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Stolen Time: Black Fad Performance and the Calypso Craze
by Shane VogelIn 1956 Harry Belafonte’s Calypso became the first LP to sell more than a million copies. For a few fleeting months, calypso music was the top-selling genre in the US—it even threatened to supplant rock and roll. Stolen Time provides a vivid cultural history of this moment and outlines a new framework—black fad performance—for understanding race, performance, and mass culture in the twentieth century United States. Vogel situates the calypso craze within a cycle of cultural appropriation, including the ragtime craze of 1890s and the Negro vogue of the 1920s, that encapsulates the culture of the Jim Crow era. He follows the fad as it moves defiantly away from any attempt at authenticity and shamelessly embraces calypso kitsch. Although white calypso performers were indeed complicit in a kind of imperialist theft of Trinidadian music and dance, Vogel argues, black calypso craze performers enacted a different, and subtly subversive, kind of theft. They appropriated not Caribbean culture itself, but the US version of it—and in so doing, they mocked American notions of racial authenticity. From musical recordings, nightclub acts, and television broadcasts to Broadway musicals, film, and modern dance, he shows how performers seized the ephemeral opportunities of the fad to comment on black cultural history and even question the meaning of race itself.
Stolen Time: Black Fad Performance and the Calypso Craze
by Shane VogelIn 1956 Harry Belafonte’s Calypso became the first LP to sell more than a million copies. For a few fleeting months, calypso music was the top-selling genre in the US—it even threatened to supplant rock and roll. Stolen Time provides a vivid cultural history of this moment and outlines a new framework—black fad performance—for understanding race, performance, and mass culture in the twentieth century United States. Vogel situates the calypso craze within a cycle of cultural appropriation, including the ragtime craze of 1890s and the Negro vogue of the 1920s, that encapsulates the culture of the Jim Crow era. He follows the fad as it moves defiantly away from any attempt at authenticity and shamelessly embraces calypso kitsch. Although white calypso performers were indeed complicit in a kind of imperialist theft of Trinidadian music and dance, Vogel argues, black calypso craze performers enacted a different, and subtly subversive, kind of theft. They appropriated not Caribbean culture itself, but the US version of it—and in so doing, they mocked American notions of racial authenticity. From musical recordings, nightclub acts, and television broadcasts to Broadway musicals, film, and modern dance, he shows how performers seized the ephemeral opportunities of the fad to comment on black cultural history and even question the meaning of race itself.
Stolen Time: Black Fad Performance and the Calypso Craze
by Shane VogelIn 1956 Harry Belafonte’s Calypso became the first LP to sell more than a million copies. For a few fleeting months, calypso music was the top-selling genre in the US—it even threatened to supplant rock and roll. Stolen Time provides a vivid cultural history of this moment and outlines a new framework—black fad performance—for understanding race, performance, and mass culture in the twentieth century United States. Vogel situates the calypso craze within a cycle of cultural appropriation, including the ragtime craze of 1890s and the Negro vogue of the 1920s, that encapsulates the culture of the Jim Crow era. He follows the fad as it moves defiantly away from any attempt at authenticity and shamelessly embraces calypso kitsch. Although white calypso performers were indeed complicit in a kind of imperialist theft of Trinidadian music and dance, Vogel argues, black calypso craze performers enacted a different, and subtly subversive, kind of theft. They appropriated not Caribbean culture itself, but the US version of it—and in so doing, they mocked American notions of racial authenticity. From musical recordings, nightclub acts, and television broadcasts to Broadway musicals, film, and modern dance, he shows how performers seized the ephemeral opportunities of the fad to comment on black cultural history and even question the meaning of race itself.
Stockholm (Oberon Modern Plays)
by Bryony LaveryMeet the couple every couple wants to be. Attractive and immaculately turned out, they are the perfect team. Tomorrow they will be in Stockholm, a city where, in summer, the sun shines 24/7 and sometimes it’s dark all day long. Today it’s his birthday and she’s going to give him all his presents and treats and surprises.Treading a fine line between tenderness and cruelty, Stockholm reveals a relationship unravelling. It’s beautiful, but it’s not pretty.Stockholm unites leading physical theatre company Frantic Assembly with award-winning playwright Bryony Lavery and designer Laura Hopkins (Black Watch, Mercury Fur) to deliver an extraordinary perspective on the nature of modern love.Stockholm opened at the Theatre Royal Plymouth in September 2007.
