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Perfectly Norman (Big Bright Feelings)
by Tom PercivalMeet Norman. Norman is normal--perfectly normal.That's until he grows a pair of wings!Norman loves his new wings, but he's worried about everyone will think. After all, they're definitely NOT normal. Norman decides to cover them with a big coat, but hiding such a big part of his life makes him feel miserable. Can Norman find the courage to be himself?This bold and uplifting book is about daring to be different and celebrating what makes you--YOU!
Perfectly Queer: An Illustrated Introduction
by Victoria BarronThe alphabet mafia? The queer umbrella? A little confused by-or curious about-the terminology and identities that make up the LGBTQIA+ community?For allies and queer folks alike, this visual introduction uses bright and fabulous illustrations to explain the rainbow of gender identities and sexualities.Activity pages, featuring a rainbow mascot-The Rain-boa Constrictor - divide chapters on gender identity, assigned sex, sexual and romantic orientations, acronyms, and common queer-ies, to make things (hopefully) more Perfectly Queer!
The Performance: A Novel
by Claire Thomas'A potent meditation on the intensity of women's lives'Charlotte Wood, author of The Weekend'Thomas writes these women with such wisdom and compassion, that by the end we are all transformed'Claire Fuller, author of Bitter Orange'An intimate, intensely brooding novel: at once claustrophobic and yet revelatory. Thomas gently questions the certainties of modern life that so many of us take for granted'Guinevere Glasfurd, author of The Year Without Summer 'Read it as soon as you possibly can'Emily Bitto, author of The Strays The false cold of the theatre makes it hard to imagine the heavy wind outside in the real world, the ash air pressing onto the city from the nearby hills where bushfires are taking hold.The house lights lower.The auditorium feels hopeful in the darkness.As bushfires rage outside the city, three women watch a performance of a Beckett play.Margot is a successful professor, preoccupied by her fraught relationship with her ailing husband. Ivy is a philanthropist with a troubled past, distracted by the snoring man beside her. Summer is a young theatre usher, anxious about the safety of her girlfriend in the fire zone.As the performance unfolds, so does each woman's story. By the time the curtain falls, they will all have a new understanding of the world beyond the stage.
Performing Queer Latinidad: Dance, Sexuality, Politics (Triangulations: Lesbian/Gay/Queer Theater/Drama/Performance)
by Ramon Rivera-ServeraPerforming Queer Latinidad highlights the critical role that performance played in the development of Latina/o queer public culture in the United States during the 1990s and early 2000s, a period when the size and influence of the Latina/o population was increasing alongside a growing scrutiny of the public spaces where latinidad could circulate. Performances---from concert dance and street protest to the choreographic strategies deployed by dancers at nightclubs---served as critical meeting points and practices through which LGBT and other nonnormative sex practitioners of Latin American descent (individuals with greatly differing cultures, histories of migration or annexation to the United States, and contemporary living conditions) encountered each other and forged social, cultural, and political bonds. At a time when latinidad ascended to the national public sphere in mainstream commercial and political venues and Latina/o public space was increasingly threatened by the redevelopment of urban centers and a revived anti-immigrant campaign, queer Latinas/os in places such as the Bronx, San Antonio, Austin, Phoenix, and Rochester, NY, returned to performance to claim spaces and ways of being that allowed their queerness and latinidad to coexist. These social events of performance and their attendant aesthetic communication strategies served as critical sites and tactics for creating and sustaining queer latinidad.
