- Table View
- List View
The Earliest English Poems (Penguin Classics)
by None Michael AlexanderAnglo-Saxon poetry was produced between 700 and 1000 AD for an audience that delighted in technical accomplishment, and the durable works of Old English verse spring from the source of the English language. Michael Alexander has translated the best of the Old English poetry into modern English and into a verse form that retains the qualities of Anglo-Saxon metre and alliteration. Included in this selection are the ‘heroic poems’ such as Widsith, Deor, Brunanburh and Maldon, and passages from Beowulf; some of the famous ‘riddles’ from The Exeter Book; all the ‘elegies’, including The Ruin, The Wanderer, The Seafarer, The Wife’s Complaint and The Husband’s Message, in which the virtu of Old English is found in its purest and most concentrated form; together with the great Christian poem The Dream of the Rood.
Early Auden, Later Auden: A Critical Biography
by Edward MendelsonPresented in one volume for the very first time, and updated with new archival discoveries, Early Auden, Later Auden reintroduces Edward Mendelson's acclaimed, two-part biography of W. H. Auden (1907–73), one of the greatest literary figures of the twentieth century. This book offers a detailed history and interpretation of Auden’s oeuvre, spanning the duration of his career from juvenilia to his final works in poetry as well as theatre, film, radio, opera, essays, and lectures.Early Auden, Later Auden follows the evolution of the poet’s thought, offering a comparison of Auden’s views at various junctures over a lifetime. With penetrating insight, Mendelson examines Auden’s early ideas, methods, and personal transitions as reflected in poems, manuscripts, and private papers. The book then links changes in Auden’s intellectual, emotional, and religious experience with his shifting public role—showing the depth of his personal struggles with self and with fame, and the means by which these internal conflicts were reflected in his art in later years.Featuring a new preface by the author, Early Auden, Later Auden is an engaging and timeless work that demonstrates Auden’s remarkable range and complexity, paying homage to his enduring legacy.
Early Auden, Later Auden: A Critical Biography
by Edward MendelsonPresented in one volume for the very first time, and updated with new archival discoveries, Early Auden, Later Auden reintroduces Edward Mendelson's acclaimed, two-part biography of W. H. Auden (1907–73), one of the greatest literary figures of the twentieth century. This book offers a detailed history and interpretation of Auden’s oeuvre, spanning the duration of his career from juvenilia to his final works in poetry as well as theatre, film, radio, opera, essays, and lectures.Early Auden, Later Auden follows the evolution of the poet’s thought, offering a comparison of Auden’s views at various junctures over a lifetime. With penetrating insight, Mendelson examines Auden’s early ideas, methods, and personal transitions as reflected in poems, manuscripts, and private papers. The book then links changes in Auden’s intellectual, emotional, and religious experience with his shifting public role—showing the depth of his personal struggles with self and with fame, and the means by which these internal conflicts were reflected in his art in later years.Featuring a new preface by the author, Early Auden, Later Auden is an engaging and timeless work that demonstrates Auden’s remarkable range and complexity, paying homage to his enduring legacy.
Early Larkin
by James UnderwoodBeginning with Philip Larkin's earliest literary efforts and his remarkable correspondence with Jim Sutton, this book traces the writer's development from the 1930s through to The Less Deceived, his first poetic masterpiece. Drawing on the poetry, novels, short fictions, essays and letters, Underwood presents a new and surprising narrative of Larkin's literary development. Whilst many critics have described Larkin's early career as a false start, overcome by swapping Yeats's example for Hardy's, Underwood emphasises the influence of Brunette Coleman, the female heteronym Larkin invented in 1943. Based on extensive archival research, and covering the full range of Larkin's published and unpublished early writings, this book radically re-thinks Larkin's literary breakthrough. It shows it to be the result of Larkin's burgeoning interest in everything outside himself – itself the consequence of his curious Brunette Coleman experiment.
Early Larkin
by James UnderwoodBeginning with Philip Larkin's earliest literary efforts and his remarkable correspondence with Jim Sutton, this book traces the writer's development from the 1930s through to The Less Deceived, his first poetic masterpiece. Drawing on the poetry, novels, short fictions, essays and letters, Underwood presents a new and surprising narrative of Larkin's literary development. Whilst many critics have described Larkin's early career as a false start, overcome by swapping Yeats's example for Hardy's, Underwood emphasises the influence of Brunette Coleman, the female heteronym Larkin invented in 1943. Based on extensive archival research, and covering the full range of Larkin's published and unpublished early writings, this book radically re-thinks Larkin's literary breakthrough. It shows it to be the result of Larkin's burgeoning interest in everything outside himself – itself the consequence of his curious Brunette Coleman experiment.
