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The How: Notes on the Great Work of Meeting Yourself
by Yrsa Daley-WardA treasure trove of inspiration and an invitation for personal renewal from the acclaimed author of bone and The TerribleWe still dream though, don't we? We are gifted with a way into ourselves, night after night after night.Yrsa Daley-Ward's words have resonated with hundreds of thousands of readers around the world: through her books of poetry and memoir bone and The Terrible, through her powerful writing for Beyoncé on Black Is King and through her always-illuminating Instagram posts.In The How, Yrsa gently takes readers by the hand, encouraging them to join her as she explores how we can remove our filters, and see and feel more of who we really are behind the preconceived notions of propriety and manners we've accumulated with age. With a mix of short, lyrical musings, immersive poetry and intriguing meditations, The How can be used to start conversations, to prompt writing, to delve deeper - whether you're on your own or with friends, on your feet or writing from the solace of home.'Lyrical . . . visceral truth is at the heart of her work' i Newspaper
bone
by Yrsa Daley-Ward Kiese Laymon'Yrsa's work is like holding the truth in your hands. A glorious living thing' Florence Welch'One of the must-reads of the year' Rohan Silva, Evening Standard'You will come away bruised.You will come away bruisedbut this will give you poetry.'Raw and stark, the poems in Yrsa Daley-Ward's breakthrough collection strip down her reflections on the heart, life, the inner self, coming of age, faith and loss to their essence. They resonate to the core of experience. 'yrsa daley-ward's 'bone' is a symphony of breaking and mending. an expert storyteller. of the rarest. and purest kind - daley-ward is uncannily attentive and in tune to the things beneath life. beneath the skin. beneath the weather of the everyday.' nayyirah waheed. author of salt. and nejma'Sharing is her form of survival ... A powerful collection of a woman facing tumultuous inner and external battles head on, delivered with a hard-hitting directness, yet with inflections of optimism throughout' i-D Magazine
The Unappeasable Shadow: Shelley's Influence on Yeats (Routledge Library Editions: W. B. Yeats)
by Adele M. DalsimerYeats and his shadow are one of the most closely scrutinised pairs in contemporary literary history. The meaning and significance Yeats gave to the entity by which he was constantly pursued and with which he held frequent colloquy have been held under the critical microscope, and the shadow has emerged alternately as the course of human history, the poet’s alter-ego, his inner self, the natural man, or as anything that Yeats wanted but believed himself not to be. This title, first published in 1988, examines the influence that Shelley had on Yeats and this ‘shadow’. The study concentrates primarily on the complex influence of Shelley’s Alastor on Yeats, tracing the problems it suggests and the questions it raises from Yeats’s early, highly imitative poems through the austere, unromantic middle poems to the late poems where Yeats sees himself as the "last of the romantics". This title will be of interest to students of literature.
The Unappeasable Shadow: Shelley's Influence on Yeats (Routledge Library Editions: W. B. Yeats #3)
by Adele M. DalsimerYeats and his shadow are one of the most closely scrutinised pairs in contemporary literary history. The meaning and significance Yeats gave to the entity by which he was constantly pursued and with which he held frequent colloquy have been held under the critical microscope, and the shadow has emerged alternately as the course of human history, the poet’s alter-ego, his inner self, the natural man, or as anything that Yeats wanted but believed himself not to be. This title, first published in 1988, examines the influence that Shelley had on Yeats and this ‘shadow’. The study concentrates primarily on the complex influence of Shelley’s Alastor on Yeats, tracing the problems it suggests and the questions it raises from Yeats’s early, highly imitative poems through the austere, unromantic middle poems to the late poems where Yeats sees himself as the "last of the romantics". This title will be of interest to students of literature.
Symbol and Truth in Blake's Myth
by Leopold Damrosch Jr.In a controversial examination of the conceptual bases of Blake's myth, Leopold Damrosch argues that his poems contain fundamental contradictions, but that this fact docs not imply philosophical or artistic failure.Originally published in 1981.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
The Simple Wordsworth: Studies in the Poems 1979-1807 (RLE: Wordsworth and Coleridge)
by John F. DanbyFirst published in 1960, this book studies Wordsworth’s ‘simple’ poems, such as the Lyrical Ballads, as products of a sophisticated and powerfully successful literary genius. The author aims to approach the poems as perhaps Wordsworth expected his first readers to; but as they have never been in fact. The result of this approach is to discover a Wordsworth far different to that which he has previously been presented as — the ‘Sage of Rydal’ at one extreme and a naïve perpetrator of poetical blunders at the other — and, the author argues, a far more exciting one. This book will be of interest to students of literature.
