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A Year on Our Farm: How the Countryside Made Me
by Matt BakerEscape into nature with Matt Baker in his first ever book - a diary of the natural year and a glimpse into family life on the farmPeppered with his hand drawn sketches and moments from his TV career throughout, this is a heartfelt and fascinating insight into Matt's life outside of our TV screens_______Matt Baker is at his happiest on the farm.Away from the bright lights of hosting our favourite television programmes, Countryfile, The One Show, Blue Peter and many more, he is often in the company of his family, dogs, array of sheep, Mediterranean miniature donkeys and a whole host of wildlife in the farm's ancient woodland.Now, following the ever-changing seasons, Matt takes us on a journey with his family on the farm.We see woodland animals emerge after a long winter of hibernation, hear the dawn chorus in the height of summer and see the preparations unfold for the harsh and wild winter months.Peppered with hand drawn sketches, unforgettable moments from his TV career and stories of a landscape you'll fall in love with, Matt offers readers a touching insight into life on the farm, and how the power and beauty of the countryside can be an inspiration and source of joy for all of us.A celebration of the natural year, Matt Baker takes us on a journey through the seasons, his life on the farm and how the power and beauty of the countryside has made him who he is.
Yearbook
by Seth RogenHi! I'm Seth! I was asked to describe my book, Yearbook, for the inside cover flap (which is a gross phrase) and for websites and shit like that, so... here it goes!!! Yearbook is a collection of true stories that I desperately hope are just funny at worst, and life-changingly amazing at best. (I understand that it's likely the former, which is a fancy "book" way of saying "the first one.") I talk about my grandparents, doing stand-up comedy as a teenager, bar mitzvahs and Jewish summer camp, and tell way more stories about doing drugs than my mother would like. I also talk about some of my adventures in Los Angeles, and surely say things about other famous people that will create a wildly awkward conversation for me at a party one day. I hope you enjoy the book should you buy it, and if you don't enjoy it, I'm sorry. If you ever see me on the street and explain the situation, I'll do my best to make it up to you.
The Years of Alienation in Italy: Factory and Asylum Between the Economic Miracle and the Years of Lead
by Alessandra Diazzi Alvise Sforza TarabochiaThe Years of Alienation in Italy offers an interdisciplinary overview of the socio-political, psychological, philosophical, and cultural meanings that the notion of alienation took on in Italy between the 1960s and the 1970s. It addresses alienation as a social condition of estrangement caused by the capitalist system, a pathological state of the mind and an ontological condition of subjectivity. Contributors to the edited volume explore the pervasive influence this multifarious concept had on literature, cinema, architecture, and photography in Italy. The collection also theoretically reassesses the notion of alienation from a novel perspective, employing Italy as a paradigmatic case study in its pioneering role in the revolution of mental health care and factory work during these two decades.
Yeh Un Dinoñ Ki Baat Hai: Urdu Memoirs of Cinema Legends
by Yasir AbbasiPeppered with heartfelt accounts and charming anecdotes, Urdu film magazines were in great favour with the public from the 1930s through the 1990s – a considerable period of seven decades. As Urdu got progressively marginalised in the later years, unfortunately these magazines were not archived for the most part, leading to their inevitable disappearance from popular imagination. Tracking down the lost publications, Yasir Abbasi followed leads – some futile, some fruitful – to obscure towns and people's homes in a last-ditch effort to save valuable records of Indian cinema. As challenging as it was to locate the faded issues and original texts, he managed to uncover and translate many fabulous memoirs covering a wide gamut of our favourite old artistes at their candid best. A gloom-laced piece on Meena Kumari by Nargis, a rollicking description by Raja Mehdi Ali Khan of an eventful evening with Manto (not to mention a mysterious woman and a house on fire), Jaidev writing about his chequered career, Balraj Sahni introspecting about the relevance of Hindi and Urdu in films – it's a rich mix of engrossing narratives brought back from oblivion.