Stitching La Mode: Patterns and Dressmaking from Fashion Plates of 1785-1795
by Carolyn DowdellStitching La Mode: Patterns and Dressmaking from Fashion Plates of 1785-1795 brings to life women’s unique and extravagant fashions of 1785-1795 in a beautifully illustrated and accessible way. The book consists of scaled patterns directly based on original French, German and English fashion plates drafted according to period-accurate shapes. The patterns encompass the full look presented in each fashion plate from garments to accessories. These are accompanied by a color image of the corresponding fashion plate, straightforward, illustrated directions for recreating the outfits, information on the material used and modelled reproductions of each plate to demonstrate what they would look like in "real life". The book focuses on unique styles often seen in fashion plates but rarely – if ever – patterned before, making this a fresh and exciting yet historically accurate take on late eighteenth-century fashion. Stitching La Mode significantly expands the understanding of transitional fashions from the late eighteenth century with concrete, physical examples of styles, perfectly suited for costume technicians and makers, costume historians and hobby costumers and re-enactors.
Stitching La Mode: Patterns and Dressmaking from Fashion Plates of 1785-1795
by Carolyn DowdellStitching La Mode: Patterns and Dressmaking from Fashion Plates of 1785-1795 brings to life women’s unique and extravagant fashions of 1785-1795 in a beautifully illustrated and accessible way. The book consists of scaled patterns directly based on original French, German and English fashion plates drafted according to period-accurate shapes. The patterns encompass the full look presented in each fashion plate from garments to accessories. These are accompanied by a color image of the corresponding fashion plate, straightforward, illustrated directions for recreating the outfits, information on the material used and modelled reproductions of each plate to demonstrate what they would look like in "real life". The book focuses on unique styles often seen in fashion plates but rarely – if ever – patterned before, making this a fresh and exciting yet historically accurate take on late eighteenth-century fashion. Stitching La Mode significantly expands the understanding of transitional fashions from the late eighteenth century with concrete, physical examples of styles, perfectly suited for costume technicians and makers, costume historians and hobby costumers and re-enactors.
Stitching (Modern Plays)
by Anthony NeilsonWe will fix it.We will mend it...In the light of a pregnancy, a faithless couple pick apart their relationship, stitch by painful stitch. Can it be mended? Anthony Neilson's dark and intimate new play is a love story set at the extremes of brutality, banality and tenderness.Stitching opened at the Traverse Theatre, Edinburgh, on 2 August 2002 and transferred to the Bush Theatre, London, on 12 September 2002."Explodes with power, discipline, integrity and sheer cruel psychological accuracy ... Neilson's writing has a terrible beauty" Sunday Times"Startlingly rich and challenging, Neilson depicts with aching precision a relationship in which love is undermined by distrust" Time Out "Shattering, shocking...a serious, persuasive account of the blind alleys love can lead us down" Daily Telegraph"A characteristically brave and brutal offering" Independent"A deeply mesmerising, if shocking, experience as a couple smashes through taboo after taboo in a harrowing sexual tug of war" Evening Standard
Stitching (Modern Plays)
by Anthony NeilsonWe will fix it.We will mend it...In the light of a pregnancy, a faithless couple pick apart their relationship, stitch by painful stitch. Can it be mended? Anthony Neilson's dark and intimate new play is a love story set at the extremes of brutality, banality and tenderness.Stitching opened at the Traverse Theatre, Edinburgh, on 2 August 2002 and transferred to the Bush Theatre, London, on 12 September 2002."Explodes with power, discipline, integrity and sheer cruel psychological accuracy ... Neilson's writing has a terrible beauty" Sunday Times"Startlingly rich and challenging, Neilson depicts with aching precision a relationship in which love is undermined by distrust" Time Out "Shattering, shocking...a serious, persuasive account of the blind alleys love can lead us down" Daily Telegraph"A characteristically brave and brutal offering" Independent"A deeply mesmerising, if shocking, experience as a couple smashes through taboo after taboo in a harrowing sexual tug of war" Evening Standard
Stimme und Sprechen am Theater formen: Diskurse und Praktiken einer Sprechstimmbildung ›für alle‹ vom ausgehenden 19. Jahrhundert bis zur Gegenwart (Theater #114)
by Dorothea PachaleDorothea Pachale untersucht erstmals die Beziehung zwischen einer Sprechstimmbildung, die sich an eine breite Zielgruppe richtet, und den Praktiken des Theaters. Mit Fokus auf den deutschsprachigen Raum analysiert sie die auf die Stimme und das Sprechen ausgerichteten Techniken der Körperformung sowie die ökonomische und normative Ausrichtung einer Sprechstimmbildung ›für alle‹. Die kulturwissenschaftlich orientierte theaterwissenschaftliche Untersuchung, die sich an der Schnittstelle von theater- und sprechwissenschaftlichen sowie pädagogischen Fragestellungen bewegt, legt auch die Rolle der institutionellen Einbindung, die sich in den Verschiebungen und Überlagerungen von Disziplinar- und Performancegesellschaft zeigt, offen.