Performing Queer Modernism
by Penny FarfanFocusing on some of the best-known and most visible stage plays and dance performances of the late nineteenth- and early twentieth-centuries, Penny Farfan's interdisciplinary study demonstrates that queer performance was integral to and productive of modernism, that queer modernist performance played a key role in the historical emergence of modern sexual identities, and that it anticipated, and was in a sense foundational to, the insights of contemporary queer modernist studies. Chapters on works from Vaslav Nijinsky's Afternoon of a Faun to Noël Coward's Private Lives highlight manifestations of and suggest ways of reading queer modernist performance. Together, these case studies clarify aspects of both the queer and the modernist, and how their co-productive intersection was articulated in and through performance on the late-nineteenth- and early-twentieth-century stage. Performing Queer Modernism thus contributes to an expanded understanding of modernism across a range of performance genres, the central role of performance within modernism more generally, and the integral relation between performance history and the history of sexuality. It also contributes to the ongoing transformation of the field of modernist studies, in which drama and performance remain under-represented, and to revisionist historiographies that approach modernist performance through feminist and queer critical perspectives and interdisciplinary frameworks and that consider how formally innovative as well as more conventional works collectively engaged with modernity, at once reflecting and contributing to historical change in the domains of gender and sexuality.
PERFORMING QUEER MODERNISM C
by Penny FarfanFocusing on some of the best-known and most visible stage plays and dance performances of the late nineteenth- and early twentieth-centuries, Penny Farfan's interdisciplinary study demonstrates that queer performance was integral to and productive of modernism, that queer modernist performance played a key role in the historical emergence of modern sexual identities, and that it anticipated, and was in a sense foundational to, the insights of contemporary queer modernist studies. Chapters on works from Vaslav Nijinsky's Afternoon of a Faun to Noël Coward's Private Lives highlight manifestations of and suggest ways of reading queer modernist performance. Together, these case studies clarify aspects of both the queer and the modernist, and how their co-productive intersection was articulated in and through performance on the late-nineteenth- and early-twentieth-century stage. Performing Queer Modernism thus contributes to an expanded understanding of modernism across a range of performance genres, the central role of performance within modernism more generally, and the integral relation between performance history and the history of sexuality. It also contributes to the ongoing transformation of the field of modernist studies, in which drama and performance remain under-represented, and to revisionist historiographies that approach modernist performance through feminist and queer critical perspectives and interdisciplinary frameworks and that consider how formally innovative as well as more conventional works collectively engaged with modernity, at once reflecting and contributing to historical change in the domains of gender and sexuality.
Performing Social Change on the Island of Ireland: From Republic to Pandemic (Routledge Advances in Theatre & Performance Studies)
by Ciara L. MurphyThis book examines the relationship between moments of significant social change on the island of Ireland and performance practice during the twentieth and twenty-first centuries. It examines how moments of significant change influence not only the content of performance practice but also the form and function of theatre production and reception. This book investigates how the Troubles and subsequent Peace Process, Second-Wave Feminism, the Celtic Tiger and neoliberalism, social revolution, and the COVID-19 pandemic impacts the form and function of performance practice across the island of Ireland. Although these forms of theatre and performance making refer to varied and distinct lineages of practice internationally, there are key parallels that compel a study of their inter-relationality in a specific Irish context This book explores how the performance of Ireland illuminates histories and stories that are on the margins, illuminating the lived realities of everyday life through the presentation of moments of violence, oppression, and trauma as something that is as important as the larger narratives often ascribed to nationhood. This book asks how performance practice engages with and informs moments of major social change on the island of Ireland through the distinct yet intersecting lenses of place, performance form, and social context over the course of almost a century of Irish theatre and performance practice.
Performing Social Change on the Island of Ireland: From Republic to Pandemic (Routledge Advances in Theatre & Performance Studies)
by Ciara L. MurphyThis book examines the relationship between moments of significant social change on the island of Ireland and performance practice during the twentieth and twenty-first centuries. It examines how moments of significant change influence not only the content of performance practice but also the form and function of theatre production and reception. This book investigates how the Troubles and subsequent Peace Process, Second-Wave Feminism, the Celtic Tiger and neoliberalism, social revolution, and the COVID-19 pandemic impacts the form and function of performance practice across the island of Ireland. Although these forms of theatre and performance making refer to varied and distinct lineages of practice internationally, there are key parallels that compel a study of their inter-relationality in a specific Irish context This book explores how the performance of Ireland illuminates histories and stories that are on the margins, illuminating the lived realities of everyday life through the presentation of moments of violence, oppression, and trauma as something that is as important as the larger narratives often ascribed to nationhood. This book asks how performance practice engages with and informs moments of major social change on the island of Ireland through the distinct yet intersecting lenses of place, performance form, and social context over the course of almost a century of Irish theatre and performance practice.