Yerma (Oberon Modern Plays)
by Federico Garcia Lorca Pam GemsIn a remote Spanish village Yerma, a woman of full of life and passion, longs for a child but is unable to conceive. This compelling and elemental tale of a woman's quest for a child taps into some of the most universal themes of theatre - love, passion, sexuality, marriage. In this adaptation, Pam Gems has stripped the text to the poetic core of Lorca's words in all their epic glory. Vibrant and sweeping, combining elements of dance and song, Yerma is an exhilarating theatrical event.
Yes, Daddy!: A celebration of our favourite Internet Daddies, from Pedro Pascal to Idris Elba
by VariousA gorgeously illustrated and hilarious celebration and appreciation of Internet Daddies, from Pedro Pascal to Paul Rudd... Designer stubble? CheckThe cheekiest of smiles? CheckEffortless confidence? CheckA Daddy is not just any man, but one with the effortless confidence that comes with age. His face is rugged and worn - he has experienced things. His hair and beard are peppered with grey and his skin looks like it's seen hard, outdoor work, like chopping logs or building fences. You know he would do the car maintenance and you wouldn't even have to ask him to take out the bins. He can create a plan and see it through, because that's the kind of man he is. A unique, first-of-its-kind celebration of Daddies and their... attributes, Yes Daddy! includes stunning illustrations, a top trumps of the defining daddies of today, and fantasies to immerse yourself in. From Pedro Pascal to Oscar Isaac, Idris Elba to Jason Momoa, it's time to quench your thirst, release your guiltiest of desires and embrace your lust as we immerse ourselves in every rivet, curve and bristled surface of the Daddy. *A term of affection and adoration, Daddy is not to be confused with your own paternal relation...
Yes? No! Maybe…: Seductive Ambiguity in Dance
by Emilyn ClaidCovering fifty years of British dance, from Margot Fonteyn to innovative contemporary practitioners such as Wendy Houstoun and Nigel Charnock, Yes? No! Maybe is an innovative approach to performing and watching dance. Emilyn Claid brings her life experience and interweaves it with academic theory and historical narrative to create a dynamic approach to dance writing. Using the 1970s revolution of new dance as a hinge, Claid looks back to ballet and forward to British independent dance which is new dance’s legacy. She explores the shifts in performer-spectator relationships, and investigates questions of subjectivity, absence and presence, identity, gender, race and desire using psychoanalytical, feminist, postmodern, post-structuralist and queer theoretical perspectives. Artists and practitioners, professional performers, teachers, choreographers and theatre-goers will all find this book an informative and insightful read.
Yes? No! Maybe…: Seductive Ambiguity in Dance
by Emilyn ClaidCovering fifty years of British dance, from Margot Fonteyn to innovative contemporary practitioners such as Wendy Houstoun and Nigel Charnock, Yes? No! Maybe is an innovative approach to performing and watching dance. Emilyn Claid brings her life experience and interweaves it with academic theory and historical narrative to create a dynamic approach to dance writing. Using the 1970s revolution of new dance as a hinge, Claid looks back to ballet and forward to British independent dance which is new dance’s legacy. She explores the shifts in performer-spectator relationships, and investigates questions of subjectivity, absence and presence, identity, gender, race and desire using psychoanalytical, feminist, postmodern, post-structuralist and queer theoretical perspectives. Artists and practitioners, professional performers, teachers, choreographers and theatre-goers will all find this book an informative and insightful read.
Yes Please
by Amy PoehlerThe New York Times number one bestseller from the Saturday Night Live and Parks and Recreation star.In Amy Poehler's highly anticipated first book, Yes Please, she offers up a big juicy stew of personal stories, funny bits on sex and love and friendship and parenthood and real life advice (some useful, some not so much).Powered by Amy's charming and hilarious, biting yet wise voice, Yes Please is a book full of words to live by.
