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Colcha
by Aaron AbeytaWinner of a 2002 American Book Award Winner of the 2002 Colorado Book Award in Poetry "The natural voice at work in the poetry sings of one human life as if it were our own. I loved listening." —Rita Kiefer, author of Nesting Doll "This just may be one of the best books of poetry I have ever read. . . . This is the kind of writing that give poetry a good name." —Mike Nobles, Tulsa World "Abeyta's poetry amazingly captures this struggle with poems that are simultaneously tortured and thankful, celebratory and melancholy, earthly and ethereal. . . . Poet Abeyta beautifully captures the hardships of living in rural Colorado." —Blue Sky Quarterly "Abeyta writes about family, friends, and famous (and infamous) locals. His approach is intimate and daring while avoiding the self-absorbed, coffee-house clichés we fear. Yes, death plays a role in the connection of community and the land, but these poems are sly rather than dark, modulated rather than graphic, sweet rather than maudlin." —Wayne Sheldrake, Colorado Central Magazine In Colcha, Aaron Abeyta blends the contrasting rhythms of the English and Spanish languages, finding music in a simple yet memorable lyricism without losing the complexity and mystery of personal experience. His forty-two poems take the reader on a journey through a contemplative personal history that explores communal, political and societal issues as well as the individual experiences of family and friends. With his distinctive voice, Abeyta invites people of all cultures to enter his poems by exploring the essence of humanity as expressed by his particular Hispanic culture and heritage. Marked by intimacy and deep sentiment, Colcha not only acquaints us with the land of Abeyta's people, but also reveals the individuals from his life and family history in the most colorful and delicate detail. We meet his abuelitos (grandparents) in poems such as "colcha" and "3515 Wyandot," and hear of their connection to the tierra and its seasons, their labor and its bounty presented both viscerally and lovingly. We also meet the nameless people: the rancheros and the herders and the farmers, the locals in their pick-up trucks, and the women who make the tortillas. Abeyta's reflections on the plight, loves, joys, failures, and exploitation of the common person in such poems as "cuando se secan las acequias," "untitled (verde)," and "cinco de mayo" belong to the literary heritage of such poets as Pablo Neruda, Federico Garcia Lorca, and Walt Whitman. Colcha is not just for those who love poetry, but for all people who wish to be moved by the music of language and, while listening, perhaps to gain some personal insight into their own lives and cultural traditions.
English Romantic Poets: Modern Essays in Criticism (Galaxy Books)
by M. H. AbramsThis highly acclaimed volume contains thirty essays by such leading literary critics as A.O. Lovejoy, Lionel Trilling, C.S. Lewis, F.R. Leavis, Northrop Frye, Harold Bloom, Geoffrey Hartman, Jonathan Wordsworth, and Jack Stillinger. Covering the major poems by each of the important Romantic poets, the contributors present many significant perspectives in modern criticism--old and new, discursive and explicative, mimetic and rhetorical, literal and mythical, archetypal and phenomenological, pro and con.
Ask the Moon
by Dannie AbseThe definitive anthology spanning from 1948-2014, complete with new poems, from multi-award winning Dannie Abse, one of Britain's most well-respected poets.This is the collection of a lifetime's work from one of Britiain's best-loved poets. Dannie Abse has published an array of work including fiction, autobiography and plays but he is best known, and critically acclaimed, as a poet. Dannie Abse collects together here the definitive jewels of his cannon. This volume comprises both a distinguished collection of his past work and a generous selection of new poems.
New Selected Poems
by Dannie AbseThe year 2009 marks the 60th anniversary of the publication of Dannie Abse's first poetry collection, After Every Green Thing, and since that time he has published an astonishing range of books, including poetry, fiction, criticism and autobiography. He remains a writer of great distinction who is at the height of his powers - his memoir, The Presence, won the Wales Book of the Year in 2008. But it is as a poet that Dannie Abse is best known, and to mark this extraordinary milestone he has compiled a new and definitive volume of selected poems which includes new work combining both passion and maturity.