Performing the Queer Past: Public Possessions (Methuen Drama Agitations: Text, Politics and Performances)
by Fintan Walsh'Tender and rigorous, this book invites readers to linger with difficult pasts and consider how best to grasp their hauntings, demands and manifestations in the present. This is a book about mourning as well as holding, a simultaneous act of exhumation and a laying to rest.' anna six, author of Madness, Art, and Society: Beyond Illness 'This is an extraordinary book, in which queer theatre and performance become sites of celebration and resistance, as well as holding the potential for performers and audiences to work through painfully felt yet difficult to articulate experiences towards feelings of hope. Replete with rigorous, generous and creative readings, it is also a meditation on Walsh's own emotional engagement with queer theatre and performance, and how our cultural attachments can sustain, enliven and contain us.' Noreen Giffney, psychoanalytic psychotherapist and author of The Culture-Breast in Psychoanalysis Why do contemporary queer theatre and performance appear to be possessed by the past? What aesthetic practices and dramaturgical devices reveal the occupation of the present by painful history? How might the experience of theatre and performance relieve the present of its most arduous burdens?Following recent legislation and cultural initiatives across many Western countries hailed as confirming the darkest days for LGBTQ+ people were over, this book turns our attention to artists fixed on history's enduring harm. Guiding us through an eclectic range of examples including theatre, performance, installation and digital practices, Fintan Walsh explores how this work reckons with complex cultural and personal histories. Among the issues confronted are the incarceration of Oscar Wilde, the Holocaust, racial and sexual objectification, the AIDS crisis and Covid-19, alongside more local and individual experiences of violence, trauma and grief.Walsh traces how the queer past is summoned and interrogated via what he elaborates as the aesthetics and dramaturgies of possession, which lend form to the still-stinging aches and generative potential of injury, injustice and loss. These strategies expose how the past continues to haunt and disturb the present, while calling on those of us who feel its force to respond to history's unresolved hurt.
Performing the Queer Past: Public Possessions (Methuen Drama Agitations: Text, Politics and Performances)
by Fintan Walsh'Tender and rigorous, this book invites readers to linger with difficult pasts and consider how best to grasp their hauntings, demands and manifestations in the present. This is a book about mourning as well as holding, a simultaneous act of exhumation and a laying to rest.' anna six, author of Madness, Art, and Society: Beyond Illness 'This is an extraordinary book, in which queer theatre and performance become sites of celebration and resistance, as well as holding the potential for performers and audiences to work through painfully felt yet difficult to articulate experiences towards feelings of hope. Replete with rigorous, generous and creative readings, it is also a meditation on Walsh's own emotional engagement with queer theatre and performance, and how our cultural attachments can sustain, enliven and contain us.' Noreen Giffney, psychoanalytic psychotherapist and author of The Culture-Breast in Psychoanalysis Why do contemporary queer theatre and performance appear to be possessed by the past? What aesthetic practices and dramaturgical devices reveal the occupation of the present by painful history? How might the experience of theatre and performance relieve the present of its most arduous burdens?Following recent legislation and cultural initiatives across many Western countries hailed as confirming the darkest days for LGBTQ+ people were over, this book turns our attention to artists fixed on history's enduring harm. Guiding us through an eclectic range of examples including theatre, performance, installation and digital practices, Fintan Walsh explores how this work reckons with complex cultural and personal histories. Among the issues confronted are the incarceration of Oscar Wilde, the Holocaust, racial and sexual objectification, the AIDS crisis and Covid-19, alongside more local and individual experiences of violence, trauma and grief.Walsh traces how the queer past is summoned and interrogated via what he elaborates as the aesthetics and dramaturgies of possession, which lend form to the still-stinging aches and generative potential of injury, injustice and loss. These strategies expose how the past continues to haunt and disturb the present, while calling on those of us who feel its force to respond to history's unresolved hurt.
