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New Developments in Film Theory
by Patrick FueryThis book examines some of the most significant recent developments in film and critical theory. The book is divided into four sections, each dealing with established and alternative critical concepts and approaches. These four are: The Gaze and Subjectivity; Film and Discourse; Film and Culture; Film and Meaning. Each of these topics is explored using concepts from post-structuralism and postmodernism, working towards the idea that the relationship between film studies and critical theory is a vital and diverse interplay of rich and exciting ideas.
New Documentary: A Critical Introduction
by Stella BruzziNew Documentary: A Critical Introduction provides a comprehensive account of the last two decades of documentary filmmaking in Britain, the US and Europe. Stella Bruzzi's engaging textbook discusses key genres, filmmakers, and issues for the study of non-fiction film and television, including:* key texts such as the Zapruder film of Kennedy's assassination, Shoah, Hoop Dreams and Michael Apted's 7 Up series* documentary genres, from current affairs programming to 'fly on the wall' documentaries to 'reality tv' series* the work of documentary filmmakers such as Emile de Antonio, Fred Wiseman, Nick Broomfield, Molly Dineen and Paul Watson* the work of avant-garde filmmakers such as Chris Marker, Patrick Keiller, Peter Greenaway and Wim Wenders, whose films challenge conventions of documentary filmmaking* movies based on historical events, such as 'JFK' and 'Nixon'* faux documentaries such as This is Spinal Tap, Bob Roberts and Man Bites Dog* gender identity, queer theory, performance, 'race' and spectatorship.Bruzzi shows how theories of documentary filmmaking can be applied to contemporary texts and genres, and discusses the relationship between recent, innovative examples of the genre and the more established canon of documentary.
New Documentary: A Critical Introduction
by Stella BruzziNew Documentary: A Critical Introduction provides a comprehensive account of the last two decades of documentary filmmaking in Britain, the US and Europe. Stella Bruzzi's engaging textbook discusses key genres, filmmakers, and issues for the study of non-fiction film and television, including:* key texts such as the Zapruder film of Kennedy's assassination, Shoah, Hoop Dreams and Michael Apted's 7 Up series* documentary genres, from current affairs programming to 'fly on the wall' documentaries to 'reality tv' series* the work of documentary filmmakers such as Emile de Antonio, Fred Wiseman, Nick Broomfield, Molly Dineen and Paul Watson* the work of avant-garde filmmakers such as Chris Marker, Patrick Keiller, Peter Greenaway and Wim Wenders, whose films challenge conventions of documentary filmmaking* movies based on historical events, such as 'JFK' and 'Nixon'* faux documentaries such as This is Spinal Tap, Bob Roberts and Man Bites Dog* gender identity, queer theory, performance, 'race' and spectatorship.Bruzzi shows how theories of documentary filmmaking can be applied to contemporary texts and genres, and discusses the relationship between recent, innovative examples of the genre and the more established canon of documentary.
The Night of the Hunter (BFI Film Classics #Vol. 59)
by Simon CallowThis is an examination of 'The Night of the Hunter', Charles Laughton's only outing as a film director. It looks at the symbolism of the piece, at Willa, her throat cut sitting in the Model-T Ford, and the Preacher, a silhouetted threat on the horizon.
The Other Great Depression: How I'm overcoming, on a daily basis, at least a million addictions and disfunctions and finding a s
by Richard LewisAt the age of 44, renowned comedian Richard Lewis found himself on a gurney in the ER, toxic with alcohol, and hallucinating from excess cocaine use. The same neuroses and dysfunctions that had been the basis for his successful stage persona and inspired his best material had, it seemed, turned on him. How he got there, how he finally got on the road to recovery, and how he copes with being Richard Lewis sober on a daily basis are the subjects of this very funny, deeply honest, inspiring, but very untreacly book. USA Today called it "candid and inspirational.... A journey through Lewis' personal Inferno to eventual salvation."