Yevgeny Vakhtangov: A Critical Portrait
by Andrei Malaev-BabelYevgeny Vakhtangov was a pioneering theatre artist who married Stanislavski’s demands for inner truth with a singular imaginative vision. Directly and indirectly, he is responsible for the making of our contemporary theatre: that is Andrei Malaev-Babel’s argument in this, the first English-language monograph to consider Vakhtangov’s life and work as actor and director, teacher and theoretician. Ranging from Moscow to Israel, from Fantastic Realism to Vakhtangov’s futuristic projection, the theatre of the ‘Eternal Mask’, Yevgeny Vakhtangov: A Critical Portrait: considers his input as one of the original teachers of Stanislavsky’s system, and the complex relationship shared by the two men; reflects on his directorship of the First Studio of the Moscow Art Theatre and the Habima (which was later to become Israel's National Theatre) as well as the Vakhtangov Studio, the institution he established; examines in detail his three final directorial masterpieces, Erick XIV, The Dybbuk and Princess Turandot. Lavishly illustrated and elegantly conceived, Yevgeny Vakhtangov represents the ideal companion to Malaev-Babel’s Vakhtangov Sourcebook (2011). Together, these important critical interventions reveal Vakhtangov’s true stature as one of the most significant representatives of the Russian theatrical avant-garde.
Yevgeny Vakhtangov: A Critical Portrait
by Andrei Malaev-BabelYevgeny Vakhtangov was a pioneering theatre artist who married Stanislavski’s demands for inner truth with a singular imaginative vision. Directly and indirectly, he is responsible for the making of our contemporary theatre: that is Andrei Malaev-Babel’s argument in this, the first English-language monograph to consider Vakhtangov’s life and work as actor and director, teacher and theoretician. Ranging from Moscow to Israel, from Fantastic Realism to Vakhtangov’s futuristic projection, the theatre of the ‘Eternal Mask’, Yevgeny Vakhtangov: A Critical Portrait: considers his input as one of the original teachers of Stanislavsky’s system, and the complex relationship shared by the two men; reflects on his directorship of the First Studio of the Moscow Art Theatre and the Habima (which was later to become Israel's National Theatre) as well as the Vakhtangov Studio, the institution he established; examines in detail his three final directorial masterpieces, Erick XIV, The Dybbuk and Princess Turandot. Lavishly illustrated and elegantly conceived, Yevgeny Vakhtangov represents the ideal companion to Malaev-Babel’s Vakhtangov Sourcebook (2011). Together, these important critical interventions reveal Vakhtangov’s true stature as one of the most significant representatives of the Russian theatrical avant-garde.
Yiddish Empire: The Vilna Troupe, Jewish Theater, and the Art of Itinerancy
by Debra CaplanYiddish Empire tells the story of how a group of itinerant Jewish performers became the interwar equivalent of a viral sensation, providing a missing chapter in the history of the modern stage. During World War I, a motley group of teenaged amateurs, impoverished war refugees, and out- of- work Russian actors banded together to revolutionize the Yiddish stage. Achieving a most unlikely success through their productions, the Vilna Troupe (1915– 36) would eventually go on to earn the attention of theatergoers around the world. Advancements in modern transportation allowed Yiddish theater artists to reach global audiences, traversing not only cities and districts but also countries and continents. The Vilna Troupe routinely performed in major venues that had never before allowed Jews, let alone Yiddish, upon their stages, and operated across a vast territory, a strategy that enabled them to attract unusually diverse audiences to the Yiddish stage and a precursor to the organizational structures and travel patterns that we see now in contemporary theater. Debra Caplan’s history of the Troupe is rigorously researched, employing primary and secondary sources in multiple languages, and is engagingly written.
Yorùbá Performance, Theatre and Politics: Staging Resistance
by Glenn OdomThis book explains the connections between traditional performance (e.g. masked dances, prophecy, praise recitations), contemporary theatre (Wole Soyinka, Ola Rotimi, Tess Onwueme, Femi Osofisan, and Stella Oyedepo) , and the political sphere in the context of the Yorùbá people in Nigeria.
