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Hoff Gerddi Cymru

Blodeugerdd gyfoethog o hoff gerddi pobl Cymru yn cynnwys cant o gerddi amrywiol adnabyddus, yn adlewyrchu dwyster a hiwmor, ac awyrgylch ramantus a heriol barddoniaeth Gymraeg yr ugeinfed ganrif. [A rich anthology of the favourite poems of the people of Wales comprising one hundred diverse and popular poems, reflecting the intensity and humour, the romantic and challenging mood of 20th century Welsh poetry.]

Höfische Lyrik: Eine Einführung

Minnesang, Sangspruch und Leich – die drei Hauptgattungen der deutschsprachigen Lyrik des Hochmittelalters stehen im Zentrum dieser Einführung. Der erste Teil behandelt die kulturgeschichtlichen und politischen Voraussetzungen sowie die form- und gattungsgeschichtlichen Entwicklungen. Ein besonderes Augenmerk liegt dabei auf der kulturellen Konstruktion der Geschlechterrollen und Liebeskonzepte. Der zweite Teil bietet zahlreiche Interpretationen zu konkreten Fallbeispielen aus allen drei Gattungen der höfischen Lyrik und führt so in die Praxis der Textanalyse ein. Kapitel zur Überlieferungs- und Editionsgeschichte sowie ein weiterführendes Literaturverzeichnis runden den Band ab.

Hog Butchers, Beggars, And Busboys: Poverty, Labor, And The Making Of Modern American Poetry (Class : Culture Ser. (PDF))

Impressive—Marsh successfully rewrites the founding moment of American Modernist poetry. ---Mark Van Wienen, Northern Illinois University ""Cogently argued, instructive, and sensitive, Marsh's revisionist reading opens new insights that will elicit lively comment and critical response."" ---Douglas Wixson, University of Missouri–Rolla Between 1909 and 1922, the genre of poetry was remade. Literary scholars have long debated why modern American poetry emerged when and how it did. While earlier poetry had rhymed, scanned, and dealt with conventional subjects such as love and nature, modern poetry looked and sounded very different and considered new areas of experience. Hog Butchers, Beggars, and Busboys: Poverty, Labor, and the Making of Modern American Poetry argues that this change was partially the result of modern poets writing into their verse what other poetry had suppressed: the gritty realities of modern life, including the problems of the poor and working class. A closer look at the early works of the 20th century's best known poets (William Carlos Williams, T. S. Eliot, Edna St. Vincent Millay, Claude McKay, Langston Hughes, and Carl Sandburg) reveals the long-neglected role the labor problem—including sweatshops, strikes, unemployment, woman and child labor, and immigration---played in the formation of canonical modern American poetry. A revisionary history of literary modernism and exploration into how poets uniquely made the labor problem their own, this book will appeal to modernists in the fields of American and British literature as well as scholars in American studies and the growing field of working-class literature.

Hold Your Own: Poems

Hold Your Own, Kate Tempest's first full-length collection for Picador is an ambitious, multi-voiced work based around the mythical figure of Tiresias. This four-part work follows him through his transformations from child, man and woman to blind prophet; through this structure, Tempest holds up a mirror to contemporary life in a direct and provocative way rarely associated with poetry. A vastly popular and accomplished performance poet, Tempest commands a huge and dedicated following on the performance and rap circuit. Brand New Ancients, also available from Picador, won the Ted Hughes Award for New Work in Poetry and has played to packed concert halls on both sides of the Atlantic.

Hold Your Own: Poems

My heart throws its head against my ribs, / it's denting every bone it's venting something it has known since I arrived and felt it beat.Kate Tempest, winner of the Ted Hughes Award for Brand New Ancients and widely regarded as the UK's leading spoken word poet, has produced a new poem-sequence of electrifying power. Based on the myth of the blind prophet Tiresias, Hold Your Own is a riveting tale of youth and experience, sex and love, wealth and poverty, community and alienation. Walking in the forest one morning, a young man disturbs two copulating snakes--and is punished by the goddess Hera, who turns him into a woman. This is only the beginning of his journey . . . Weaving elements of classical myth, autobiography and social commentary, Tempest uses the story of the gender-switching, clairvoyant Tiresias to create four sequences of poems, addressing childhood, manhood, womanhood, and late life. The result is a rhythmically hypnotic tour de force--and a hugely ambitious leap forward for one of the most broadly talented and compelling young writers today.

