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The Spell of the Yukon and Other Poems
by Robert Service"There are strange things done in the midnight sun," declared Robert Service as he related the fulfillment of a dying prospector's request. "The Cremation of Sam McGee" was based on one of many peculiar tales he heard upon his 1904 arrival in the Canadian frontier town of Whitehorse. Less than a decade after the Klondike gold rush, many natives and transplants remained to tell stories of the boom towns that sprang up with the sudden influx of miners, gamblers, barflies, and other fortune-seekers. Service's compelling verses — populated by One-Eyed Mike, Dangerous Dan McGrew, and other colorful characters — recapture the era's venturesome spirit and vitality.In this, his best-remembered work, the "common man's poet" and "Canadian Kipling" presents thirty-four verses that celebrate the rugged natural beauty of the frozen North and the warm humanity of its denizens. Verses include "The Shooting of Dan McGrew" ("A bunch of the boys were whooping it up in the Malamute saloon"), "The Heart of the Sourdough" ("There where the mighty mountains bare their fangs unto the moon"), and "The Call of the Wild" (Have you gazed on naked grandeur where there's nothing else to gaze on"). Generations have fallen under the spell of these poems, which continue to enchant readers of all ages.
The Canterbury Tales
by Geoffrey ChaucerWhile Geoffrey Chaucer composed several magnificent works of poetry, his reputation as “the father of English literature” rests mainly on The Canterbury Tales, a group of stories told by assorted pilgrims en route to the shrine of Thomas à Becket in Canterbury Cathedral. From the mirthful and bawdy to the profoundly moral, the tales, taken in their entirety, reflect not only the manners and mores of medieval England, but indeed, the full comic and tragic dimensions of the human condition. Considered the greatest collection of narrative poems in English literature, The Canterbury Tales was composed in the Middle English of Chaucer’s day, possibly to be read aloud at the court of Richard II. However, their grandeur, humor, and relevance are timeless, as readers of this authoritative edition will discover.Penguin Random House Canada is proud to bring you classic works of literature in e-book form, with the highest quality production values. Find more today and rediscover books you never knew you loved.
You Work Tomorrow: An Anthology Of American Labor Poetry, 1929-41 (Class Ser. (PDF))
by John Marsh Jim DanielsThis is the first-ever anthology of American labor poetry of the Great Depression. ""You Work Tomorrow"" provides a glimpse into a relatively unknown aspect of American literary and labor history - the remarkable but largely forgotten poems published in union newspapers during the turbulent 1930s. Members of all unions - including auto-workers, musicians, teachers, tenant farmers, garment workers, artists, and electricians - wrote thousands of poems during this period that described their working, living, and political conditions. From this wealth of material, John Marsh has chosen poetry that is both aesthetically appealing and historically relevant, dispelling the myth that labor poetry consisted solely of amateurish and predictable sloganeering. A foreword by contemporary poet Jim Daniels is followed by John Marsh's substantive introduction, detailing the cultural and political significance of union poetry. This anthology offers a unique opportunity for a wide range of readers, including literary critics, labor historians, union members, and general readers to learn how an earlier generation of workers confronted and challenged injustice and inequality.
Hog Butchers, Beggars, And Busboys: Poverty, Labor, And The Making Of Modern American Poetry (Class : Culture Ser. (PDF))
by John MarshImpressive—Marsh successfully rewrites the founding moment of American Modernist poetry. ---Mark Van Wienen, Northern Illinois University ""Cogently argued, instructive, and sensitive, Marsh's revisionist reading opens new insights that will elicit lively comment and critical response."" ---Douglas Wixson, University of Missouri–Rolla Between 1909 and 1922, the genre of poetry was remade. Literary scholars have long debated why modern American poetry emerged when and how it did. While earlier poetry had rhymed, scanned, and dealt with conventional subjects such as love and nature, modern poetry looked and sounded very different and considered new areas of experience. Hog Butchers, Beggars, and Busboys: Poverty, Labor, and the Making of Modern American Poetry argues that this change was partially the result of modern poets writing into their verse what other poetry had suppressed: the gritty realities of modern life, including the problems of the poor and working class. A closer look at the early works of the 20th century's best known poets (William Carlos Williams, T. S. Eliot, Edna St. Vincent Millay, Claude McKay, Langston Hughes, and Carl Sandburg) reveals the long-neglected role the labor problem—including sweatshops, strikes, unemployment, woman and child labor, and immigration---played in the formation of canonical modern American poetry. A revisionary history of literary modernism and exploration into how poets uniquely made the labor problem their own, this book will appeal to modernists in the fields of American and British literature as well as scholars in American studies and the growing field of working-class literature.