You Are an Artist: Assignments To Spark Creation
by Sarah Urist GreenWhere do great artists get their inspiration? And how could they help you make something extraordinary? In You Are an Artist, over fifty artists from around the world share their creative techniques, and give you brilliantly imaginative exercises to inspire you to make your own art. Among other things, you'll invent imaginary friends, construct a landscape, find the quietest place, measure your history and become someone else (or at least try). You don't need special materials or experience. Your only challenge is to create art that reflects the world as you see it.Curator Sarah Urist Green brings together more than 50 assignments gathered from some of the most innovative creators working today, including Sonya Clark, Michelle Grabner, The Guerrilla Girls, Fritz Haeg, Pablo Helguera, Nina Katchadourian, Toyin Ojih Odutola, J. Morgan Puett, Dread Scott, Alec Soth, Gillian Wearing, and many others.
You Are The Best Thing Since Sliced Bread
by Samantha Renke'A powerful book on how to live boldly and love your fabulous self' Fearne CottonWe are made to think that what makes us human - our flaws, failures, and heartaches - are things to keep hush-hush. Being unapologetically imperfect is seen as something we should be embarrassed by. But what I've learned is that we all experience the same insecurities. We just aren't talking about it. Well, I'm here to break the silence.For starters, I have way too many nipple hairs. I prefer the company of my pets to other people. And repeatedly I question Am I normal? I was born with brittle bone condition and so far, I've broken my bones 200 times. But most of the hurdles I face don't come from my disability, they come from things we all experience.In this book, I will share the lessons I have learned and why you should embrace your uniqueness as what makes you fabulous. We spend a lot of time living by others' expectations and it's only when you stop, that you start saying yes to life. Irrespective of who you are and the obstacles you might face, you can do whatever you want. Be free and unapologetically you.
You Are What You Watch: How Movies and TV Affect Everything
by Walter HickeyPulitzer Prize-winning author and data expert Walt Hickey explains the power of entertainment to change our biology, our beliefs, how we see ourselves, and how nations gain power. Virtually anyone who has ever watched a profound movie, a powerful TV show, or read a moving novel understands that entertainment can and does affect us in surprising and significant ways. But did you know that our most popular forms of entertainment can have a direct physical effect on us, a measurable impact on society, geopolitics, the economy, and even the future itself? In You Are What You Watch, Walter Hickey, Pulitzer Prize winner and former chief culture writer at acclaimed data site FiveThirtyEight.com, proves how exactly how what we watch (and read and listen to) has a far greater effect on us and the world at large than we imagine. Employing a mix of research, deep reporting, and 100 data visualizations, Hickey presents the true power of entertainment and culture. From the decrease in shark populations after Jaws to the increase in women and girls taking up archery following The Hunger Games, You Are What You Watch proves its points not just with research and argument, but hard data. Did you know, for example, that crime statistics prove that violent movies actually lead to less real-world violence? And that the international rise of anime and Manga helped lift the Japanese economy out of the doldrums in the 1980s? Or that British and American intelligence agencies actually got ideas from the James Bond movies? In You Are What You Watch, readers will be given a nerdy, and sobering, celebration of popular entertainment and its surprising power to change the world.
You Bantering Me?: The life story of Love Island’s biggest star
by Chris HughesChris Hughes walked away from the sizzling hot, smash hit show Love Island as its biggest star. Viewers fell in love with this cheeky, happy-go-lucky guy who surprised people by being unafraid to show his vulnerable side just as readily as having a laugh with his mates in the sun. They were captivated by the rollercoaster relationship between Chris and girlfriend Olivia and entertained by the bromance that developed between Chris and best pal Kem.But what really makes Chris tick? What made this down-to-earth country lad swap life on the farm with his family for red carpets and newspaper front pages? Chris reveals all about his life before the hit reality TV show and how the crippling anxiety he has suffered from before still haunts him to this day. He shares how he has found fame and adjusted to his new life as well as the things he is learning about himself as his life is put under the spotlight for all to see.With his trademark sense of humour and way with words, this is Chris's take on the world, his life laid bare.
