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Robert Peel: A Biography

by Douglas Hurd

The life of one of the greatest British Prime Ministers - by an author who knows the scene from his years as a senior Minister in Margaret Thatcher's Cabinet.Robert Peel (1788-1850), as much as any man in the nineteenth century, transformed Great Britain into a modern nation. He invented our police force, which became a model for the world. He steered through the Bill which allowed Catholics to sit in Parliament. He reorganised the criminal justice system. Above all he tackled poverty by repealing the Corn Laws. Thanks to Peel the most powerful trading nation chose free trade and opened the door for our globalised world of today.Peel was not all politics. He built two great houses, filled them with famous pictures and was devoted to a beautiful wife. Many followers never forgave him for splitting his Party. But when in 1850 he was carried home after a fall from his horse crowds gathered outside, mainly of working people, to read the medical bulletins. When he died a few days later, factories closed, flags flew at half-mast and thousands contributed small sums to memorials in his honour. He was the man who provided cheap bread and sacrificed his career for the welfare of ordinary people.

Robert Plant: A Life

by Paul Rees

Robert Plant is one of the few genuine living rock legends. Frontman of Led Zeppelin, musical innovator and seller of millions of records, Plant has had a profound influence on music for over four decades. But the full account of his life has barely been told … until now.

Robert Schumann: Herald of a "New Poetic Age"

by John Daverio

Forced by a hand injury to abandon a career as a pianist, Robert Schumann went on to become one of the world's great composers. Among many works, his Spring Symphony (1841), Piano Concerto in A Minor (1841/1845), and the Third, or Rhenish, Symphony (1850) exemplify his infusion of classical forms with intense, personal emotion. His musical influence continues today and has inspired many other famous composers in the century since his death. Indeed Brahms, in a letter of January 1873, wrote: "The remembrance of Schumann is sacred to me. I will always take this noble pure artist as my model." Now, in Robert Schumann: Herald of a "New Poetic Age," John Daverio presents the first comprehensive study of the composer's life and works to appear in nearly a century. Long regarded as a quintessentially romantic figure, Schumann also has been portrayed as a profoundly tragic one: a composer who began his career as a genius and ended it as a mere talent. Daverio takes issue with this Schumann myth, arguing instead that the composer's entire creative life was guided by the desire to imbue music with the intellectual substance of literature. A close analysis of the interdependence among Schumann's activities as reader, diarist, critic, and musician reveals the depth of his literary sensibility. Drawing on documents only recently brought to light, the author also provides a fresh outlook on the relationship between Schumann's mental illness--which brought on an extended sanitarium stay and eventual death in 1856--and his musical creativity. Schumann's character as man and artist thus emerges in all its complexity. The book concludes with an analysis of the late works and a postlude on Schumann's influence on successors from Brahms to Berg. This well-researched study of Schumann interprets the composer's creative legacy in the context of his life and times, combining nineteenth-century cultural and intellectual history with a fascinating analysis of the works themselves.

Robert Schumann: Herald of a "New Poetic Age"

by John Daverio

Forced by a hand injury to abandon a career as a pianist, Robert Schumann went on to become one of the world's great composers. Among many works, his Spring Symphony (1841), Piano Concerto in A Minor (1841/1845), and the Third, or Rhenish, Symphony (1850) exemplify his infusion of classical forms with intense, personal emotion. His musical influence continues today and has inspired many other famous composers in the century since his death. Indeed Brahms, in a letter of January 1873, wrote: "The remembrance of Schumann is sacred to me. I will always take this noble pure artist as my model." Now, in Robert Schumann: Herald of a "New Poetic Age," John Daverio presents the first comprehensive study of the composer's life and works to appear in nearly a century. Long regarded as a quintessentially romantic figure, Schumann also has been portrayed as a profoundly tragic one: a composer who began his career as a genius and ended it as a mere talent. Daverio takes issue with this Schumann myth, arguing instead that the composer's entire creative life was guided by the desire to imbue music with the intellectual substance of literature. A close analysis of the interdependence among Schumann's activities as reader, diarist, critic, and musician reveals the depth of his literary sensibility. Drawing on documents only recently brought to light, the author also provides a fresh outlook on the relationship between Schumann's mental illness--which brought on an extended sanitarium stay and eventual death in 1856--and his musical creativity. Schumann's character as man and artist thus emerges in all its complexity. The book concludes with an analysis of the late works and a postlude on Schumann's influence on successors from Brahms to Berg. This well-researched study of Schumann interprets the composer's creative legacy in the context of his life and times, combining nineteenth-century cultural and intellectual history with a fascinating analysis of the works themselves.

