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Futures of Enlightenment Poetry
by Dustin D. StewartThis book offers a revisionist account of poetry and embodiment from Milton to Romanticism. Scholars have made much of the period's theories of matter, with some studies equating the eighteenth century's modernity with its materialism. Yet the Enlightenment in Britain also brought bold new arguments for the immateriality of spirit and evocative claims about an imminent spirit realm. Protestant religious writing was of two minds about futurity, swinging back and forth between patience for the resurrected body and desire for the released soul. This ancient pattern carried over, the book argues, into understandings of poetry as a modern devotional practice. A range of authors agreed that poems can provide a foretaste of the afterlife, but they disagreed about what kind of future state the imagination should seek. The mortalist impulse—exemplified by John Milton and by Romantic poets Anna Letitia Barbauld and William Wordsworth—is to overcome the temptation of disembodiment and to restore spirit to its rightful home in matter. The spiritualist impulse—driving eighteenth-century verse by Mark Akenside, Elizabeth Singer Rowe, and Edward Young—is to break out of bodily repetition and enjoy the detached soul's freedom in advance. Although the study isolates these two tendencies, each needed the other as a source in the Enlightenment, and their productive opposition didn't end with Romanticism. The final chapter identifies an alternative Romantic vision that keeps open the possibility of a disembodied poetics, and the introduction considers present-day Anglophone writers who put it into practice.
Gabriela Mistral: Selected Poems (Aris & Phillips Hispanic Classics)
by Salvador Ortiz-Carboneres Paul BurnsGabriela Mistral (1889-1967), Chile's 'other' great poet of the twentieth century, is little known outside the Spanish-speaking world, and unlike Pablo Neruda has not been extensively translated into English. She deserves better, particularly as the first Latin American recipient of the Nobel Prize for Literature (1945), and this selection of her poetry is designed to introduce her to an English-speaking public. Born Lucila Godoy Alcayaga in the Elqui valley in the 'little north' of Chile, she became a schoolteacher at the age of fifteen and went on to become an educator of international renown, an architect of educational reform in Mexico, and a cultural administrator at the League of Nations. She began publishing prose and verse pieces in newspapers and reviews at about the same age. Four major collections of her poems were published in her lifetime: Desolacion (Desolation) in 1922, Ternura (Tenderness) in 1924, Tala (Felling) in 1938, and Lagar (Wine Press) in 1954, followed by Poema de Chile published after her death. Poems from each of these five collections are included here. The landscape and people of her native Chile are a constant theme in her work, even though she lived most of her adult life away from Chile, largely as a consul - unpaid for many years - in Europe, Brazil, and the U.S.A., where she died. Her great love of children, who were the main preoccupation of her life and whom she both understood and respected; motherhood, and her lack of it; loss of people she loved; religious faith, tested and at times unorthodox, are other abiding themes. Her language is direct, passionate, rooted in local usage. The whole of her work, in prose as well as in verse, is a reflection of the absolute integrity of her life.
A Gallery to Play to: The Story of the Mersey Poets
by Phil BowenA Gallery to Play to is an intimate account of the lives and careers of the poets Adrian Henri, Roger McGough and Brian Patten. With unparalleled access to the three writers, Phil Bowen has written an indispensable book for anyone interested in poetry, popular culture and society over the last forty years.
The Game Changed: Essays and Other Prose (Poets On Poetry)
by Lawrence JosephPraise for Lawrence Joseph: "Poetry of great dignity, grace, and unrelenting persuasiveness… Joseph gives us new hope for the resourcefulness of humanity, and of poetry." ---John Ashbery "Like Henry Adams, Joseph seems to be writing ahead of actual events, and that makes him one of the scariest writers I know." ---David Kirby, The New York Times Book Review "The most important lawyer-poet of our era." ---David Skeel, Legal Affairs A volume in the Poets on Poetry series, which collects critical works by contemporary poets, gathering together the articles, interviews, and book reviews by which they have articulated the poetics of a new generation. Essays on poetry by the most important poet-lawyer of our era The Game Changed: Essays and Other Prose presents works by prominent poet and lawyer Lawrence Joseph that focus on poetry and poetics, and on what it is to be a poet. Joseph takes the reader through the aesthetics of modernism and postmodernism, a lineage that includes Wallace Stevens, William Carlos Williams, and Gertrude Stein, switching critical tracks to major European poets like Eugenio Montale and Hans Magnus Enzensberger, and back to American masters like James Schuyler and Adrienne Rich. Always discerning, especially on issues of identity, form, and the pressures of history and politics, Joseph places his own poetry within its critical contexts, presenting narratives of his life in Detroit, where he grew up, and in Manhattan, where he has lived for 30 years. These pieces also portray Joseph’s Lebanese, Syrian, and Catholic heritages, and his life as a lawyer, distinguished law professor, and legal scholar.