Early Modern Ecostudies: From the Florentine Codex to Shakespeare (Early Modern Cultural Studies 1500–1700)
by I. Kamps K. Raber Thomas HallockThe essays in this volume interrogate the unique and often problematic relationship between early modern cultural studies and ecocriticism, providing theoretical insights and models for a future practice that successfully wed the two disciplines.
The early modern English sonnet: Ever in motion (The Manchester Spenser)
by Tamsin BadcoeThis volume questions and qualifies commonly accepted assumptions about the early modern English sonnet: that it was a strictly codified form, most often organised in sequences, which only emerged at the very end of the sixteenth century and declined as fast as it had bloomed, and that minor poets merely participated in the sonnet fashion by replicating established conventions. Drawing from book history and relying on close reading and textual criticism, this collection offers a more nuanced account of the history of the sonnet. It discusses how sonnets were written, published and received in England as compared to mainland Europe, and explores the works of major (Shakespeare, Sidney, Spenser) and minor (Barnes, Harvey) poets alike. Reflecting on current editorial practices, it also provides the first modern edition of an early seventeenth-century Elizabethan miscellany including sonnets presumably by Sidney and Spenser.
The early modern English sonnet: Ever in motion (The Manchester Spenser)
by Tamsin Badcoe Laetitia Sansonetti Rémi Vuillemin Enrica ZaninThis volume questions and qualifies commonly accepted assumptions about the early modern English sonnet: that it was a strictly codified form, most often organised in sequences, which only emerged at the very end of the sixteenth century and declined as fast as it had bloomed, and that minor poets merely participated in the sonnet fashion by replicating established conventions. Drawing from book history and relying on close reading and textual criticism, this collection offers a more nuanced account of the history of the sonnet. It discusses how sonnets were written, published and received in England as compared to mainland Europe, and explores the works of major (Shakespeare, Sidney, Spenser) and minor (Barnes, Harvey) poets alike. Reflecting on current editorial practices, it also provides the first modern edition of an early seventeenth-century Elizabethan miscellany including sonnets presumably by Sidney and Spenser.
The Early Modern Medea: Medea in English Literature, 1558–1688 (Early Modern Literature in History)
by K. HeaveyThis is the first book-length study of early modern English approaches to Medea, the classical witch and infanticide who exercised a powerful sway over literary and cultural imagination in the period 1558-1688. It encompasses poetry, prose and drama, and translation, tragedy, comedy and political writing.
Early Modern Poetics in Melville and Poe: Memory, Melancholy, and the Emblematic Tradition
by William E. EngelBringing to bear his expertise in the early modern emblem tradition, William E. Engel traces a series of self-reflective organizational schemes associated with baroque artifice in the work of Herman Melville and Edgar Allan Poe. While other scholars have remarked on the influence of seventeenth-century literature on Melville and Poe, this is the first book to explore how their close readings of early modern texts influenced their decisions about compositional practice, especially as it relates to public performance and the exigencies of publication. Engel's discussion of the narrative structure and emblematic aspects of Melville's Piazza Tales and Poe's "The Raven" serve as case studies that demonstrate the authors' debt to the past. Focusing principally on the overlapping rhetorical and iconic assumptions of the Art of Memory and its relation to chiasmus, Engel avoids engaging in a simple account of what these authors read and incorporated into their own writings. Instead, through an examination of their predisposition toward an earlier model of pattern recognition, he offers fresh insight into the writers' understandings of mourning and loss, their use of allegory, and what they gained from their use of pseudonyms.
Early Modern Poetics in Melville and Poe: Memory, Melancholy, and the Emblematic Tradition
by William E. EngelBringing to bear his expertise in the early modern emblem tradition, William E. Engel traces a series of self-reflective organizational schemes associated with baroque artifice in the work of Herman Melville and Edgar Allan Poe. While other scholars have remarked on the influence of seventeenth-century literature on Melville and Poe, this is the first book to explore how their close readings of early modern texts influenced their decisions about compositional practice, especially as it relates to public performance and the exigencies of publication. Engel's discussion of the narrative structure and emblematic aspects of Melville's Piazza Tales and Poe's "The Raven" serve as case studies that demonstrate the authors' debt to the past. Focusing principally on the overlapping rhetorical and iconic assumptions of the Art of Memory and its relation to chiasmus, Engel avoids engaging in a simple account of what these authors read and incorporated into their own writings. Instead, through an examination of their predisposition toward an earlier model of pattern recognition, he offers fresh insight into the writers' understandings of mourning and loss, their use of allegory, and what they gained from their use of pseudonyms.