Speak, Old Parrot
by Dannie Abse2013 marks Dannie Abse's 90th birthday. In his lifetime he has published an astonishing array of work including poetry, fiction, criticism, plays and autobiography but it is as a poet that he is best known and loved. In Speak, Old Parrot he returns to themes of loss, love, medicine and its moral implications, the nature of creativity, Jewish folk tradition and the passing of time. The poems are observant of the outside world as well as the inner life and emotions but most of all they are a joy to read.
Two for Joy: Scenes From Married Life
by Dannie AbseDannie and Joan Abse had been married for more than fifty years when she was killed in a car crash in 2005. After her death he wrote his extraordinary memoir of loss, The Presence, which was the Wales Book of the Year in 2008.In contrast, much of this new collection is a delightful celebration. In it Dannie Abse returns to their marriage through all its seasons, and celebrates love in verse which is funny, tender and playful as well as serious and passionate. Almost half the poems appear in this form for the first time. 'One for sorrow, two for joy' is the old country saw about the magpie. These poems reflect its truth, and in the process transfigure ordinary life and love into something rich and strange.
Echoes of Opera in Modern Italian Poetry: Eros, Tragedy, and National Identity (Italian and Italian American Studies)
by Mattia AcetosoTwentieth-century Italian poetry is haunted by countless ghosts and shadows from opera. Echoes of Opera in Modern Italian Poetry reveals their presence and sheds light on their role in shaping that great poetic tradition. This is the first work in English to analyze the influence of opera on modern Italian poetry, uncovering a fundamental but neglected relationship between the two art forms. A group of Italian poets, from Gabriele D’Annunzio to Giorgio Caproni, by way of Umberto Saba and Eugenio Montale, made opera a cornerstone of their artistic craft. More than an occasional stylistic influence, opera is rather analyzed as a fundamental facet of these poets’ intellectual quest to overcome the expressive limitations of lyrical poetry. This book reframes modern Italian poetry in a truly interdisciplinary perspective, broadening our understanding of its prominence within the humanities, in the twentieth century and beyond.
Dylan Thomas: His Life and Work
by John Ackerman`That brilliant commentator on Dylan, John Ackerman' - Andrew Sinclair, Dylan Thomas: Poet of his People John Ackerman's highly acclaimed study of the poems and prose works of Dylan Thomas traces his development as a writer, linking this for the first time with his Welsh background. The formative influence of Swansea on the young poet, his family roots in West Wales and the childhood visits to Fernhill farm and the nearby Blaen Cwm cottage are all included, together with the Boat House anhd Laugharne, the absorbing village life and the inspiration of its now famous land- and sea-scapes. The impact of Welsh nonconformity and the chapel, and the radical politics of Wales are also explored as important influences on the poet's career. The 1994 preface, together with the introduction, throws new light on later poems like 'Prologue', the poet's work in film, broadcasting, as reader and as lecturer, while his own newly-discovered words, sharp and witty and with a poet's eye highlight his life, times and craft. The kaleidoscope of his changing worlds is seen in his homes in Wales and England, and his need in each one for a separate place to write, whether the hillside shed in Laugharne or a gypsy caravan in Oxfordshire or Camden.
A Dylan Thomas Companion: Life, Poetry and Prose (Literary Companions)
by John AckermanOpening with Thomas's life, the book offers vignettes of Swansea in the 1920s and 1930s, pre- and post-war Laugharne and rural West Wales, wartime London and New York City in the early 1950s, seen through the poet's eyes. Thomas's political views are focused on, as well as his social attitudes.
