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A Perfect Match (Steeple Hill Love Inspired Ser. #No. 164)
by Deb KastnerSHE WAS GOIN' TO THE CHAPEL…. …and she was going to get married–to the dashing new minister. At least, that was Julia Evans's plan. Convinced holy matrimony should be based on more than romance, Julia was caught off guard when old-fashioned fireworks erupted where she least expected them– and ignited a spark she couldn't seem to ignore….
The Perfect Wedding (Mills And Boon Vintage Love Inspired Ser.)
by Arlene JamesEVERYDAY MIRACLES A BRIDE AT LAST?
Perfecting Your Purpose: 40 Days to a More Meaningful Life
by David D. Ireland- Impact with David Ireland, the author's daily radio and weekly television broadcasts, reaches a potential audience of 50 million households.- The readers who made The Purpose-Driven Life (Zondervan, 2002) a staggering bestseller with over 20 million copies sold worldwide will be drawn to the 40-day plan in this book as the logical next step in their spiritual growth.- David D. Ireland is the author of several books, including Activating the Holy Spirit (Whitaker House, 1997), which sold over 20,000 copies. His newest title, Why Drown When You Can Walk On Water?, was published by Baker Books in October 2004.- Founder and senior pastor of Christ Church in Montclair, New Jersey, which has over 5,000 members, David D. Ireland serves on the executive committee for the 2005 New York City Billy Graham Crusade and is a Bible teacher for the New York Giants.
Perfecto amor: Usted puede experimentar la completa aceptaci¿n de Dios
by Joyce MeyerAyer. Hoy. Mañana. Dios te ama perfectamente, todo el tiempo. Pero si a veces te sientes indigno, desconfías de ti mismo o crees que Él está enojado contigo, Joyce Meyer, la autora de éxitos de ventas número 1 del New York Times, quiere ayudarte a entender la verdad poderosa de que Dios te acepta totalmente. No importa lo que hayas hecho o dónde te encuentres en el viaje de tu vida, tú estás destinado a recibir este regalo. La Palabra de Dios declara que su amor por ti no cambia y Él te ama simplemente porque así lo desea. En Perfecto amor, Joyce revela cómo se puede desarrollar la certeza de que Dios te ama completamente y sin condiciones, ahora mismo. Combinando su propia experiencia personal con conocimiento bíblico, Joyce te ayudará a aumentar tu comprensión del carácter genuino de Dios para que puedas vivir plenamente, disfrutar de un sentido de confianza duradera y experimentar su amor en un nivel completamente nuevo. Algunos títulos de los capítulos son: Aprender a ver claramente; Ser la persona que Dios quiso que fueras tu potencial; Sorprendente gracia; and Sentirse cómodo con Dios."¡Dios te ama perfectamente y sin condiciones en este momento!" -Joyce Meyer
Perfecto amor: Usted puede experimentar la completa aceptaci¿n de Dios
by Joyce MeyerAyer. Hoy. Mañana. Dios te ama perfectamente, todo el tiempo. Pero si a veces te sientes indigno, desconfías de ti mismo o crees que Él está enojado contigo, Joyce Meyer, la autora de éxitos de ventas número 1 del New York Times, quiere ayudarte a entender la verdad poderosa de que Dios te acepta totalmente. No importa lo que hayas hecho o dónde te encuentres en el viaje de tu vida, tú estás destinado a recibir este regalo. La Palabra de Dios declara que su amor por ti no cambia y Él te ama simplemente porque así lo desea. En Perfecto amor, Joyce revela cómo se puede desarrollar la certeza de que Dios te ama completamente y sin condiciones, ahora mismo. Combinando su propia experiencia personal con conocimiento bíblico, Joyce te ayudará a aumentar tu comprensión del carácter genuino de Dios para que puedas vivir plenamente, disfrutar de un sentido de confianza duradera y experimentar su amor en un nivel completamente nuevo. Algunos títulos de los capítulos son: Aprender a ver claramente; Ser la persona que Dios quiso que fueras tu potencial; Sorprendente gracia; and Sentirse cómodo con Dios."¡Dios te ama perfectamente y sin condiciones en este momento!" -Joyce Meyer
The Performance of Religion: Seeing the sacred in the theatre
by Cia SautterThe performing arts are uniquely capable of translating a vision of an ideal or sacred reality into lived practice, allowing an audience to confront deeply held values and beliefs as they observe a performance. However, there is often a reluctance to approach distinctly religious topics from a performance studies perspective. This book addresses this issue by exploring how religious values are acted out and reflected on in classic Western theatre, with a particular emphasis on the plays put on during the Globe Theatre‘s yearlong season of 'Shakespeare and the Bible'. Looking at plays such as Much Ado About Nothing, Dr. Faustus and Macbeth, each chapter includes ethnographic overviews of the performance of these plays as well as historical and theological perspectives on the issues they address. The author also utilizes scholarship from other academics, such as Paul Tillich and Martin Buber, in examining the relationship between art and culture. This helps readers of this book to look at religion in culture, and raise questions and explore ideas about how people appraise their religious values through an encounter with a performance. The Performance of Religion: Seeing the sacred in the theatre treads new ground in bringing performance and religious studies scholarship into direct conversation with one another. As such, it is essential reading for any academic with an interest in theology, religion and ethics and their expression in culture through the performing arts.