Early Modern Prose Fiction: The Cultural Politics of Reading
by Naomi Conn LieblerEmphasizing the significance of early modern prose fiction as a hybrid genre that absorbed cultural, ideological and historical strands of the age, this fascinating study brings together an outstanding cast of critics including: Sheila T. Cavanaugh, Stephen Guy-Bray, Mary Ellen Lamb, Joan Pong Linton, Steve Mentz, Constance C. Relihan, Goran V. Stanivukovic with an afterword from Arthur Kinney. Each of the essays in this collection considers the reciprocal relation of early modern prose fiction to class distinctions, examining factors such as: the impact of prose fiction on the social, political and economic fabric of early modern England the way in which a growing emphasis on literacy allowed for increased class mobility and newly flexible notions of class how the popularity of reading and the subsequent demand for books led to the production and marketing of books as an industry complications for critics of prose fiction, as it began to be considered an inferior and trivial art form. Early modern prose fiction had a huge impact on the social and economic fabric of the time, creating a new culture of reading and writing for pleasure which became accessible to those previously excluded from such activities, resulting in a significant challenge to existing class structures.
Early Modern Prose Fiction: The Cultural Politics of Reading
by Naomi Conn LieblerEmphasizing the significance of early modern prose fiction as a hybrid genre that absorbed cultural, ideological and historical strands of the age, this fascinating study brings together an outstanding cast of critics including: Sheila T. Cavanaugh, Stephen Guy-Bray, Mary Ellen Lamb, Joan Pong Linton, Steve Mentz, Constance C. Relihan, Goran V. Stanivukovic with an afterword from Arthur Kinney. Each of the essays in this collection considers the reciprocal relation of early modern prose fiction to class distinctions, examining factors such as: the impact of prose fiction on the social, political and economic fabric of early modern England the way in which a growing emphasis on literacy allowed for increased class mobility and newly flexible notions of class how the popularity of reading and the subsequent demand for books led to the production and marketing of books as an industry complications for critics of prose fiction, as it began to be considered an inferior and trivial art form. Early modern prose fiction had a huge impact on the social and economic fabric of the time, creating a new culture of reading and writing for pleasure which became accessible to those previously excluded from such activities, resulting in a significant challenge to existing class structures.
Early Modern Women's Writing and the Rhetoric of Modesty (Early Modern Literature in History)
by P. PenderAn in-depth study of early modern women's modesty rhetoric from the English Reformation to the Restoration. This book provides new readings of modesty's gendered deployment in the works of Anne Askew, Katharine Parr, Mary Sidney, Aemilia Lanyer and Anne Bradstreet.
Earth, Sea and Sky: A Collection of Poetry (Wordcatcher Modern Poetry)
by Lionel Fanthorpe“Earth, Sea and Sky” contains many different types of poem on a wide variety of subjects. As the title suggests, there are descriptions and analyses of the world we live in: our homes on the land, the sky above us and the seas and oceans around us. Poems are the literary equivalent of optical instruments. A telescope reveals the mysteries of distant galaxies, stars and planets: a poem reveals the mysteries at the hidden core of philosophy and theology. A microscope takes us down among the atoms and molecules from which our universe is built: a poem takes us down among the secret thoughts from which our personalities are built. Poems are the literary equivalent of different types of transport. The ballad metre trots like a well-trained pony. The sestina steams along like a commuter train calling at country stations on its way to the city. The rondel sails gracefully from port to port. These and other poetic formats can be found in this collection. Some poems investigate famous unsolved mysteries: what really happened to the three missing lighthouse keepers from the Flannans? What became of the crew of the Mary Celeste? What lies hidden in the Oak Island money pit off the coast of Nova Scotia? What happened to the Waratah? What mysterious power lurks in the Bermuda Triangle? Other poems describe remarkable characters and their lives: Francis Drake, Henry Morgan, Grace Darling of the Farne Islands and Henry Blogg, the fearless lifeboatman from Cromer in Norfolk, where the author once worked as a journalist. There are also philosophical poems which set out to examine the true nature of Gaia and the symbolic meaning of the travels of Odysseus. Other poems describe strange, historic and significant places such as the Cave of Shalinar, where archaeologists maintain that all of human history can be traced. These locational poems include Wordsworth’s home at Rydal Mount, the Tomb of Abraham and Criccieth Castle in Wales. A few of the poems create sequels to the thoughts contained in famous verses from the past, such as Shelley’s Ozymandias and Matthew Arnold’s The Forsaken Merman. In this collection Ozymandias Replies tells how much he enjoyed life and has no regrets. The Merman’s Wife Returns provides a happy ending instead of Arnold’s sadness. There are also some lighter verses: one of these looks at life aboard from the point of view of the ship’s cat; others refer to Sinbad the Sailor and a stowaway. One or two of the poems set out to cover some of life’s problems that beset us all from time to time. These include: The Age-Dragon, Be Like a Self-righting Lifeboat and The Ultimate Power.