Arion's Lyre: Archaic Lyric into Hellenistic Poetry (PDF)
by Benjamin Acosta-HughesArion's Lyre examines how Hellenistic poetic culture adapted, reinterpreted, and transformed Archaic Greek lyric through a complex process of textual, cultural, and creative reception. Looking at the ways in which the poetry of Sappho, Alcaeus, Ibycus, Anacreon, and Simonides was preserved, edited, and read by Hellenistic scholars and poets, the book shows that Archaic poets often look very different in the new social, cultural, and political setting of Hellenistic Alexandria. For example, the Alexandrian Sappho evolves from the singer of Archaic Lesbos but has distinct associations and contexts, from Ptolemaic politics and Macedonian queens to the new phenomenon of the poetry book and an Alexandrian scholarship intent on preservation and codification. A study of Hellenistic poetic culture and an interpretation of some of the Archaic poets it so lovingly preserved, Arion's Lyre is also an examination of how one poetic culture reads another--and how modern readings of ancient poetry are filtered and shaped by earlier readings.
Arion's Lyre: Archaic Lyric into Hellenistic Poetry
by Benjamin Acosta-HughesArion's Lyre examines how Hellenistic poetic culture adapted, reinterpreted, and transformed Archaic Greek lyric through a complex process of textual, cultural, and creative reception. Looking at the ways in which the poetry of Sappho, Alcaeus, Ibycus, Anacreon, and Simonides was preserved, edited, and read by Hellenistic scholars and poets, the book shows that Archaic poets often look very different in the new social, cultural, and political setting of Hellenistic Alexandria. For example, the Alexandrian Sappho evolves from the singer of Archaic Lesbos but has distinct associations and contexts, from Ptolemaic politics and Macedonian queens to the new phenomenon of the poetry book and an Alexandrian scholarship intent on preservation and codification. A study of Hellenistic poetic culture and an interpretation of some of the Archaic poets it so lovingly preserved, Arion's Lyre is also an examination of how one poetic culture reads another--and how modern readings of ancient poetry are filtered and shaped by earlier readings.
Poetry's Knowing Ignorance
by Joseph AcquistoWhat kind of knowledge, if any, does poetry provide? Poets make poems, but they also make meaning and craft a kind of learned and creative ignorance as they provide infinitely revisable answers to the question of what poetry is. That question of poetry's definition invites broader ones about the relationship of poetry to other lived experience. Poetry thus implies something like a way of life that is resistant to definitive statements and conclusions, and the creation of communities of readers and writers that live in ever-renewed questioning. To resist concluding is to embrace a kind of productive ignorance, a knowledge that is first and foremost aware of poetic knowledge's own limits. Poetry's Knowing Ignorance shows, through an examination of French poetry, how it is this dialogue in response to a constant questioning, to an answer-turned-question, that continues to blur the boundary between poetry and writing about poetry, between poetry and criticism, and between poetry and other kinds of experience.
Poetry's Knowing Ignorance
by Joseph AcquistoWhat kind of knowledge, if any, does poetry provide? Poets make poems, but they also make meaning and craft a kind of learned and creative ignorance as they provide infinitely revisable answers to the question of what poetry is. That question of poetry's definition invites broader ones about the relationship of poetry to other lived experience. Poetry thus implies something like a way of life that is resistant to definitive statements and conclusions, and the creation of communities of readers and writers that live in ever-renewed questioning. To resist concluding is to embrace a kind of productive ignorance, a knowledge that is first and foremost aware of poetic knowledge's own limits. Poetry's Knowing Ignorance shows, through an examination of French poetry, how it is this dialogue in response to a constant questioning, to an answer-turned-question, that continues to blur the boundary between poetry and writing about poetry, between poetry and criticism, and between poetry and other kinds of experience.
