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Embark
by Sean O'BrienA new collection by Sean O’Brien – ‘Auden’s true inheritor’, and one of our wisest poetic chronographers – is not just a literary event, but also, invariably, a reckoning of the times. Given the nature of our times, his voice is an essential one: there is no other poet currently writing with O’Brien’s intellectual authority, historical literacy and sheer command of the facts. Embark also registers our unique cultural climacteric, where the larger crises of the planet – the pandemic and the terrifying spectre of revanchist nationalism among them – impact all of us, and where the illusion of a church-and-state separation of the personal and political can no longer hold. As the poet turns seventy, he shows us how the inevitable absences that age brings are assuaged by how we furnish them; the result is not just a logic made from loss and pain, but a music, a metaphysic, and finally a redemptive art. Embark reminds us of the enduring consolations of love, of friendship, of the freedoms and possible futures still afforded by the imagination – and, through O’Brien’s own exemplary model, of poetry itself.
Emerald
by Ruth PadelAn elegy to a lost mother, Emerald is the moving new collection from prize-winning poet Ruth Padel‘Here in deep earth, the blackblossom of mourning still sifting within meI remembered that emerald was my birthstone …’Prize-winning poet Ruth Padel’s heartfelt new collection is a grief observed: an elegy for her mother on her death at the age of ninety-seven.Exploring the riches of emerald lore, Padel follows the glint of green – ‘green for awakening / for bringing life back from the dead’ – from memories of her mother, a naturalist, to the black honeycomb of a Colombian emerald mine and sunset-pink of the Emerald City, Jaipur. Beneath everything shines the jewel itself, ‘the only stone in which the flaws are prized’. Beautifully carved and cadenced, Emerald is a moving chronicle of value and loss, and a celebration of all that is precious in the life that remains.
The Emergence of the Lyric Canon
by Theodora A. HadjimichaelThe Hellenistic period was an era of literary canons, of privileged texts and collections. One of the most stable of these consisted of the nine (rarely ten) lyric poets: whether the selection was based on poetic quality, popularity, or the availability of texts in the Library of Alexandria, the Lyric Canon offers a valuable and revealing window on the reception and survival of lyric in antiquity. This volume explores the complexities inherent in the process by which lyric poetry was canonized, and discusses questions connected with the textual transmission and preservation of lyric poems from the archaic period through to the Hellenistic era. It firstly contextualizes lyric poetry geographically, and then focuses on a broad range of sources that played a critical role in the survival of lyric poetry - in particular, comedy, Plato, Aristotle's Peripatetic school, and the Hellenistic scholars - to discuss the reception of the nine canonical lyric poets and their work. By exploring the ways in which fifth- and fourth-century sources interpreted lyric material, and the role they played both in the scholarly work of the Alexandrians and in the creation of what we conventionally call the Hellenistic Lyric Canon, it elucidates what can be defined as the prevailing pattern in the transmission of lyric poetry, as well as the place of Bacchylides as a puzzling exception to this norm. The overall discussion conclusively demonstrates that the canonizing process of the lyric poets was already at work from the fifth century BC and that it is reflected both in the evaluation of lyric by fourth-century thinkers and in the activities of the Hellenistic scholars in the Library of Alexandria.
The Emergence of the Lyric Canon
by Theodora A. HadjimichaelThe Hellenistic period was an era of literary canons, of privileged texts and collections. One of the most stable of these consisted of the nine (rarely ten) lyric poets: whether the selection was based on poetic quality, popularity, or the availability of texts in the Library of Alexandria, the Lyric Canon offers a valuable and revealing window on the reception and survival of lyric in antiquity. This volume explores the complexities inherent in the process by which lyric poetry was canonized, and discusses questions connected with the textual transmission and preservation of lyric poems from the archaic period through to the Hellenistic era. It firstly contextualizes lyric poetry geographically, and then focuses on a broad range of sources that played a critical role in the survival of lyric poetry - in particular, comedy, Plato, Aristotle's Peripatetic school, and the Hellenistic scholars - to discuss the reception of the nine canonical lyric poets and their work. By exploring the ways in which fifth- and fourth-century sources interpreted lyric material, and the role they played both in the scholarly work of the Alexandrians and in the creation of what we conventionally call the Hellenistic Lyric Canon, it elucidates what can be defined as the prevailing pattern in the transmission of lyric poetry, as well as the place of Bacchylides as a puzzling exception to this norm. The overall discussion conclusively demonstrates that the canonizing process of the lyric poets was already at work from the fifth century BC and that it is reflected both in the evaluation of lyric by fourth-century thinkers and in the activities of the Hellenistic scholars in the Library of Alexandria.
