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Moon Witch, Spider King: Dark Star Trilogy 2 (Dark Star Trilogy #2)

by Marlon James

THE SECOND NOVEL IN THE REVOLUTIONARY DARK STAR TRILOGY IS HERE!Booker Prize-winner Marlon James once again draws on a rich tradition of African mythology and fantasy to imagine a mythic world, a lost child, a 177-year-old witch and a mystery with many answers . . .*Perfect for fans of Pratchett, George R. R. Martin and Octavia Butler*'Even more gripping and inventive than its predecessor . . . like Tolkien on ayahuasca' Observer***** Part adventure, part chronicle of an indomitable woman - the witch Sogolon - who bows to no man, this is an unforgettable exploration of power, personality, and the places where they overlap, set in a world at once ancient and startlingly modern. In the words of Neil Gaiman, James has created 'a fantasy world as well-realized as anything Tolkien made, with language as powerful as Angela Carter's'.Chronicling the same events but telling a very different story - who will you believe? Read THE DARK STAR TRILOGY in any order! Book one, BLACK LEOPARD, RED WOLF, is available now. *****'Moving, vivid, and thought-provoking . . . brilliant' Buzzfeed'James masterfully flips the first instalment on its head . . . [A] titanic story of empire, adventure and power' Esquire'Told with James' inimitable linguistic verve . . . Riotous, ultraviolent, dazzlingly inventive' Literary Hub

Moon: A Guide To The Constellations, Sun, Moon, Planets, And Other Features Of The Heavens (Los Jet De Plaza Y J Ser.)

by James Herbert

The nightmare begins before you sleep . . . James Herbert's Moon follows Jonathan, who fled from the terrors of his past, finding refuge in the quietness of the island. And for a time he lived in peace. Until the 'sightings' began, visions of horror seeping into his mind like poisonous tendrils, violent acts that were hideously macabre, the thoughts becoming intense. He witnessed the grotesque acts of another thing, a thing that glorified in murder and mutilation, a monster that soon became aware of the observer within its own mind. And relished contact. A creature that would eventually come to the island to seek him out . . .

MONSTROUS FORMS C: Moving Image Horror Across Media

by Adam Charles Hart

It makes us jump. It makes us scream. It haunts our nightmares. So why do we watch horror? Why do we play it? What could possibly be appealing about a genre that tries to terrify us? Why would we subject ourselves to shriek-inducing shocks, or spend dozens of hours watching a television show about grotesque flesh-eating monsters? Monstrous Forms offers a theory of horror that works through the genre across a broad range of contemporary moving-image media: film, television, video games, YouTube, gifs, streaming, virtual reality. This book analyzes our experience of and engagement with horror by focusing on its form, paying special attention to the common ground, the styles and forms that move between mediums. It looks at the ways that moving-image horror addresses its audiences, the ways that it elicits, or demands, responses from its viewers, players, browsers. Camera movement (or "camera" movement), jump scares, offscreen monsters-horror innovates and perfects styles that directly provoke and stimulate the bodies in front of the screen. Analyzing films including Paranormal Activity, It Follows, and Get Out, video games including Amnesia: The Dark Descent, Layers of Fear, and Until Dawn, and TV shows including The Walking Dead and American Horror Story, Monstrous Forms argues for understanding horror through its sensational address, and dissects the forms that make that address so effective.

Monstrous Forms: Moving Image Horror Across Media

by Adam Charles Hart

It makes us jump. It makes us scream. It haunts our nightmares. So why do we watch horror? Why do we play it? What could possibly be appealing about a genre that tries to terrify us? Why would we subject ourselves to shriek-inducing shocks, or spend dozens of hours watching a television show about grotesque flesh-eating monsters? Monstrous Forms offers a theory of horror that works through the genre across a broad range of contemporary moving-image media: film, television, video games, YouTube, gifs, streaming, virtual reality. This book analyzes our experience of and engagement with horror by focusing on its form, paying special attention to the common ground, the styles and forms that move between mediums. It looks at the ways that moving-image horror addresses its audiences, the ways that it elicits, or demands, responses from its viewers, players, browsers. Camera movement (or "camera" movement), jump scares, offscreen monsters-horror innovates and perfects styles that directly provoke and stimulate the bodies in front of the screen. Analyzing films including Paranormal Activity, It Follows, and Get Out, video games including Amnesia: The Dark Descent, Layers of Fear, and Until Dawn, and TV shows including The Walking Dead and American Horror Story, Monstrous Forms argues for understanding horror through its sensational address, and dissects the forms that make that address so effective.