Hölderlin and the Consequences: An Essay on the German 'Poet of Poets'

"A sign we are, uninterpreted. Painless we are and have almost / lost the language in a foreign country." Thus begins the second version of Friedrich Hölderlin's hymn dedicated to goddess of memory, Mnemosyne. "Hölderlin and the Consequences" wants to remember this 'poet of poets' and consider what his unmatched poems have stimulated, even triggered, in others. This scholarly essay examines the legacy of a poet who was, by and large, ostracized in his time, a master of language, who was declared a stranger by his contemporaries until he became a stranger to himself. Hölderlin's multiple experience of foreignness and alienation was later counteracted by often ideologically motivated attempts to appropriate him. Rüdiger Görner presents this complex context as a special case in recent literary history.This book is a translation of an original German 1st edition, "Hölderlin und die Folgen" by Rüdiger Görner, published by J.B. Metzler, imprint of Springer-Verlag GmbH Germany, part of Springer Nature in 2016. The translation was done with the help of artificial intelligence (machine translation by the service DeepL.com). The author (with the support of Josh Torabi) has subsequently revised the text further in an endeavour to refine the work stylistically.

Hölderlin and the Poetry of Tragedy: Readings in Sophocles, Shakespeare, Nietzsche and Benjamin

Hölderlin (1770-1843) is the magnificent writer whom Nietzsche called 'my favourite poet'. His writings and poetry have been formative throughout the twentieth century, and as influential as those of Hegel, his friend. At the same time, his madness has made his poetry infinitely complex as it engages with tragedy, and irreconcilable breakdown, both political and personal, with anger and with mourning. This study gives a detailed approach to Hölderlin's writings on Greek tragedy, especially Sophocles, whom he translated into German, and gives close attention to his poetry, which is never far from an engagement with tragedy. Hölderlin's writings, always fascinating, enable a consideration of the various meanings of tragedy, and provide a new reading of Shakespeare, particularly Julius Caesar, Hamlet and Macbeth; the work proceeds by opening into discussion of Nietzsche, especially The Birth of Tragedy. Since Hölderlin was such a decisive figure for Modernism, to say nothing of modern Germany, he matters intensely to such differing theorists and philosophers as Walter Benjamin, Theodor Adorno, Martin Heidegger, Maurice Blanchot and Jacques Derrida, all of whose views are discussed herein. Drawing upon the insights of Hegelian philosophy and psychoanalysis, this book gives the English-speaking reader ready access to a magnificent body of poetry and to the poet as a theorist of tragedy and of madness. Hölderlin's poetry is quoted freely, with translations and commentary provided. This book is the first major account of Hölderlin in English to offer the student and general reader a critical account of a vital body of work which matters to any study of poetry and to all who are interested in poetry's relationships to madness. It is essential reading in the understanding of how tragedy pervades literature and politics, and how tragedy has been regarded and written about, from Hegel to Walter Benjamin.

Hölderlin and the Poetry of Tragedy: Readings in Sophocles, Shakespeare, Nietzsche and Benjamin

Hölderlin (1770-1843) is the magnificent writer whom Nietzsche called 'my favourite poet'. His writings and poetry have been formative throughout the twentieth century, and as influential as those of Hegel, his friend. At the same time, his madness has made his poetry infinitely complex as it engages with tragedy, and irreconcilable breakdown, both political and personal, with anger and with mourning. This study gives a detailed approach to Hölderlin's writings on Greek tragedy, especially Sophocles, whom he translated into German, and gives close attention to his poetry, which is never far from an engagement with tragedy. Hölderlin's writings, always fascinating, enable a consideration of the various meanings of tragedy, and provide a new reading of Shakespeare, particularly Julius Caesar, Hamlet and Macbeth; the work proceeds by opening into discussion of Nietzsche, especially The Birth of Tragedy. Since Hölderlin was such a decisive figure for Modernism, to say nothing of modern Germany, he matters intensely to such differing theorists and philosophers as Walter Benjamin, Theodor Adorno, Martin Heidegger, Maurice Blanchot and Jacques Derrida, all of whose views are discussed herein. Drawing upon the insights of Hegelian philosophy and psychoanalysis, this book gives the English-speaking reader ready access to a magnificent body of poetry and to the poet as a theorist of tragedy and of madness. Hölderlin's poetry is quoted freely, with translations and commentary provided. This book is the first major account of Hölderlin in English to offer the student and general reader a critical account of a vital body of work which matters to any study of poetry and to all who are interested in poetry's relationships to madness. It is essential reading in the understanding of how tragedy pervades literature and politics, and how tragedy has been regarded and written about, from Hegel to Walter Benjamin.