Emerson as Poet
by Hyatt Howe WaggonerSince Yvor Winters' famous denunciation of Ralph Waldo Emerson and his writings in the 1930s, major critics have been silent on the subject, and Emerson scholars have generally avoided critical evaluation. Hyatt H. Waggoner reopens the debate, arguing that past criticism of Emerson has been limited by the inevitable but unfortunate influences of cultural relativism and personal taste. He suggests that by concentrating on the stabilities, on the recognizably similar patterns of response by critics to Emerson as poet, one can arrive at a portrait that transcends changing cultures and preferences. His book thus combines a full critical re-evaluation of Emerson's poetry with a thoughtful commentary on the ways in which critics and readers approach poetry.Originally published in 1975.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Emily Dickinson: Everyman's Poetry (Everyman's Poetry #Vol. 38)
by Emily DickinsonThe best of Emily Dickinson's poemsEmily Dickinson (1830-86) was born in Amherst, Massachusetts, the daughter of a lawyer and politician. Despite receiving a good education she returned home to Amherst, where she spent the rest of her life, writing more than a poem a day until her death. Her refusal to compromise her highly condensed expression, which meant that only a tiny fraction of her work was published in her lifetime, makes her seem startlingly modern today
Emily Dickinson
by Emily Dickinson Ted HughesIn this series, a contemporary poet selects and introduces a poet of the past. By their choice of poems and by the personal and critical reactions they express in their prefaces, the editors offer insights into their own work as well as providing an accessible and passionate introduction to some of the greatest poets in our literature.Emily Dickinson (1830-86) was born in Amherst, Massachussetts, where she lived most of her life as a recluse, seldom leaving the house or receiving visitors. She published just a handful of poems in her lifetime, her first collection appearing posthumously in 1890.
Emily Dickinson: A Literary Life (Literary Lives)
by L. Wagner-MartinWith special attention to Emily Dickinson's growth into a poet, this literary biographical study charts Dickinson's hard-won brilliance as she worked, largely alone, to become the unique American woman writer of the nineteenth century.
Emily Dickinson’s Poems: As She Preserved Them
by Emily DickinsonCristanne Miller’s major edition of Dickinson’s poems presents the 1,100 poems the poet retained during her lifetime, in the form she retained them. Dickinson took pains to copy these poems onto folded sheets in fair hand, arguably to preserve them for posterity. Included are Dickinson’s alternate phrases and the editor’s notes and Introduction.
Emily Dickinson’s Poems: As She Preserved Them
by Emily DickinsonWidely considered the definitive edition of Emily Dickinson’s poems, this landmark collection presents her poems here for the first time “as she preserved them,” and in the order in which she wished them to appear. It is the only edition of Dickinson’s complete poems to distinguish clearly those she took pains to copy carefully onto folded sheets in fair hand—presumably to preserve them for posterity—from the ones she kept in rougher form. It is also unique among complete editions in presenting the alternate words and phrases Dickinson chose to use on the copies of the poems she kept, so that we can peer over her shoulder and see her composing and reworking her own poems.The world’s foremost scholar of Emily Dickinson, Cristanne Miller, guides us through these stunning poems with her deft and unobtrusive notes, helping us understand the poet’s quotations and allusions, and explaining how she composed, copied, and circulated her poems. Miller’s brilliant reordering of the poems transforms our experience of them.A true delight, this award-winning collection brings us closer than we have ever been to the writing practice of one of America’s greatest poets. With its clear, uncluttered page and beautiful production values, it is a gift for students of Emily Dickinson and for anyone who loves her poems.
Emily Dickinson's Poetic Art: A Cognitive Reading (Cognition, Poetics, and the Arts)
by Margaret H. FreemanEmily Dickinson's Poetic Art is both an exciting work of literary criticism on a central figure in American literature as well as an invitation for students and researchers to engage with cognitive literary studies. Emily Dickinson's poetry can be challenging and difficult. It paradoxically gives readers a feeling of closeness and intimacy while being puzzling and obscure. Critical interpretations of Dickinson's poems tend to focus on what they mean rather than on what kind of experience they create. A cognitive approach to literary criticism, based on recent cognitive research, helps readers experience and understand the hows and whys of what a poem is saying and doing. These include cognitive linguistic analysis, versification, prosody, cognitive metaphor, schema, blending, and iconicity, all of which explain the sensory, motor, and emotive processes that motivate Dickinson's conceptualizations.By experiencing Dickinson's poetry from a cognitive perspective, readers are able to better understand why we feel so close to the poet and why her poetry endures. Emily Dickinson's Poetic Art: A Cognitive Reading is an important contribution to the study of a major American poet as well as to the vibrant field of cognitive literary studies.
