- Table View
- List View
The Gilded Auction Block: Poems
by Shane McCrae'Beautifully up-to-date, old-fashioned work, where the dignity of English meters meets, as in a mosh pit, the vitality - and often the brutality - of American speech' Dan Chiasson, New YorkerI'm made of murderers I'm madeOf nobodies and immigrants and the poorand a whole / Family the mother'sliver and her lungsIn The Gilded Auction Block, the acclaimed poet Shane McCrae considers the present moment in America on its own terms as well as for what it says about the American project and Americans themselves. In the book's four sections, McCrae alternately responds directly to Donald Trump and contextualizes him historically and personally, exploding the illusions of freedom of both black and white Americans. A moving, incisive, and frightening exploration of both the legacy and the current state of white supremacy, The Gilded Auction Block is a book about the present that reaches into the past and stretches toward the future.
Gilgamesh
by Stephen MitchellVivid, enjoyable and comprehensible, the poet and pre-eminent translator Stephen Mitchell makes the oldest epic poem in the world accessible for the first time. Gilgamesh is a born leader, but in an attempt to control his growing arrogance, the Gods create Enkidu, a wild man, his equal in strength and courage. Enkidu is trapped by a temple prostitute, civilised through sexual experience and brought to Gilgamesh. They become best friends and battle evil together. After Enkidu's death the distraught Gilgamesh sets out on a journey to find Utnapishtim, the survivor of the Great Flood, made immortal by the Gods to ask him the secret of life and death. Gilgamesh is the first and remains one of the most important works of world literature. Written in ancient Mesopotamia in the second millennium B.C., it predates the Iliad by roughly 1,000 years. Gilgamesh is extraordinarily modern in its emotional power but also provides an insight into the values of an ancient culture and civilisation.
Gilgamesh: The Life of a Poem
by Michael SchmidtReflections on a lost poem and its rediscovery by contemporary poetsGilgamesh is the most ancient long poem known to exist. It is also the newest classic in the canon of world literature. Lost for centuries to the sands of the Middle East but found again in the 1850s, it tells the story of a great king, his heroism, and his eventual defeat. It is a story of monsters, gods, and cataclysms, and of intimate friendship and love. Acclaimed literary historian Michael Schmidt provides a unique meditation on the rediscovery of Gilgamesh and its profound influence on poets today.Schmidt describes how the poem is a work in progress even now, an undertaking that has drawn on the talents and obsessions of an unlikely cast of characters, from archaeologists and museum curators to tomb raiders and jihadis. Fragments of the poem, incised on clay tablets, were scattered across a huge expanse of desert when it was recovered in the nineteenth century. The poem had to be reassembled, its languages deciphered. The discovery of a pre-Noah flood story was front-page news on both sides of the Atlantic, and the poem's allure only continues to grow as additional cuneiform tablets come to light. Its translation, interpretation, and integration are ongoing.In this illuminating book, Schmidt discusses the special fascination Gilgamesh holds for contemporary poets, arguing that part of its appeal is its captivating otherness. He reflects on the work of leading poets such as Charles Olson, Louis Zukofsky, and Yusef Komunyakaa, whose own encounters with the poem are revelatory, and he reads its many translations and editions to bring it vividly to life for readers.
Gilgamesh: The Life of a Poem
by Michael SchmidtReflections on a lost poem and its rediscovery by contemporary poetsGilgamesh is the most ancient long poem known to exist. It is also the newest classic in the canon of world literature. Lost for centuries to the sands of the Middle East but found again in the 1850s, it tells the story of a great king, his heroism, and his eventual defeat. It is a story of monsters, gods, and cataclysms, and of intimate friendship and love. Acclaimed literary historian Michael Schmidt provides a unique meditation on the rediscovery of Gilgamesh and its profound influence on poets today.Schmidt describes how the poem is a work in progress even now, an undertaking that has drawn on the talents and obsessions of an unlikely cast of characters, from archaeologists and museum curators to tomb raiders and jihadis. Fragments of the poem, incised on clay tablets, were scattered across a huge expanse of desert when it was recovered in the nineteenth century. The poem had to be reassembled, its languages deciphered. The discovery of a pre-Noah flood story was front-page news on both sides of the Atlantic, and the poem's allure only continues to grow as additional cuneiform tablets come to light. Its translation, interpretation, and integration are ongoing.In this illuminating book, Schmidt discusses the special fascination Gilgamesh holds for contemporary poets, arguing that part of its appeal is its captivating otherness. He reflects on the work of leading poets such as Charles Olson, Louis Zukofsky, and Yusef Komunyakaa, whose own encounters with the poem are revelatory, and he reads its many translations and editions to bring it vividly to life for readers.