The Monsters We Deserve

by Marcus Sedgwick

'Do monsters always stay in the book where they were born? Are they content to live out their lives on paper, and never step foot into the real world?' The Villa Diodati, on the shore of Lake Geneva, 1816: the Year without Summer. As Byron, Polidori, and Mr and Mrs Shelley shelter from the unexpected weather, old ghost stories are read and new ghost stories imagined. Born by the twin brains of the Shelleys is Frankenstein, one of the most influential tales of horror of all time. In a remote mountain house, high in the French Alps, an author broods on Shelley's creation. Reality and perception merge, fuelled by poisoned thoughts. Humankind makes monsters; but who really creates who? This is a book about reason, the imagination, and the creative act of reading and writing. Marcus Sedgwick's ghostly, menacing novel celebrates the legacy of Mary Shelley's literary debut in its bicentenary year.

The Monsters of Rookhaven

by Pádraig Kenny

Winner of the Honour Award for Fiction, KPMG Irish Children's Book Awards, 2021.'A magnificent, shadowy, gothic adventure full of heart' Emma Carroll, author of Frost Hollow Hall.Sometimes the monsters take us. Sometimes we become the monsters.Mirabelle has always known she is a monster. When the glamour protecting her unusual family from the human world is torn and an orphaned brother and sister stumble upon Rookhaven, Mirabelle soon discovers that friendship can be found in the outside world.But as something far more sinister comes to threaten them all, it quickly becomes clear that the true monsters aren't necessarily the ones you can see.A thought-provoking, chilling and beautifully written novel, Pádraig Kenny's The Monsters of Rookhhaven, stunningly illustrated by Edward Bettison, explores difference and empathy through the eyes of characters you won't want to let go.'A stunning book . . . a brand new take on the monster story' Eoin Colfer'A wildly imaginative story . . . a triumph' Irish Examiner'Kenny is a thrilling writer and knows how to chill his readers' Telegraph

Monsters in Performance: Essays on the Aesthetics of Disqualification

by Michael Chemers Analola Santana

Monsters in Performance boasts an impressive range of contemporary essays that delve into topical themes such as race, gender, and disability, to explore what constitutes monstrosity within the performing arts. These fascinating essays from leading and emerging scholars explore representation in performance, specifically concerning themselves with attempts at social disqualification of "undesirables." Throughout, the writers employ the concept of "monstrosity" to describe the cultural processes by which certain identities or bodies are configured to be threateningly deviant. The editors take a range of previously isolated critical inquiries – including bioethics, critical race studies, queer studies, and televisual studies - and merge them to create an accessible and dynamic platform which unifies these ranges of representations. The global scope and interdisciplinary nature of Monsters in Performance renders it an essential book for Theatre and Performance students of all levels as well as scholars; it will also be an enlightening text for those interested in monstrosity and Cultural Studies more broadly.

Monsters in Performance: Essays on the Aesthetics of Disqualification

by Michael Chemers Analola Santana

Monsters in Performance boasts an impressive range of contemporary essays that delve into topical themes such as race, gender, and disability, to explore what constitutes monstrosity within the performing arts. These fascinating essays from leading and emerging scholars explore representation in performance, specifically concerning themselves with attempts at social disqualification of "undesirables." Throughout, the writers employ the concept of "monstrosity" to describe the cultural processes by which certain identities or bodies are configured to be threateningly deviant. The editors take a range of previously isolated critical inquiries – including bioethics, critical race studies, queer studies, and televisual studies - and merge them to create an accessible and dynamic platform which unifies these ranges of representations. The global scope and interdisciplinary nature of Monsters in Performance renders it an essential book for Theatre and Performance students of all levels as well as scholars; it will also be an enlightening text for those interested in monstrosity and Cultural Studies more broadly.