Emily Dickinson's Poetic Art: A Cognitive Reading (Cognition, Poetics, and the Arts)
by Margaret H. FreemanEmily Dickinson's Poetic Art is both an exciting work of literary criticism on a central figure in American literature as well as an invitation for students and researchers to engage with cognitive literary studies. Emily Dickinson's poetry can be challenging and difficult. It paradoxically gives readers a feeling of closeness and intimacy while being puzzling and obscure. Critical interpretations of Dickinson's poems tend to focus on what they mean rather than on what kind of experience they create. A cognitive approach to literary criticism, based on recent cognitive research, helps readers experience and understand the hows and whys of what a poem is saying and doing. These include cognitive linguistic analysis, versification, prosody, cognitive metaphor, schema, blending, and iconicity, all of which explain the sensory, motor, and emotive processes that motivate Dickinson's conceptualizations.By experiencing Dickinson's poetry from a cognitive perspective, readers are able to better understand why we feel so close to the poet and why her poetry endures. Emily Dickinson's Poetic Art: A Cognitive Reading is an important contribution to the study of a major American poet as well as to the vibrant field of cognitive literary studies.
Emily Dickinson's Rich Conversation: Poetry, Philosophy, Science (Nineteenth-Century Major Lives and Letters)
by R. BrantleyEmily Dickinson's Rich Conversation is a comprehensive account of Emily Dickinson's aesthetic and intellectual life. Contrary to the image of the isolated poet, this ambitious study reveals Dickinson's agile mind developing through conversation with a community of contemporaries.
Emma Jane's Aeroplane (PDF)
by Katie Haworth Daniel RieleyEmma Jane zooms off in her aeroplane around the cities of the world. Along the way she makes a crew of animal friends who save the day when the little plane gets into trouble... A rhyming narrative with a light touch and a zingy female protagonist, this tale is perfect for little explorers everywhere.
Empathy in Contemporary Poetry after Crisis (Palgrave Studies in Affect Theory and Literary Criticism)
by Anna VeprinskaThis book examines the representation of empathy in contemporary poetry after crisis, specifically poetry after the Holocaust, the September 11, 2001 terrorist attacks, and Hurricane Katrina. The text argues that, recognizing both the possibilities and dangers of empathy, the poems under consideration variously invite and refuse empathy, thus displaying what Anna Veprinska terms empathetic dissonance. Veprinska proposes that empathetic dissonance reflects the texts’ struggle with the question of the value and possibility of empathy in the face of the crises to which these texts respond. Examining poems from Charlotte Delbo, Dionne Brand, Niyi Osundare, Charles Reznikoff, Robert Fitterman, Wisława Szymborska, Cynthia Hogue, Claudia Rankine, Paul Celan, Dan Pagis, Lucille Clifton, and Katie Ford, among others, Veprinska considers empathetic dissonance through language, witnessing, and theology. Merging comparative close readings with interdisciplinary theory from philosophy, psychology, cultural theory, history and literary theory, and trauma studies, this book juxtaposes a genocide, a terrorist act, and a natural disaster amplified by racial politics and human disregard in order to consider what happens to empathy in poetry after events at the limits of empathy.
The Emperor's Babe: A Novel
by Bernardine Evaristo'Wildly entertaining, deeply affecting' Ali Smith, author of How to be both and AutumnA coming-of-age tale to make the muses themselves roar with laughter and weep for pity -- sassy, razor-sharp and transformative -- from the acclaimed author of Mr LovermanLondinium, AD 211. Zuleika is a modern girl living in an ancient world. She's a back-alley firecracker, a scruffy Nubian babe with tangled hair and bare feet - and she's just been married off a fat old Roman. Life as a teenage bride is no joke but Zeeks is a born survivor. She knows this city like the back of her hand: its slave girls and drag queens, its shining villas and rotting slums. She knows how to get by. Until one day she catches the eye of the most powerful man on earth, the Roman Emperor, and her trouble really starts...Silver-tongued and merry-eyed, this is a story in song and verse, a joyful mash-up of today and yesterday. Kaleidoscoping distant past and vivid present, The Emperor's Babe asks what it means to be a woman and to survive in this thrilling, brutal, breathless world.
Empty Nest: Poems for Families
by Carol Ann Duffy‘Duffy is magnificent, grounded, heartfelt, dedicated to the notion that poetry can give us the music of life itself’ ScotsmanIn this stunning anthology Carol Ann Duffy has selected 99 poems exploring parenting.The special bond between parent and child is both powerful and unique. And yet there is a time when that bond must ease, where our grip on that dear one must loosen, when we must let them go whether we are ready to or not.In Empty Nest, a beautiful selection of modern and classic poems range along the tender line between parent and child, covering growing old, the deep love of a parent, the everyday of family life and leaving home to live an independent life, but also unthinkable grief, loss and estrangement. Some of our very favourite poets feature in the selection, such as Elizabeth Bishop, Jackie Kay, Simon Armitage, Shakespeare, Imtiaz Dharker, Seamus Heaney and Don Paterson.These poems are by turns wry, affecting, profound, melancholy and wise; they will console and comfort those suddenly facing a house that’s much cleaner but also much quieter than it was. There is something here for every reader to treasure.