Robert Schumann: The Life and Work of a Romantic Composer

by Martin Geck

Robert Schumann (1810–56) is one of the most important and representative composers of the Romantic era. Born in Zwickau, Germany, Schumann began piano instruction at age seven and immediately developed a passion for music. When a permanent injury to his hand prevented him from pursuing a career as a touring concert pianist, he turned his energies and talents to composing, writing hundreds of works for piano and voice, as well as four symphonies and an opera. Here acclaimed biographer Martin Geck tells the fascinating story of this multifaceted genius, set in the context of the political and social revolutions of his time. The image of Schumann the man and the artist that emerges in Geck’s book is complex. Geck shows Schumann to be not only a major composer and music critic—he cofounded and wrote articles for the controversial Neue Zeitschrift für Musik­­—but also a political activist, the father of eight children, and an addict of mind-altering drugs. Through hard work and determination bordering on the obsessive, Schumann was able to control his demons and channel the tensions that seethed within him into music that mixes the popular and esoteric, resulting in compositions that require the creative engagement of reader and listener. The more we know about a composer, the more we hear his personality in his music, even if it is above all on the strength of his work that we love and admire him. Martin Geck’s book on Schumann is not just another rehashing of Schumann’s life and works, but an intelligent, personal interpretation of the composer as a musical, literary, and cultural personality.

Robert Schumann: The Life and Work of a Romantic Composer

by Martin Geck

Robert Schumann (1810–56) is one of the most important and representative composers of the Romantic era. Born in Zwickau, Germany, Schumann began piano instruction at age seven and immediately developed a passion for music. When a permanent injury to his hand prevented him from pursuing a career as a touring concert pianist, he turned his energies and talents to composing, writing hundreds of works for piano and voice, as well as four symphonies and an opera. Here acclaimed biographer Martin Geck tells the fascinating story of this multifaceted genius, set in the context of the political and social revolutions of his time. The image of Schumann the man and the artist that emerges in Geck’s book is complex. Geck shows Schumann to be not only a major composer and music critic—he cofounded and wrote articles for the controversial Neue Zeitschrift für Musik­­—but also a political activist, the father of eight children, and an addict of mind-altering drugs. Through hard work and determination bordering on the obsessive, Schumann was able to control his demons and channel the tensions that seethed within him into music that mixes the popular and esoteric, resulting in compositions that require the creative engagement of reader and listener. The more we know about a composer, the more we hear his personality in his music, even if it is above all on the strength of his work that we love and admire him. Martin Geck’s book on Schumann is not just another rehashing of Schumann’s life and works, but an intelligent, personal interpretation of the composer as a musical, literary, and cultural personality.

Robert Schumann: The Life and Work of a Romantic Composer

by Martin Geck

Robert Schumann (1810–56) is one of the most important and representative composers of the Romantic era. Born in Zwickau, Germany, Schumann began piano instruction at age seven and immediately developed a passion for music. When a permanent injury to his hand prevented him from pursuing a career as a touring concert pianist, he turned his energies and talents to composing, writing hundreds of works for piano and voice, as well as four symphonies and an opera. Here acclaimed biographer Martin Geck tells the fascinating story of this multifaceted genius, set in the context of the political and social revolutions of his time. The image of Schumann the man and the artist that emerges in Geck’s book is complex. Geck shows Schumann to be not only a major composer and music critic—he cofounded and wrote articles for the controversial Neue Zeitschrift für Musik­­—but also a political activist, the father of eight children, and an addict of mind-altering drugs. Through hard work and determination bordering on the obsessive, Schumann was able to control his demons and channel the tensions that seethed within him into music that mixes the popular and esoteric, resulting in compositions that require the creative engagement of reader and listener. The more we know about a composer, the more we hear his personality in his music, even if it is above all on the strength of his work that we love and admire him. Martin Geck’s book on Schumann is not just another rehashing of Schumann’s life and works, but an intelligent, personal interpretation of the composer as a musical, literary, and cultural personality.