The Perks of Loving a Wallflower (The Wild Wynchesters #2)
by Erica RidleyFans of Bridgerton will love this &“delightful&” Regency romp (Julia Quinn, New York Times bestselling author) in which a proper Society miss recruits a very improper lady investigator in a quest for vengeance, only to find love instead.As a master of disguise, Thomasina Wynchester can be a polite young lady—or a bawdy old man. She&’ll do whatever it takes to solve the cases her family takes on. But when Tommy&’s beautiful new client turns out to be the highborn lady she&’s secretly smitten with, more than her mission is at stake . . .Bluestocking Miss Philippa York doesn&’t believe in love. Her heart didn&’t pitter-patter when she was betrothed to a duke, nor did it break when he married someone else. All Philippa desires is to decode a centuries-old manuscript to keep a modern-day villain from claiming credit for work that wasn&’t his. She hates that she needs a man&’s help to do it—so she&’s delighted to discover the clever, charming baron at her side is in fact a woman. But as she and Tommy grow closer and the stakes of their discovery higher, more than just their hearts are at risk.
Permafrost
by Eva BaltasarPermafrost’s no-bullshit lesbian narrator is an uninhibited lover, a no-hope employee, and a some-time suicidal student of her own dislocated self. As she tries to break out of the roles set for her by a controlling, overprotective mother, a relentlessly positive sister, and a society which imposes a gut-wrenching pressure to conform, she contemplates the so-called will to live when that life is given, rather than chosen. Attempting to bridge the gap between the perennially frozen reaches of her outer shell and the tender core of her being, watching her relationships with family fracture and her many lovers come and go, the protagonist’s reservations about staying alive become ever more pressing.Passionate, urgent and breathtakingly forthright, this fiction debut from Catalan poet Eva Baltasar was a word-of-mouth hit in its own language and is a gift for readers in English.
Person-Centred Counselling for Trans and Gender Diverse People: A Practical Guide
by Sam HopeTrans clients are frequently doubted, misunderstood, infantilised and judged by professionals, and this book presents an approach that ensures psychological wellbeing and trust is built between counsellor and client. This person-centred, affirmative approach is based around unlearning assumptions about gender and destabilising professionals' ideas of 'knowing better' than, and judging the client, so that they can forge a relationship and connection that is on an equal footing. The book explores a range of topics such as the overlap of gender diversity and autism, sex and sexuality, intersectionality, unconscious bias and reflective practice. Essential reading for professionals that want to support trans people's mental health and social wellbeing.
Person-Centred Counselling for Trans and Gender Diverse People: A Practical Guide
by Sam HopeTrans clients are frequently doubted, misunderstood, infantilised and judged by professionals, and this book presents an approach that ensures psychological wellbeing and trust is built between counsellor and client. This person-centred, affirmative approach is based around unlearning assumptions about gender and destabilising professionals' ideas of 'knowing better' than, and judging the client, so that they can forge a relationship and connection that is on an equal footing. The book explores a range of topics such as the overlap of gender diversity and autism, sex and sexuality, intersectionality, unconscious bias and reflective practice. Essential reading for professionals that want to support trans people's mental health and social wellbeing.