A Still Untitled (Not Quite) Autobiography
by Ron MoodyActor Ron Moody has enthralled generations with his masterly performance as Fagin in both the stage and film versions of Oliver! - one of the great classics of British theatre and cinema. Now, in this highly original, idiosyncratic and often very funny memoir, he looks back on those early days, describing in fascinating detail the twists and turns of his career, the people he met and worked with, and the many, varied roles that led up to Oliver! With characteristic frankness, he reveals the conflicts and clashes that can occur, both on and off stage, even in the most successful of shows. For this self-taught thespian every show has come with new lessons, and Moody weaves together these experiences to form his own theories on what ultimately makes a successful performance. Set on an academic career, Ron first took to the boards when a student at the London School of Economics - writing and acting in student revues. But such a comedic talent and the innate ability to create a string of eccentric and original characters quickly caught the attention of West End theatre producers, and the course of his life was changed forever.
Still No Idea (Oberon Modern Plays)
by Lisa Hammond Rachael Spence Lee SimpsonBest mates Lisa and Rachael are making a new show almost a decade after they created their first piece together.Back then they had no idea where to start so they went onto the streets and asked the public. What story should they tell? What characters should they play? When they saw Lisa in a wheelchair and Rachael not, what the public said was funny, jaw-dropping and ultimately heartbreaking. They made a show about it. It was called No Idea.Now people say the world has changed and things are looking up. There are more disabled people in the mainstream media, Lisa landed a big part on TV and disabled mates are getting regular auditions - happy days. So what kind of exciting stories are the TV professionals dreaming up for them?Still No Idea is the whole story (so far): the British public, the professional writers, the TV execs. Part verbatim theatre, part improv, part comedy sketch show, this is a raucous and mischievous exposé of good intentions gone bad and how sometimes no matter how hard we try, we still have absolutely no idea.
Still: Still (Yale Drama Series)
by Jen SilvermanIn this darkly comic exploration of loss, intimacy, and motherhood, three women are joined by a baby who never lived. Morgan, in her middle years, is the grieving mother of a stillborn child. Elena, the failed midwife, burdened by guilt, is considering a career change. Dolores, eighteen, is pregnant with a baby she does not want. Meanwhile, Constantinople, the child who wasn’t meant to be, wanders lost in search of his mother, trying to make sense of the world while making an unlikely appearance in each woman’s personal drama. Poignant, lyrical, ingeniously absurd, and outrageously funny, Jen Silverman’s Still is a brave and remarkable exploration of grief and family. It is the seventh winner of the DC Horn Foundation/Yale Drama Series Prize, selected this year by Marsha Norman, the Pulitzer Prize–winning author of Getting Out; ’night, Mother; and other acclaimed theatrical works.