The Performance of Religion: Seeing the sacred in the theatre
by Cia SautterThe performing arts are uniquely capable of translating a vision of an ideal or sacred reality into lived practice, allowing an audience to confront deeply held values and beliefs as they observe a performance. However, there is often a reluctance to approach distinctly religious topics from a performance studies perspective. This book addresses this issue by exploring how religious values are acted out and reflected on in classic Western theatre, with a particular emphasis on the plays put on during the Globe Theatre‘s yearlong season of 'Shakespeare and the Bible'. Looking at plays such as Much Ado About Nothing, Dr. Faustus and Macbeth, each chapter includes ethnographic overviews of the performance of these plays as well as historical and theological perspectives on the issues they address. The author also utilizes scholarship from other academics, such as Paul Tillich and Martin Buber, in examining the relationship between art and culture. This helps readers of this book to look at religion in culture, and raise questions and explore ideas about how people appraise their religious values through an encounter with a performance. The Performance of Religion: Seeing the sacred in the theatre treads new ground in bringing performance and religious studies scholarship into direct conversation with one another. As such, it is essential reading for any academic with an interest in theology, religion and ethics and their expression in culture through the performing arts.
Performance, Popular Culture, and Piety in Muslim Southeast Asia
by Timothy P. DanielsThe Muslim-majority nations of Malaysia and Indonesia are known for their extraordinary arts and Islamic revival movements. This collection provides an extensive view of dance, music, television series, and film in rural, urban, and mass-mediated contexts and how pious Islamic discourses are encoded and embodied in these public cultural forms.
Performance Studies and Negative Epistemology: Performance Apophatics (Performance Philosophy)
by Claire Maria ChambersThis book explores the intersection between apophaticism - negative theology - and performance. While apophaticism in literature and critical theory may have had its heyday in the heady debates about negative theology and deconstruction in the 1990s, negative ways of knowing and speaking have continued to structure conversations in theatre and performance studies around issues of embodiment, the non- and post-human, objects, archives, the ethics of otherness in intercultural research, and the unreadable and inaccessible in the work of minority artists. A great part of the history of apophaticism lies in mystic literature. With the rise of the New Age movement, which claimed historical mysticism as part of its genealogy, apophaticism has often been sidelined as spirituality rather than serious study.This book argues that the apophatic continues to exert a strong influence on the discourse and culture of Western literature and especially performance, and that by reassessing this ancient form of negative epistemology, artists, scholars, students, and teachers alike can more deeply engage forms of unknowing through what cannot be said and cannot be represented in language, on the stage, and in every aspect of social life.
The Performative Dimensions of Rhetorical Questions in the Hebrew Bible: Do You Not Know? Do You Not Hear? (The Library of Hebrew Bible/Old Testament Studies)
by Jim W. AdamsThis book sets out to describe the multi-dimensional nature and function of rhetorical questions in the Old Testament. Biblical scholars have previously analyzed the use of rhetorical questions in both Testaments, but consistently describe their function in persuasive terms. While this understanding is appropriate in a number of instances, many rhetorical questions do not operate this way, and Jim W. Adams focuses in particular on rhetoric expressing the self-involvement of both the speaker and hearer.Among linguistic philosophers, speech act theory has illuminated the fact that uttering a sentence does not merely convey information; it may also involve the performing of an action. The concept of communicative action provides additional tools to the exegetical process as it points the interpreter beyond the assumption that the use of language is merely for descriptive purposes. Language can also have performative and self-involving dimensions. In relation to speech act theory, linguistic specialists continue to research the nature of rhetorical questions.
