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Re-Imagining DEFA: East German Cinema in its National and Transnational Contexts
by Séan Allan Sebastian HeiduschkeBy the time the Berlin Wall collapsed, the cinema of the German Democratic Republic—to the extent it was considered at all—was widely regarded as a footnote to European film history, with little of enduring value. Since then, interest in East German cinema has exploded, inspiring innumerable festivals, books, and exhibits on the GDR’s rich and varied filmic output. In Re-Imagining DEFA, leading international experts take stock of this vibrant landscape and plot an ambitious course for future research, one that considers other cinematic traditions, brings genre and popular works into the fold, and encompasses DEFA’s complex post-unification “afterlife.”
Re-Imagining DEFA: East German Cinema in its National and Transnational Contexts
by Seán Allan Sebastian HeiduschkeBy the time the Berlin Wall collapsed, the cinema of the German Democratic Republic—to the extent it was considered at all—was widely regarded as a footnote to European film history, with little of enduring value. Since then, interest in East German cinema has exploded, inspiring innumerable festivals, books, and exhibits on the GDR’s rich and varied filmic output. In Re-Imagining DEFA, leading international experts take stock of this vibrant landscape and plot an ambitious course for future research, one that considers other cinematic traditions, brings genre and popular works into the fold, and encompasses DEFA’s complex post-unification “afterlife.”
Michael Jackson: The Story Behind Every Track
by François Allard Richard LecocqPlease note: this edition is text only and does not contain images.This is the full story of every single song that Michael Jackson recorded and released during his long and remarkable solo career.With fascinating stories and detailed information on every track - as well as key early songs with The Jackson Five and his legendary dance moves and videos - All the Songs is the complete history of one of the greatest musical legacies of all time.Arranged chronologically by album, expert authors Lecocq and Allard explore the details behind early hits such as ABC and I Want You Back, to solo masterpieces such as Don't Stop 'Til You Get Enough, Billie Jean, Beat It, Smooth Criminal, Black or White, This Is It and more - including outtakes, duets and rare tracks.Explore the magic behind the King of Pop's music with this in-depth, captivating book.
Embodied Performances: Sexuality, Gender, Bodies
by B. AllegrantiWith a companion website that includes short online film episodes, this book proposes expansive ways of deconstructing and re-constituting sexuality and gender and thus more embodied and ethical ways of 'doing' life, and offers an understanding and critique of embodiment through an integration of performance, psychotherapy and feminist philosophy.
Performing Chekhov
by David AllenFirst published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.
Performing Chekhov
by David AllenFirst published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.
Theatrical Design: An Introduction
by Kevin Lee AllenA theatrical designer must address two questions when designing a production: What is the play about and what is the play like? To find the metaphor within a play is to unlock inspired and unique design concepts. Theatrical Design: An Introduction is about how to find the design idea for a production and what to do with that idea once identified. This book emphasizes script analysis and interpretation specifically for designers: how to release meaning and design inspiration from lines and characterization in a script. It then explains the artistic elements and principles of design—the skills necessary to create the design visualized. Concepts are illustrated with examples from theatre, film, art, architecture, and fashion that explore professional and historic use of conceptualization and metaphor. Theatrical Design: An Introduction imparts the tools designers need to innovate off the page.
Theatrical Design: An Introduction
by Kevin Lee AllenA theatrical designer must address two questions when designing a production: What is the play about and what is the play like? To find the metaphor within a play is to unlock inspired and unique design concepts. Theatrical Design: An Introduction is about how to find the design idea for a production and what to do with that idea once identified. This book emphasizes script analysis and interpretation specifically for designers: how to release meaning and design inspiration from lines and characterization in a script. It then explains the artistic elements and principles of design—the skills necessary to create the design visualized. Concepts are illustrated with examples from theatre, film, art, architecture, and fashion that explore professional and historic use of conceptualization and metaphor. Theatrical Design: An Introduction imparts the tools designers need to innovate off the page.
Reel Black Talk: A Sourcebook of 50 American Filmmakers (Non-ser.)
by Linda Allen Spencer MoonAs evidenced in interviews included in this volume, many African American filmmakers consider themselves artists first, their ethnicity being only part of what influences their work. This is the first book by an African American on contemporary African American filmmakers. Here directors and producers speak for themselves, posing challenges to current thinking in the field. Special emphasis is given to the filmmakers' productions and their experiences. Essays on historic figures reveal the rich history of the African American contribution to cinema. From Oscar Micheaux and Spencer Williams to Neema Barnett and the team of George Jackson and Doug McHenry, this revealing reference work will enlighten scholars, students, and film buffs.As early as 1899, African Americans were involved in the filmmaking industry. Oscar Micheaux took directing, writing, and producing to a higher level with the release of his first film in 1918; by 1948 he had made more than forty films. Currently, by international world cinema standards, the African American tradition rivals cinema from anywhere in the world, but these filmmakers face a quandary: whether to make films through the Hollywood system or follow an independent vision. This book presents a cross-section of filmmakers from each camp and also focuses on those who work in both arenas.
