the captivating Sangreal trilogy from the author of Prospero’s Children.
The Politics of Horror
by Damien K. PicarielloThe Politics of Horror features contributions from scholars in a variety of fields—political science, English, communication studies, and others—that explore the connections between horror and politics. How might resources drawn from the study of politics inform our readings of, and conversations about, horror? In what ways might horror provide a useful lens through which to consider enduring questions in politics and political thought? And what insights might be drawn from horror as we consider contemporary political issues? In turning to horror, the contributors to this volume offer fresh provocations to inform a broad range of discussions of politics.
Poltergeist (Devil's Advocates)
by Rob McLaughlin'Created’ by Steven Spielberg yet officially directed by Tobe Hooper, Poltergeist (1982) can be best described as ‘family horror movie’ both in its target audience and in its narrative context, the story of an All-American suburban family, the Freelings, whose home suddenly becomes the site of a spectacular haunting, apparently summoned by their young daughter. The film is somewhat of an anachronism and this Devil's Advocate explores this in both the scope of production and narrative. The book discusses the duality of the text highlighting debates surrounding both Spielberg's somewhat saccharine portrayal of middle-class Americana and his more subversive cinematic endeavours. The duality of the text also will also be discussed in the context of the film's production – with both Spielberg and Hooper on set for much of the time, the result was a movie with the production values, effects and marketing of a high budget mainstream cinema blockbuster apparently directed by a subversive 'grindhouse' cinema auteur. Yet Poltergeist is neither nor both of those things, instead being a unique hybrid of genres and styles taking the best and worst from both aspects of family blockbuster and cult horror film, and as such can be seen as a text that is something unique – a classic modern take on the traditional haunted house story.
Ponti: A Novel
by Sharlene TeoShortlisted for the Edward Stanford Fiction, with a Sense of Place Award'Remarkable . . . her characters glow with life and humour' Ian McEwan2003. Singapore. Friendless and fatherless, sixteen-year-old Szu lives in the shadow of her mother Amisa, once a beautiful actress and now a hack medium performing séances with her sister in a rusty house. When Szu meets the privileged, acid-tongued Circe, they develop an intense friendship which offers Szu an escape from her mother’s alarming solitariness, and Circe a step closer to the fascinating, unknowable Amisa.Seventeen years later, Circe is struggling through a divorce in fraught and ever-changing Singapore when a project comes up at work: a remake of the cult seventies horror film series ‘Ponti’, the very project that defined Amisa’s short-lived film career. Suddenly Circe is knocked off balance: by memories of the two women she once knew, by guilt, and by a past that threatens her conscience . . .Told from the perspectives of all three women, Ponti by Sharlene Teo is an exquisite story of friendship and memory spanning decades. Infused with mythology and modernity, with the rich sticky heat of Singapore, it is at once an astounding portrayal of the gaping loneliness of teenagehood, and a vivid exploration of how tragedy can make monsters of us.Shortlisted for Hearsts' Big Book Award 2018.
Pop Art
by Joe HillA beautiful story about Art; a living, breathing boy in all respects - who happens to be made of inflatable plastic. POP ART is an exceptional, must-read of a short story.Joe Hill is the New York Times bestselling author of NOS4A2, Horns, and Heart-Shaped Box, and the prize-winning story collection 20th Century Ghosts. He is also the co-author, with Stephen King, of In the Tall Grass.
Portent
by James HerbertIn James Herbert's Portent it is the near future and signs of an impending global disaster are multiplying. Earthquakes, floods and volcanic eruptions sweep the earth. As the storms and tempests rage, a series of ominous events signal the emergence of a new and terrifying force. While scuba-diving on the Great Barrier Reef a diver watches fascinated as a tiny light floats past him towards the surface. Moments later he is torn to pieces as the reef erupts with colossal power. On the banks of the Ganges, a young boy pauses from his back-breaking labours, transfixed by the play of a mysterious light amidst the monsoon rains, before a towering geyser of boiling water bursts from beneath the streets, scalding him to death. In the Chinese city of Kashi travellers bring back reports of a strange light seen shining above the endless dunes of the Taklimakan Desert. And as the city's inhabitants watch for its return, the desert rises up to engulf them in a tidal wave of sand. All have seen a portent. A sign of unimaginable powers about to be unleashed. A sign that something incredible is about to begin...