A Performative Feel for the Game: How Meaningful Sports Shape Gender, Bodies, and Social Life (Cultural Sociology)
by Trygve B. BrochApplying a cultural sociology of performance, this book interrogates how the meaning of sport intersects with gender. Trygve B. Broch points out uncertainties in the causal arguments made by key figures in the cultural studies tradition, instead advancing a meaning-centered study of sports as involving both a social and an athletic performance. Sports not only reflect or reverse social realities, but capture and keep our attention when we use and experience them as a means to reflect on social life, injustice, and hierarchy. More specifically, blending approaches from media studies with ethnography, Broch explores the women-dominated sport of handball in Norway, a country that considers gender equality a basis of democracy. As such, the analyses here show how broadly available meanings about sameness and equality are mediated and experienced through a performative feel for the game.
The Performative Ground of Religion and Theatre
by David V. MasonReligious practitioners and theatregoers have much in common. So much, in fact, that we can say that religion is often a theatrical phenomenon, and that theatre can be a religious experience. By examining the phenomenology of religion, we can in turn develop a better understanding of the phenomenology of theatre. That is to say, religion can show us the ways in which theatre is not fake. This study explores the overlap of religion and theatre, especially in the crucial area of experience and personal identity. Reconsidering ideas from ancient Greece, premodern India, modern Europe, and the recent century, it argues that religious adherents and theatre audiences are largely, themselves, the mechanisms of their experiences. By examining the development of the philosophy of theatre alongside theories of religious action, this book shows how we need to adjust our views of both. Featuring attention to influential notions from Plato and Aristotle, from the Natyashastra, from Schleiermacher to Sartre, Bourdieu, and Butler, and considering contemporary theories of performance and ritual, this is vital reading for any scholar in religious studies, theatre and performance studies, theology, or philosophy.
The Performative Ground of Religion and Theatre
by David V. MasonReligious practitioners and theatregoers have much in common. So much, in fact, that we can say that religion is often a theatrical phenomenon, and that theatre can be a religious experience. By examining the phenomenology of religion, we can in turn develop a better understanding of the phenomenology of theatre. That is to say, religion can show us the ways in which theatre is not fake. This study explores the overlap of religion and theatre, especially in the crucial area of experience and personal identity. Reconsidering ideas from ancient Greece, premodern India, modern Europe, and the recent century, it argues that religious adherents and theatre audiences are largely, themselves, the mechanisms of their experiences. By examining the development of the philosophy of theatre alongside theories of religious action, this book shows how we need to adjust our views of both. Featuring attention to influential notions from Plato and Aristotle, from the Natyashastra, from Schleiermacher to Sartre, Bourdieu, and Butler, and considering contemporary theories of performance and ritual, this is vital reading for any scholar in religious studies, theatre and performance studies, theology, or philosophy.
Performative Kultur: Eine Einführung
by Jörg VolbersDer Begriff der „Performativität“ gilt als eine Schlüsselkategorie postmoderner Theoriebildung und wird vor allem mit Namen wie Derrida oder Butler verbunden. Das Buch geht über diesen unnötig eng gefassten Kanon hinaus. In fundierten Analysen von Klassikern wie „Außenseitern“ des Performativen wird dokumentiert, wie stark die Geistes- und Sozialwissenschaften im 20. Jahrhundert auch dann von der Denkfigur des Performativen durchdrungen sind, wenn sie das Wort selbst nicht verwenden – überall dort, wo der produktive Eigensinn von Kultur und sozialer Praxis in den Blick kommt. Das Buch gibt der „performativen“ Kulturbetrachtung eine verständliche Definition, die es erlaubt, dem oft eher obskuren Begriff eine klare und theorieübergreifend einschätzbare Bedeutung abzugewinnen.