Reading Baudelaire with Adorno: Dissonance, Subjectivity, Transcendence
by Joseph AcquistoReading Baudelaire with Adorno examines Charles Baudelaire's oeuvre – including verse poems, prose poems, and critical writings – in dialogue with the aesthetic theory of Theodor Adorno, for whom the autonomy of the artwork critically resists any attempt to view it merely as a product of its socio-historic context. Joseph Acquisto analyzes Baudelairean duality through the lens of dissonance, arguing that the figure of the subject as a “dissonant chord” provides a gateway to Baudelaire's reconfiguration of subjectivity and objectivity in both esthetic and epistemological terms. He argues that Baudelaire's dissonance depends on older models of subjectivity in order to define itself via the negation of romantic conceptions of a unified lyric subject in favor of one constituted simultaneously as subject and object.This new understanding of subjectivity reconfigures our relationship to the work of art, which will always surpass conceptual attempts to know it fully. Acquisto offers a fresh take on some familiar themes in Baudelaire's work. Dissonant subjectivity in Baudelaire, rather than cancelling esthetic transcendence, points to a different way forward that depends on a new and dialectical relation of subject and object.
Reading Baudelaire with Adorno: Dissonance, Subjectivity, Transcendence
by Joseph AcquistoReading Baudelaire with Adorno examines Charles Baudelaire's oeuvre – including verse poems, prose poems, and critical writings – in dialogue with the aesthetic theory of Theodor Adorno, for whom the autonomy of the artwork critically resists any attempt to view it merely as a product of its socio-historic context. Joseph Acquisto analyzes Baudelairean duality through the lens of dissonance, arguing that the figure of the subject as a “dissonant chord” provides a gateway to Baudelaire's reconfiguration of subjectivity and objectivity in both esthetic and epistemological terms. He argues that Baudelaire's dissonance depends on older models of subjectivity in order to define itself via the negation of romantic conceptions of a unified lyric subject in favor of one constituted simultaneously as subject and object.This new understanding of subjectivity reconfigures our relationship to the work of art, which will always surpass conceptual attempts to know it fully. Acquisto offers a fresh take on some familiar themes in Baudelaire's work. Dissonant subjectivity in Baudelaire, rather than cancelling esthetic transcendence, points to a different way forward that depends on a new and dialectical relation of subject and object.
Thinking Poetry: Philosophical Approaches to Nineteenth-Century French Poetry
by Joseph AcquistoThis volume of essays seeks to establish a dialogue between poetry and philosophy where each could be said to read the other and announces important new paths for a reinvigorated study of lyric poetry in the decades to come.
Mothersong
by Amy AcreA lyrical excavation of trauma and healing in the midst of early motherhood - the debut work of an endlessly inventive poet whose work 'fizzes with energy, physicality, and the levitating openness of song' (Rebecca Tamás)'An essential read, poignant, powerful and provocative. I love the feeling in Amy Acre's poems' Salena GoddenAmy Acre's debut collection is an unforgettable, unflinching excavation of motherhood, what it means to be a female artist, and what it means to be a poet with a deeply integrated community. This is a timeless work the like of which we haven't seen enough of in the past, primed to last long into the future.'Amy Acre is one of the best poets of her generation. Pure cinema, raw heart, and unparalleled technique. Read this' Joelle Taylor, winner of the 2021 T S Eliot Prize for Poetry'Mothers, daughters, lovers, all the thrilling complexity of love and grief that the body must bear; these are poems which set the page aglow and make my heart spin' Liz Berry, winner of the 2018 Forward Prize for Poetry
Mothersong
by Amy AcreA lyrical excavation of trauma and healing in the midst of early motherhood - the debut work of an endlessly inventive poet whose work 'fizzes with energy, physicality, and the levitating openness of song' (Rebecca Tamás)'An essential read, poignant, powerful and provocative. I love the feeling in Amy Acre's poems' Salena GoddenAmy Acre's debut collection is an unforgettable, unflinching excavation of motherhood, what it means to be a female artist, and what it means to be a poet with a deeply integrated community. This is a timeless work the like of which we haven't seen enough of in the past, primed to last long into the future.'Amy Acre is one of the best poets of her generation. Pure cinema, raw heart, and unparalleled technique. Read this' Joelle Taylor, winner of the 2021 T S Eliot Prize for Poetry'Mothers, daughters, lovers, all the thrilling complexity of love and grief that the body must bear; these are poems which set the page aglow and make my heart spin' Liz Berry, winner of the 2018 Forward Prize for Poetry
Samuel Johnson and the Powers of Friendship (Routledge Studies in Eighteenth-Century Literature)
by A.D. Cousins, Daniel Derrin, and Dani NaptonThis book is the first to assess Johnson’s diverse insights into friendship—that is to say, his profound as well as widely ranging appreciation of it—over the course of his long literary career. It examines his engagements with ancient philosophies of friendship and with subsequent reformulations of or departures from that diverse inheritance. The volume explores and illuminates Johnson’s understanding of friendship in the private and public spheres—in particular, friendship’s therapeutic amelioration of personal experience and transformative impact upon civil life. Doing so, it considers both his portrayals of interaction with his friends and his more overtly fictional representations of friendship across the many genres in which he wrote. It presents at once an original re-assessment of Johnson’s writings and new interpretations of friendship as an element of civility in mid-eighteenth-century British culture.