Giraffes Can't Dance (Orchard Picturebooks)
by Giles Andreae Guy Parker-ReesNumber One bestseller Giraffes Can't Dance from author Giles Andreae has been delighting children for over 15 years. Gerald the tall giraffe would love to join in with the other animals at the Jungle Dance, but everyone knows that giraffes can't dance . . . or can they? A funny, touching and triumphant picture book story about a giraffe who finds his own tune and confidence too, with joyful illustrations from Guy Parker Rees and a foiled cover.
The Girl and the Goddess
by Nikita GillPicked as as one of STYLIST'S *BEST AUTUMN READS OF 2020* 'A much-needed escape into a lyrical world'Let her be a little less human, a little more divineGive her heart armour so it doesn't break as easily as mineOne girl's wild journey of strength, beauty and growth as she discovers who she really is.Lyrical wonder, spiritual revelation and revolution meet with epic mythical landscapes in this deeply intimate coming-of-age story, one that teaches us all, no matter how small we feel, to become the masters of our own destiny.Meet Paro. A girl with a strong will, a full heart and much to learn. Born into a family reeling from the ruptures of Partition, follow her as she crosses the precarious lines between childhood, teenage discovery and realising her adult self.Nikita Gill's masterful poetry and beautiful illustrations conjure up jasmine-scented voices and smiles inhabited by ancestor's souls, rain dancing in a new city and the painful caverns in our hearts. We are taken on a journey of deity wisdom, fragmented family, and love lost and gained. We see power in belief, healing from trauma and hope after conflict. Undercurrents of the Trimurti - the Creator, the Preserver and the Destroyer - run deep, as Paro must confront fear, desire and the darkest parts of herself in the search for meaning and, ultimately, empowerment.Navigating different cultures, religions and identities, The Girl and the Goddess is a mesmerising poetic tale of where we come from, how we grow and how we become who we are.
Girlhood
by Julia CopusIn her fourth collection, Julia Copus explores the shifting balance of power between dangerous and destructive forces and things on the verge of becoming. Her deft and seductive poems reanimate lost figures and places from private moments and recast them in the open arena of the page. Reading this collection, one has the sense of encountering a series of filmic installations arranged by episode in a gallery. Censored or disparaged voices speak out from the secluded spaces of a professor's office, a deserted department store; from kitchens, bedrooms, hallways and upstairs windows; the witching hour and the psychiatric ward. The book concludes with a series of meetings between a female patient, Marguerite, and her bullying psychoanalyst Jacques Lacan. But Lacan's domination of his patient is illusory: like other victims in this exciting new collection, she may appear vanquished but a closer look reveals how little of herself she has really surrendered.
Girls that Never Die
by Safia Elhillo'Incredibly moving ... Every single poem is stellar' Roxane Gay, author of Difficult Women and Hunger____________________________________________In Girls That Never Die, award-winning poet Safia Elhillo reinvents the epic to explore Muslim girlhood and shame, the dangers of being a woman, and the myriad violences enacted and imagined against women's bodies. Drawing from her own life and family histories, as well as cultural myths and news stories about honor killings and genital mutilation, she interlaces the everyday traumas of growing up a girl under patriarchy with magical realist imaginings of rebellion, autonomy, and power. Elhillo writes a new world: women escape their stonings by birds that carry the rocks away; slain girls grow into two, like the hydra of lore, sprouting too numerous to ever be eradicated; circles of women are deemed holy, protected. Ultimately, Girls That Never Die is about wrestling ourselves from the threats of violence that constrain our lives, and instead looking to freedom and questioning: [what if i will not die] [what will govern me then]____________________________________________'Elhillo's is a voice that walks into the future' Ilya Kaminsky'Brilliant. And fierce' Aracelis Girmay'An astonishment' Tracy K. Smith
Girls that Never Die
by Safia Elhillo'Incredibly moving ... Every single poem is stellar' Roxane Gay, author of Difficult Women and Hunger____________________________________________In Girls That Never Die, award-winning poet Safia Elhillo reinvents the epic to explore Muslim girlhood and shame, the dangers of being a woman, and the myriad violences enacted and imagined against women's bodies. Drawing from her own life and family histories, as well as cultural myths and news stories about honor killings and genital mutilation, she interlaces the everyday traumas of growing up a girl under patriarchy with magical realist imaginings of rebellion, autonomy, and power. Elhillo writes a new world: women escape their stonings by birds that carry the rocks away; slain girls grow into two, like the hydra of lore, sprouting too numerous to ever be eradicated; circles of women are deemed holy, protected. Ultimately, Girls That Never Die is about wrestling ourselves from the threats of violence that constrain our lives, and instead looking to freedom and questioning: [what if i will not die] [what will govern me then]____________________________________________'Elhillo's is a voice that walks into the future' Ilya Kaminsky'Brilliant. And fierce' Aracelis Girmay'An astonishment' Tracy K. Smith