Picturing Culture: Explorations of Film and Anthropology
by Jay RubyHere, Jay Ruby—a founder of visual anthropology—distills his thirty-year exploration of the relationship of film and anthropology. Spurred by a conviction that the ideal of an anthropological cinema has not even remotely begun to be realized, Ruby argues that ethnographic filmmakers should generate a set of critical standards analogous to those for written ethnographies. Cinematic artistry and the desire to entertain, he argues, can eclipse the original intention, which is to provide an anthropological representation of the subjects. The book begins with analyses of key filmmakers (Robert Flaherty, Robert Garner, and Tim Asch) who have striven to generate profound statements about human behavior on film. Ruby then discusses the idea of research film, Eric Michaels and indigenous media, the ethics of representation, the nature of ethnography, anthropological knowledge, and film and lays the groundwork for a critical approach to the field that borrows selectively from film, communication, media, and cultural studies. Witty and original, yet intensely theoretical, this collection is a major contribution to the field of visual anthropology.
The Pinter Ethic: The Erotic Aesthetic (Studies in Modern Drama)
by Penelope PrenticeFirst published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.
The Pinter Ethic: The Erotic Aesthetic (Studies in Modern Drama #Vol. 2237)
by Penelope PrenticeFirst published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.
Plautus in Performance: The Theatre of the Mind (Greek And Roman Theatre Archive Ser. #Vol. 2.)
by Niall W. SlaterPlautus was Ancient Rome's greatest comic playwright, Shakespeare drew heavily on his plots, and his legacy is prevalent throughout modern drama. In this expanded edition of his successful book, one of America's foremost Classical scholars introduces performance criticism to the study of Plautus' ancient drama. In addition to the original detailed studies of six of the dramatists's plays, the methodology of performance criticism, the use of conventions, and the nature of comic heroism in Plautus, this edition includes new studies on: * the induction into the world of the play * the scripted imitation of improvisation * Plautus's comments on his previous work * the nature of 'tragicomedy'.
Plautus in Performance: The Theatre of the Mind
by Niall W. SlaterPlautus was Ancient Rome's greatest comic playwright, Shakespeare drew heavily on his plots, and his legacy is prevalent throughout modern drama. In this expanded edition of his successful book, one of America's foremost Classical scholars introduces performance criticism to the study of Plautus' ancient drama. In addition to the original detailed studies of six of the dramatists's plays, the methodology of performance criticism, the use of conventions, and the nature of comic heroism in Plautus, this edition includes new studies on: * the induction into the world of the play * the scripted imitation of improvisation * Plautus's comments on his previous work * the nature of 'tragicomedy'.
Production Safety for Film, Television and Video
by Robin SmallCovering all aspects of production safety, this is an invaluable reference guide for the independent programme maker, freelancer, manager, producer, tutor and student filmmaker. Robin Small identifies all the major risks and gives advice on how to control and/or eliminate them. Each hazard section includes useful references to the relevant legislation, documents and licences, as well as addresses of organisations for essential advice and recommended further reading. An appendix lists samples of vital certificates, with visual references provided on www.focalpress.com. Important information about hazard identification, risk assessment and safety policy is provided in the chapters covering legislation, health and safety management, personal protective equipment and insurance. Particular hazards are then split into individual sections for ease of reference. These hazards include:AsbestosCranesExplosives and pyrotechnicsFood and cateringManual handing and liftingVisual display screensWorking at heightsThe appendices provide comprehensive contact information for UK and European Heath and Safety sources. They also include sample forms to draw up your own safety system.Robin Small is Senior Lecturer in Television, Media Department at the University of Huddersfield.
Production Safety for Film, Television and Video
by Robin SmallCovering all aspects of production safety, this is an invaluable reference guide for the independent programme maker, freelancer, manager, producer, tutor and student filmmaker. Robin Small identifies all the major risks and gives advice on how to control and/or eliminate them. Each hazard section includes useful references to the relevant legislation, documents and licences, as well as addresses of organisations for essential advice and recommended further reading. An appendix lists samples of vital certificates, with visual references provided on www.focalpress.com. Important information about hazard identification, risk assessment and safety policy is provided in the chapters covering legislation, health and safety management, personal protective equipment and insurance. Particular hazards are then split into individual sections for ease of reference. These hazards include:AsbestosCranesExplosives and pyrotechnicsFood and cateringManual handing and liftingVisual display screensWorking at heightsThe appendices provide comprehensive contact information for UK and European Heath and Safety sources. They also include sample forms to draw up your own safety system.Robin Small is Senior Lecturer in Television, Media Department at the University of Huddersfield.