By Order of the Peaky Blinders: The Official Companion to the Hit TV Series
by Matt AllenThe official companion to the hit TV show, Peaky Blinders, fully illustrated in colour. Packed full of behind-the-scenes stories and interviews with the cast and creators of the show, this is the first official book. ‘A must-read for fans of the ruthless Shelby clan’ Daily Express‘A hoard of information lurks inside the first official companion to the hit drama’ Sunday Express‘A heavyweight hardback in every sense of the word . . . essential reading for fans of the series’ Birmingham Mail Walk through The Garrison Tavern's saloon bar doors and onto the streets of Birmingham, past the fire-belching factories and away to the horse fairs on the edge of town. Welcome to the world of the Peaky Blinders.Since it first hit our screens in 2013, Peaky Blinders has evolved from cult hit to a global phenomenon. By Order of the Peaky Blinders is the first official book of the TV series, featuring exclusive interviews with creator and writer Steven Knight, the cast and the production teams, and a wealth of insider knowledge of the show.
Contemporary US Cinema
by Michael AllenContemporary U.S. Cinema is a forceful exploration of the tumultuous changes that have dominated the shifting landscape of American film-making over the past three decades. From the explosive release of Easy Rider to the excesses of Heaven's Gate and the comic book figures of Spider-Man, its aim is to examine the economic, social and cultural contexts of mainstream and independent American films. The book divides into nine provocative chapters with material on: the most significant individual film-makers, such as Scorsese, Coppola and Lucas, as well as independent film-makers like Jarmusch and Anders the careers of leading actors of the last thirty years, such as Jack Nicholson, Robert Redford and Julia Roberts, whilst exploring the powerful position of the film star in the modern American film-making process the economics of Contemporary U.S. Cinema with particular reference to the tortuous journey from production, distribution and exhibition of Waterworld and Titanic the artistic influence of foreign film-makers, such as François Truffaut and Jean-Luc Godard, and explores Hollywood's increasing dominance and reliance on the global market genres, sequels and the recent developments in computer-based technologies, using examples from The Godfather I - III, The Matrix, the Star Wars saga and remakes from Shaft to Ocean's Eleven The book is illustrated with stills throughout and includes a bibliography and annotated further reading list.
Contemporary US Cinema
by Michael AllenContemporary U.S. Cinema is a forceful exploration of the tumultuous changes that have dominated the shifting landscape of American film-making over the past three decades. From the explosive release of Easy Rider to the excesses of Heaven's Gate and the comic book figures of Spider-Man, its aim is to examine the economic, social and cultural contexts of mainstream and independent American films. The book divides into nine provocative chapters with material on: the most significant individual film-makers, such as Scorsese, Coppola and Lucas, as well as independent film-makers like Jarmusch and Anders the careers of leading actors of the last thirty years, such as Jack Nicholson, Robert Redford and Julia Roberts, whilst exploring the powerful position of the film star in the modern American film-making process the economics of Contemporary U.S. Cinema with particular reference to the tortuous journey from production, distribution and exhibition of Waterworld and Titanic the artistic influence of foreign film-makers, such as François Truffaut and Jean-Luc Godard, and explores Hollywood's increasing dominance and reliance on the global market genres, sequels and the recent developments in computer-based technologies, using examples from The Godfather I - III, The Matrix, the Star Wars saga and remakes from Shaft to Ocean's Eleven The book is illustrated with stills throughout and includes a bibliography and annotated further reading list.
Robert Redford and American Cinema: Modern Film Stardom and the Politics of Celebrity
by Michael AllenMichael Allen's insightful study explores the long and diverse career of the actor and director Robert Redford, from his early work in theatre and TV to his contemporary status as an iconic and enduring star. Allen assesses Redford's importance to the American film industry during a period of great transformation: as an influential industry player, an award-winning director and a committed political activist. Allen considers Redford's individual achievements in the context of shifts and changes in the industry as a whole: some of which benefited Redford's own progress and development; some which he engineered himself, as well as discussing Redford's star persona in relation to ageing and masculinity.
Robert Redford and American Cinema: Modern Film Stardom and the Politics of Celebrity
by Michael AllenMichael Allen's insightful study explores the long and diverse career of the actor and director Robert Redford, from his early work in theatre and TV to his contemporary status as an iconic and enduring star. Allen assesses Redford's importance to the American film industry during a period of great transformation: as an influential industry player, an award-winning director and a committed political activist. Allen considers Redford's individual achievements in the context of shifts and changes in the industry as a whole: some of which benefited Redford's own progress and development; some which he engineered himself, as well as discussing Redford's star persona in relation to ageing and masculinity.