The Monster's Corner: Stories Through Inhuman Eyes

by Christopher Golden

In most stories we get the perspective of the hero, the ordinary, the everyman, but we are all the hero of our own tale, and so it must be true for legions of monsters, from Lucifer to Mordred, from child-thieving fairies to Frankenstein's monster and the Wicked Witch of the West. From our point of view, they may very well be horrible, terrifying monstrosities, but of course they won't see themselves in the same light, and their point of view is what concerns us in these tales. Demons and goblins, dark gods and aliens, creatures of myth and legend, lurkers in darkness and beasts in human clothing . . . these are the subjects of THE MONSTER'S CORNER.

Monsters Bite Back (Monster Hunting #2)

by Ian Mark

‘A MONSTROUSLY FUNNY NEW VOICE,’ MAZ EVANS, WHO LET THE GODS OUT? The second seriously silly adventure in the hilarious series that turns everything you thought you knew about monsters upside down! Perfect for young monster hunters aged 8+ and fans of Sam Copeland, Jenny Pearson and How to Train Your Dragon

Monsters: Book 3 (The Ashes Trilogy #Bk. 3)

by Ilsa J. Bick

Alex is tough. She has survived the EMP blast, she has lived among the flesh-eating Changed, and she has been separated from Tom for months. And she hasn't given up. But on the brink of starvation and in the grip of a winter that just won't end, Alex discovers a new and terrible truth: The Changed are still evolving. And... they've had help.

Monster: The perfect boarding school thriller to keep you up all night (Mira Ink Ser.)

by C.J. Skuse

Every girl at Bathory School has heard stories about The Beast. No one believed they were true.Until Now. 'Grisly, nail-biting fun!' - Lovereading4kids.co.uk

The Monster in Theatre History: This Thing of Darkness

by Michael Chemers

Monsters are fragmentary, uncertain, frightening creatures. What happens when they enter the realm of the theatre? The Monster in Theatre History explores the cultural genealogies of monsters as they appear in the recorded history of Western theatre. From the Ancient Greeks to the most cutting-edge new media, Michael Chemers focuses on a series of ‘key’ monsters, including Frankenstein’s creature, werewolves, ghosts, and vampires, to reconsider what monsters in performance might mean to those who witness them. This volume builds a clear methodology for engaging with theatrical monsters of all kinds, providing a much-needed guidebook to this fascinating hinterland.

The Monster in Theatre History: This Thing of Darkness

by Michael Chemers

Monsters are fragmentary, uncertain, frightening creatures. What happens when they enter the realm of the theatre? The Monster in Theatre History explores the cultural genealogies of monsters as they appear in the recorded history of Western theatre. From the Ancient Greeks to the most cutting-edge new media, Michael Chemers focuses on a series of ‘key’ monsters, including Frankenstein’s creature, werewolves, ghosts, and vampires, to reconsider what monsters in performance might mean to those who witness them. This volume builds a clear methodology for engaging with theatrical monsters of all kinds, providing a much-needed guidebook to this fascinating hinterland.

The Monster In The Mirror: A Tale Of Terror (PDF) (Phobia)

by Anthony Wacholtz

Lately, whenever Anders looks in a mirror, he sees more than his own reflection. Each shiny surface, whether a bathroom mirror, a store window or a harmless rain puddle, fills him with spine-tingling, hair-raising dread. He sees things in these reflections - things he can't explain but knows to be evil. And no one will believe him! So Anders decides to face his fear all by himself, before the monstrous images take on a sinister life of their own.

The Monster Doctor: Revolting Rescue (Monster Doctor #2)

by John Kelly

The Monster Doctor: Revolting Rescue is the second in a howlingly hilarious series of monster adventures from John Kelly that will have you laughing your head off . . . literally.WARNING! THIS IS AN EMERGENCY. There's been a major Q-T incident reported in Cringetown – we need the monster doctor, stat!Q-Ts are highly dangerous to all monsters – they have huge eyes, tiny noses, squeaky high-pitched voices and are covered in a disgustingly soft fur-like material. Physical contact with these revolting creatures is to be avoided AT ALL COSTS! Ozzy is an ordinary human – an unusual trait for a monster doctor in training! – and he can't understand why monsters are so scared of these Q-Ts. So when the doctor receives a desperate phone call reporting a Q-T sighting, she and Ozzy race to save the horrible creature before the abominable Inspector Pincher arrives . . .