Pulp Fiction (BFI Film Classics)
by Dana PolanDana Polan sets out to unlock the style and technique of 'Pulp Fiction'. He shows how broad Tarantino's points of reference are, and analyzes the narrative accomplishment and complexity. In addition, Polan argues that macho attitudes celebrated in film are much more complex than they seem.
Radio in the Global Age
by David HendyRadio in the Global Age offers a fresh, up-to-date, and wide-ranging introduction to the role of radio in contemporary society. It places radio, for the first time, in a global context, and pays special attention to the impact of the Internet, digitalization and globalization on the political-economy of radio. It also provides a new emphasis on the links between music and radio, the impact of formatting, and the broader cultural roles the medium plays in constructing identities and nurturing musical tastes. Individual chapters explore the changing structures of the radio industry, the way programmes are produced, the act of listening and the construction of audiences, the different meanings attached to programmes, and the cultural impact of radio across the globe. David Hendy portrays a medium of extraordinary contradictions: a cheap and accessible means of communication, but also one increasingly dominated by rigid formats and multinational companies; a highly 'intimate' medium, but one capable of building large communities of listeners scattered across huge spaces; a force for nourishing regional identity, but also a pervasive broadcaster of globalized music products; a 'stimulus to the imagination', but a purveyor of the banal and of the routine. Drawing on recent research from as far afield as Africa, Australasia and Latin America, as well as from the UK and US, the book aims to explore and to explain these paradoxes - and, in the process, to offer an imaginative reworking of Marshall McLuhan's famous dictum that radio is one of the world's 'hot' media. Radio in the Global Age is an invaluable text for undergraduates and researchers in media studies, communication studies, journalism, cultural studies, and musicology. It will also be of interest to practitioners and policy-makers in the radio industry.
Radio in the Global Age
by David HendyRadio in the Global Age offers a fresh, up-to-date, and wide-ranging introduction to the role of radio in contemporary society. It places radio, for the first time, in a global context, and pays special attention to the impact of the Internet, digitalization and globalization on the political-economy of radio. It also provides a new emphasis on the links between music and radio, the impact of formatting, and the broader cultural roles the medium plays in constructing identities and nurturing musical tastes. Individual chapters explore the changing structures of the radio industry, the way programmes are produced, the act of listening and the construction of audiences, the different meanings attached to programmes, and the cultural impact of radio across the globe. David Hendy portrays a medium of extraordinary contradictions: a cheap and accessible means of communication, but also one increasingly dominated by rigid formats and multinational companies; a highly 'intimate' medium, but one capable of building large communities of listeners scattered across huge spaces; a force for nourishing regional identity, but also a pervasive broadcaster of globalized music products; a 'stimulus to the imagination', but a purveyor of the banal and of the routine. Drawing on recent research from as far afield as Africa, Australasia and Latin America, as well as from the UK and US, the book aims to explore and to explain these paradoxes - and, in the process, to offer an imaginative reworking of Marshall McLuhan's famous dictum that radio is one of the world's 'hot' media. Radio in the Global Age is an invaluable text for undergraduates and researchers in media studies, communication studies, journalism, cultural studies, and musicology. It will also be of interest to practitioners and policy-makers in the radio industry.
Reading Stephen Sondheim: A Collection of Critical Essays (Studies in Modern Drama)
by Sandor GoodhartFirst Published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.
Reading Stephen Sondheim: A Collection of Critical Essays (Studies in Modern Drama #Vol. 10)
by Sandor GoodhartFirst Published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.
Real Images: Soviet Cinema and the Thaw (KINO - The Russian and Soviet Cinema)
by Josephine WollDuring ""the thaw"" from Stalin's death in 1953 to the late 1960s and Khrushchev's rule, Soviet society experienced major transformations. So did films. In this first comprehensive account of the relationship between politics and cinema in this period, Josephine Woll skillfully interweaves cultural history with film analysis to explore how movies at once responded to the changes around them and helped engender them. She considers dozens of individual films within the context of Khrushchev's policies and the artistic foment they inspired.
Research in Media Promotion (Routledge Communication Series)
by Susan Tyler EastmanEastman has assembled this exemplary volume to spotlight media promotion and to examine current research on the promotion of television and radio programs. The studies included here explore various types of promotion and use widely differing methods and approaches, providing a comprehensive overview of promotion research activities. Chapters include extensive literature reviews, original research, and discussion of research questions for subsequent study. Research in Media Promotion serves as a benchmark for the current state of promotion research and theory, and establishes the role of promotion as a primary factor affecting audience size. Appropriate for coursework and study in programming, marketing, research methods, management, and industry processes and practices, this volume offers agenda items for future study and is certain to stimulate new research ideas.
