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‘You’ and ‘Thou’ in Shakespeare: A Practical Guide for Actors, Directors, Students and Teachers (Arden Performance Companions)

Romeo and Juliet always use 'thou' to each other, but they are the only pair of lovers in Shakespeare to do this. Why? All the women in Richard III address Richard as 'thou', but no man ever does. Why? When characters address the dead, they use 'thou' – except for Hamlet, who addresses Yorick as 'you'. Why? Shakespeare's contemporaries would have known the answers to these questions because they understood what 'thou' signified, but modern actors and audiences are in the dark. Through performance-oriented analysis of extracts from the plays, this book explores the language of 'trulls' and termagants, true loves and unwelcome wooers, male impersonators, smothering mothers, warring spouses and fighting men, as well as investigating lèse-majesté, Freudian slips, crisis moments and rhetorical flourishes. Drawing on work with RSC actors, as well as the author's experience of playing a range of Shakespearean roles, the book equips the reader with a new tool for tracking emotions, weighing power relations and appreciating dazzling complexity.

YOU ARE GOING TO DIE and THIS IS NOT CULTURALLY SIGNIFICANT (Modern Plays)

Existential Figure silently screams. Everything is wiped clean.The fabric of reality starts to fall apart.Grieving Figure finds themself on a hillside.Eyes staring back from the darkness.A dual edition of actor, writer and theatre practitioner Adam Scott-Rowley's most impactful works to date.Performed entirely naked, YOU ARE GOING TO DIE is a nail-biting descent into existential anxiety as humanity stares down the proverbial toilet. A surreal meditation on annihilation that rests on the knife edge between physical theatre and performance art. Ideograms and archetypal forms offer a shared purge illuminating the darkest corners of the human psyche while revealing compassion and humour in the most unlikely of places.THIS IS NOT CULTURALLY SIGNIFICANT is a brutally intense and darkly comic piece that unveils the bizarre, compulsive and eccentric nature of humanity. Thunderous and fiercely grotesque, this piece utilises Adam Scott-Rowley's practice of The Sensitised Theatre to create a sharp political comment on contemporary society.This edition was published to coincide with YOU ARE GOING TO DIE playing at Southwark Playhouse, London, in April 2024 produced by The Production Exchange.

YOU ARE GOING TO DIE and THIS IS NOT CULTURALLY SIGNIFICANT (Modern Plays)

Existential Figure silently screams. Everything is wiped clean.The fabric of reality starts to fall apart.Grieving Figure finds themself on a hillside.Eyes staring back from the darkness.A dual edition of actor, writer and theatre practitioner Adam Scott-Rowley's most impactful works to date.Performed entirely naked, YOU ARE GOING TO DIE is a nail-biting descent into existential anxiety as humanity stares down the proverbial toilet. A surreal meditation on annihilation that rests on the knife edge between physical theatre and performance art. Ideograms and archetypal forms offer a shared purge illuminating the darkest corners of the human psyche while revealing compassion and humour in the most unlikely of places.THIS IS NOT CULTURALLY SIGNIFICANT is a brutally intense and darkly comic piece that unveils the bizarre, compulsive and eccentric nature of humanity. Thunderous and fiercely grotesque, this piece utilises Adam Scott-Rowley's practice of The Sensitised Theatre to create a sharp political comment on contemporary society.This edition was published to coincide with YOU ARE GOING TO DIE playing at Southwark Playhouse, London, in April 2024 produced by The Production Exchange.

You Can Still Make A Killing (Modern Plays)

He wants me to fuck about with paper clips in some office with a smile on my face, fuck him . . . but there's just one thing I've got to take care of first. I've got to do something to make this right.Four years on from the collapse of the Lehman Brothers and still we find ourselves in crisis. It's time to work out what's wrong. It's time to look at the heart of the system.You Can Still Make A Killing is the story of the normal men and women who fill the City's institutions, of a world radically altered when right became wrong, and of the private worlds that fall apart when there are no alternatives in sight. This production reunites director Matthew Dunster with playwright Nicholas Pierpan, following their collaboration in 2010 on Pierpan's play The Maddening Rain (Old Red Lion and Soho Theatre). The cast includes Alecky Blythe (writer of London Road), which marks her much-anticipated return to acting, and Kellie Bright (Love and Money, Royal Exchange and Young Vic). It will run at the Southwark Playhouse in its main house (which holds 150 seats) from 10 October until 3 November 2012. A German production will open at Theatre Ulm in April, 2013.

You Can Still Make A Killing (Modern Plays)

He wants me to fuck about with paper clips in some office with a smile on my face, fuck him . . . but there's just one thing I've got to take care of first. I've got to do something to make this right.Four years on from the collapse of the Lehman Brothers and still we find ourselves in crisis. It's time to work out what's wrong. It's time to look at the heart of the system.You Can Still Make A Killing is the story of the normal men and women who fill the City's institutions, of a world radically altered when right became wrong, and of the private worlds that fall apart when there are no alternatives in sight. This production reunites director Matthew Dunster with playwright Nicholas Pierpan, following their collaboration in 2010 on Pierpan's play The Maddening Rain (Old Red Lion and Soho Theatre). The cast includes Alecky Blythe (writer of London Road), which marks her much-anticipated return to acting, and Kellie Bright (Love and Money, Royal Exchange and Young Vic). It will run at the Southwark Playhouse in its main house (which holds 150 seats) from 10 October until 3 November 2012. A German production will open at Theatre Ulm in April, 2013.