Game Poems: Videogame Design as Lyric Practice
by Jordan MagnusonScholars, critics, and creators describe certain videogames as being “poetic,” yet what that means or why it matters is rarely discussed. In Game Poems: Videogame Design as Lyric Practice, independent game designer Jordan Magnuson explores the convergences between game making and lyric poetry and makes the surprising proposition that videogames can operate as a kind of poetry apart from any reliance on linguistic signs or symbols. This rigorous and accessible short book first examines characteristics of lyric poetry and explores how certain videogames can be appreciated more fully when read in light of the lyric tradition—that is, when read as “game poems.” Magnuson then lays groundwork for those wishing to make game poems in practice, providing practical tips and pointers along with tools and resources. Rather than propose a monolithic framework or draw a sharp line between videogame poems and poets and their nonpoetic counterparts, Game Poems brings to light new insights for videogames and for poetry by promoting creative dialogue between disparate fields. The result is a lively account of poetic game-making praxis. “Everyone who loves the true power of games will benefit from the treasure trove of insights in Game Poems.” — Jesse Schell, author of The Art of Game Design “Magnuson shines a sensitive and incisive light on small, often moving, videogames.” — D. Fox Harrell, Ph.D., Professor of Digital Media, Computing, and Artificial Intelligence, MIT “[Game Poems] tells a new story about games— that games can be lyrical, beautiful, emotionally challenging—to inspire creators and critics alike.” —Noah Wardrip-Fruin, author of How Pac-Man Eats “Even as the news swells with impending doom for creativity, writing, and text itself, this literate and crafty book pursues poetry not through implacable algorithms but in concrete and personal play. It should be an indispensable guide for anyone who aims to maintain the true, human promise of technical poetics.”—Stuart Moulthrop, coauthor of Twining: Critical and Creative Approaches to Hypertext Narratives “For far too long videogames have flourished – and commanded both capital and attention – in a kind of counterculture that they seem to have created as if ex nihilo for themselves and their players. But we are these players, and their culture has always been integrated with all of our own. In this evenhanded artist-scholar’s ars poetica Jordan Magnuson respects the material cultural specificity of videogames while regarding them through the ‘lens of poetry’ in order to discover – and help create – a practice and an art of Game Poems within the wider field. Magnuson formally, int(erv)entionally embraces this art as lyrically poetic.”—John Cayley, Brown University “In Game Poems, Magnuson listens carefully to videogames, and hears them speak to questions of art, language, and meaning that connect our written past to our software future. Read this book and you will hear it too.”—Frank Lantz, Director, NYU Game Center “Jordan Magnuson has created a work that ties together the worlds of poetry and videogames in a deep and enlightening way. For those of us who care about the potential of poetic games, Jordan greatly improves the language of how we talk about them and expands our ability to see what this unique form can become. This is one of my favorite books on game design and I apologize in advance to those whom I will end up cornering and not being able to stop talking to about it.”—Benjamin Ellinger, Game Design Program Director, DigiPen Institute of Technology “A groundbreaking and accessible book that helps us think about games as poems. With patient tenacity, Magnuson teases out what he felt for years as he engaged in his own practice of making videogames. His mission to help us apply a ‘
Game Theory (The New Palgrave Economics Collection)
by Steven N. Durlauf Lawrence E. BlumeSpecially selected from The New Palgrave Dictionary of Economics 2nd edition, each article within this compendium covers the fundamental themes within the discipline and is written by a leading practitioner in the field. A handy reference tool.