Possession
by Peter JamesA terrifying novel of a young man who is willing to defy everything. Even death...Fabian Hightower has been killed in a car crash. At least, that is what a policeman is asking Alex, his mother to believe. But Alex knows she saw him that morning - at a time when he must have been dead. When the funeral is over Alex tries hard to forget her bizarre experience. But her mind seems to be playing strange tricks on her, turning her grief into horror. When she turns to a medium her worst fears are realised. Fabian has unfinished business and he is determined to come back. But why? Whatever the answer, something terrifies the medium so much she refuses to return. Alex longs to turn to others for support. But there is a secret about Fabian that only she knows - a secret she must never share...'One of the best crime writers in the business.' Karin Slaughter'Genuinely frightening ... only Mary Shelley's Frankenstein and Stephen King's The Shining have scared me as much.' Evening StandardRead more from the multi-million copy bestselling author of the Roy Grace novels:Possession DreamerSweet Heart Twilight Prophecy Host Alchemist Denial The Truth Faith * Each Peter James novel can be read as a standalone*
Possession (Devil's Advocates)
by Alison TaylorPremiering at the 1981 Cannes Film Festival, Andrzej Żuławski’s Possession remains a distinct phenomenon. Though in competition for the illustrious Palme d’Or, its art cinema context did not rescue it from being banned as part of the United Kingdom’s ‘video nasties’ campaign, alongside unashamedly lowbrow titles such as Faces of Death and Zombie Flesh Eaters. Skirting the boundary between art and exploitation, body horror and cerebral reverie, relationship drama and political statement, Possession is a truly astonishing film. Part visceral horror, part surreal experiment, part gothic romance dressed in the iconography of a spy thriller: there is no doubt that the polarity evinced by Possession’s initial release was in part a product of its resistance to clear categorisation.With a production history almost as bizarre as the film itself, a cult following gained with its VHS release, and being re-appreciated in the decades since as a valuable work of auteur cinema, the story of how this film came to be is as fascinating as it is unfathomable. Alison Taylor’s Devil’s Advocate considers Possession’s history, stylistic achievement, and legacy as an enduring and unique work of horror cinema. Beginning with a marital breakdown and ending with an apocalypse, the film’s strangeness has not dissipated over time; its transgressive imagery, histrionic performances, and spiral staircase logic remain affective and confounding to critics and fans alike. Respecting the film’s wilfully enigmatic nature, this book helps to unpack its key threads, including the collision between the banal and the horrific, the socio-historical context of its divided Berlin setting, and the significance of its legacy, particularly with regard to the contemporary trend for extreme art horror on the festival circuit.
Postcolonial Settings in the Fiction of James Clarence Mangan, Joseph Sheridan Le Fanu and Bram Stoker: Strange Surroundings (New Directions in Irish and Irish American Literature)
by Richard JorgeThis book explores how three Anglo-Irish writers, J.C. Mangan, J.S. Le Fanu and Bram Stoker, use settings in their short fictions to recreate, depict and confront Ireland’s colonial situation in the nineteenth century. This study provides an innovative approach by targeting a genre (the short story) which has not been explored in its entirety— certainly not within nineteenth century Ireland - much less using a postcolonial approach to the short story. Added to this is the fact that it analyses how these writers used settings as an anticolonial tool. To do so, the book is divided into two major sections, an analysis of Irish settings and non-Irish ones. It works on the premise that all three writers used the idea of displacement to target colonialism and its effects on Irish society. In short, this book addresses a gap in scholarship, as the Irish Gothic short story as a decolonizing tool has not been sufficiently and globally studied.
Posthumanity in the Anthropocene: Margaret Atwood's Dystopias (Routledge Studies in Contemporary Literature)
by Esther Muñoz-GonzálezIn this book, Margaret Atwood’s dystopian novels—The Handmaid’s Tale, the MaddAddam trilogy, The Heart Goes Last, and The Testaments—are analyzed from the perspective provided by the combined views of the construction of the posthuman subject in its interactions with science and technology, and the Anthropocene as a cultural field of enquiry. Posthumanist critical concerns try to dismantle anthropocentric notions of the human and defend the need for a closer relationship between humanity and the environment. Supported by the exemplification of the generic characteristics of the cli-fi genre, this book discusses the effects of climate change, at the individual level, and as a collective threat that can lead to a "world without us." Moreover, Margaret Atwood is herself the constant object of extensive academic interest and Posthuman theory is widely taught, researched, and explored in almost every intellectual field. This book is aimed at worldwide readers, not only those interested in Margaret Atwood’s oeuvre, but also those interested in the debate between critical posthumanism and transhumanism, together with the ethical implications of living in the Anthropocene era regarding our daily lives and practices. It will be especially attractive for academics: university teachers, postgraduates, researchers, and college students in general.