Robert Schumann: The Life and Work of a Romantic Composer

by Martin Geck

Robert Schumann (1810–56) is one of the most important and representative composers of the Romantic era. Born in Zwickau, Germany, Schumann began piano instruction at age seven and immediately developed a passion for music. When a permanent injury to his hand prevented him from pursuing a career as a touring concert pianist, he turned his energies and talents to composing, writing hundreds of works for piano and voice, as well as four symphonies and an opera. Here acclaimed biographer Martin Geck tells the fascinating story of this multifaceted genius, set in the context of the political and social revolutions of his time. The image of Schumann the man and the artist that emerges in Geck’s book is complex. Geck shows Schumann to be not only a major composer and music critic—he cofounded and wrote articles for the controversial Neue Zeitschrift für Musik­­—but also a political activist, the father of eight children, and an addict of mind-altering drugs. Through hard work and determination bordering on the obsessive, Schumann was able to control his demons and channel the tensions that seethed within him into music that mixes the popular and esoteric, resulting in compositions that require the creative engagement of reader and listener. The more we know about a composer, the more we hear his personality in his music, even if it is above all on the strength of his work that we love and admire him. Martin Geck’s book on Schumann is not just another rehashing of Schumann’s life and works, but an intelligent, personal interpretation of the composer as a musical, literary, and cultural personality.

Robert Shaw: The Price of Success

by John French

Robert Shaw is most celebrated today as the Oscar-nominated star in movies like From Russia with Love, A Man For All Seasons, The Sting and - most memorably of all - as Quint in the record-breaking Jaws. His breakthrough came when Hollywood was experiencing something of a British Invasion. Sean Connery, Peter O'Toole, Vanessa Redgrave and Richard Burton were among the new stars. But Shaw was arguably more talented than any, a figure of extraordinary and wide-ranging promise. More than just a mesmerising actor on stage and screen, he was also a gifted writer. He wrote no less than six published novels (winning the Hawthornden Prize), while his plays include the acclaimed Man in The Glass Booth. The flipside to Shaw's diverse abilities was his well-earned reputation as a hellraiser. A fiercely competitive man in all areas of his life, whether playing table tennis or drinking whisky, he emptied mini-bars, crashed Aston Martins, fathered nine children by three different women, made (and spent) a fortune, and set fire to Orson Welles' house. He died at 51, having driven himself too hard, too fast, but unable to get over his father's suicide when Shaw was just 11. John French, Shaw's biographer, knew him well, professionally and personally. Robert Shaw: The Price of Success is a perceptive, sympathetic, but unsparing portrait of the blessings and curses endowing this mercurial, enigmatic and deeply engaging man. This edition features a new foreword written by Richard Dreyfuss. Praise 'Both impressive and immaculate, a tremendously skilled biography... chillingly well told.' Sheridan Morley 'I liked Robert Shaw: The Price of Success tremendously, and applaud its digital rebirth.' Robert Sellers, author of Hellraisers and Don't Let The Bastards Grind You Down

Robert Sobukwe: How Can Man Die Better

by Benjamin Pogrund

On 21 March 1960, Robert Mangaliso Sobukwe, leader of the Pan Africanist Congress (PAC), led a mass defiance of South Africa's pass laws. He urged blacks to go the nearest police station and demand arrest. When police opened fire on a peaceful crowd in the township of Sharpeville, 68 people were killed. The protest changed the course of South Africa's history. Afrikaner rule stiffened and black resistance to apartheid went underground. Sobukwe was jailed for three years on charges of incitement, but the government, fearful of his power, rushed through the 'Sobukwe Clause' to keep him in prison without trial. For the next six years, Sobukwe was kept in solitary confinement on Robben Island, the infamous apartheid prison near Cape Town. How Can Man Die Better is the story of this South African hero, but it also the story of the friendship between Robert Sobukwe and Benjamin Pogrund, former Deputy Editor of the Rand Daily Mail. Their joint experiences and debates chart the course of a tyrannical regime and the growth of black resistance.