Endpoint and Other Poems
by John UpdikeEndpoint opens with a series of connected poems which were written on the occasions of Updike's recent birthdays and culminate in his confrontation with his final illness. They look back on the boy that Updike once was, on his family and little town and the circumstances that fed his love of writing. Then there are 'Other Poems', ranging from fanciful musings about what it would be like to be a stolen Rembrandt painting to celebratory outpourings that capture the spontaneity and flux of life. Finally, there is a set of sonnets, some of which are inspired by exotic travels in distant lands, and some of which simply take pleasure in the idiosyncrasies of nature in Updike's own backyard.For John Updike, the writing of poetry was always a special joy, and this final collection is an eloquent and moving testament to the life of this extraordinary writer.
The Ends of Meter in Modern Japanese Poetry: Translation and Form
by Scott MehlIn The Ends of Meter in Modern Japanese Poetry, Scott Mehl analyzes the complex response of Meiji-era Japanese poets and readers to the challenge introduced by European verse and the resulting crisis in Japanese poetry. Amidst fierce competition for literary prestige on the national and international stage, poets and critics at the time recognized that the character of Japanese poetic culture was undergoing a fundamental transformation, and the stakes were high: the future of modern Japanese verse. Mehl documents the creation of new Japanese poetic forms, tracing the first invention of Japanese free verse and its subsequent disappearance. He examines the impact of the acclaimed and reviled shintaishi, a new poetic form invented for translating European-language verse and eventually supplanted by the reintroduction of free verse as a Western import. The Ends of Meter in Modern Japanese Poetry draws on materials written in German, Spanish, English, and French, recreating the global poetry culture within which the most ambitious Meiji-era Japanese poets vied for position.
England: Poems from a School
by Kate Clanchy'Not just good for school children, but great by any standard' - Phillip PullmanOxford Spires Academy is a small comprehensive school with 30 languages – and one special focus: poetry. In the last five years, its students have won every prize going. They have been celebrated in the Guardian ('The Very Quiet Foreign Girls Poetry Group’), and the subject of a BBC Radio 3 documentary.In this unique anthology, their mentor and teacher prize-winning poet Kate Clanchy brings their poems together, and allowing readers to see why their work has caused such a stir. By turns raw and direct, funny and powerful, lyrical and heartbreaking, they document the pain of migration and the exhilaration of building a new land, an England of many voices. In England: Poems from a School, you will find poetry as easy to read as it is hard to forget, as fresh and bright as the young poets who produced it.A donation of 50p from the sale of each copy of this book will be made to and shared equally between the charities First Story and Forward Arts Foundation to help further creative writing in schools.
England's Best Loved Poems: The Enchantment of England
by George CourtauldThis treasure trove of very British poetry brings together over 100 classic poems, selected by bestselling author and proud patriot George Courtauld. Including national favourites such as Rupert Brooke's 'The Soldier', George Herbert's 'Love' and John Betjeman's 'A Subaltern's Love Song' these are poems chosen for their resonant power, nostalgia and simplicity. Following themes such as bravery and fellowship, love and regret, and people and places, this charming collection is a pleasure to dip into. And with lesser-known poems by the likes of Emily Bronte, Winston Churchill and Sir Walter Raleigh, this inspiring anthology offers more than the average poetry book. The author places each poem in its historical context, gives a potted biography of each poet and offers his own personal interpretation of the words and themes. This wonderful and original collection will enchant poetry lovers everywhere.
England's Green
by Zaffar KunialZaffar Kunial is a proven master of taking things apart, polishing up the fugitive parts of single words, of a sound, a colour, the name of a flower, and putting them back together so that we see them in an entirely different light. In the poems of England's Greenwe are invited to look at the place and the language we think we know and made to think again. With everything so newly set, we are alert, as the poet is, to the 'dark missing/step in a stair', entering this new world with bated breath. By such close attention to the parts, the poems have a genius for invoking absence, whether that be a missing father, the death of a mother or a path not taken. Fully formed, they share a centre of gravity: migrations, memories, little transgressions and disturbances, summoned and contained in small gestures - a hand held, the smell of a newly bred rose or the scratch a limpet makes to mark its home.'Zaffar Kunial is a poet whose work thrills me, who makes you return to the origins of things, places, language and people again and again. He's a poet who takes traditions seriously but makes of them something entirely new - a must.' Jackie Kay