You Call Me Louis, Not Mr. Horst
by Dorothy MaddenDorothy Madden's lively book about Louis Horst (You don't call me Mr. Horst, you call me Louis, he always said) makes for compulsive reading. She follows Horst's extraordinary life, punctuating her narrative with reminiscences, illuminating anecdotes from her personal store of memories, as well as the shared thoughts of others, all interspersed with her choice of evocative and expressive photographs and illustrations, to create a dynamic and memorable portrait of this key figure in American modern dance. Louis Horst: musician, composer, pianist, violonist, pit player, arranger, super accompanist (all sorts), conductor, régisseur, stage manager, tour tartar, catalyst, editor, writer, critic, teacher, consoler, the Sherlock Holmes of restaurants, keeper of journals and budgets, loan provider, lover, friend...
You Call Me Louis, Not Mr. Horst
by Dorothy MaddenDorothy Madden's lively book about Louis Horst (You don't call me Mr. Horst, you call me Louis, he always said) makes for compulsive reading. She follows Horst's extraordinary life, punctuating her narrative with reminiscences, illuminating anecdotes from her personal store of memories, as well as the shared thoughts of others, all interspersed with her choice of evocative and expressive photographs and illustrations, to create a dynamic and memorable portrait of this key figure in American modern dance. Louis Horst: musician, composer, pianist, violonist, pit player, arranger, super accompanist (all sorts), conductor, régisseur, stage manager, tour tartar, catalyst, editor, writer, critic, teacher, consoler, the Sherlock Holmes of restaurants, keeper of journals and budgets, loan provider, lover, friend...
You Can't Spell America Without Me: The Really Tremendous Inside Story of My Fantastic First Year as President Donald J. Trump (A So-Called Parody)
by Alec Baldwin Kurt Andersen'Hilarious, unbelievable' - The Sunday Times Books of the Year**As featured on BBC Newsnight**The blisteringly funny satirical account of Donald Trump’s first year as President, as imagined by Alec Baldwin and Kurt Andersen.'I have the best words, beautiful words, as everybody has been talking and talking about for a long time. Also? The best sentences and, what do you call them, paragraphs. My previous books were great and sold extremely, unbelievably well--even the ones by dishonest, disgusting so-called journalists. But those writers didn't understand Trump, because quite frankly they were major losers. People say if you want it done right you have to do it yourself, even when 'it' is a 'memoir.' So every word of this book was written by me, using a special advanced word processing system during the many, many nights I've been forced to stay alone in the White House--only me, just me, trust me, nobody helped. And it's all 100% true, so true--people are already saying it may be the truest book ever published. Enjoy.'You Can’t Spell America Without Me is presented by America’s foremost Trump scholar Kurt Andersen as well as America's foremost mediocre Trump impersonator, Alec Baldwin.
'You Dirty Old Man!': The Authorised Biography of Wilfrid Brambell
by David ClaytonWilfrid Brambell was one of Britain’s most loved and complex character actors. As Albert Ladysmith Steptoe, the unscrupulous rag-and-bone man with questionable habits in Ray Galton and Alan Simpson’s long-running Steptoe & Son, he quickly became a household name with co-star Harry H. Corbett. But despite scores of other successes in roles on stage, TV and film, Brambell died a sad and lonely man.Alongside fame and fortune, ‘You Dirty Old Man!’ reveals how Brambell suffered unbelievable personal heartache, battling an inner turmoil that eventually drove him to drink as his marriage collapsed in the most deceitful circumstances imaginable. His torment led to a secretive life off camera where he did everything possible to stay out of the public eye.Featuring original interviews with film directors Richard Lester, Terence Davies and Tony Palmer, as well as recollections from his own family members, the family of Harry H. Corbett and those who worked alongside him, author David Clayton seeks to re-examine the legacy of a man whose loyal fanbase remains undiminished sixty years on from his heyday.