The Simple Wordsworth: Studies in the Poems 1979-1807 (RLE: Wordsworth and Coleridge)
by John F. DanbyFirst published in 1960, this book studies Wordsworth’s ‘simple’ poems, such as the Lyrical Ballads, as products of a sophisticated and powerfully successful literary genius. The author aims to approach the poems as perhaps Wordsworth expected his first readers to; but as they have never been in fact. The result of this approach is to discover a Wordsworth far different to that which he has previously been presented as — the ‘Sage of Rydal’ at one extreme and a naïve perpetrator of poetical blunders at the other — and, the author argues, a far more exciting one. This book will be of interest to students of literature.
The T. S. Eliot Studies Annual: Volume 3 (Clemson University Press)
by Julia DanielThe T. S. Eliot Studies Annual is the leading venue for the critical reassessment of Eliot’s life and work in light of the ongoing publication of his letters, critical volumes of his complete prose, the new edition of his complete poems, and the forthcoming critical edition of his plays. All critical approaches are welcome, as are essays pertaining to any aspect of Eliot’s work as a poet, critic, playwright, or editor. Volume 3 features two special forums on “Eliot and Green Modernism,” edited by Julia E. Daniel, and “First Readings of the Eliot–Hale Archive,” edited by John Whittier-Ferguson and Frances Dickey. John D. Morgenstern, General Editor Editorial Advisory Board: Ronald Bush, University of Oxford David E. Chinitz, Loyola University Chicago Anthony Cuda, University of North Carolina–Greensboro Robert Crawford, University of St Andrews Frances Dickey, University of Missouri John Haffenden, University of Sheffield Benjamin G. Lockerd, Grand Valley State University Gail McDonald, Goldsmiths, University of London Gabrielle McIntire, Queen’s University Jahan Ramazani, University of Virginia Christopher Ricks, Boston University Ronald Schuchard, Emory University Vincent Sherry, Washington University at St. Louis
Sukun: New and Selected Poems (Wesleyan Poetry Series)
by Kazim DanielKazim Ali is a poet, novelist, and essayist whose work explores themes of identity, migration, and the intersections of cultural and spiritual traditions. His poetry is known for its lyrical and expressive language, as well as its exploration of themes such as love, loss, and the search for meaning in a rapidly changing world. "Sukun" means serenity or calm, and a sukun is also a form of punctuation in Arabic orthography that denotes a pause over a consonant. This Sukun draws a generous selection from Kazim's six previous full-length collections, and includes 35 new poems. It allows us to trace Ali's passions and concerns, and take the measure of his art: the close attention to the spiritual and the visceral, and the deep language play that is both musical and plain spoken.[sample poem]The Fifth PlanetCome, early summer in the mountains, and come, strawberry moon,and carry me softly in the silver canoe on wires to the summit, where in that way of late night useless talk, the bright dark asks me, "What is the thing you are most afraid of?" and I already know which lie I will tell.There were six of us huddled there in the cold, leaning on the rockslingering in the dark where I do not like to linger, looking up at thesharp round pinnacle of light discussing what shapes we saw—rabbit,man, goddess—but that brightness for me was haunted by no thing,no shadow at all in the lumens.What am I, what am I, I kept throwing out to the hustling silence.No light comes from the moon, he's just got good positioning and I suppose that's the answer, that's what I'm most afraid of,that I'm a mirror, that I have no light of my own, that I hang in empty spacein faithful orbit around a god or fatherneither of Whom will ever see me whole. I keep squinting to try to see Jupiterwhich the newspaper said would be found near the moon but it's nowhere, they must have lied. Or like god, there is too muchreflection, headsplitting and profane, scraping up every shadow,too much light for anyone to see.
Edmund Spenser's War on Lord Burghley (Early Modern Literature in History)
by B. DannerEdmund Spenser's censored attacks on Lord Burghley (Elizabeth I's powerful first minister) serve as the basis for a reassessment of the poet's mid-career, challenging the dates of canonical texts, the social and personal contexts for scandalous topical allegories, and the new historicist portrait of Spenser's 'worship' of power and state ideology.