Robert Southey: History, Politics, Religion (PDF)

by Stuart Andrews

In Robert Southey , Andrews argues that Robert Southey's denunciation of global Catholicism is essential to understanding his life, works, and times. On this issue, Southey was absolutely consistent in all his work and the Poet Laureate's partisan rhetoric reveals much about the religious culture of this stormy period in England.

Robert the Bruce's Rivals: The Comyns, 1212-1314

by Alan Young

This volume aims to critically examine the bad reputation gained by the Comyns in post-Bruce Scotland. The name "Comyn" has long been associated in Scottish tradition with treachery: the family were involved in the infamous kidnapping of the young Alexaner III in 1257, were accused of treachery against William Wallace at the Battle of Falkirk in 1298, and of betraying Robert Bruce to Edward I of England 1306. This reappraisal of the Comyns' role concludes that the period 1212 to 1314 should be regarded as the "Comyn century" in Scottish history. The book highlights the Comyns' role as pillars of the Scottish monarchy and leaders of the political community of the realm in this formative century. The family's interests and influence extended into every corner of Scotland and their castles controlled key lines of communication, especially in Northern Scotland. It is against this background that Bruce's political ambitions in Scotland and Edward I's attempts to influence Scottish affairs in the late-13th century are set. Comyn dominance of the Scottish political scene adds a new twist to the murder of John Comyn by Robert Bruce in the Greyfriars' Church at Dumfries in 1306, and to the impact of the Battle of Bannockburn (1314) on the power struggle within Scotland. This study of the Comyns intends to help establish the strength of opposition to Robert Bruce at the end of the 13th century. A non-Bruce view of the 13th-century Scottish history.The issue of power politics within Scotland, and between England and Scotland, is a constant central theme.

Roberto Mancini: A Footballing Life: The Full Story

by Luca Caioli

When Manchester City’s owners appointed Roberto Mancini in late 2009, the message was clear: this was the man who would overtake the Blues’ illustrious neighbours and restore the club to the pinnacle of English football. The former Italy playmaker swiftly repaid their faith, following up an FA Cup triumph in his first full season with the Premier League title – won in the most heartstopping fashion imaginable – to continue a success story that had taken him from early stardom in Bologna to back-to-back league titles as Inter Milan manager. Now, renowned Italian sports writer Luca Caioli gives the full inside story of Mancini’s rollercoaster life in football – from his early days as a firebrand centre forward, through glory days with Sampdoria and Lazio, to his emergence as a charismatic, if controversial, pitch-side leader. Featuring insights from those who know him best – including family members, former teammates and managers, as well as an exclusive interview with Mancini himself, it provides a unique and revealing portrait of the man behind the Blue revolution.

Robespierre: The Man Who Divides Us the Most

by Marcel Gauchet

How Robespierre’s career and legacy embody the dangerous contradictions of democracyMaximilien Robespierre (1758–1794) is arguably the most controversial and contradictory figure of the French Revolution, inspiring passionate debate like no other protagonist of those dramatic and violent events. The fervor of those who defend Robespierre the “Incorruptible,” who championed the rights of the people, is met with revulsion by those who condemn him as the bloodthirsty tyrant who sent people to the guillotine. Marcel Gauchet argues that he was both, embodying the glorious achievement of liberty as well as the excesses that culminated in the Terror.In much the same way that 1789 and 1793 symbolize the two opposing faces of the French Revolution, Robespierre’s contradictions were the contradictions of the revolution itself. Robespierre was its purest incarnation, neither the defender of liberty who fell victim to the corrupting influence of power nor the tyrant who betrayed the principles of the revolution. Gauchet shows how Robespierre’s personal transition from opposition to governance was itself an expression of the tragedy inherent in a revolution whose own prophetic ideals were impossible to implement.This panoramic book tells the story of how the man most associated with the founding of modern French democracy was also the first tyrant of that democracy, and it offers vital lessons for all democracies about the perpetual danger of tyranny.