Performing Atheist Selves in Digital Publics: U.S. Women and Non-Religious Identity Online (Routledge Studies in Religion and Digital Culture)
by Evelina LundmarkThis book considers how the non-religious self is performed publicly online, and how digital culture and technology shapes this process. Building on a YouTube case study with women vloggers, it presents unique empirical data on non-organized atheism in the United States. Lundmark suggests that the atheist self as performed online exists in tension between a perception of atheism as sinful and amoral in relation to hegemonical Christianity in the U.S., and the hyperrational, male-centered discourse that has characterized the atheist movement. She argues that women atheist vloggers co-effect third spaces of emotive resonance that enable a precarious counterpublicness of performing atheist visibility. The volume offers a valuable contribution to the discussion of how the public, the private, and areas in-between are understood within digital religion, and opens up new space for engaging with the increased visibility of atheist identity in a mediatized society.
Performing Atheist Selves in Digital Publics: U.S. Women and Non-Religious Identity Online (Routledge Studies in Religion and Digital Culture)
by Evelina LundmarkThis book considers how the non-religious self is performed publicly online, and how digital culture and technology shapes this process. Building on a YouTube case study with women vloggers, it presents unique empirical data on non-organized atheism in the United States. Lundmark suggests that the atheist self as performed online exists in tension between a perception of atheism as sinful and amoral in relation to hegemonical Christianity in the U.S., and the hyperrational, male-centered discourse that has characterized the atheist movement. She argues that women atheist vloggers co-effect third spaces of emotive resonance that enable a precarious counterpublicness of performing atheist visibility. The volume offers a valuable contribution to the discussion of how the public, the private, and areas in-between are understood within digital religion, and opens up new space for engaging with the increased visibility of atheist identity in a mediatized society.
Performing for the Don: Theaters of Faith in the Trump Era (Routledge Advances in Theatre & Performance Studies)
by Hank WillenbrinkThis volume examines the intersection of political power and religion during the presidency of Donald Trump through an examination of performance. This study begins with an examination of white evangelical Christian support for Trump through readings of the 2018 film The Trump Prophecy, based on a book of the same name, and The Faith of Donald J. Trump, a "spiritual biography" of the former president by veteran Christian reporters David Brody and Scott Lamb. White evangelicals Christianized Trump during his run for office in 2016 and Trump’s ascension to the presidency broke down barriers between church and state in service of dominionistic Christian aims. This exploration then looks at the conservative Catholicism through an exploration of Heroes of the Fourth Turning, a finalist for the 2019 Pulitzer Prize for Drama by Will Arbery, and Rod Dreher’s The Benedict Option. While Trump’s connection to evangelicals is well documented, conservative Catholics like Attorney General Bill Barr and Supreme Court Justice Amy Coney Barrett took on pivotal roles during the Trump administration demonstrating the significance of conservative Catholicism to his presidency. The author finally examines the "cult" of Trump on the internet by interrogating the performance of spirituality in pro-Trump conspiracy theories like QAnon. This book will be of great interest not only to theatre and performance studies scholars but also scholars with interests in political and religious studies.
Performing for the Don: Theaters of Faith in the Trump Era (Routledge Advances in Theatre & Performance Studies)
by Hank WillenbrinkThis volume examines the intersection of political power and religion during the presidency of Donald Trump through an examination of performance. This study begins with an examination of white evangelical Christian support for Trump through readings of the 2018 film The Trump Prophecy, based on a book of the same name, and The Faith of Donald J. Trump, a "spiritual biography" of the former president by veteran Christian reporters David Brody and Scott Lamb. White evangelicals Christianized Trump during his run for office in 2016 and Trump’s ascension to the presidency broke down barriers between church and state in service of dominionistic Christian aims. This exploration then looks at the conservative Catholicism through an exploration of Heroes of the Fourth Turning, a finalist for the 2019 Pulitzer Prize for Drama by Will Arbery, and Rod Dreher’s The Benedict Option. While Trump’s connection to evangelicals is well documented, conservative Catholics like Attorney General Bill Barr and Supreme Court Justice Amy Coney Barrett took on pivotal roles during the Trump administration demonstrating the significance of conservative Catholicism to his presidency. The author finally examines the "cult" of Trump on the internet by interrogating the performance of spirituality in pro-Trump conspiracy theories like QAnon. This book will be of great interest not only to theatre and performance studies scholars but also scholars with interests in political and religious studies.