Stiletto Beach (Modern Plays)
by Sadie HaslerBest mates Leanne and Kelly have lived in Southend-on-Sea their whole lives. Larger-than-life Leanne is happy staying put, but Kelly secretly dreams of escaping her dull job and seeing the world.When out-of-towner journalist Helen can't afford Leigh-on-Sea so moves in next door instead, events take a surprising turn. As Leanne and Kelly take her under their wing, an unexpected friendship blooms in Spoons, and Helen soon has them reconsidering what it means to celebrate where you're from.With the help of Leanne's Nan, east-ender Roni, they take a sharp swipe at stereotypes women have been putting up with for decades. Mischief ensues, fires are lit, and the Essex girls do what's in their blood: cause trouble – but not in a way anyone would expect…
Stiletto Beach (Modern Plays)
by Sadie HaslerBest mates Leanne and Kelly have lived in Southend-on-Sea their whole lives. Larger-than-life Leanne is happy staying put, but Kelly secretly dreams of escaping her dull job and seeing the world.When out-of-towner journalist Helen can't afford Leigh-on-Sea so moves in next door instead, events take a surprising turn. As Leanne and Kelly take her under their wing, an unexpected friendship blooms in Spoons, and Helen soon has them reconsidering what it means to celebrate where you're from.With the help of Leanne's Nan, east-ender Roni, they take a sharp swipe at stereotypes women have been putting up with for decades. Mischief ensues, fires are lit, and the Essex girls do what's in their blood: cause trouble – but not in a way anyone would expect…
Sticks and Stones (Modern Plays)
by Vinay Patel“So we're clearYou know, right?You know I'm not that kind of person”Sometimes we can't find the right words. Sometimes the wrong word just slips out. Sometimes the right words become the wrong words. Sometimes that ruins everything.When a misfiring joke turns their life upside down, B sets off on a surreal journey looking for answers. In an age when technology multiplies every mistake, can we find a way to understand each other?A razor sharp satire about the search for a sure footing in an uncertain world from BAFTA nominated Vinay Patel. This edition was published to coincide with the premiere at Paines Plough and produced by Theatr Clwyd.
Sticks and Stones (Modern Plays)
by Vinay Patel“So we're clearYou know, right?You know I'm not that kind of person”Sometimes we can't find the right words. Sometimes the wrong word just slips out. Sometimes the right words become the wrong words. Sometimes that ruins everything.When a misfiring joke turns their life upside down, B sets off on a surreal journey looking for answers. In an age when technology multiplies every mistake, can we find a way to understand each other?A razor sharp satire about the search for a sure footing in an uncertain world from BAFTA nominated Vinay Patel. This edition was published to coincide with the premiere at Paines Plough and produced by Theatr Clwyd.
Steven Berkoff Plays 3
by Steven BerkoffThis is a collection of three history plays, each displaying the sparkling muscularity of language that marks Berkoff out as one of the foremost wordsmiths in the English language. Set in thirteenth-century England, Ritual in Blood looks at the persecution of the Jews. Messiah begins with the image of Christ on the cross and pits His humanity and transcendent goodness against the evil of those who would kill Him. Finally, Berkoff offers a sharp and accessible adaptation of Sophocles's Oedipus tragedy.
Steven Berkoff Plays 2: Decadence; Kvetch; Acapulco; Harry's Christmas; Brighton Beach Scumbags; Dahling You Were Marvelous; Dog; Actor
by Steven BerkoffWritten with characteristic Berkoff flair and an understanding of the subtle power and violence of the English language, this second collection of his plays includes Decadence, described by the Guardian as being 'enthused with Berkoff's violent, imagist, vivid wordplay'. The collection also includes Kvetch, Acapulco, Harry's Christmas, Brighton Beach Scumbags, Dahling You Were Marvellous, Dog and Actor, and is introduced by the author.
Steven Berkoff - Plays 1: East; West; Greek; Sink The Belgrano!; Massage Lunch; The Bow Of Ulysses; Sturm Und Drang
by Steven BerkoffSteven Berkoff is a phenomenon. Among the artists working in the theatre today he is probably the most theatrical - his special combination of speech, movement and spectacle is uniquely powerful. This first collection of his plays includes East, described by Berkoff as 'an outburst or revolt against the sloth of my youth and a desire to turn a welter of undirected passion and frustration into a positive form'. Also included in this collection are the plays West and Sink the Belgrano!