Robespierre: The Man Who Divides Us the Most

by Marcel Gauchet

How Robespierre’s career and legacy embody the dangerous contradictions of democracyMaximilien Robespierre (1758–1794) is arguably the most controversial and contradictory figure of the French Revolution, inspiring passionate debate like no other protagonist of those dramatic and violent events. The fervor of those who defend Robespierre the “Incorruptible,” who championed the rights of the people, is met with revulsion by those who condemn him as the bloodthirsty tyrant who sent people to the guillotine. Marcel Gauchet argues that he was both, embodying the glorious achievement of liberty as well as the excesses that culminated in the Terror.In much the same way that 1789 and 1793 symbolize the two opposing faces of the French Revolution, Robespierre’s contradictions were the contradictions of the revolution itself. Robespierre was its purest incarnation, neither the defender of liberty who fell victim to the corrupting influence of power nor the tyrant who betrayed the principles of the revolution. Gauchet shows how Robespierre’s personal transition from opposition to governance was itself an expression of the tragedy inherent in a revolution whose own prophetic ideals were impossible to implement.This panoramic book tells the story of how the man most associated with the founding of modern French democracy was also the first tyrant of that democracy, and it offers vital lessons for all democracies about the perpetual danger of tyranny.

Robespierre: The Voice of Virtue

by Otto Scott

It is a perverse but almost inescapable phenomenon in the history of violent revolutions that after the first heroic days a colorless bureaucrat will inherit the mantle of leadership. In the Russian Revolution, Lenin was followed by a plodding Stalin rather than a dazzling Trotsky. Even after the American Revolution the celebrated Jefferson barely made it into office as president between two party regulars.The French Revolution was no exception. After the genius and idealism of Mirabeau, Danton, and others who had created the Revolution, it fell into the hands of an unscrupulous and sententious bourgeois lawyer who had been lost among the back benches of the first Estates-General. Like Stalin, Robespierre rose through tireless party service and meticulous attention to detail and finally through the execution of men who had been the real heroes of the Revolution. Unlike Stalin, however, Robespierre was a brilliant orator who ultimately was destroyed on the guillotine by the very terror he had created to eliminate his rivals.In Robespierre: The Voice of Virtue, Otto J. Scott has created an ironic portrait of hypocrisy in power. This biography is a study in moral arrogance, self-proclaimed virtue, and the effectiveness of brutality in the position of political leadership; it is a reenactment of the events that Robespierre came to personify—the Reign of Terror. This political condition has since been re-enacted all too often.

Robespierre: The Voice of Virtue

by Otto Scott

It is a perverse but almost inescapable phenomenon in the history of violent revolutions that after the first heroic days a colorless bureaucrat will inherit the mantle of leadership. In the Russian Revolution, Lenin was followed by a plodding Stalin rather than a dazzling Trotsky. Even after the American Revolution the celebrated Jefferson barely made it into office as president between two party regulars.The French Revolution was no exception. After the genius and idealism of Mirabeau, Danton, and others who had created the Revolution, it fell into the hands of an unscrupulous and sententious bourgeois lawyer who had been lost among the back benches of the first Estates-General. Like Stalin, Robespierre rose through tireless party service and meticulous attention to detail and finally through the execution of men who had been the real heroes of the Revolution. Unlike Stalin, however, Robespierre was a brilliant orator who ultimately was destroyed on the guillotine by the very terror he had created to eliminate his rivals.In Robespierre: The Voice of Virtue, Otto J. Scott has created an ironic portrait of hypocrisy in power. This biography is a study in moral arrogance, self-proclaimed virtue, and the effectiveness of brutality in the position of political leadership; it is a reenactment of the events that Robespierre came to personify—the Reign of Terror. This political condition has since been re-enacted all too often.