The Garden of Heaven: Poems of Hafiz (Dover Thrift Editions)
by HafizPoetry is the greatest literary form of ancient Persia and modern Iran, and the fourteenth-century poet known as Hafiz is its preeminent master. Little is known about the poet's life, and there are more legends than facts relating to the particulars of his existence. This mythic quality is entirely appropriate for the man known as "The Interpreter of Mysteries" and "The Tongue of the Hidden," whose verse is regarded as oracular by those seeking guidance and attempting to realize wishes.A mere fraction of what is presumed to have been an extensive body of work survives. This collection is derived from Hafiz's Divan (collected poems), a classic of Sufism. The short poems, called ghazals, are sonnet-like arrangements of varied numbers of couplets. In the tradition of Persian poetry and Sufi philosophy, each poem corresponds to two interpretations, sensual and mystic.This outstanding translation of Hafiz's poetry was created by historian and Arabic scholar Gertrude Bell, who observed, "These are the utterances of a great poet, the imaginative interpreter of the heart of man; they are not of one age, or of another, but for all time."
Gardeners and Astronomers: New Poems
by Edith SitwellThe constant themes of the great poet, Birth, Death, Pity and Indignation, the unity of life, the re-birth that is brought by Spring, and the necessity for choice that informs all sentient life, are the core of this collection of poems by Dr. Edith Sitwell.The poet's awareness of the atomic age into which mankind has emerged renders more poignant and moving her assurance of the spiritual pattern behind the material facades. She knows that: "... we live now in the age of the terrible Furies Changed into Butterflies, and of the Butterfly-weather, gilding the hopeless heart:" yet for her "Through the rough Ape-dust the gold fires of the spirit spring like the wild-beast fires upon the branches, The little and the great, The shadow of the crooked and the straight Complete each other.""Pitee renneth soone in gentil herte" and Dr. Sitwell makes articulate the anguish of men that no assembly can legislate away.
Gardens and Grim Ravines: The Language of Landscape in Victorian Poetry
by Pauline FletcherThis book is the first systematic examination of the significance of landscape in Victorian poetry. Pauline Fletcher divides poetic landscapes into two categories: antisocial" landscapes of isolation or retreat, and "social" landscapes that reflect the life of man in community.Originally published in 1983.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
The Gardens of Emily Dickinson
by Judith Farr Louise CarterIn this first substantial study of Emily Dickinson's devotion to flowers and gardening, Judith Farr seeks to join both poet and gardener in one creative personality. She casts new light on Dickinson's temperament, her aesthetic sensibility, and her vision of the relationship between art and nature, revealing that the successful gardener's intimate understanding of horticulture helped shape the poet's choice of metaphors for every experience: love and hate, wickedness and virtue, death and immortality. Gardening, Farr demonstrates, was Dickinson's other vocation, more public than the making of poems but analogous and closely related to it. Over a third of Dickinson's poems and nearly half of her letters allude with passionate intensity to her favorite wildflowers, to traditional blooms like the daisy or gentian, and to the exotic gardenias and jasmines of her conservatory. Each flower was assigned specific connotations by the nineteenth century floral dictionaries she knew; thus, Dickinson's association of various flowers with friends, family, and lovers, like the tropes and scenarios presented in her poems, establishes her participation in the literary and painterly culture of her day. A chapter, "Gardening with Emily Dickinson" by Louise Carter, cites family letters and memoirs to conjecture the kinds of flowers contained in the poet's indoor and outdoor gardens. Carter hypothesizes Dickinson's methods of gardening, explaining how one might grow her flowers today. Beautifully illustrated and written with verve, The Gardens of Emily Dickinson will provide pleasure and insight to a wide audience of scholars, admirers of Dickinson's poetry, and garden lovers everywhere.