Posthumanity in the Anthropocene: Margaret Atwood's Dystopias (Routledge Studies in Contemporary Literature)
by Esther Muñoz-GonzálezIn this book, Margaret Atwood’s dystopian novels—The Handmaid’s Tale, the MaddAddam trilogy, The Heart Goes Last, and The Testaments—are analyzed from the perspective provided by the combined views of the construction of the posthuman subject in its interactions with science and technology, and the Anthropocene as a cultural field of enquiry. Posthumanist critical concerns try to dismantle anthropocentric notions of the human and defend the need for a closer relationship between humanity and the environment. Supported by the exemplification of the generic characteristics of the cli-fi genre, this book discusses the effects of climate change, at the individual level, and as a collective threat that can lead to a "world without us." Moreover, Margaret Atwood is herself the constant object of extensive academic interest and Posthuman theory is widely taught, researched, and explored in almost every intellectual field. This book is aimed at worldwide readers, not only those interested in Margaret Atwood’s oeuvre, but also those interested in the debate between critical posthumanism and transhumanism, together with the ethical implications of living in the Anthropocene era regarding our daily lives and practices. It will be especially attractive for academics: university teachers, postgraduates, researchers, and college students in general.
Postmodern Vampires: Film, Fiction, and Popular Culture
by Sorcha Ní FhlainnPostmodern Vampires: Film, Fiction, and Popular Culture is the first major study to focus on American cultural history from the vampire’s point of view. Beginning in 1968, Ní Fhlainn argues that vampires move from the margins to the centre of popular culture as representatives of the anxieties and aspirations of their age. Mapping their literary and screen evolution on to the American Presidency, from Richard Nixon to Donald Trump, this essential critical study chronicles the vampire’s blood-ties to distinct socio-political movements and cultural decades in the late twentieth and early twenty-first centuries. Through case studies of key texts, including Interview with the Vampire, The Lost Boys, Blade, Twilight, Let Me In, True Blood and numerous adaptations of Dracula, this book reveals how vampires continue to be exemplary barometers of political and historical change in the American imagination. It is essential reading for scholars and students in Gothic and Horror Studies, Film Studies, and American Studies, and for anyone interested in the articulate undead.
The Power of Dark (The Witching Legacy #1)
by Robin JarvisAn enthralling mix of magic and horror – first of a new series from fantasy legend Robin Jarvis.
Prayer: A Novel
by Philip KerrA chilling modern horror story in which the source of the horror is totally unexpected - and utterly terrifying. Special Agent Gil Martins investigates domestic terrorism for the Houston FBI. Once a religious man, now his job makes him question the existence of a God who could allow the violence he sees every day. Gil is asked to investigate a series of unexplained deaths of victims known for their liberal views. When a woman tells Gil that these men have been killed by prayer, he questions her sanity. Yet the evidence mounts that there might be something in what she says, even more so when Gil finds that his own life is on the line.
The Prayer of the Night Shepherd (Merrily Watkins Series #6)
by Phil RickmanHereford's Diocesan Exorcist must encounter a legacy of evil within the crumbling walls of an old hotel along with memories of murder...'Merrily has become an ever more engaging protagonist, a passionate, flawed modern women every bit as concerned with the intricacies of crime as she is with demons that go bump in the night.' - Geoffrey Wansell, Daily Mail'There were certain phrases you could feel, like fingers up your spine. "Hattie Chancery's Room." Oh God . . .'A crumbling hotel on the border of England and Wales has long been linked with the possible origins of Sir Arthur Conan Doyle's The Hound of the Baskervilles and his obsession with contacting the dead. Fascinating for young Jane Watkins, flushed with the freedom of her first weekend job. But the sinister side soon becomes apparent to her mother, Merrily, diocesan exorcist for Hereford. Then come memories of a child who killed. And blood in the fresh snow.
…Preceded by Chaos: Vol. 0
by M. Wheeler…Preceded by Chaos is an illustrated short story. The protagonist, Mitchell Weaver, is a young Emergency Medicine doctor. Mitchell has entered a high stress, distinguished profession with the burden of a variety of particularly disturbing personal demons that he must battle every day in order to maintain the façade of sanity and control. The initial installment of the series, Volume 0, introduces the reader to Mitchell at a point in his life where he has begun to realize that many of his prior indulgences and deficits are no longer compatible with his current life of responsibility.