The Monster Doctor (Monster Doctor #1)

by John Kelly

Are you . . .A dragon with indigestion?A blob with a cold? A yeti with a sore foot?Then book an appointment with the MONSTER DOCTOR. No THING too small, no creature too big!Ozzy is just an ordinary human boy – until he gets a job at the monster doctor's surgery! He's now spending his summer helping the doctor cure her strange and wonderful monster-patients, and he has to find a way to help her save the surgery . . .The first in a howlingly hilarious series of monster adventures written and illustrated by John Kelly that will have you laughing your head off . . . literally. Don't miss Ozzy's next adventure in The Monster Doctor: Revolting Rescue!

The Monks of Appalling Dreadfulness

by John Connolly

The Monks of Appalling Dreadfulness are the most feared assassins in the Multiverse. They are ruthless. They are cunning. They can do interesting things with oranges.Now they have been hired to hunt down and kill the demon Nurd, along with every friend he's ever had.But friends come in all shapes and sizes, and with all kinds of talents.The Monks of Appalling Dreadfulness are about to meet their match . . .

The Monkey's Paw

by W. W. Jacobs

Possessing a monkey's paw that grants wishes, the White family proves themselves unprepared for the consequences of having their wishes fulfilled.Be it mystery, romance, drama, comedy, politics, or history, great literature stands the test of time. ClassicJoe proudly brings literary classics to today's digital readers, connecting those who love to read with authors whose work continues to get people talking. Look for other fiction and non-fiction classics from ClassicJoe.

The Monk: A Romance

by Matthew Lewis

With an essay by Samuel Taylor Coleridge.'He now saw himself stained with the most loathed and monstrous sins, the object of universal execration ... doomed to perish in tortures the most severe'Shocking, erotic and violent, The Monk is the story of Ambrosio, torn between his spiritual vows and the temptations of physical pleasure. His internal battle leads to sexual obsession, rape and murder, yet this book also contains knowing parody of its own excesses as well as social comedy. Written by Matthew Lewis when he was only nineteen, it was a ground-breaking novel in the Gothic Horror genre and spawned hundreds of imitators, drawn in by its mixture of bloodshed, sex and scandal.The Penguin English Library - 100 editions of the best fiction in English, from the eighteenth century and the very first novels to the beginning of the First World War.

The Monk

by Matthew Lewis

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The Monk: A Romance (gothic Classics) (World's Classics #Vol. 3)

by Matthew Lewis Christopher MacLachlan

Ambrosio, the worthy superior of the Capuchins of Madrid, falls to the temptations of Matilda, a fiend-inspired wanton who, disguised as a boy, has entered his monastery as a novice. Ambrosio then falls in love with one of his penitents and finally kills her in order to escape detection. However, he is discovered, tortured by the Inquisition and sentenced to death. Although extravagant in its mixture of the supernatural, the terrible, and the indecent, the book contains scenes of great effect. The novel is a prime example of 18th century Gothic, written partly in response to Walpole and Radcliffe and enjoyed a considerable contemporary vogue.

Mixed Magics: Four Tales Of Chrestomanci (The Chrestomanci Series #5)

by Diana Wynne Jones

Glorious rejacket of the story collection set in the worlds of Chrestomanci.

The Mistletoe Bride and Other Haunting Tales

by Kate Mosse

The perfect winter ghost short story collection from the No.1 bestselling author of LABYRINTH and THE WINTER GHOSTS.I hear someone coming. It has happened before. I pause and listen but no longer hear anything. I sigh. As always, hope is snatched away before it can take root. And so then, as always, I am carried back to that first December so very long ago...Rooted in the elemental landscapes of Sussex, Brittany and the Languedoc, here are tales of ghosts and spirits seeking revenge, grief-stricken women and haunted men coming to terms with their destiny.

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