The Canterbury Tales
by Geoffrey ChaucerWhile Geoffrey Chaucer composed several magnificent works of poetry, his reputation as “the father of English literature” rests mainly on The Canterbury Tales, a group of stories told by assorted pilgrims en route to the shrine of Thomas à Becket in Canterbury Cathedral. <P><P>From the mirthful and bawdy to the profoundly moral, the tales, taken in their entirety, reflect not only the manners and mores of medieval England, but indeed, the full comic and tragic dimensions of the human condition. <P><P>Considered the greatest collection of narrative poems in English literature, The Canterbury Tales was composed in the Middle English of Chaucer’s day, possibly to be read aloud at the court of Richard II. <P><P>However, their grandeur, humor, and relevance are timeless, as readers of this authoritative edition will discover. <P><P>Penguin Random House Canada is proud to bring you classic works of literature in e-book form, with the highest quality production values. Find more today and rediscover books you never knew you loved.
The Poems of Goethe, Translated in the Original Metres: Translated In The Original Metres (classic Reprint) (Classics To Go)
by Johann Wolfgang von GoetheTranslated in the original metres" by Edgar Alfred Bowring. According to Wikipedia: "Johann Wolfgang von Goethe (28 August 1749 - 22 March 1832) was a German writer. George Eliot called him "Germany's greatest man of letters... and the last true polymath to walk the earth."
The Wonky Donkey
by Craig Smith Katz CowleyThe book behind the viral internet sensation of a granny reading this story to her grandchild, viewed over 3 million times. Based on the popular song, THE WONKY DONKEY has sold over one million copies worldwide, and is now available as an e-book! Who ever heard of a spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey? This hilarious picture book will have children - and adults - braying with laughter!
The Eight-eyed Lord of Kathmandu
by Abhay K.In these rapturous poems, Abhay K. catches the allure and mystique of Kathmandu, its maze of medieval streets, thronged bazaars, twilit courtyards, the aromas of its ancient alleyways, the drift of incense from its crumbling temples, and the raucous chant of its life. He is the all-seeing eye, the seer who brings to light a city and its people with a rare immediacy of speech and a boundless imaginative empathy.
Sea Change: Poems (PDF)
by Jorie GrahamThe New York Times has said that "Jorie Graham's poetry is among the most sensuously embodied and imaginative writing we have," and this new collection is a reminder of how startling, original, and deeply relevant her poetry is. In Sea Change, Graham brings us to the once-unimaginable threshold at which civilization as we know it becomes unsustainable. How might the human spirit persist, caught between its abiding love of beauty, its acknowledgment of continuing injury and damage done, and the realization that the existence of a "future" itself may no longer be assured? There is no better writer to confront such crucial matters than Jorie Graham. In addition to her recognized achievements as a poet of philosophical, aesthetic, and moral concerns, Graham has also been acknowledged as "our most formidable nature poet" (Publishers Weekly). As gorgeous and formally inventive as anything she has written, Sea Change is an essential work speaking out for our planet and the world we have known.