Girly Man
by Charles BernsteinAfter 9/11, postmodernism and irony were declared dead. Charles Bernstein here proves them alive and well in poems elegiac, defiant, and resilient to the point of approaching song. Heir to the democratic and poetic sensibilities of Walt Whitman and Allen Ginsberg, Bernstein has always crafted verse that responds to its historical moment, but no previous collection of his poems so specifically addresses the events of its time as Girly Man, whichfeatures works written on the evening of September 11, 2001, and in response to the war in Iraq. Here, Bernstein speaks out, combining self-deprecating humor with incisive philosophical and political thinking. Composed of works of very different forms and moods—etchings from moments of acute crisis, comic excursions, formal excavations, confrontations with the cultural illogics of contemporary political consciousness—the poems work as an ensemble, each part contributing something necessary to an unrealizable and unrepresentable whole. Indeed, representation—and related claims to truth and moral certainty—is an active concern throughout the book. The poems of Girly Man may be oblique, satiric, or elusive, but their sense is emphatic. Indeed, Bernstein’s poetry performsits ideas so that they can be experienced as well as understood. A passionate defense of contingency, resistance, and multiplicity, Girly Man is a provocative and aesthetically challenging collection of radical verse from one of America’s most controversial poets.
Girly Man
by Charles BernsteinAfter 9/11, postmodernism and irony were declared dead. Charles Bernstein here proves them alive and well in poems elegiac, defiant, and resilient to the point of approaching song. Heir to the democratic and poetic sensibilities of Walt Whitman and Allen Ginsberg, Bernstein has always crafted verse that responds to its historical moment, but no previous collection of his poems so specifically addresses the events of its time as Girly Man, whichfeatures works written on the evening of September 11, 2001, and in response to the war in Iraq. Here, Bernstein speaks out, combining self-deprecating humor with incisive philosophical and political thinking. Composed of works of very different forms and moods—etchings from moments of acute crisis, comic excursions, formal excavations, confrontations with the cultural illogics of contemporary political consciousness—the poems work as an ensemble, each part contributing something necessary to an unrealizable and unrepresentable whole. Indeed, representation—and related claims to truth and moral certainty—is an active concern throughout the book. The poems of Girly Man may be oblique, satiric, or elusive, but their sense is emphatic. Indeed, Bernstein’s poetry performsits ideas so that they can be experienced as well as understood. A passionate defense of contingency, resistance, and multiplicity, Girly Man is a provocative and aesthetically challenging collection of radical verse from one of America’s most controversial poets.
Girly Man
by Charles BernsteinAfter 9/11, postmodernism and irony were declared dead. Charles Bernstein here proves them alive and well in poems elegiac, defiant, and resilient to the point of approaching song. Heir to the democratic and poetic sensibilities of Walt Whitman and Allen Ginsberg, Bernstein has always crafted verse that responds to its historical moment, but no previous collection of his poems so specifically addresses the events of its time as Girly Man, whichfeatures works written on the evening of September 11, 2001, and in response to the war in Iraq. Here, Bernstein speaks out, combining self-deprecating humor with incisive philosophical and political thinking. Composed of works of very different forms and moods—etchings from moments of acute crisis, comic excursions, formal excavations, confrontations with the cultural illogics of contemporary political consciousness—the poems work as an ensemble, each part contributing something necessary to an unrealizable and unrepresentable whole. Indeed, representation—and related claims to truth and moral certainty—is an active concern throughout the book. The poems of Girly Man may be oblique, satiric, or elusive, but their sense is emphatic. Indeed, Bernstein’s poetry performsits ideas so that they can be experienced as well as understood. A passionate defense of contingency, resistance, and multiplicity, Girly Man is a provocative and aesthetically challenging collection of radical verse from one of America’s most controversial poets.