Performing Legitimacy: Studies in High Culture and the Public Sphere
by Håkon LarsenThis book is an investigation of the cultural work involved in the social process of achieving and maintaining legitimacy as a not-for-profit arts or media organization in the twenty-first century. Within this work, Larsen advances an approach to studying organizational legitimacy, emanating from within cultural sociology. More specifically, he analyzes the legitimation work done in public service broadcasters in the Scandinavian countries of Norway, Sweden, and Denmark, the Norwegian National Opera and Ballet, the Oslo Philharmonic Orchestra, and the Metropolitan Opera in New York City.
Performing Pastoral Care: Music as a Framework for Exploring Pastoral Care
by June Boyce-Tillman Gregory Clifton-SmithMaking the case for the relevance of pastoral care today, this book explores the role of pastoral care through the prism of music. Using musical analogies, the author provides a new way of understanding and practising pastoral care, grounded in practical theology. Challenging overemphasis on mission, he shows that pastoral care remains essential to the life of the church, especially when engaging with extreme situations such as dying, suffering or war, and considers the role of pastoral carers in the specific pastoral encounter and in the life of the church in general.
Performing Pastoral Care: Music as a Framework for Exploring Pastoral Care (PDF)
by Gregory Clifton-Smith June Boyce-TillmanMaking the case for the relevance of pastoral care today, this book explores the role of pastoral care through the prism of music. Using musical analogies, the author provides a new way of understanding and practising pastoral care, grounded in practical theology. Challenging overemphasis on mission, he shows that pastoral care remains essential to the life of the church, especially when engaging with extreme situations such as dying, suffering or war, and considers the role of pastoral carers in the specific pastoral encounter and in the life of the church in general.
Performing Post-Tariqa Sufism: Making Sacred Space with Mevlevi and Rifai Zikir in Turkey (Routledge Advances in Theatre & Performance Studies)
by Esra ÇizmeciThis ethnographic research project examines the generation of post-tariqa Tasavvuf (Sufism: a spiritual practice and philosophy recognised as the inner dimension of Islam) in a variety of private, semi-public, public, secular and sacred urban spaces in present-day Turkey. Through extensive field research in minority Sufi communities, this book investigates how devotees of specific orders maintain, adapt, mobilise, and empower their beliefs and values through embodied acts of their Sufi followers. Using an ethnographic methodology and theories derived from performance studies, Esra Çizmeci examines the multiple ways in which the post-tariqa Mevlevi and Rifai practice is formed in present-day Turkey, such as through the authority of the spiritual teacher; the individual and collective performance of Sufi rituals; nefs (self) training; and, most importantly, the practice of Sufi doctrines in everyday life through the production of sacred spaces. Drawing on the theories of performance, she examines how the Sufi way of living and spaces are created anew in the process of each devotee’s embodied action. This book is informed by theories in performance studies, anthropology, religious studies, and cultural studies and places current Sufi practices in a historical perspective.
Performing Post-Tariqa Sufism: Making Sacred Space with Mevlevi and Rifai Zikir in Turkey (Routledge Advances in Theatre & Performance Studies)
by Esra ÇizmeciThis ethnographic research project examines the generation of post-tariqa Tasavvuf (Sufism: a spiritual practice and philosophy recognised as the inner dimension of Islam) in a variety of private, semi-public, public, secular and sacred urban spaces in present-day Turkey. Through extensive field research in minority Sufi communities, this book investigates how devotees of specific orders maintain, adapt, mobilise, and empower their beliefs and values through embodied acts of their Sufi followers. Using an ethnographic methodology and theories derived from performance studies, Esra Çizmeci examines the multiple ways in which the post-tariqa Mevlevi and Rifai practice is formed in present-day Turkey, such as through the authority of the spiritual teacher; the individual and collective performance of Sufi rituals; nefs (self) training; and, most importantly, the practice of Sufi doctrines in everyday life through the production of sacred spaces. Drawing on the theories of performance, she examines how the Sufi way of living and spaces are created anew in the process of each devotee’s embodied action. This book is informed by theories in performance studies, anthropology, religious studies, and cultural studies and places current Sufi practices in a historical perspective.
Performing Punk (Cultural Sociology)
by Erik HannerzPerforming Punk is a rich exploration of subcultural contrasts and similarities among punks. By investigating how punk is made, for whom, and in opposition to what, this book takes the reader on a journey through the lesser-known aspects of the punk subculture.