A History of Twentieth-Century British Women’s Poetry (PDF)
by Jane Dowson Alice EntwistleA History of Twentieth-Century British Women’s Poetry offers a uniquely detailed record and analysis of a vast array of publications, activities and achievements by major figures as well as lesser-known poets. This comprehensive survey is organised into three historical periods (1900–45, 1945–80 and 1980–2000), each part introduced by an evaluative overview in which emerging poets are mapped against cultural and literary events and trends. Four chapters in each section consider the major figures, including Charlotte Mew, Sylvia Townsend Warner, Stevie Smith, Elizabeth Jennings, Sylvia Plath, Anne Stevenson, Eavan Boland, Carol Rumens, Denise Riley, Grace Nichols and Carol Ann Duffy. The individual essays reflect and stimulate continuing debates about the nature of women’s poetry. They offer new critical approaches to reading poems that engage with, for example, war, domesticity,Modernism, linguistic innovation, place, the dramatic monologue, Postmodernism and the lyric. A chronology and detailed bibliography of primary and secondary sources, covering more than 200 writers, make this an invaluable reference source for scholars and students of British poetry and women’s writing.
Blake's Composite Art: A Study of the Illuminated Poetry (Princeton Legacy Library #5321)
by W.J. Thomas MitchellCan poem and picture collaborate successfully in a composite art of text and design? Or does one art inevitably dominate the other? W.J.T. Mitchell maintains that Blake's illuminated poems are an exception to Suzanne Langer's claim that "there are no happy marriages in art—only successful rape." Drawing on over one hundred reproductions of Blake's pictures, this book shows that neither the graphic nor the poetic aspect of his composite art consistently predominates: their relationship is more like an energetic rivalry, a dialogue between vigorously independent modes of expression. W.J.T. Mitchell is Professor of English and Art and Design at the University of Chicago and editor of Critical Inquiry.Originally published in 1978.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Osip Mandelstam's Stone (Princeton Legacy Library #5336)
by Osip MandelstamCONTENTS Acknowledgments. A Note on the Text. List of Abbreviations. Introduction. Mandelstam: The Poet as Builder. STONE. Notes.Originally published in 1981.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Human Work: A Poet's Cookbook
by Sean BorodaleHuman Work was written while cooking. It is the narrative of a voice in domesticity, at the alchemical heart of home – the hearth, or Hestia – where the kitchen is a stage for acts of eating and uttering; for the ebb and flow to the human mouth. The poems were written ‘live’ among pots and pans, beside chopping boards, between plates, bowls, knives, forks, spoons, and servings. Their time is the hybrid time of writing and cooking – where the dimensions of two activities hinge together. The poems occupy a shared space; the work is one work. They live together and cross-talk, like figures in a room, invoking an old story, perhaps one of our very first: how we make food to eat and share, how we draw and transform others’ bodies into being our own flesh and life. Implicit in ingredients are the stories of matter itself: without food there can be no other stories.Like the poems of Bee Journal these poems started life in notebooks, in situ. Their pages seem marked with the very process of their making: jam, grease, wine stains, crumbs of flour and spice, flecks of meat, fish, fruit, vegetable. Like Bee Journal, this is a book about communal purpose, a record of risk and response – a poetry of the moment, both immemorial and thrillingly modern.
Final Matters: Selected Poems, 2004-2010 (Lockert Library of Poetry in Translation #130)
by Estate Szilárd BorbélyAn award-winning translator presents selections from the haunting final volumes of a leading voice in contemporary Hungarian poetrySzilárd Borbély, one of the most celebrated writers to emerge from post-Communist Hungary, received numerous literary awards in his native country. In this volume, acclaimed translator Ottilie Mulzet reveals the full range and force of Borbély’s verse by bringing together generous selections from his last two books, Final Matters and To the Body. The original Hungarian text is set on pages facing the English translations, and the book also features an afterword by Mulzet that places the poems in literary, historical, and biographical context.Restless, curious, learned, and alert, Borbély weaves into his work an unlikely mix of Hungarian folk songs, Christian and Jewish hymns, classical myths, police reports, and unsettling accounts of abortions. In her afterword, Mulzet calls this collection “a blasphemous and fragmentary prayer book … that challenges us to rethink the boundaries of victimhood, culpability, and our own religious and cultural definitions.”