Circles of Hell (Penguin Little Black Classics #No. 25)
by Dante'I truly thought I'd never make it back.'Ten of the most memorable and most terrifying cantos from Dante's Inferno.Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th-century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions.Dante Alighieri (1265-1321). Dante's works available in Penguin Classics are Inferno, Purgatorio, Paradiso, The Divine Comedy and Vita Nuova.
The Descent into Hell
by DanteMany have made the journey. None have ever returned...Wandering through a dark forest, Dante finds himself at the gates to the underworld. Despite his terror, he dares to enter the Circles of Hell, where the damned lie in torment.As he descends deeper, he encounters wild-eyed sinners, sees the three-headed, howling hound Cerberus, and meets a long-dead prophet who foretells Dante's destiny. He passes through realms of fire and ice, and at last reaches the frozen heart of Hell - where the hideous Satan, greatest of all the damned, lies in wait...
The Divine Comedy, I. Inferno, Vol. I. Part 1: Text (Bollingen Series #677)
by DanteCharles S. Singleton's edition of the Divine Comedy, of which this is the first part, provides the English-speaking reader with everything he needs to read and understand Dante’s great masterpiece.The Italian text here is in the edition of Giorgio Petrocchi, the leading Italian editor of Dante. Professor Singleton’s prose translation, facing the Italian in a line-for-line arrangement on each page, is smooth and literate. The companion volume, the Commentary, marshals every point of information the reader may require: vocabulary; grammar; identification of Dante’s characters; historical sources of some of the incidents and, where pertinent, excerpts from those sources in their original languages and in translation; profound clear analysis of the Divine Comedy’s basic allegory. There is a complete bibliography of every aspect of Dante studies.This first part of the Divine Comedy which is illustrated with maps of Italy and the region Dante knew especially, diagrams of the circles of Hell, and plates showing some of the historic sites mentioned by Dante in his poem.
The Divine Comedy, I. Inferno, Vol. I. Part 2: Commentary (Bollingen Series #681)
by DanteCharles S. Singleton's edition of the Divine Comedy, of which this is the first part, provides the English-speaking reader with everything he needs to read and understand Dante’s great masterpiece.The Italian text here is in the edition of Giorgio Petrocchi, the leading Italian editor of Dante. Professor Singleton’s prose translation, facing the Italian in a line-for-line arrangement on each page, is smooth and literate. The companion volume, the Commentary, marshals every point of information the reader may require: vocabulary; grammar; identification of Dante’s characters; historical sources of some of the incidents and, where pertinent, excerpts from those sources in their original languages and in translation; profound clear analysis of the Divine Comedy’s basic allegory. There is a complete bibliography of every aspect of Dante studies.This first part of the Divine Comedy which is illustrated with maps of Italy and the region Dante knew especially, diagrams of the circles of Hell, and plates showing some of the historic sites mentioned by Dante in his poem.
The Divine Comedy, II. Purgatorio, Vol. II. Part 1: Text (Bollingen Series #675)
by DanteContinuing the paperback edition of Charles S. Singleton's translation of The Divine Comedy, this work provides the English-speaking reader with everything he needs to read and understand the Purgatorio. This volume consists of the prose translation of Giorgio Petrocchi's Italian text (which faces the translation on each page); its companion volume of commentary is a masterpiece of erudition, offering a wide range of information on such subjects as Dante's vocabulary, his characters, and the historical sources of incidents in the poem. Professor Singleton provides a clear and profound analysis of the poem's basic allegory, and the illustrations, diagrams, and map clarify points that have previously confused readers of The Divine Comedy.
The Divine Comedy, II. Purgatorio, Vol. II. Part 2: Commentary (Bollingen Series #676)
by DanteContinuing the paperback edition of Charles S. Singleton's translation of The Divine Comedy, this work provides the English-speaking reader with everything he needs to read and understand the Purgatorio. This volume consists of the prose translation of Giorgio Petrocchi's Italian text (which faces the translation on each page); its companion volume of commentary is a masterpiece of erudition, offering a wide range of information on such subjects as Dante's vocabulary, his characters, and the historical sources of incidents in the poem. Professor Singleton provides a clear and profound analysis of the poem's basic allegory, and the illustrations, diagrams, and map clarify points that have previously confused readers of The Divine Comedy.