Perverse Taiwan (Routledge Research on Gender in Asia Series)
by Howard Chiang Yin WangHost of the first gay pride in the Sinophone world, Taiwan is well-known for its mushrooming of liberal attitudes towards non-normative genders and sexualities after the lifting of Martial Law in 1987. Perverse Taiwan is the first collection of its kind to contextualize that development from an interdisciplinary perspective, focusing on its genealogical roots, sociological manifestations, and cultural representations. This book enriches and reorients our understanding of postcolonial queer East Asia. Challenging a heteronormative understanding of Taiwan’s past and present, it provides fresh critical analyses of a range of topics from queer criminality and literature in the 1950s and 1960s to the growing popularity of cross-dressing performance and tongzhi (gay and lesbian) cinema on the cusp of a new millennium. Together, the contributions provide a detailed account of the rise and transformations of queer cultures in post-World War II Taiwan. By instigating new dialogues across disciplinary divides, this book will have broad appeal to students and scholars of Asian studies and queer studies, especially those interested in history, anthropology, literature, film, media, and performance.
Perverse Taiwan (Routledge Research on Gender in Asia Series)
by Howard Chiang Yin WangHost of the first gay pride in the Sinophone world, Taiwan is well-known for its mushrooming of liberal attitudes towards non-normative genders and sexualities after the lifting of Martial Law in 1987. Perverse Taiwan is the first collection of its kind to contextualize that development from an interdisciplinary perspective, focusing on its genealogical roots, sociological manifestations, and cultural representations. This book enriches and reorients our understanding of postcolonial queer East Asia. Challenging a heteronormative understanding of Taiwan’s past and present, it provides fresh critical analyses of a range of topics from queer criminality and literature in the 1950s and 1960s to the growing popularity of cross-dressing performance and tongzhi (gay and lesbian) cinema on the cusp of a new millennium. Together, the contributions provide a detailed account of the rise and transformations of queer cultures in post-World War II Taiwan. By instigating new dialogues across disciplinary divides, this book will have broad appeal to students and scholars of Asian studies and queer studies, especially those interested in history, anthropology, literature, film, media, and performance.
Perversions: Deviant Readings by Mandy Merck
by Mandy MerckIn this series of provocative essays on culture, art, and film, former Screen editor Mandy Merck explores the paradoxes of sexual representation. Whether writing on romantic fiction or hardcore pornography, on robots or sex goddesses, Radclyffe Hall or the Marquis de Sade, she finds the perversions and deviances. Illustrated.
Perversions: Deviant Readings by Mandy Merck
by Mandy MerckIn this series of provocative essays on culture, art, and film, former Screen editor Mandy Merck explores the paradoxes of sexual representation. Whether writing on romantic fiction or hardcore pornography, on robots or sex goddesses, Radclyffe Hall or the Marquis de Sade, she finds the perversions and deviances. Illustrated.
Perverts by Official Order: The Campaign Against Homosexuals by the United States Navy
by Lawrence MurphyThis candid book documents for the first time the U.S. Navy’s use of entrapment in pursuit of homosexuals in and around Newport, Rhode Island, during the early twentieth century. This most extensive systematic persecution of gays in American history occurred with the approval of Navy Secretary Josephus Daniels and Assistant Secretary Franklin Roosevelt, as dozens of sailors were ordered to identify and even seduce gay men in order to report their names to the authorities. Noted historian Lawrence Murphy reveals the details of this sordid campaign that ultimately generated a national scandal and first raised issues of gay rights and governmental persecution of homosexuals.
Perverts by Official Order: The Campaign Against Homosexuals by the United States Navy
by Lawrence MurphyThis candid book documents for the first time the U.S. Navy’s use of entrapment in pursuit of homosexuals in and around Newport, Rhode Island, during the early twentieth century. This most extensive systematic persecution of gays in American history occurred with the approval of Navy Secretary Josephus Daniels and Assistant Secretary Franklin Roosevelt, as dozens of sailors were ordered to identify and even seduce gay men in order to report their names to the authorities. Noted historian Lawrence Murphy reveals the details of this sordid campaign that ultimately generated a national scandal and first raised issues of gay rights and governmental persecution of homosexuals.