Earthly Delights: Poems (Princeton Series of Contemporary Poets #158)
by Troy JollimoreFrom the winner of the National Book Critics Circle Award, a new collection of philosophical, elegiac, and wry meditations on film, painting, music, and poetry itselfEarthly Delights begins with an invocation to the muse and ends with the departure of Odysseus from Ithaca. In between, Troy Jollimore’s distinguished new collection ranges widely, with cinematic and adventurous poems that often concern artistic creation and its place in the world. A great many center on films, from Andrei Tarkovsky’s Nostalghia to Paul Thomas Anderson’s Boogie Nights. The title poem reflects on Hieronymus Bosch’s The Garden of Earthly Delights, while another is an elegy for Gord Downie, the lead singer and lyricist for the cult rock band The Tragically Hip. Other poems address various forms of political insanity, from the Kennedy assassination to today’s active shooter drills, and philosophical ideas, from Ralph Waldo Emerson’s musings on beauty to John D. Rockefeller’s thoughts on the relation between roses and capitalist ethics. The book’s longest poem, “American Beauty,” returns repeatedly to the film of that name, but ultimately becomes a meditation on the Western history of making and looking, and—like many of the book’s poems—an elegy for lost things.
The Ecco Anthology Of International Poetry (PDF)
by Ilya Kaminsky Susan Harris Words Without Borders Staff"From canonical modernists like Valéry, Vallejo, and Pasternak to younger poets of today, the Ecco Anthology collects an amazing spectrum of poetic voices from around the world." -John Ashbery Edited by Ilya Kaminsky and Susan Harris of Words Without Borders, The Ecco Anthology of International Poetry offers a selection of the finest international poetry from the 20th century in the best English translations available. Providing in many cases the first and only English language translations of acclaimed poets from the world over, The Ecco Anthology of International Poetry is a unique treasure and resource which Gregory Orr proclaims, "a stunning, indispensable anthology" and Edward Hirsch calls, "a modern book of wonders."
Echoes of Memory
by John O'DonohueIn this powerful, evocative collection, master storyteller John O'Donohue explores themes of love and loss, beginnings and endings. Inspired by the ancient wisdom of the Celtic tradition and the rugged, majestic landscape of his birth, the west of Ireland, here he also creates a unique vision of a place and time, and the echo of a memory that will never fade.
Echoes of Opera in Modern Italian Poetry: Eros, Tragedy, and National Identity (Italian and Italian American Studies)
by Mattia AcetosoTwentieth-century Italian poetry is haunted by countless ghosts and shadows from opera. Echoes of Opera in Modern Italian Poetry reveals their presence and sheds light on their role in shaping that great poetic tradition. This is the first work in English to analyze the influence of opera on modern Italian poetry, uncovering a fundamental but neglected relationship between the two art forms. A group of Italian poets, from Gabriele D’Annunzio to Giorgio Caproni, by way of Umberto Saba and Eugenio Montale, made opera a cornerstone of their artistic craft. More than an occasional stylistic influence, opera is rather analyzed as a fundamental facet of these poets’ intellectual quest to overcome the expressive limitations of lyrical poetry. This book reframes modern Italian poetry in a truly interdisciplinary perspective, broadening our understanding of its prominence within the humanities, in the twentieth century and beyond.