Final Matters: Selected Poems, 2004-2010 (Lockert Library of Poetry in Translation #130)
by Estate Szilárd BorbélyAn award-winning translator presents selections from the haunting final volumes of a leading voice in contemporary Hungarian poetrySzilárd Borbély, one of the most celebrated writers to emerge from post-Communist Hungary, received numerous literary awards in his native country. In this volume, acclaimed translator Ottilie Mulzet reveals the full range and force of Borbély’s verse by bringing together generous selections from his last two books, Final Matters and To the Body. The original Hungarian text is set on pages facing the English translations, and the book also features an afterword by Mulzet that places the poems in literary, historical, and biographical context.Restless, curious, learned, and alert, Borbély weaves into his work an unlikely mix of Hungarian folk songs, Christian and Jewish hymns, classical myths, police reports, and unsettling accounts of abortions. In her afterword, Mulzet calls this collection “a blasphemous and fragmentary prayer book … that challenges us to rethink the boundaries of victimhood, culpability, and our own religious and cultural definitions.”
Selected Poems and Prose
by Cian Duffy Jack Donovan Percy Bysshe ShelleyA major new anthology of Percy Bysshe Shelley's work, edited by Jack Donovan and Cian Duffy.'My name is Ozymandias, King of Kings:Look on my works, ye mighty, and despair!'Percy Bysshe Shelley was one of the leading English Romantics and is critically regarded among the finest lyric poets in the English language. His major works include the long visionary poems 'Prometheus Unbound' and 'Adonais', an elegy on the death of John Keats. His shorter, classic verses include 'To a Skylark', 'Mont Blanc' and 'Ode to the West Wind'. This important new edition collects his best poetry and prose, revealing how his writings weave together the political, personal, visionary and idealistic.This Penguin Classics edition includes a fascinating introduction, notes and other materials by leading Shelley scholars, Jack Donovan and Cian Duffy.
The Classics in Modernist Translation (Bloomsbury Studies in Classical Reception)
by Lynn Kozak Miranda HickmanThis volume sheds new light on a wealth of early 20th-century engagement with literature of Graeco-Roman antiquity that significantly shaped the work of anglophone literary modernism. The essays spotlight 'translation,' a concept the modernists themselves used to reckon with the Classics and to denote a range of different kinds of reception – from more literal to more liberal translation work, as well as forms of what contemporary reception studies would term 'adaptation', 'refiguration' and 'intervention.' As the volume's essays reveal, modernist 'translations' of Classical texts crucially informed the innovations of many modernists and often themselves constituted modernist literary projects. Thus the volume responds to gaps in both Classical reception and Modernist studies: essays treat a comparatively understudied area in Classical reception by reviving work in a subfield of Modernist studies relatively inactive in recent decades but enjoying renewed attention through the recent work of contributors to this volume. The volume's essays address work significantly informed by Classical materials, including Homer, Sophocles, Euripides, Sappho, Ovid, and Propertius, and approach a range of modernist writers: Pound and H.D., among the modernists best known for work engaging the Classics, as well as Cummings, Eliot, Joyce, Laura Riding, and Yeats.
The Poetics Of Mind: Figurative Thought, Language, And Understanding (PDF)
by Raymond W. GibbsIn this bold new work, Ray Gibbs demonstrates that human cognition is deeply poetic and that figurative imagination constitutes the way we understand ourselves and the world in which we live. The traditional view of the mind holds that thought and language are inherently literal and that poetic language is a special human ability requiring different cognitive and linguistic skills than employed in ordinary language. This view has imposed serious limitations on the scholarly study of mental life and on everyday folk conceptions of human experience. Poetics of Mind overturns the traditional perspective by showing how figurative aspects of language reveal the poetic structure of mind. Ideas and research from psychology, linguistics, philosophy, anthropology, and literary theory are used to establish important links between the poetic structure of thought and everyday use of language. Particular use is made of the extensive research that has accumulated in experimental psycholinguistics and cognitive linguistics over the past 15 years. Poetics of Mind evaluates current philosophical, linguistic, and literary theories of figurative language, using tools provided by psycholinguistic and cognitive psychology research. It relates the empirical work on figurative language understanding to broader issues concerning the nature of everyday thought and reasoning. As such, it will be of crucial interest to students and researchers in psychology, cognitive science, and linguistics.