Robey Leibbrandt: ’n Lewe van fanatiesme

by Albert Blake

Die Suid-Afrikaanse Olimpiese bokser ROBEY LEIBBRANDT is gedurende die Tweede Wêreldoorlog deur die Nazi’s op ’n epiese tog in ’n klein seiljag van Europa na Suid-Afrika gestuur.Sy missie? Om in opdrag van die Duitse militêre geheimediens as skakel tussen die Nazi’s en die Ossewabrandwag te dien. Leibbrandt het ook sy eie planne gehad om ’n sluipmoord op eerste minister Jan Smuts uit te voer en die regering omver te werp.Leibbrandt het ’n aanhanger van nasionaal-sosialisme geword toe hy in 1936 vir Suid-Afrika aan die Olimpiese Spele in Berlyn deelgeneem het. Hy is daarna deur die Duitse militêre geheimediens gewerf en het intensiewe sabotasieopleiding ontvang.Wie was hierdie man wat uiteindelik aan hoogverraad skuldig bevind en ter dood veroordeel is? Dié biografie deur die bekroonde skrywer Albert Blake werp nuwe lig op hierdie enigmatiese figuur en die fanatisme wat hom aangevuur het.

Robin: The Definitive Biography of Robin Williams

by Dave Itzkoff

'This well-written page-turner is the definitive biography of the genius of Robin Williams, whose life redefines the highs and lows of the American dream' - Steve Martin From his rapid-fire stand-up comedy riffs to his breakout role in Mork & Mindy and his Academy Award-winning performance in Good Will Hunting, Robin Williams was a singularly innovative and beloved entertainer. He often came across as a man possessed, holding forth on culture and politics while mixing in personal revelations – all with mercurial, tongue-twisting intensity as he inhabited and shed one character after another with lightning speed.But as Dave Itzkoff shows in this revelatory biography, Williams’s comic brilliance masked a deep well of conflicting emotions and self-doubt, which he drew upon in his comedy and in celebrated films like Dead Poets Society; Good Morning, Vietnam; The Fisher King; Aladdin; and Mrs Doubtfire, where he showcased his limitless gift for improvisation to bring to life a wide range of characters. And in Good Will Hunting he gave an intense and controlled performance that revealed the true range of his talent.Robin by Dave Itzkoff shows how Williams struggled mightily with addiction and depression – topics he discussed openly while performing and during interviews – and with a debilitating condition at the end of his life that affected him in ways his fans never knew. Drawing on more than a hundred original interviews with family, friends and colleagues, as well as extensive archival research, Robin is a fresh and original look at a man whose work touched so many lives.

Robinson Crusoe: Aus, The Life And Surprising Adventures Of Robinson Crusoe Of York, Mariner (1893) (Sterling Unabridged Classics Ser.)

by Daniel Defoe

'I walk'd about on the shore, lifting up my hands, and my whole being, as I may say, wrapt up in the contemplation of my deliverance ... reflecting upon all my comrades that were drown'd, and that there should not be one soul sav'd but my self ... 'Who has not dreamed of life on an exotic isle, far away from civilization? Here is the novel which has inspired countless imitations by lesser writers, none of which equal the power and originality of Defoe's famous book. Robinson Crusoe, set ashore on an island after a terrible storm at sea, is forced to make do with only a knife, some tobacco, and a pipe. He learns how to build a canoe, make bread, and endure endless solitude. That is, until, twenty-four years later, when he confronts another human being. First published in 1719, Robinson Crusoe has been praised by such writers as James Joyce, Virginia Woolf, and Samuel Johnson as one of the greatest novels in the English language.The Penguin English Library - 100 editions of the best fiction in English, from the eighteenth century and the very first novels to the beginning of the First World War.

Robinson Jeffers: Poet and Prophet

by James Karman

The precipitous cliffs, rolling headlands, and rocky inlets of the California coast come alive in the poetry of John Robinson Jeffers, an icon of the environmental movement. In this concise and accessible biography, Jeffers scholar James Karman reveals deep insights into this passionate and complex figure and establishes Jeffers as a leading American poet of prophetic vision. In a move that would define his life's work, Jeffers' family relocated to California from Pennsylvania in 1903 when he was sixteen. While a graduate student at the University of Southern California he met Una Call Kuster, a student who was the wife of a prominent Los Angeles attorney, and they began a scandalous affair that made the front page of the Los Angeles Times. They eventually married and escaped to Carmel, California to write poetry; there they would spend the rest of their lives. At the height of his popularity in the 1920s and 1930s, Jeffers became one of the few poets ever featured on the cover of Time magazine, and posthumously put on a U.S. postage stamp. Writing by kerosene lamp in a granite tower that he had built himself, his vivid and descriptive poetry of the coast evoked the difficulty and beauty of the wild and inspired photographers such as Edward Weston and Ansel Adams. He was known for long narrative blank verse that shook up the national literary scene, but in the 1940s his interest in the Greek classics led to several adaptations which were staged on Broadway to great success. Inspiring later artists from Charles Bukowski to Czesław Miłosz and even the Beach Boys, Robinson Jeffers' contribution to American letters is skillfully brought back out of the shadows of history in this compelling biography of a complex man of poetic genius who wrote so powerfully of the astonishing beauty of nature.