Peter 2.0: The Human Cyborg
by Peter Scott-MorganThe incredible book behind the primetime Channel 4 documentary, Peter: The Human Cyborg'A remarkable account of what it means to be human and what technology can really achieve' Sunday Telegraph'A remarkable story . . . you're left desperate to take nothing for granted' Radio Times __________ Peter, a brilliant scientist, is told that he will lose everything he loves. His husband. His family. His friends. His ability to travel the world. All will be gone. But Peter will not give up. He vows that this will not be the end and instead seeks a completely new beginning . . . Peter has Motor Neurone Disease, a condition universally considered by doctors to be terminal. He is told it will destroy his nerve cells and that within about two years, it will take his life too. But, face-to-face with death, he decides there is another way. Using his background in science and technology, he navigates a new path, one that will enable him not just to survive, but to thrive. This is the astonishing true story about Peter Scott-Morgan: the first person to combine his very humanity with artificial intelligence and robotics to become a full Cyborg. His discovery means that his terminal diagnosis is negotiable, something that will rewrite the future.And change the world. By embracing love, life and hope rather than fear, tragedy and despair, he will become Peter 2.0. __________ 'What's striking is Peter's constant optimism, bravery and his ability to find radical answers to problems that have confounded Britain's brightest minds' Daily Telegraph 'A soaring love story' Financial Times 'Fascinating and extremely moving' Sun
Phantasmagoria (Black Lace Ser.)
by Madelynne EllisA deliciously decadent hot historical romance for fans of EL James and Sylvia Day1800 - Three years after escaping to London with her bisexual lovers, Bella Rushdale wakes one morning to find their delicate ménage a trois about to shatter. Vaughan, Marquis of Pennerley has left abruptly and without any explanation. Determined to reclaim him and preserve their relationship, Bella pursues him to his family seat on the Welsh Borders, where she finds herself embroiled in his preparations for a diabolical gothic celebration on All Hallows Eve - a phantasmagoria. Among the shadows and phantoms, Bella and her lovers will peel away the deceits and desires of past and future.The sequel to A Gentleman's Wager
Philip Sparrow Tells All: Lost Essays by Samuel Steward, Writer, Professor, Tattoo Artist
by Samuel StewardSamuel Steward (1909–93) was an English professor, a tattoo artist for the Hells Angels, a sexual adventurer who shared the considerable scope of his experiences with Alfred Kinsey, and a prolific writer whose publications ranged from scholarly articles to gay erotica (the latter appearing under the pen name Phil Andros). Perhaps his oddest authorial role was as a monthly contributor between 1944 and 1949 to the Illinois Dental Journal, an obscure trade publication for dentists, where writing as Philip Sparrow he produced a series of charming, richly allusive, and often quirky essays on a wildly eclectic assortment of topics. In Philip Sparrow Tells All, Jeremy Mulderig has collected thirty of these engaging but forgotten columns, prefacing them with revealing introductions that relate the essays to people and events in Steward’s life and to the intellectual and cultural contexts in which he wrote during the 1940s. In these essays we encounter such famous friends of Steward as Gertrude Stein, André Gide, and Thornton Wilder. We hear of his stint as a holiday sales clerk at Marshall Field’s (where he met and seduced fellow employee Rock Hudson), of his roles as an opera and ballet extra in hilariously shoddy costumes, of his hoarding tendencies, his disappointment with the drabness of men’s fashions, and his dread of turning forty. We go along with him to a bodybuilding competition and a pet cemetery, and together we wander the boulevards of Paris and the alleys of Algiers. Throughout, Mulderig’s entertaining annotations explain the essays’ wide-ranging allusions and also highlight their gay subtext, which constituted a kind of private game that Steward played with his mostly oblivious audience of Midwestern dentists. The first collection of any of Samuel Steward’s writings to be republished since his death in 1993, Philip Sparrow Tells All makes these lost essays available to a broad readership that Steward imagined but never actually enjoyed when he wrote them. In doing so, it takes a major step toward documenting his important place in twentieth-century gay literature and history.