Research in Media Promotion (Routledge Communication Series)
by Susan Tyler EastmanEastman has assembled this exemplary volume to spotlight media promotion and to examine current research on the promotion of television and radio programs. The studies included here explore various types of promotion and use widely differing methods and approaches, providing a comprehensive overview of promotion research activities. Chapters include extensive literature reviews, original research, and discussion of research questions for subsequent study. Research in Media Promotion serves as a benchmark for the current state of promotion research and theory, and establishes the role of promotion as a primary factor affecting audience size. Appropriate for coursework and study in programming, marketing, research methods, management, and industry processes and practices, this volume offers agenda items for future study and is certain to stimulate new research ideas.
Robert Bresson (French Film Directors Series)
by Keith ReaderThis book provides a comprehensive introduction to the work of Robert Bresson, one of the most respected and acclaimed directors in the history of cinema.. The first monograph on his work to appear in English for many years dealing not only with his thirteen feature-length films but also his little-seen early short Affaires publiques and his short treatise Notes on cinematography.. The films are considered in chronological order, using a perspective that draws variously on spectator theory, Catholic mysticism, gender theory and Lacanian psychoanalysis.. The major critical responses to his work, from the adulatory to the dismissive, are summarized and analyzed.. The work includes a full filmography and a critical bibliography.
Roberto Rossellini: Magician of the Real
by David Forgacs Sarah Lutton Geoffrey Nowell-SmithA master of modern European cinema and a key figure in the Italian neorealist movement, Roberto Rossellini had one of the longest and most varied careers of all major directors. From 'Rome Open City' and 'Paisà ' through to the 'Bergman' classics 'Stromboli 'and 'Journey to Italy' and his later work for television, Rossellini's work and ideas had a profound influence on filmmaking and criticism. This specially commissioned overview of Rossellini's works examines key issues and themes covering all phases of his career. Leading critics from across the world examine, among other issues, the Fascist context of Rossellini's early work, the view of Europe that emerges in his films, the stylistic trajectory of the work through neorealism and beyond and its influence on the French New Wave, the issues of representation that emerge in later films and his extensive work for television. The significance of Rossellini's relationships with Ingrid Bergman and Anna Magnani is discussed and the book also includes a dossier section of materials providing an overview of the most important facts and documents concerning the director.
Rome Open City: ( Roma Citta Aperta ) (BFI Film Classics)
by David ForgacsOtto Preminger said the history of the cinema was divided into two eras: one before and one after Rome Open City (Roma Città Aperta, 1945). The film is based on events that took place in Rome in 1944, during the Nazi occupation. This book re-examines the film and its place in Rossellini's career. David Forgacs reconstructs its production history, its relationship to the events that inspired it and the time in which it was made. He argues that the traditional critical labelling of Rome Open City as the original work of neo-realism fails to capture the film's hybrid and contradictory character. Part documentary record, part patriotic myth, Rome Open City is at once an extraordinarily powerful commemoration of wartime experience and a rhetorical reworking of that experience, using stereotypes and moral polarisations.
The Routledge Reader in Politics and Performance
by Jane De Gay Lizbeth GoodmanThe Routledge Reader in Politics and Performance brings together for the first time a comprehensive collection of extracts from key writings on politics, ideology, and performance. Taking an interdisciplinary approach to the subject, and including new writings from leading scholars, the book provides material on: * post-coloniality and performance theory and practice * critical theories and performance * intercultural perspectives * power, politics and the theatre * sexuality in performance * live arts and the media * theatre games.
The Routledge Reader in Politics and Performance
by Jane De Gay Lizbeth GoodmanThe Routledge Reader in Politics and Performance brings together for the first time a comprehensive collection of extracts from key writings on politics, ideology, and performance. Taking an interdisciplinary approach to the subject, and including new writings from leading scholars, the book provides material on: * post-coloniality and performance theory and practice * critical theories and performance * intercultural perspectives * power, politics and the theatre * sexuality in performance * live arts and the media * theatre games.