Hölderlin. Der Pflegsohn: Texte und Dokumente 1806-1843 mit den neu entdeckten Nürtinger Pflegschaftsakten. Schriften der Hölderlin-Gesellschaft, Band 16

Hölderlin-Handbuch: Leben ‒ Werk ‒ Wirkung

Nur wenige deutsche Dichter erfahren eine ähnlich starke Aufmerksamkeit bis in die jüngste Gegenwart wie Friedrich Hölderlin. Das Handbuch, seit vielen Jahren das Standardwerk zur Hölderlin-Forschung, informiert in der Neuauflage detailliert über den aktuellen Forschungs- und Wissensstand. Es analysiert das gesamte Werk des Dichters und behandelt darüber hinaus die Biographie im Kontext der Epoche, die Voraussetzungen für das Werk, die Poetologie und schließlich die Rezeption Hölderlins. So werden verschiedene Zugangsweisen und die Vielfalt der Denkmotive Hölderlins transparent. In der zweiten Auflage wurden zahlreiche Artikel neu verfasst und ergänzt.

Hölderlin-Handbuch: Leben – Werk – Wirkung

Hölderlin in allen Facetten. Nur wenige deutsche Dichter erfahren eine ähnlich starke Aufmerksamkeit bis in die jüngste Gegenwart. Das Handbuch informiert detailliert über den aktuellen Forschungs- und Wissensstand. Es behandelt die Biografie im Kontext der Epoche, Voraussetzungen für das Werk, Quellen und Poetologie. Sämtliche Werke von den frühen Hymnen über Hyperion bis zu den großen Elegien und Gesängen werden analysiert. So werden verschiedene Zugangsweisen und die Vielfalt der Denkmotive Hölderlins transparent.

Hölderlin-Handbuch: Leben - Werk - Wirkung

Das Handbuch informiert detailliert und kenntnisreich über den Forschungs- und Wissensstand zu Hölderlin: Biografie im Kontext der Epoche, Voraussetzungen und Quellen des Werks, Poetologie, Analysen des gesamten Werks - von den frühen Hymnen über Hyperion bis zu den 'großen' Elegien und Gesängen - Rezeptionsgeschichte, Nachwirkungen in Literatur, Musik und bildender Kunst, Zeittafel, Bibliografie und Register. Die verschiedenen Zugangsweisen zu Hölderlins Werk und die Vielfalt der Denkmotive, die von ihm ausgehen, werden transparent gemacht.

Hölderlin und die Folgen

Ein Zeichen sind wir, deutungslos. Schmerzlos sind wir und haben fast / Die Sprache in der Fremde verloren. So beginnt Friedrich Hölderlins Hymne, die dem Gedächtnis gilt, der Göttin der Erinnerung, Mnemosyne. Dieses Buch will den Dichter der Dichter erinnern und das, was seine Dichtungen, die ihresgleichen in der deutschen Sprache nicht kennen, an Fragwürdigem angeregt, ja, ausgelöst haben. Die hier unternommenen Zugänge gelten einem zu seiner Zeit Ausgegrenzten, einem Sprachkünstler, den seine Zeitgenossen zum Fremden erklärten, bis er sich selbst fremd wurde. Diese mehrfache Fremdheitserfahrung Hölderlins wurde später durch ideologisch motivierte Heimholungsversuche und Vereinnahmungen konterkariert. Rüdiger Görner stellt diesen komplexen Zusammenhang als einen in der jüngeren Literaturgeschichte besonderen Fall dar.