Metamorphoses (PDF)
by Mary M. Innes Mary Innes OvidOvid drew on Greek mythology, Latin folklore and legend from ever further afield to create a series of narrative poems, ingeniously linked by the common theme of transformation. Here a chaotic universe is subdued into harmonious order: animals turn to stone; men and women become trees and stars. Ovid himself transformed the art of storytelling, infusing these stories with new life through his subtley, humour and understanding of human nature, and elegantly tailoring tone and pace to fit a variety of subjects. The result is a lasting treasure-house of myth and legend.
The Complete Works of W.H. Auden: Plays and Other Dramatic Writings, 1928-1938 (Princeton Legacy Library #5441)
by W. H. Auden Christopher Isherwood Edward MendelsonThis volume contains Auden and Christopher Isherwood's dramatic extravaganzas The Dog Beneath the Skin, the Ascent of F 6, and On the Frontier. It also includes the two versions of Paid on Both Sides--which are so different as to constitute two works--and Auden's satiric revue The Dance of Death. Two plays appear in print for the first time, Auden and Isherwood's The Enemies of a Bishop and Auden's The Chase. Also included are Auden's prose and verse written for doucmentary films, a cabaret sketch, and an unpublished radio script. Many of the texts include poems by the young Auden that have never been published before. The extensive historical and textual notes trace the complex history of the production and revision of these plays, including full texts and rewritten scenes.During the years when these works were created, Auden moved from a "poetry of isolation" to more expansive and public writing. After he left Oxford at age twenty-one, during the summer of 1928, he wrote the tragicomic charade Paid on Both Sides. During the next ten years, until he left England for America, he created the increasingly ambitious works for stage, film, and broadcast that appear in this volume. The most important of these plays were written in collaboration with Isherwood. As the world political situation worsened, Isherwood and Auden's style combined the energy of popular entertainment with the urgency of sacramental ritual.Edard Mendelson is Professor of English and Comparative Literature at Columbia University and the author of Early Auden (Viking). He is the editor of two volumes of Aduen's poetry, Collected Poems (Random House) and The English Auden (Random House).Originally published in 1988.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
The Poetry Toolkit: The Essential Guide to Studying Poetry
by Rhian WilliamsNow thoroughly revamped with a diverse selection of poetic voices from the last fifty years, this third edition of Rhian Williams's bestselling book, The Poetry Toolkit guides readers through key terms, genres and concepts that help them to develop a richer, more sophisticated approach to reading, thinking and writing about poetry. Combining an easy-to-use reference format with in-depth practice readings and further exercises, the book helps students master the study of poetry for themselves. As well as featuring more contemporary voices, the 3rd edition of The Poetry Toolkit includes an expanded practical section giving guidance on close reading, comparative reading and advice on writing critically about poetry. In addition, the book is accompanied by a companion website offering audio recordings of poetry readings, weblinks and overviews of key theoretical approaches to support advanced study. Head to bloomsbury.com/Williams-the-poetry-toolkit for a host of additional resources.
A Black Arts Poetry Machine: Amiri Baraka and the Umbra Poets (Bloomsbury Studies in Critical Poetics)
by David GrundyA vital hub of poetry readings, performance, publications and radical politics in 1960s New York, the Umbra Workshop was a cornerstone of the African American avant-garde.Bringing together new archival research and detailed close readings of poetry, A Black Arts Poetry Machine is a groundbreaking study of this important but neglected group of poets. David Grundy explores the work of such poets as Amiri Baraka, Lorenzo Thomas and Calvin Hernton and how their innovative poetic forms engaged with radical political responses to state violence and urban insurrection. Through this examination, the book highlights the continuing relevance of the work of the Umbra Workshop today and is essential reading for anyone interested in 20th-century American poetry.