The Divine Comedy, III. Paradiso, Vol. III. Part 1: 1: Italian Text and Translation; 2: Commentary (Bollingen Series #678)
by DanteContinuing the paperback edition of Charles S. Singleton's translation of The Divine Comedy, this work provides the English-speaking reader with everything he needs to read and understand the Paradiso. This volume consists of the prose translation of Giorgio Petrocchi's Italian text (which faces the translation on each page); its companion volume of commentary is a masterpiece of erudition, offering a wide range of information on such subjects as Dante's vocabulary, his characters, and the historical sources of incidents in the poem. Professor Singleton provides a clear and profound analysis of the poem's basic allegory, and the illustrations, diagrams, and map clarify points that have previously confused readers of The Divine Comedy.
The Divine Comedy, III. Paradiso, Vol. III. Part 2: Commentary (The Divine Comedy #6)
by DanteContinuing the paperback edition of Charles S. Singleton's translation of The Divine Comedy, this work provides the English-speaking reader with everything he needs to read and understand the Paradiso. This volume consists of the prose translation of Giorgio Petrocchi's Italian text (which faces the translation on each page); its companion volume of commentary is a masterpiece of erudition, offering a wide range of information on such subjects as Dante's vocabulary, his characters, and the historical sources of incidents in the poem. Professor Singleton provides a clear and profound analysis of the poem's basic allegory, and the illustrations, diagrams, and map clarify points that have previously confused readers of The Divine Comedy.
Paradiso: Poema Di Dante (1787)
by DanteHaving plunged to the uttermost depths of Hell and climbed the Mount of Purgatory in parts one and two of the Divine Comedy, Dante ascends to Heaven in this third and final part, continuing his soul’s search for God, guided by his beloved Beatrice. As he progresses through the spheres of Paradise he grows in understanding, until he finally experiences divine love in the radiant presence of the deity. Examining eternal questions of faith, desire and enlightenment, Dante exercised all his learning and wit, wrath and tenderness in his creation of one of the greatest of all Christian allegories.
The Divine Comedy: Volume 3: Paradiso (Galaxy Books)
by Dante AlighieriAn invaluable source of pleasure to those English readers who wish to read this great medieval classic with true understanding, Sinclair's three-volume prose translation of Dante's Divine Comedy provides both the original Italian text and the Sinclair translation, arranged on facing pages, and commentaries, appearing after each canto, which serve as brilliant examples of genuine literary criticism. This volume contains the complete translation of Dante's Paradiso.
The Divine Comedy: Volume 2: Purgatorio (Galaxy Books)
by Dante AlighieriAn invaluable source of pleasure to those English readers who wish to read this great medieval classic with true understanding, Sinclair's three-volume prose translation of Dante's Divine Comedy provides both the original Italian text and the Sinclair translation, arranged on facing pages, and commentaries, appearing after each canto, which serve as brilliant examples of genuine literary criticism. This volume contains the complete translation of Dante's Purgatorio.
The Divine Comedy: Volume 1: Inferno (Galaxy Books)
by Dante AlighieriAn invaluable source of pleasure to those English readers who wish to read this great medieval classic with true understanding, Sinclair's three-volume prose translation of Dante's Divine Comedy provides both the original Italian text and the Sinclair translation, arranged on facing pages, and commentaries, appearing after each canto, which serve as brilliant examples of genuine literary criticism.
The Divine Comedy: Volume 2: Purgatorio (Galaxy Books)
by Dante AlighieriAn invaluable source of pleasure to those English readers who wish to read this great medieval classic with true understanding, Sinclair's three-volume prose translation of Dante's Divine Comedy provides both the original Italian text and the Sinclair translation, arranged on facing pages, and commentaries, appearing after each canto, which serve as brilliant examples of genuine literary criticism. This volume contains the complete translation of Dante's Purgatorio.
The Divine Comedy: Volume 3: Paradiso (Galaxy Books)
by Dante AlighieriAn invaluable source of pleasure to those English readers who wish to read this great medieval classic with true understanding, Sinclair's three-volume prose translation of Dante's Divine Comedy provides both the original Italian text and the Sinclair translation, arranged on facing pages, and commentaries, appearing after each canto, which serve as brilliant examples of genuine literary criticism. This volume contains the complete translation of Dante's Paradiso.
The Divine Comedy: Volume 1: Inferno (Galaxy Books)
by Dante AlighieriAn invaluable source of pleasure to those English readers who wish to read this great medieval classic with true understanding, Sinclair's three-volume prose translation of Dante's Divine Comedy provides both the original Italian text and the Sinclair translation, arranged on facing pages, and commentaries, appearing after each canto, which serve as brilliant examples of genuine literary criticism.