Hölderlin und Nürtingen: Schriften der Hölderlin-Gesellschaft, Band 19

Hölderlins späte Gedichtfragmente: "Unendlicher Deutung voll"

Hollow Palaces: An Anthology of Modern Country House Poems

The ‘country house poem’ was born in the seventeenth century as a fruitful way of flattering potential patrons. But the genre’s popularity faded – ironically, just as ‘country house society’ was emerging. It was only when the power and influence of the landed classes had all but ebbed away that poets returned to the theme, attracted perhaps by the buildings’ irresistible dereliction, but equally by their often very personal histories. This is the first complete anthology of modern country house poems, and it shows just how far (as Simon Jenkins points out in his Foreword) poems can ‘penetrate the souls of buildings’. Over 160 distinguished poets representing a diversity of class, race, gender, and generation offer fascinating perspectives on stately exteriors and interiors, gardens both wild and cultivated, crumbling ruins and the extraordinary secrets they hide. There are voices of all kinds, whether it’s Edith Sitwell recreating her childhood, W. B. Yeats and Wendy Cope pondering Lissadell, or Simon Armitage’s labourer confronting the Lady who’s ‘got the lot’. We hear from noble landowners and loyal (or rebellious) servants, and from many an inquisitive day-tripper. The book’s dominant note is elegiac, yet comedy, satire, even strains of Gothic can be heard among these potent reflections. Hollow Palaces reminds us how poets can often be the most perceptive of guides to radical changes in society. The book is illustrated by Rosie Greening.

Hollywood & God (Phoenix Poets)

Hollywood & God is a virtuosic performance, filled with crossings back and forth from cinematic chiaroscuro to a kind of unsettling desperation and disturbing—even lurid—hallucination. From the Baltimore Catechism to the great noir films of the last century to today’s Elvis impersonators and Paris Hilton (an impersonator of a different sort), Robert Polito tracks the snares, abrasions, and hijinks of personal identities in our society of the spectacle, a place where who we say we are, and who (we think) we think we are fade in and out of consciousness, like flickers of light dancing tantalizingly on the silver screen. Mixing lyric and essay, collage and narrative, memoir and invention, Hollywood & God is an audacious book, as contemporary as it is historical, as sly and witty as it is devastatingly serious.

Hollywood & God (Phoenix Poets)

Hollywood & God is a virtuosic performance, filled with crossings back and forth from cinematic chiaroscuro to a kind of unsettling desperation and disturbing—even lurid—hallucination. From the Baltimore Catechism to the great noir films of the last century to today’s Elvis impersonators and Paris Hilton (an impersonator of a different sort), Robert Polito tracks the snares, abrasions, and hijinks of personal identities in our society of the spectacle, a place where who we say we are, and who (we think) we think we are fade in and out of consciousness, like flickers of light dancing tantalizingly on the silver screen. Mixing lyric and essay, collage and narrative, memoir and invention, Hollywood & God is an audacious book, as contemporary as it is historical, as sly and witty as it is devastatingly serious.

Hollywood & God (Phoenix Poets)

Hollywood & God is a virtuosic performance, filled with crossings back and forth from cinematic chiaroscuro to a kind of unsettling desperation and disturbing—even lurid—hallucination. From the Baltimore Catechism to the great noir films of the last century to today’s Elvis impersonators and Paris Hilton (an impersonator of a different sort), Robert Polito tracks the snares, abrasions, and hijinks of personal identities in our society of the spectacle, a place where who we say we are, and who (we think) we think we are fade in and out of consciousness, like flickers of light dancing tantalizingly on the silver screen. Mixing lyric and essay, collage and narrative, memoir and invention, Hollywood & God is an audacious book, as contemporary as it is historical, as sly and witty as it is devastatingly serious.