Lyric Pedagogy and Marxist-Feminism: Social Reproduction and the Institutions of Poetry (Bloomsbury Studies in Critical Poetics)
by Samuel SolomonWhat is the political potential of poetry in the contemporary era? Exploring an often overlooked history of Marxist-Feminist poetics in post-war Britain – including such poets as Denise Riley, Veronica Forrest-Thomson, Wendy Mulford and Nat Raha – this book confronts this central question to debates about the value of humanities education today. Lyric Pedagogy and Marxist-Feminism demonstrates how ideas of social reproduction have been central both to the forms of post-1945 British poetry and the educational institutions where poetry is overwhelmingly encountered and produced. Combining new archival research with close readings of key poets of the period, the book charts the interrelated crises both of poetry itself and literary education more widely. Paradoxically, the very marginalisation of poetry in contemporary culture serves to offer the form new opportunities as an agent of social transformation.
Reflections and New Perspectives on Virgil's Georgics
by Nicholas Freer Bobby XinyueVirgil's Georgics, the most neglected of the poet's three major works, is brought to life and infused with fresh meanings in this dynamic collection of new readings. The Georgics is shown to be a rich field of inherited and varied literary forms, actively inviting a wide range of interpretations as well as deep reflection on its place within the tradition of didactic poetry. The essays contained in this volume – contributed by scholars from Australia, Europe and North America – offer new approaches and interpretive methods that greatly enhance our understanding of Virgil's poem. In the process, they unearth an array of literary and philosophical sources which exerted a rich influence on the Georgics but whose impact has hitherto been underestimated in scholarship. A second goal of the volume is to examine how the Georgics – with its profound meditations on humankind, nature, and the socio-political world of its creation – has been (re)interpreted and appropriated by readers and critics from antiquity to the modern era. The volume opens up a number of exciting new research avenues for the study of the reception of the Georgics by highlighting the myriad ways in which the poem has been understood by ancient readers, early modern poets, explorers of the 'New World', and female translators of the twentieth and twenty-first centuries.
Desert Voices: Bedouin Women's Poetry in Saudi Arabia (Library of Modern Middle East Studies)
by Moneera Al-GhadeerThe Bedouin, or 'desert dwellers', have a rich cultural heritage often expressed through music and poetry. Here Moneera Al-Ghadeer provides us with the first comparative reading of women's oral poetry from Saudi Arabia. She examines women's lyrics of love, desire, mourning and grievance. We come to understand Bedouin mores and - most significantly - the unique description of a desert that is consistently held to be infinite, evocative, stimulating and an eternal freedom. 'Desert Voices' asks a number of questions: How should we read oral poetry? Should our approach differ from the analytical models of canonical Arabic poetry? What theoretical insights may be gained from comparative reflection on an excluded feminine oral genre? Can Bedouin women's oral poems be read with contemporary literary theory/al-nazariya adabiya/pensée?Moneera Al-Ghadeer addresses these questions by translating, analyzing and critically reflecting on the oral poetry material originally collected by Ibn Raddas. She explores different elegies and the rhetoric of mourning and melancholy with particular emphasis on the insights of Sigmund Freud and Judith Butler. The changing face of the Arabian peninsula is documented in Bedouin women's poetry, through poems composed after the discovery of oil, in which women speak of technology in the form of automobiles, railways, aeroplanes and binoculars. These poems illuminate an important and neglected historical moment that is relevant to certain postcolonial and globalization theories about current crises in the Middle East. Al-Ghadeer faces the problems of translation of oral poetry. What happens to the marginal subject and the minor language - dialect/s - in translation? How can one translate oral poems composed in a nomadic dialect? She uses translation theory as presented by Walter Benjamin, de Man, Derrida and G. C. Spivak and tackles the most obvious translation problem in these poems: the exceedingly rich vocabulary of Bedouin ethos and the multifaceted signification of weather and animal imagery.As the first English translation and analysis of this poetry, 'Desert Voices' is both a gesture to preserving the oral poetic tradition of women and a radical critique addressing the exclusion of their poetry from current academic literary studies. The book provides invaluable material for reflection in the debates around oral culture and women's poetic composition while it translates, presents and critically examins a genre, which opens Arabic poetry and literature to contemporary theory and criticism.