You Don't Have To Say You Love Me
by Simon Napier-BellYou probably know Simon Napier-Bell as the manager of the Yardbirds. Or you may know him as the man who managed Marc Bolan, or Japan. You should definitely know him as the man who managed Wham! And if none of these rings a bell, maybe you'll remember him as the man who co-wrote 'You Don't Have To Say You Love Me' for Dusty Springfield. You Don't Have To Say You Love Me is one of the funniest books you will read and equally provoking. From his revelation that the entire music industry was motivated by sex, to an embarrassing come-on from a suicidal Brian Epstein, it's all shocking stuff. But when you're on the run from the German police with Marc Bolan, brothel-hopping with Keith Moon and generally living the life of Riley at the music industry's expense, it would be a shame not to share those amazing experiences with the rest of the world, wouldn't it? Of all the great pop-music books written, it is worth savouring You Don't Have To Say You Love Me for its brilliant sideways insight into one of the most exciting cultural periods Britain has ever seen.
You Know it Makes Sense: Lessons from the Derek Trotter School of Business (and life)
by Derek 'Del TrotterAu Revois!The name’s Trotter, Derek Trotter, and the world of business is my speciality. When it comes to the art of closing deals I’ve been around the track more times than a lurcher. Not only have I been there, done it and bought the t-shirt, I’ve gone back round to do it again, printed my ownt-shirts, knocked ‘em out at ridiculously low prices and cut the competition out of the market. But the commodities game ain’t all champagne and skittles. It’s a rocky road full of potholes, speed cameras, people who don’t indicate, mouthy cyclists, and all sorts of obstacles designed to get on your tits. You Know It Makes Sense is the definitive business guide, designed pacifically to help steer you in the right direction. Packed full of insider knowledge, tips and warnings, think of it as your personal stat-nav on the corporate highway. And whether you’re a Director, middle management, a junior staff hotshot, or the one that fetches the sandwiches, it will help you get to where you’re going.
You Know What You Could Be: Tuning into the 1960s
by Andrew Greig Mike Heron'Mike Heron, as part of the Incredible String Band, changed the way I looked at music. Read it!' Billy Connolly'Mike Heron's lyrics always sparkled with wit and warmth and his prose is a delightful continuation. The book evokes a smoky, unheated eccentric Edinburgh that was a crucible for so much creativity.' Joe Boyd, author of White BicyclesThis singular book offers two harmonising memoirs of music making in the 1960s. Mike Heron for the first time writes vividly of his formative years in dour, Presbyterian Edinburgh. Armed with a love of Buddy Holly, Fats Domino and Hungarian folk music, he plays in school cloakrooms, graduates to rock, discovers the joy of a folk audience, starts writing songs, tries to talk to girls, wishes he was a Beatnik all while training as a reluctant accountant. When asked to join Robin Williamson and Clive Palmer, the Incredible String Band are formed - and their wildly innovative, astounding music became indelibly linked with the latter Sixties.Andrew Greig was a frustrated provincial schoolboy when he heard their songs. It changed everything. Undaunted by a lack of experience and ability, he formed a band in their image. Fate & Ferret populated back-country Fife with Pan, nymphs and Apollo, met the String Band and caught the fish lorry to London to hang around Joe Boyd's Witchseason office, watching at the fringes of the blooming Underground scene. It was forty years later that he and Mike became friends.These entwined stories will delight anyone who has loved the Incredible String Band; and their differing portraits of that hopeful, erratic and stubborn stumble towards the life that is ours will strike a chord with everyone.
You Never Give Me Your Money: The Battle For The Soul Of The Beatles
by Peter DoggettWhen Paul McCartney told the world in 1970 that he had no plans to work with the Beatles again, it was widely viewed as a cultural tragedy by the media and public alike. But one of the most fascinating phases of the Beatles' story was just about to begin. Now, for the first time, You Never Give Me Your Money tells the dramatic story of the Fab Four post 1969. It charts the almost Shakespearean rivalry of the Lennon and McCartney families, the conflict in George Harrison's life between spirituality and fame, and Richard Starkey's efforts to conquer his personal demons. It also chronicles the transformation of their multi-media company, Apple Corps, from a bastion of 1960s counter-culture into a corporate behemoth. From court battles to chart success, the best of rock'n'roll writers, Peter Doggett traces the untold story of a group and a legacy that will never be forgotten.