Give Peas a Chance (Dinosaur Juniors #2)
by Rob BiddulphIt’s no peas please for Nancy, in this second title in the Dinosaur Juniors series from picture book genius Rob Biddulph!
Giving Voice to Love: Song and Self-Expression from the Troubadours to Guillaume de Machaut
by Judith A. PerainoThe lyrics of medieval "courtly love" songs are characteristically self-conscious. Giving Voice to Love investigates similar self-consciousness in the musical settings. Moments and examples where voice, melody, rhythm, form, and genre seem to comment on music itself tell us about musical responses to the courtly chanson tradition, and musical reflections on the complexity of self-expression.
Gladsongs and Gatherings: Poetry and its Social Context in Liverpool since the 1960s
by Stephen WadeWith the ‘Liverpool Scene’, poetry registered nationally as a popular art form arguably for the first time. Since then, poetry appears to have contracted once more to its metropolitan, literary heartland. So what happened to the ‘Mersey sound’? Gladsongs and Gatherings examines this question through the ideas and reflections of poets and poetry readers. The book includes interviews with the famous 60s trio, and places their experience alongside that of contemporary poets who continue to find the city a rich source of inspiration.
Glasgow Zen
by Alan SpenceA superb new collection of haiku and other short poetic forms on the theme of Glasgow – its people, landscape, culture. As always, Spence is uniquely illuminating, witty and delightful. Incorporating some of the poems which appeared decades ago in the much sought-after collection of the same title, Glasgow Zen includes mostly new material from this highly popular and exquisite poet.
A Glass Half Full
by Felix DennisMulti-millionaires are not supposed to write poetry. It offends against natural justice. But following a life-threatening illness, Felix Dennis, the man behind the magazine publishing powerhouse responsible for The Week and Maxim found himself scribbling lines in the oddest situations - in business meetings, at social functions, on aeroplanes and even in his sleep.
The Glendale Bards: a selection of songs and poems by Niall MacLeòid (1843-1913), ‘The Bard of Skye’, his brother Iain Dubh (1847-1901) and father Dòmhnall nan Òran (c.1787-1873)
by Meg BatemanThis book marks the centenary of Neil MacLeod's death in 1913 with the republication of some of his work. It also publishes for the first time all of the identifiable work of his brother, Iain Dubh (1847-1901), and of their father, Dòmhnall nan Òran (c.1787-1873). Their contrasting styles mark a fascinating period of transition in literary tastes between the 18th and early 20th centuries at a time of profound social upheaval. Neil Macleod left Glendale in Skye to become a tea-merchant in Edinburgh. His songs were prized by his fellow Gaels for their sweetness of sentiment and melody, which placed a balm on the recent wounds of emigration and clearance. They are still very widely known, and Neil's collection Cl?rsach an Doire was reprinted four times. Professor Derick Thomson rightly described him as 'the example par excellence of the popular poet in Gaelic'. However, many prefer the earthy quality of the work of his less famous brother, Iain Dubh. This book contains 58 poems in all (32 by Neil, 14 by Iain and 22 by Dòmhnall), with translations, background notes and the melodies where known. Biographies are given of the three poets, while the introduction reflects on the difference in style between them and places each in his literary context. An essay in Gaelic by Professor Norman MacDonald reflects on the social significance of the family in the general Gaelic diaspora.
The Glimmering Room (Stahlecker Selections Ser.)
by Cynthia CruzFierce and fearless, The Glimmering Room beckons readers down into the young speaker's dark underworld, and because we are seduced by Cruz's startling imagery and language rich with ""Death's outrageous music,"" we follow willingly. Peopled with ""ambassadors from the Netherworld""-the orphaned and abused, the lost and addicted-Cruz leads us through this ""traveling minstrel show / Called girlhood-"" which is at once tragic and magical.
Global Anglophone Poetry: Literary Form and Social Critique in Walcott, Muldoon, de Kok, and Nagra (Modern and Contemporary Poetry and Poetics)
by Omaar HenaPoetry's relevancy as a tool for social and political change continues to be overlooked in a global context. Looking to writers as diverse as Derek Walcott, Paul Muldoon, and Daljit Nagra, Hena shows that poets throughout the world have reinvigorated older poetic traditions to address political realities and the sweeping pressures of modernity.