Rock and Roll Busker

by Graham Forbes

A busker is a wee guy (or woman) who plays on the streets for tips. In bands, to busk, means to bluff your way through a song that you haven't rehearsed with whomever you happen to be standing beside on a stage. It may be the first time you have played it. Sometimes you might not have even heard the song before. When there is a big crowd in front of you, listening to every note, that's when the fun starts. This is a passionate, humorous and highly original look at the life of a musician on the road and what it is really like to be a musician. If you love music and you want to know more about what it is like to be a musician, then you will love this book.

Rock and Roll Mountains

by Graham Forbes Author

Graham Forbes loved to play guitar, whether it was with local rock groups pillaging village halls or on the big stages of the world with the Incredible String Band. But, like so many others, he enjoyed the gigs, groupies and booze too much. At 27, he found himself back in Glasgow, ears ringing, scratching his head, completely unemployable, with an empty bottle of tequila in one hand and a huge tax demand in the other. It had been great while it lasted but the party was over.Realising his mind was like and out-of-control firework display and that his next stop was the Happy Duck Rest Home for the Bewildered, Graham noticed there were hills nearby and decided to go for a walk. Just as it seemed he might at last settle down to some sort of normal life he met a crazy climber with a taste for the bizarre . . . It was the beginning of a journey that would transform Graham completely, taking him from poverty to bluffing his way onto the board of directors of a national company, hoping that their next meeting wouldn't be in a hotel he'd wrecked in his previous life. Roaring along with bawdy tales of marauding bands, mad mountaineers and unforgettable Glasgow street characters, Rock and Roll Mountains weaves through wild rock tours and terrifying ice climbing to glowing sunsets on some of the most beautiful summits in the world. It is a book about extreme sport, fear and survival - but without the the gung-ho heroics of mountaineering writers.At times deeply moving, insightful yet hilarious and with an extraordinary climax, this book is for anyone who has looked in the mirror and wondered where it all went wrong . . . Above all, it is very, very funny.

Rock and Roll Tourist

by Graham Forbes

After his much acclaimed book Rock and Roll Mountains, Graham Forbes returns with Rock and Roll Tourist. A combination of Billy Connolly meets Bill Bryson, Rock and Roll Tourist is a hugely entertaining mix of travel, rock music and humour. Rock and Roll Tourist is a travel book with a difference. Graham Forbes takes us on a roller-coaster ride around the UK, Europe and the USA. The book features Franz Ferdinand, Rod Stewart, Hayseed Dixie, Anthrax, BB King, Incredible String Band, Jerry Lee Lewis and many others. It is a very funny, occasionally disturbing, sometimes moving book.

Rock Hudson (Film Stars)

by John Mercer

Tall, dark and handsome, with a manufactured name and a scrupulously designed professional image, Rock Hudson represented the Hollywood ideal of American masculinity during the 1950s and 60s; an ideal that was to be questioned and ultimately undermined during the years to follow by lurid accounts of his private life and his death from AIDS related illness.This illuminating analysis of Hudson's career reassesses the perceived disparity between his public persona and his 'true' nature. Exploring his unique qualities as a performer and exposing the role of his agent, producers and directors in the construction of his image, John Mercer unpicks Hudson's stardom to reveal a more complex star identity than has hitherto been understood. Foregrounding the ways in which Hudson's career provides insights into the nature of American popular culture and attitudes towards gender and sexuality, Mercer ultimately depicts Hudson as a star who embodied a period of transition between the old Hollywood and the new.

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