Garments Against Women
by Anne BoyerThe multi-award-winning meditation on survival, care and the place of literature in an unequal world'Around that time my daughter and I had this exchange:Anne, imagine if the world had nothing in it.Do you mean nothing at all - just darkness - or a world without objects?I mean a world without things: no houses, chairs, or cars. A world with only people and trees and dirt.What do you think would happen?People would make things. We would make things with trees and dirt.'When the cold comes, when our needs announce themselves, it is with clothing, with possessions, in literature, through dreams - in all the forms and categories that shape, contain and constrain - that we keep ourselves alive. Yet, in a society in which some are rich and some are poor, who gets to dream, and who invents our forms? This is a book made of money and the lack of money; of writing and of not-writing; of illness and of care; of low-rent apartments, cake-baking mothers, Socratic daughters and bodies that refuse to become information.
Gate of Lilacs: A Verse Commentary on Proust
by Clive JamesOver a period of fifteen years Clive James learned French by almost no other method than reading À la recherche du temps perdu. Then he spent half a century trying to get up to speed with Proust's great novel in two different languages. Gate of Lilacs is the unique product of James's love and engagement with Proust's eternal masterpiece. With À la recherche du temps perdu, Proust, in James's words, 'followed his creative instinct all the way until his breath gave out', and now James has done the same. In Gate of Lilacs, James, a brilliant critical essayist and poet, has blended the two forms into one.I had always thought the critical essay and the poem were closely related forms . . . If I wanted to talk about Proust's poetry beyond the basic level of talking about his language - if I wanted to talk about the poetry of his thought - then the best way to do it might be to write a poem.There is nothing like a poem for transmitting a mental flavour. Instead of trying to describe it, you can evoke it. In the end, if À la recherche du temps perdu is a book devoted almost entirely to its author's gratitude for life, for love, and for art, this much smaller book is devoted to its author's gratitude for Proust.
Gathering: Anthology / Collection / Ensemble - Together As One (Wordcatcher Modern Poetry)
by Ross LaneAnthology - Poems by my Several Selves: 'An anthology of poetry is traditionally a collected work by various writers and, in a sense, that is exactly what this book is. We are all different people at many junctions in our lives. We are moulded and shaped by the people, places and events that leave their fingerprints and footprints on our souls, and as such we change and evolve, losing sometimes our perspective but at the same time gaining another.' Collection - An Intentional Collection of Poetry: 'There is rarely an end to a collection, itself being the action or process of collecting someone or something into a place to be cherished, observed, reviewed and displayed. This is my first intentional collection of poetry, a selection of work that gathers further memories of people, places, events and dreams.' Ensemble - All the Parts Working Together: 'Through the writing of this collection I became fixated upon the concept of an ensemble, how it was all the parts of a thing taken together for consideration in relation only to the whole. This expanded my subject matter and areas of life that I wanted to explore. I loved the concept that even the tiniest pieces of memory and life had a significant impact on who we are as a whole, who we have become and who we aspire to be.'
Gaudete
by Ted Hughes'The poem we are told was originally intended as a film scenario. Ted Hughes has that sure poetic instinct that heads implacably for the particular instances rather than ideas or abstraction; he has an especial talent for evoking the visual particular . . . Ted Hughes has produced a strange bastard form that [works] because he has such an acute sense of the suggestive power of specific visual images and the ability to evoke them in words.' Oliver Lyne, Times Literary Supplement
GCSE English Edexcel Unseen Poetry Guide
by Cgp BooksBuild confidence and skills for the Unseen Poetry section of the Grade 9-1 GCSE Edexcel English Literature exams with this superb Poetry Guide! It includes a wide range of full poems, with warm-up questions and exam-style comparison questions. There's also a section of in-depth advice on how to analyse and compare poems in the exam, including how to write a good answer and top tips for targeting Grades 8-9. Students then have the opportunity to mark sample answers to Unseen Poetry questions - ideal for helping them identify what’s required to achieve each grade. To top it all off, there's a whole section of exam-style practice for realistic test preparation (with all the answers included of course). To make sure they can practise their poetry anywhere, this book comes with a free Online Edition! Don’t miss CGP’s fantastic GCSE Edexcel English Literature Poetry Guides for the Conflict Anthology (9781789080001) and the Relationships Anthology (9781789080018).