...Preceded by Chaos: Vol.+1 (...Preceded by Chaos #2)
by M. WheelerThe protagonist, Mitchell Weaver, is a young Emergency Medicine doctor. Mitchell has entered a high stress, distinguished profession with the burden of a variety of particularly disturbing personal demons that he must battle every day in order to maintain the façade of sanity and control. The second installment of the series, Volume +1, documents Mitchell's state of mind as he tries his hand at decency and sobriety. Whether he finds himself at his job in New York or volunteering in the Dominican Republic, he struggles to suppress hedonistic urges and restructure awed philosophies. Although his attempts to gain control of his life are genuine, the question remains, "Is Mitchell gradually gaining control or is his life slowly falling apart."
The Presence: The Presence (Mira Ser.)
by Heather GrahamThe ultimate moneymaking plan—buy the ancient, run-down Scottish castle and turn it into a tourist destination.
Present at a Hanging and Other Ghost Stories
by Ambrose BierceAmbrose Gwinnett Bierce (1842-1914) was an American editorialist, journalist, short-story writer and satirist, today best known for his The Devils Dictionary (1911). He wrote some of his books under the pseudonyms Dod Grile and J. Milton Sloluck. Bierces lucid, unsentimental style has kept him popular when many of his contemporaries have been consigned to oblivion. His dark, sardonic views and vehemence as a critic earned him the nickname, "Bitter Bierce. " Such was his reputation that it was said his judgment on any piece of prose or poetry could make or break a writers career. His short stories are considered among the best of the 19th century, providing a popular following based on his roots. He wrote realistically of the terrible things he had seen in the war in such stories as An Occurrence at Owl Creek Bridge, Killed at Resaca, and Chickamauga. His works include: The Fiends Delight (1873), Cobwebs from an Empty Skull (1874), Black Beetles in Amber (1892), Fantastic Fables (1899), Shapes of Clay (1903), A Son of the Gods, and A Horseman in the Sky (1907), Write It Right (1909) and A Cynic Looks at Life (1912).
Pretty Little Things
by T.M.E. WalshDon’t miss the new crime thriller that readers are calling: ‘addictive’; ‘chilling’; ‘nail-biting’;‘the best book I’ve read this year’! It’s bad when the girls go missing. It’s worse when the girls are found.
Pretty Monsters
by Kelly LinkWeird, wicked, spooky and delicious, PRETTY MONSTERS is a book of tall tales to keep you up all night. Blending fairytale, fantasy, horror, myth and mischief in a delicious cocktail, Kelly Link creates a world like no other, where ghosts of girlfriends past rub up against Scrabble-loving grandmothers with terrifying magic handbags, wizards sit alongside morbid babysitters, and we encounter a people-eating monster who claims to have a sense of humour. Combining the imaginative brilliance of Borges with the madcap escapades of Buffy the Vampire Slayer, and more than a pinch of macabre humour, this is writing to come back from the dead for.
Prevenge (Devil's Advocates)
by Andrew GravesPrevenge (2016) is an entertainingly dark 21st-century horror movie detailing the serial killing journey of heavily pregnant Ruth. It’s a cleverly crafted narrative full of stark social commentary, traversing the delicate line between comedy and tragedy by fusing together a kitchen sink approach with a supernatural revenge plot. This book, as part of the Devil’s Advocates series, examines how the film deconstructs the slasher mythology and the sexism therein, and upends stereotypical representations of the ‘weak’ woman and ‘delicate’ mother. With new exclusive input from writer, director and star Alice Lowe, the text also looks at the production’s inception and development, assesses its debts to cult British cinema, and inspects its umbilical connections to Rosemary’s Baby, Alien, Village of the Damned and many other ‘Monstrous Child’ silver screen features.
Prevenge (Devil's Advocates)
by Andrew GravesPrevenge (2016) is an entertainingly dark 21st-century horror movie detailing the serial killing journey of heavily pregnant Ruth. It’s a cleverly crafted narrative full of stark social commentary, traversing the delicate line between comedy and tragedy by fusing together a kitchen sink approach with a supernatural revenge plot. This book, as part of the Devil’s Advocates series, examines how the film deconstructs the slasher mythology and the sexism therein, and upends stereotypical representations of the ‘weak’ woman and ‘delicate’ mother. With new exclusive input from writer, director and star Alice Lowe, the text also looks at the production’s inception and development, assesses its debts to cult British cinema, and inspects its umbilical connections to Rosemary’s Baby, Alien, Village of the Damned and many other ‘Monstrous Child’ silver screen features.
The Prey (The Prey Series #1)
by Tom IsbellIn the Republic of the True America, it's always hunting season. Riveting action, intense romance, and gripping emotion make this fast-paced adventure a standout debut.