Steven Berkoff Plays 1: East; West; Greek; Sink the Belgrano!; Massage Lunch; The Bow of Ulysses; Sturm und Drang (Play Anthologies Ser.)
by Steven BerkoffSteven Berkoff is a phenomenon. Among the artists working in the theatre today he is probably the most theatrical - his special combination of speech, movement and spectacle is uniquely powerful. This first collection of his plays includes East, described by Berkoff as 'an outburst or revolt against the sloth of my youth and a desire to turn a welter of undirected passion and frustration into a positive form'. Also included in this collection are the plays West and Sink the Belgrano!
Steven Berkoff: One Act Plays (Play Anthologies)
by Steven BerkoffSteven Berkoff has been variously described as controversial, thrilling, electric and dynamic. A Renaissance man of the theatre, he is known equally for his writing, directing and acting. Collecting together nineteen one-act plays, this volume presents never-before-published material. Abusive, shocking and endlessly surprising, these sharply written pieces showcase Berkoff's trademark controversy, black humour and dramatic dialectics.Themes that haunt much of his work are present: his luxurious verbosity; his counterpoint of crude street-patter and elegiac proclamation; sex wars; class wars; dislocation and abandonment of love in a thankless and unyielding world. The selection of plays allows the performer and reader to experience Berkoff's fluid anarchic poetry at its most profane within the complete and pithy structure of the one-act play. Established plays such as The Biblical Tales (which enjoyed success in their 2010 run at the New End Theatre, Hampstead) stand alongside previously unpublished material, giving the range of Berkoff's work full expression, from his established thematic concerns to his new and unseen work.Perfect for student and amateur performances, this volume contains a full introduction by Geoffrey Colman, Head of Acting at the Central School of Speech and Drama.
Steven Berkoff: One Act Plays (Play Anthologies)
by Steven BerkoffSteven Berkoff has been variously described as controversial, thrilling, electric and dynamic. A Renaissance man of the theatre, he is known equally for his writing, directing and acting. Collecting together nineteen one-act plays, this volume presents never-before-published material. Abusive, shocking and endlessly surprising, these sharply written pieces showcase Berkoff's trademark controversy, black humour and dramatic dialectics.Themes that haunt much of his work are present: his luxurious verbosity; his counterpoint of crude street-patter and elegiac proclamation; sex wars; class wars; dislocation and abandonment of love in a thankless and unyielding world. The selection of plays allows the performer and reader to experience Berkoff's fluid anarchic poetry at its most profane within the complete and pithy structure of the one-act play. Established plays such as The Biblical Tales (which enjoyed success in their 2010 run at the New End Theatre, Hampstead) stand alongside previously unpublished material, giving the range of Berkoff's work full expression, from his established thematic concerns to his new and unseen work.Perfect for student and amateur performances, this volume contains a full introduction by Geoffrey Colman, Head of Acting at the Central School of Speech and Drama.
Stepping Stones
by Ingemar LindhStepping Stones is the book of a practitioner. It documents the work of a laboratory-based practice that investigated the principles of collective improvisation as a performance practice.
Stepping Stones
by Ingemar LindhStepping Stones is the book of a practitioner. It documents the work of a laboratory-based practice that investigated the principles of collective improvisation as a performance practice.
Steppenwolf Theatre Company of Chicago: In Their Own Words (Theatre Makers)
by John MayerIn 1974, a group of determined, young high school actors started doing plays under the name of Steppenwolf Theatre Company, eventually taking residence in the basement of a church in Highland Park, a suburb of Chicago. Thus began their unlikely journey to become one of the most prominent theatre companies in the world.Steppenwolf Theatre Company has changed the face of American Theatre with its innovative approach that blends dynamic ensemble performance, honest, straightforward acting, and bold, thought-provoking stories to create compelling theatre.This is the first book to chronicle this iconic theatre company, offering an account of its early years and development, its work, and the methodologies that have made it one of the most influential ensemble theatres today.Through extensive, in-depth interviews conducted by the author with ensemble members, this book reveals the story of Steppenwolf's miraculous rise from basement to Broadway and beyond. Interviewees include co-founders Jeff Perry, Gary Sinise and Terry Kinney, along a myriad of ensemble, staff, board members and others.