The Holy Land

At the heart of Maurice Riordan's third collection is a sequence of eighteen dramatic idylls set in rural Cork in the 1950s, in which the subdued microcosm of farm and smallholding - of boundary, townland and parish - is defined through the individual voices of the poet's father and assorted friends, farmhands and neighbours (Moss, Dan-Jo, Davey Divine, the Bo'son, Uncle Tom the Buck, the Gully). The settings of these loosely contiguous fragments almost casually define a historical community, ranging around farm and fields, through furze and ragwort, headland and plantation, haggard and Bog - tracing the immemorial scenes of traditional farming life: cutting drains, harvesting, fencing, potato planting, beet topping â?" and their close and intimate topography is recalled with a Proustian fidelity to names (the Long Field, the Kiln Field, the Small Fields, the Hill Fields, Higgs's Field, the Passage, the old Deer Park, the Orchard, the Bottom Glen)The tentative oral fluidity of these remarkable poems flickers on the borderline of prose, resolving complexities into an impression of timeless pastoral life, at once archaic yet precisely pitched in time. Other poems in The Holy Land proffer alternative forms of capture and recapture, and resemble light-sensitive plates storing and restoring what one poem refers to as 'the understory'. Thus the stilled life of 1950s rural Ireland is recreated, with echoes of classical models such as Theocritus, or of traditional Irish materials from the Fenian cycle, celebrating 'the music of what happens'. As Patrick Kavanagh wrote in his poem 'Epic': 'I have lived in important places, times when great events were decided: who owned that half a rood of rock...'

Home: Poems & Songs Inspired by American Immigrants

NATIONAL BESTSELLERThe United States is composed of and built by immigrants, and it has been a beacon to those in search of a new life for hundreds of years.HOME is a collection of thirty-four poems and twelve songs inspired by a diverse group of immigrants who have made significant contributions to the United States. From Yo-Yo Ma to Audrey Hepburn, Albert Einstein to Celia Cruz, these poems symbolize the many roads that lead to America, and which we expect will continue to converge to build the highways to our future.Offering a welcoming feeling intended to inform our cultural conversation and enhance our national dialogue, HOME has twelve accompanying musical pieces that serve as personal meditations on the essence of home, in which you can reflect upon where you feel most welcome, whether a place or state of mind.Written and composed by immigrants and first generation Americans, HOME provides a stronger sense of welcome and belonging for everyone.

Home: poems to heal your heartbreak

From Tiktok phenomenon Whitney Hanson, a revised edition of her bestselling Home, now with a new introduction and more than a dozen new poems"the bees aren't going to go awaybut they are going to change with yousometimes they will be chaoticsometimes they will restsometimes they will give you sweet honeyand sometimes they will remind youof how much love can stingbut if you can find a home within yourselfand make peace with your beesyou will be alright"--from HomeResonant, raw, and vibrant, Home is a lyrical map to navigating heartbreak. Tracing the stages of healing - from the despair that comes with the end of a relationship to the eventual light and liberation that comes with time - the poems in Home provide comfort and solace, while revitalizing your soul - and helping you make peace with your bees.'I would buy it again!' 5* reader review'This book is everything I needed and more' 5* reader review'Best poet out there' 5* reader review'This book did wonders for my mental health and heartbreak' 5* reader review'Can't wait for what Whitney writes next' 5* reader review

Home at Grasmere: Extracts from the Journal of Dorothy Wordsworth and from the Poems of William Wordsworth (Penguin Classics)

A continuous text made up of extracts from Dorothy Wordsworth's Journal and a selection of her brother's poems. Dorothy Wordsworth kept her Journal 'because I shall give William pleasure by it'. In doing so, she never dreamt that she was giving future readers not only the chance to enjoy her fresh and sensitive delight in the beauties that surrounded her at Grasmere but also a rare opportunity to observe 'the progress of a poet's mind'. Colette Clark's skilful and perceptive arrangement of Dorothy's entries alongside William's poems throws a unique light on his creative process, and shows how the interdependence of brother and sister was a vital part in the writing of many of his great poems. By reading these poems in relation to the Journal it is possible to trace the processes by which they were committed to paper and so achieve a fuller understanding of them. A writer in her own right, Dorothy kept her Journal sparse in personal and emotional detail. Yet there is, nevertheless, a deep emotional undercurrent running beneath the surface which only falters when William marries Mary Hutchinson. Never again was Dorothy to achieve the freedom, spontaneity and the limpidly beautiful prose with which she infused and irradiated the Grasmere Journals.

Home Book of Verse, The, Volume 4

The Home Book of Verse, Volume 1