Grinning At The Edge: A Biography of Alan Ayckbourn (Biography and Autobiography)
by Paul AllenNow in paperback, the hugely acclaimed, authorised biography of Britain's most popular playwrightAlan Ayckbourn is Britain's most popular playwright and its most private. He has won numerous awards for his plays and has worked with some of theatre's most celebrated names, yet he spends most of his time away from the limelight in a Yorkshire seaside town not writing at all but running a small repertory theatre.This is a portrait of a man who - from Relatively Speaking in 1965 to his double play House and Garden at the National Theatre in 2000 - has chronicled human behaviour, our aspirations and insecurities, while shaping the theatrical experience of millions."Mr Allen's book makes me want to start reading the entire Ayckbourn canon over again...splendid stuff" Hugh Leonard, Sunday Independent"Paul Allen has come up with a wise, well-informed book that not only persuades us of Ayckbourn's genius but also helps to explain this complex, driven man" Michael Billington, Country Life"Lucid, meticulously researched ... this impressively detailed account benefits from Paul Allen's rich inside knowledge of theatre" Terry Eagleton, Times Literary Supplement"Thorough and enjoyable" Christopher Hirst, Independent
Grinning At The Edge: A Biography of Alan Ayckbourn (Biography and Autobiography)
by Paul AllenNow in paperback, the hugely acclaimed, authorised biography of Britain's most popular playwrightAlan Ayckbourn is Britain's most popular playwright and its most private. He has won numerous awards for his plays and has worked with some of theatre's most celebrated names, yet he spends most of his time away from the limelight in a Yorkshire seaside town not writing at all but running a small repertory theatre.This is a portrait of a man who - from Relatively Speaking in 1965 to his double play House and Garden at the National Theatre in 2000 - has chronicled human behaviour, our aspirations and insecurities, while shaping the theatrical experience of millions."Mr Allen's book makes me want to start reading the entire Ayckbourn canon over again...splendid stuff" Hugh Leonard, Sunday Independent"Paul Allen has come up with a wise, well-informed book that not only persuades us of Ayckbourn's genius but also helps to explain this complex, driven man" Michael Billington, Country Life"Lucid, meticulously researched ... this impressively detailed account benefits from Paul Allen's rich inside knowledge of theatre" Terry Eagleton, Times Literary Supplement"Thorough and enjoyable" Christopher Hirst, Independent
Alfred Hitchcock: Centenary Essays
by Richard Allen S. Ishii-GonzalèsThis collection of essays displays the range and breadth of Hitchcock scholarship and assesses the significance of his body of work as a bridge between the fin de siecle culture of the 19th century and the 20th century. It engages with Hitchcock's characteristic formal and aesthetic preoccupations.
Hitchcock: Past and Future
by Richard Allen Sam Ishii-GonzalesThis new collection of writings on Alfred Hitchcock considers Hitchcock both in his time and as a continuing influence on filmmakers, films and film theory. The contributions, who include leading scholars such as Slavoj Zizek, Laura Mulvey, Peter Wollen, and James Naremore, discuss canonical films such as Notorious and The Birds alongside lesser-known works including Juno and the Paycock and Frenzy. Articles are grouped into four thematic sections: 'Authorship and Aesthetics' examines Hitchcock as auteur and investigates central topics in Hitchcockian aesthetics. 'French Hitchcock' looks at Hitchcock's influence on filmmakers such as Chabrol, Truffaut and Rohmer, and how film critics such as Bazin and Deleuze have engaged with Hitchcock's work. 'Poetics and Politics of Identity' explores the representation of personal and political in Hitchcock's work. The final section, 'Death and Transfiguration' addresses the manner in which the spectacle and figuration of death haunts the narrative universe of Hitchcock's films, in particular his subversive masterpiece Psycho.
Hitchcock: Past and Future
by Richard Allen Sam Ishii-GonzálesThis new collection of writings on Alfred Hitchcock considers Hitchcock both in his time and as a continuing influence on filmmakers, films and film theory. The contributions, who include leading scholars such as Slavoj Zizek, Laura Mulvey, Peter Wollen, and James Naremore, discuss canonical films such as Notorious and The Birds alongside lesser-known works including Juno and the Paycock and Frenzy. Articles are grouped into four thematic sections: 'Authorship and Aesthetics' examines Hitchcock as auteur and investigates central topics in Hitchcockian aesthetics. 'French Hitchcock' looks at Hitchcock's influence on filmmakers such as Chabrol, Truffaut and Rohmer, and how film critics such as Bazin and Deleuze have engaged with Hitchcock's work. 'Poetics and Politics of Identity' explores the representation of personal and political in Hitchcock's work. The final section, 'Death and Transfiguration' addresses the manner in which the spectacle and figuration of death haunts the narrative universe of Hitchcock's films, in particular his subversive masterpiece Psycho.