The Echoing Green: Romantic, Modernism, and the Phenomena of Transference in Poetry
by Carlos BakerIn an engaging discussion that will appeal to all students of poetry, including veteran scholars, this book shows which poems most occupied the attention of these moderns, summarizes their attitudes toward historical romanticism, explores what use they made of aesthetic and ethical ideas from the critical prose of 1800-1825, and takes notice of when, where, and precisely how they adapted images and echoed phrases from romantic poetry for use in their own work.Originally published in 1984.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
The Echoing Wood of Theodore Roethke
by Jenijoy LabelleA poet's tradition provides him with a sense of community that may be regarded as a necessary condition for poetry. Jenijoy La Belle, who studied with Roethke, here describes the cultural tradition that he defined and created for himself. In so doing, she demonstrates how an understanding of Roethke's sources and the influences on his work is essential for its interpretation. The author considers the sources of Roethke's poetry and the influence on him of a wide circle of poets including T. S. Eliot, Yeats, Whitman, Wordsworth, Smart, Donne, Sir John Davies, and Dante. In addition, she traces the changes in Roethke's response to his literary past as he moves from his early lyrics to his final sequences. His imitation of selected poets began as a conscious effort but later became a basic component of his imaginative faculties, encompassing an historical attitude and a psychological state.Originally published in 1976.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
The Eclogues: Done Into English Prose (classic Reprint)
by VirgilHaunting and enigmatic, Virgil's Eclogues combined a Greek literary form with scenes from contemporary Roman life to create a work that inspired a whole European tradition of pastoral poetry. For despite their rustic setting and the beauty of their phrasing, the poems in Virgil's first collection are also grounded in reality. Shepherds are overwhelmed by the torments of poetic love - but they must also endure such real-life events as the tragic consequences of Julius Caesar's murder in 44 bc and a civil war. In giving unforgettable expression to the disasters of the day through poetry, the Eclogues paved the way for the Georgics and the Aeneid, the two greatest works of Latin literature, and are also a major masterpiece in their own right.
Eclogues and Georgics
by VirgilWith the Eclogues, Virgil established his reputation as a major poet, and with the Georgics, he created a masterpiece of Latin poetry. Virgil drew upon the tradition of Greek pastoral poetry, importing it into an Italian setting and providing in these two works the model for subsequent European interpretations of the genre.The Eclogues unfolds in an idyllic landscape, under less-than-tranquil circumstances. Its shepherds tend their flocks amid not only the inner turmoil of unrequited love but also the external pressures of the civil war that followed Julius Caesar's assassination in 44 B.C. Forced from their homes, the dispossessed shepherds voice a heartfelt longing for peace.Dryden declared the Georgics "the best poem by the best poet," and through the ages, it has been much admired and imitated. A paean to Italy and the country's natural beauty, it rejoices in the values of rustic piety, the pleasures of family life, and the vitality of the Italian people.
Ecocriticism and Shakespeare: Reading Ecophobia (Literatures, Cultures, and the Environment)
by Simon C. EstokThis book offers the term 'ecophobia' as a way of understanding and organizing representations of contempt for the natural world. Estok argues that this vocabulary is both necessary to the developing area of ecocritical studies and for our understandings of the representations of 'Nature' in Shakespeare.
Ecocriticism and the Poiesis of Form: Holding on to Proteus (Routledge Studies in World Literatures and the Environment)
by Aaron M. MoeEcocriticism and the Poiesis of Form: Holding on to Proteus demonstrates how a fractal imagination helps one hold the form of a poem within the reaches of Deep Time, and it explores the kinship between the hazy, liminal moment when Sound becomes Syllable and the hazy, liminal moment when the sage energy of the Atom made a leap toward the gaze of the first cell, to echo Merwin. Moe distills his methodology as follows: "My work?—I point," asserted the aphorism. "That’s what I do." To point, the project integrates a wide range of interdisciplinary ideas—including biosemiotics, fractals, phi, trauma theory, the Mandelbrot Set, hyperobjects, meditative chants, Goethe’s morphology, Ramanujan’s summation, a spiderweb’s sonic properties, and Thoreau’s sense of the plant-like burgeoning force of an Atom—in order to open up multiple trajectories. In this context, the volume foregrounds the insights of poets/storytellers including Hillman, Snyder, Anzaldúa, EEC, okpik, Whitman, Dickinson, Gladding, Melville, Morrison, and Toomer, for they are most attentive to that liminal moment when the vibratory hum in language, and in the cosmos, turns kinetic. As this volume draws on a wide range of writers from many backgrounds, it allows the myriad voices to engage with one another across differences in race, gender, and ethnicity. These writers show us how, to echo Dickinson, the "Freight / Of a delivered Syllable - " can split and how the energy unleashed came from, and points us back toward, the energy (un)making the forms of Gaia. The starting point for discussing the energy of a poem can no longer begin with the human; rather, Holding on explores how the poem’s energy is but a sliver of a hyperobject "massively distributed" throughout the cosmos—a sage energy that brings forth form.