Philip Sparrow Tells All: Lost Essays by Samuel Steward, Writer, Professor, Tattoo Artist
by Samuel StewardSamuel Steward (1909–93) was an English professor, a tattoo artist for the Hells Angels, a sexual adventurer who shared the considerable scope of his experiences with Alfred Kinsey, and a prolific writer whose publications ranged from scholarly articles to gay erotica (the latter appearing under the pen name Phil Andros). Perhaps his oddest authorial role was as a monthly contributor between 1944 and 1949 to the Illinois Dental Journal, an obscure trade publication for dentists, where writing as Philip Sparrow he produced a series of charming, richly allusive, and often quirky essays on a wildly eclectic assortment of topics. In Philip Sparrow Tells All, Jeremy Mulderig has collected thirty of these engaging but forgotten columns, prefacing them with revealing introductions that relate the essays to people and events in Steward’s life and to the intellectual and cultural contexts in which he wrote during the 1940s. In these essays we encounter such famous friends of Steward as Gertrude Stein, André Gide, and Thornton Wilder. We hear of his stint as a holiday sales clerk at Marshall Field’s (where he met and seduced fellow employee Rock Hudson), of his roles as an opera and ballet extra in hilariously shoddy costumes, of his hoarding tendencies, his disappointment with the drabness of men’s fashions, and his dread of turning forty. We go along with him to a bodybuilding competition and a pet cemetery, and together we wander the boulevards of Paris and the alleys of Algiers. Throughout, Mulderig’s entertaining annotations explain the essays’ wide-ranging allusions and also highlight their gay subtext, which constituted a kind of private game that Steward played with his mostly oblivious audience of Midwestern dentists. The first collection of any of Samuel Steward’s writings to be republished since his death in 1993, Philip Sparrow Tells All makes these lost essays available to a broad readership that Steward imagined but never actually enjoyed when he wrote them. In doing so, it takes a major step toward documenting his important place in twentieth-century gay literature and history.
Philip Sparrow Tells All: Lost Essays by Samuel Steward, Writer, Professor, Tattoo Artist
by Samuel StewardSamuel Steward (1909–93) was an English professor, a tattoo artist for the Hells Angels, a sexual adventurer who shared the considerable scope of his experiences with Alfred Kinsey, and a prolific writer whose publications ranged from scholarly articles to gay erotica (the latter appearing under the pen name Phil Andros). Perhaps his oddest authorial role was as a monthly contributor between 1944 and 1949 to the Illinois Dental Journal, an obscure trade publication for dentists, where writing as Philip Sparrow he produced a series of charming, richly allusive, and often quirky essays on a wildly eclectic assortment of topics. In Philip Sparrow Tells All, Jeremy Mulderig has collected thirty of these engaging but forgotten columns, prefacing them with revealing introductions that relate the essays to people and events in Steward’s life and to the intellectual and cultural contexts in which he wrote during the 1940s. In these essays we encounter such famous friends of Steward as Gertrude Stein, André Gide, and Thornton Wilder. We hear of his stint as a holiday sales clerk at Marshall Field’s (where he met and seduced fellow employee Rock Hudson), of his roles as an opera and ballet extra in hilariously shoddy costumes, of his hoarding tendencies, his disappointment with the drabness of men’s fashions, and his dread of turning forty. We go along with him to a bodybuilding competition and a pet cemetery, and together we wander the boulevards of Paris and the alleys of Algiers. Throughout, Mulderig’s entertaining annotations explain the essays’ wide-ranging allusions and also highlight their gay subtext, which constituted a kind of private game that Steward played with his mostly oblivious audience of Midwestern dentists. The first collection of any of Samuel Steward’s writings to be republished since his death in 1993, Philip Sparrow Tells All makes these lost essays available to a broad readership that Steward imagined but never actually enjoyed when he wrote them. In doing so, it takes a major step toward documenting his important place in twentieth-century gay literature and history.