Cinema, Pain and Pleasure: Consent and the Controlled Body
by Steven AllenFrom Tattoo to Saw, this book considers mainstream cinema's representation of the viscerally dominated and marked body. Examining a shift in the late twentieth century to narratives that highlight subjection, endurance and willed-acquiescence, it probes the confluence of pain, pleasure and consent to analyse the implications of the change.
Narratives of Place in Literature and Film (Routledge Research in Cultural and Media Studies)
by Steven Allen Kirsten MøllegaardNarratives of place link people and geographic location with a cultural imaginary through literature and visual narration. Contemporary literature and film often frame narratives with specific geographic locations, which saturate the narrative with cultural meanings in relation to natural and man-made landscapes. This interdisciplinary collection seeks to interrogate such connections to probe how place is narrativized in literature and film. Utilizing close readings of specific filmic and literary texts, all chapters serve to tease out cultural and historical meanings in respect of human engagement with landscapes. Always mindful of national, cultural and topographical specificity, the book is structured around five core themes: Contested Histories of Place; Environmental Landscapes; Cityscapes; The Social Construction of Place; and Landscapes of Belonging.
Narratives of Place in Literature and Film (Routledge Research in Cultural and Media Studies)
by Steven Allen Kirsten MøllegaardNarratives of place link people and geographic location with a cultural imaginary through literature and visual narration. Contemporary literature and film often frame narratives with specific geographic locations, which saturate the narrative with cultural meanings in relation to natural and man-made landscapes. This interdisciplinary collection seeks to interrogate such connections to probe how place is narrativized in literature and film. Utilizing close readings of specific filmic and literary texts, all chapters serve to tease out cultural and historical meanings in respect of human engagement with landscapes. Always mindful of national, cultural and topographical specificity, the book is structured around five core themes: Contested Histories of Place; Environmental Landscapes; Cityscapes; The Social Construction of Place; and Landscapes of Belonging.
No Shame: the hilarious and candid memoir from one of our best-loved comedians
by Tom Allen'Wonderfully funny, utterly charming and sharp as all Hell' SARAH MILLICAN'Tom Allen is one of the funniest comedians in the UK, the best dressed man I know and now it turns out he is a superb writer. I hate him'JOSH WIDDICOMBE'A delightful, touching side-splitter'JO BRAND'An absolute joy! Funny, witty and totally charming'ALAN CARR~~~~~'When I was 16 I dressed in Victorian clothing in a bid to distract people from the fact that I was gay. It was a flawed plan.'No Shame is a very funny, candid and emotional ride of a memoir by one of our most beloved comedians. The working-class son of a coach driver, and the youngest member of the Noel Coward Society, Tom Allen grew up in 90s suburbia as the eternal outsider.In these hilarious, honest and heart breaking stories Tom recalls observations on childhood, his adolescence, the family he still lives with, and his attempts to come out and negotiate the gay dating scene. They are written with his trademark caustic wit and warmth, and will entertain, surprise and move you in equal measure.
Too Much
by Tom Allen'An extraordinary portrait of a son navigating his way through grief and loss in real time. Funny, candid, and measured' GRAHAM NORTONHappily settled in a new relationship and with a dream house of his own, comedian Tom Allen had finally moved on from the arrested development of millennial life and could at last call himself an adult.But when his father died suddenly in late 2021, Tom's newfound independence was rocked by a fresh set of challenges, and he began to find solace in the past (and his new vegetable patch). Told through snapshots from Tom's busy life - whether reflecting on the campness of funeral customs, muddy lockdown walks in unsuitable footwear or just reminiscing on his childhood obsession with Patricia Routledge - Too Much is a hilarious joyride of stories as well as an emotional ode to Tom's beloved dad, and a touching manifesto on how to navigate the complexities of grief. With moving honesty and wit, Tom writes beautifully about those days, weeks and months following his family's loss, and about how bewildering the practicalities of life can be in the wake of an upheaval - those moments, really, when everything can start to feel a bit too much...'Hilarious and poignant' JO BRAND
Noir and Blanchot: Deteriorations of the Event
by William S. AllenIn dark or desperate times, the artwork is placed in a difficult position. Optimism seems naïve, while pessimism is no better. During some of the most demanding years of the 20th century two distinctive bodies of work sought to respond to this problem: the writings of Maurice Blanchot and American film noir. Both were seeking not only to respond to the times but also to critically reflect them, but both were often criticised for their own darkness. Understanding how this darkness became the means of responding to the darkness of the times is the focus of Noir and Blanchot, which examines key films from the period (including Double Indemnity and Vertigo) alongside Blanchot's writings (particularly his 1948 narrative Death Sentence). What emerges from this investigation is the complex manner in which these works disrupt the experience of time and the event and in doing so expose an entirely different mode of material expression.