Gelli's Words of Wales: A Children's Anthology (Wordcatcher Modern Poetry)
byAs part of our Eisteddfod celebrations, we worked with poet Francesca Kay and author Chris Lynch to develop our writing skills. We are so proud of our writing we decided to publish our work. We all had the opportunity to write in different styles and used different story or poem formats and then chose the work we would like to be published. We hope you enjoy reading our work as much as we enjoyed writing it! A book full of creative, funny and enjoyable poems and stories created by the cheerful and creative kids of Gelli Primary to celebrate all things Welsh.
Gender and Place in Chicana/o Literature: Critical Regionalism and the Mexican American Southwest (Literatures of the Americas)
by Melina V. Vizcaíno-AlemánThis book is a study of gender and place in twentieth-century Chicana/o literature and culture, covering the early period of regional writing to contemporary art. Remapping Chicana/o literary and cultural history from the critical regional perspective of the Mexican American Southwest, it uncovers the aesthetics of Chicana/o critical regionalism in the writings of Cleofas Jaramillo, Fray Angélico Chávez, Elena Zamora O’Shea, and Jovita González. In addition to bringing renewed attention to contemporary writers like Richard Rodriguez and introducing the work of Chicana artist Carlota d.Z. EspinoZa, the study also revisits the more recognized work of Américo Paredes, Mario Suárez, Mary Helen Ponce, and Rodolfo “Corky” Gonzales to reconsider the aesthetics of gender and place in Chicana/o literature and culture.
Gender and Power in Shrew-Taming Narratives, 1500-1700
by D. Wootton G. HoldernessExplores dramatic, narrative and polemical versions of the 'taming of the shrew' story, from the Middle Ages to the Restoration, in light of recent historical work on the position of early modern women in society. Its essays address shrew narratives as an extended cultural dialogue debating issues of gender and sexual politics.
Gender and Representations of the Female Subject in Early Modern England: Creating Their Own Meanings (Palgrave Shakespeare Studies)
by Akiko KusunokiThis book examines the interactions between social assumptions about womanhood and women's actual voices represented in plays and writings by authors of both genders in Jacobean England, placing the special emphasis on Lady Mary Wroth.
Gender And Song In Early Modern England (PDF)
by Leslie C. Dunn Katherine R. LarsonSong offers a vital case study for examining the rich interplay of music, gender, and representation in the early modern period. This collection engages with the question of how gender informed song within particular textual, social, and spatial contexts in sixteenth- and seventeenth-century England. Bringing together ongoing work in musicology, literary studies, and film studies, it elaborates an interdisciplinary consideration of the embodied and gendered facets of song, and of song's capacity to function as a powerful-and flexible-gendered signifier. The essays in this collection draw vivid attention to song as a situated textual and musical practice, and to the gendered processes and spaces of song's circulation and reception. In so doing, they interrogate the literary and cultural significance of song for early modern readers, performers, and audiences.
Gender, Sex, and the City: Urdu Rekhti Poetry in India, 1780-1870 (Literatures and Cultures of the Islamic World)
by R. VanitaExplores the urban, cosmopolitan sensibilities of Urdu poetry written in the late eighteenth and early nineteenth centuries in Lucknow. Ruth Vanita analyzes Rekhti, a type of Urdu poetry distinguished by a female speaker and a focus on women's lives, and shows how it becamea catalyst for the transformation of the ghazal.
Gender Trouble Couplets, Volume 1: Volume 1
by A.W. StrouseJudith Butler’s Gender Trouble: Feminism and the Subversion of Identity radically claimed that the sexed body is a fallacy, discursively constructed by the performance of gender. A.W. Strouse has undertaken to rewrite Butler’s classic tome into an octosyllabic poem. Inspired by the rhyming encyclopedias of the Middle Ages, Strouse transforms each of Butler’s sentences into Seussian couplets. This performative repetition of Chapter 1 of Butler’s Gender Trouble, “Subjects of Sex/Gender/Desire,” deconstructs Butler’s deconstruction. Relishing in the campiness of rhyme and meter—in the bodily pleasures of form—Strouse’s Gender Trouble Couplets, Volume 1 is an imitation for which there is no original. Gender Trouble, perhaps, was poetry all along.