A Glossary of Chickens: Poems
by Gary J. WhiteheadWith skillful rhetoric and tempered lyricism, the poems in A Glossary of Chickens explore, in part, the struggle to understand the world through the symbolism of words. Like the hens of the title poem, Gary J. Whitehead's lyrics root around in the earth searching for sustenance, cluck rather than crow, and possess a humble majesty. Confronting subjects such as moral depravity, nature's indifference, aging, illness, death, the tenacity of spirit, and the possibility of joy, the poems in this collection are accessible and controlled, musical and meditative, imagistic and richly figurative. They are informed by history, literature, and a deep interest in the natural world, touching on a wide range of subjects, from the Civil War and whale ships, to animals and insects. Two poems present biblical narratives, the story of Lot's wife and an imagining of Noah in his old age. Other poems nod to favorite authors: one poem is in the voice of the character Babo, from Herman Melville's Benito Cereno, while another is a kind of prequel to Emily Dickinson's "She rose to His Requirement." As inventive as they are observant, these memorable lyrics strive for revelation and provide their own revelations.
A Glossary of Chickens: Poems (PDF)
by Gary J. WhiteheadWith skillful rhetoric and tempered lyricism, the poems in A Glossary of Chickens explore, in part, the struggle to understand the world through the symbolism of words. Like the hens of the title poem, Gary J. Whitehead's lyrics root around in the earth searching for sustenance, cluck rather than crow, and possess a humble majesty. Confronting subjects such as moral depravity, nature's indifference, aging, illness, death, the tenacity of spirit, and the possibility of joy, the poems in this collection are accessible and controlled, musical and meditative, imagistic and richly figurative. They are informed by history, literature, and a deep interest in the natural world, touching on a wide range of subjects, from the Civil War and whale ships, to animals and insects. Two poems present biblical narratives, the story of Lot's wife and an imagining of Noah in his old age. Other poems nod to favorite authors: one poem is in the voice of the character Babo, from Herman Melville's Benito Cereno, while another is a kind of prequel to Emily Dickinson's "She rose to His Requirement." As inventive as they are observant, these memorable lyrics strive for revelation and provide their own revelations.
Go Giants: Poems
by Nick LairdTo a Fault, Nick Laird's debut collection, won the Rooney Prize for Irish Literature and the Jerwood Aldeburgh First Collection Prize; On Purpose, his follow up, won a Somerset Maugham award for travel writing. In Go Giants, his third and most ambitious volume, Nick Laird's poetry travels yet further afield, connecting the shores of his native Northern Ireland with those of the American east coast where he spends increasing time. The result is an almost trans-Atlantic fusion, an inventive melding of Ulster lyricism with proto-Beat rhythms and phrase. The author's gaze is longer and more penetrative than before, casting back across the ocean to find a fresh perspective on older questions while vividly capturing the vibrancy of the new. Nick Laird writes with wit and candour, with polemic and persuasion, with no subject seemingly too large or too small: weapons of mass destruction, sectarian violence, religious faith, Jonah and the Whale, marriage, fatherhood, a daughter. A profoundly versatile collection, equally capable of public crescendo and a more personal hum, Go Giants is a daring and a thrilling endeavour by a writer described by Colm Toibin as 'an assured and brilliant voice in Irish poetry'.
Go, Go, Pirate Boat
by Katrina CharmanJoin two seafaring pirates and their captain on a nautical adventure to find a treasure chest. Add to that a text that is read aloud to the tune of 'Row, Row, Row Your Boat' and you have a book that will be enjoyed time and time again! Go, go, pirate boat,Across the salty sea,Raise the anchor, hoist the sail,It's a pirate's life for me.Little pirate fans will have endless fun singing along to the tune of a favourite nursery rhyme and doing the pirate actions in this fun ocean adventure. With bold, colourful illustrations by the instantly recognisable Nick Sharratt and text by talented newcomer Katrina Charman.
Go, Go, Pirate Boat
by Katrina CharmanJoin two seafaring pirates and their captain on a nautical adventure to find a treasure chest. Add to that a text that is read aloud to the tune of 'Row, Row, Row Your Boat' and you have a book that will be enjoyed time and time again! Go, go, pirate boat,Across the salty sea,Raise the anchor, hoist the sail,It's a pirate's life for me.Little pirate fans will have endless fun singing along to the tune of a favourite nursery rhyme and doing the pirate actions in this fun ocean adventure. With bold, colourful illustrations by the instantly recognisable Nick Sharratt and text by talented newcomer Katrina Charman. This eBook comes with glorious musical audio accompaniment by CBeebies star Justin Fletcher, so that everyone can sing along!