Poems of the Sea (Macmillan Collector's Library #302)
by Adam Nicolson and Gaby MorganPoems of the Sea is an anthology of classic poetry that celebrates the sea; from the power of a stormy ocean to ships and sailors and beaches strewn with shells. Part of the Macmillan Collector’s Library; a series of stunning, pocket-sized classics with ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition features an introduction by author Adam Nicolson.For generations, poets have taken inspiration from ocean mists and rugged coastlines to conjure up adventures on the high seas and joyous days at the seaside. From Emily Dickinson’s morning dog walks by the shore, to the river running through Sara Teasdale’s sunny valley, and from Walt Whitman’s fish-filled forests, to the silent ships passing in Paul Laurence Dunbar’s dark ocean, there are poems here for every reader to enjoy.
For Those with Empty Arms: A Compassionate Voice For Those Experiencing Infertility
by Emily Harris AdamsFor Those with Empty Arms uses poetry and personal experiences to offer an empathetic voice for those experiencing infertility.
Violent Passions: Managing Love in the Old French Verse Romance (Arthurian and Courtly Cultures)
by T. AdamsThis book re-evaluates the perception of "courtly love" in Old French verse. Adams traces how these verses explore the emotional trials of amour and propose coping methods for the lovelorn.
Wounded Fiction: Modern Poetry and Deconstruction (Routledge Library Editions: Literary Theory)
by Joseph AdamsonThis book, first published in 1988, does not concern the theory of poetry so much as the poetry of theory: a poetry that theorizes, that has a "view" on things, that thinks. What or what things does poetry think about, and what do we mean by thinking? The author attempts to answer these questions by examining the work of three poets – Wallace Stevens, César Vallejo, and René Char – and reflects upon the poetry itself. This title will be of interest to students of literature and literary theory.
Wounded Fiction: Modern Poetry and Deconstruction (Routledge Library Editions: Literary Theory)
by Joseph AdamsonThis book, first published in 1988, does not concern the theory of poetry so much as the poetry of theory: a poetry that theorizes, that has a "view" on things, that thinks. What or what things does poetry think about, and what do we mean by thinking? The author attempts to answer these questions by examining the work of three poets – Wallace Stevens, César Vallejo, and René Char – and reflects upon the poetry itself. This title will be of interest to students of literature and literary theory.
Franz Baermann Steiner: A Stranger in the World (Methodology & History in Anthropology #42)
by Jeremy Adler Richard FardonFranz Baermann Steiner (1909-52) provided the vital link between the intellectual culture of central Europe and the Oxford Institute of Anthropology in its post-Second World War years. This book demonstrates his quiet influence within anthropology, which has extended from Mary Douglas to David Graeber, and how his remarkable poetry reflected profoundly on the slavery and murder of the Shoah, an event which he escaped from. Steiner’s concerns including inter-disciplinarity, genre, refugees and exile, colonialism and violence, and the sources of European anthropology speak to contemporary concerns more directly now than at any time since his early death.