You For Me For You (Modern Plays)

Trees don't have ears.How are you so sure?As they attempt to flee the Best Nation in the World, North Korean sisters Minhee and Junhee are torn apart at the border. Each must race across time and space to be together again – navigating the perilous Land of the Free and the treacherous terrain of personal belief.Food has learned to sprint. Money is so fast it doesn't wait to be printed. Gossip travels swifter than germs.You For Me For You was first presented in the US at Woolly Mammoth Theatre, Washington D.C., in Autumn 2012 and received its UK premiere at London's Royal Court in the Jerwood Theatre Upstairs on 3 December 2015.

You For Me For You (Modern Plays)

Trees don't have ears.How are you so sure?As they attempt to flee the Best Nation in the World, North Korean sisters Minhee and Junhee are torn apart at the border. Each must race across time and space to be together again – navigating the perilous Land of the Free and the treacherous terrain of personal belief.Food has learned to sprint. Money is so fast it doesn't wait to be printed. Gossip travels swifter than germs.You For Me For You was first presented in the US at Woolly Mammoth Theatre, Washington D.C., in Autumn 2012 and received its UK premiere at London's Royal Court in the Jerwood Theatre Upstairs on 3 December 2015.

You Never Can Tell

You Wouldnt Want To Be Married To Henry Viii!

Divorced, beheaded, and died. Divorced, beheaded, survived! Uncover the secret lives of Henry VIII's ill-fated wives and what life was like as a Tudor queen. Henry VIII has asked for your hand in marriage, but marrying the King was no easy option. Henry VIII was a powerful, ruthless leader, with a track history of beheadings, adultery and scandal. Set against the turbulent backdrop of the Tudor court, this book explores Henry and his many wives - what went right, what went wrong, and what ultimately became of them all. With information on the church's break with Rome and the roles of key figures, such as Wolsey and Cranmer, this treacherous guide is the perfect curriculum companion to the Tudor period. The ever-popular You Wouldn't Want to Be series transports readers to the grisliest times and places in history, perfect for reluctant readers. The first-person narrative approach puts children in the shoes of some of the most unfortunate people ever to have lived.

You'll Have Had Your Hole (Modern Plays)

A play from the author of TrainspottingWithin the sound-proofed walls of a disused recording studio, a score is being settled. Two inner city low-lifes take the law into their own hands to satisfy their craving for fun, fear and a freakish sense of justice. "You'll Have Had Your Hole" premièred at the West Yorkshire Playhouse and toured internationally - although it was banned in Belgium.

You'll Have Had Your Hole (Modern Plays)

A play from the author of TrainspottingWithin the sound-proofed walls of a disused recording studio, a score is being settled. Two inner city low-lifes take the law into their own hands to satisfy their craving for fun, fear and a freakish sense of justice. "You'll Have Had Your Hole" premièred at the West Yorkshire Playhouse and toured internationally - although it was banned in Belgium.

Young At Art: Classroom Playbuilding In Practice (PDF)

Young at Artis a practical guide to playbuilding for teachers working with students at an upper primary and secondary level. Focusing on an area often neglected in traditional drama text books, the book covers the process of devising drama, and the teacher's role in facilitating students to collectively become playwrights, actors, designers, directors and critics of their ensemble work. The playbuilding process is covered in a structured manner, which includes: Mapping the Territory: identifying critical issues relating to teaching and learning in playbuilding, and laying the basic foundations of understandings and practice. Levels at Work: offering three approaches to playbuilding, catering for a range of learning experiences. Playbuilding for All: explores theatre practitioners' techniques, working with students' personal stories and narratives and playbuilding with a contemporary edge. An essential guide for all drama teachers Young at Artcovers practical teaching issues and strategies for working with groups of students to help them perform their playbuilt stories to an audience, as well as techniques for student assessment and evaluation, providing a wealth of exemplary starting points and approaches. The book offers detailed guidance on working with students to help facilitate the collaborative creative and reflective processes, offering practical ideas and structures which can be easily implemented in the classroom.

Young at Art: Classroom Playbuilding in Practice

Young at Art is a practical guide to playbuilding for teachers working with students at an upper primary and secondary level. Focusing on an area often neglected in traditional drama text books, the book covers the process of devising drama, and the teacher’s role in facilitating students to collectively become playwrights, actors, designers, directors and critics of their ensemble work. The playbuilding process is covered in a structured manner, which includes: Mapping the Territory: identifying critical issues relating to teaching and learning in playbuilding, and laying the basic foundations of understandings and practice. Levels at Work: offering three approaches to playbuilding, catering for a range of learning experiences. Playbuilding for All: explores theatre practitioners’ techniques, working with students’ personal stories and narratives and playbuilding with a contemporary edge. An essential guide for all drama teachers Young at Art covers practical teaching issues and strategies for working with groups of students to help them perform their playbuilt stories to an audience, as well as techniques for student assessment and evaluation, providing a wealth of exemplary starting points and approaches. The book offers detailed guidance on working with students to help facilitate the collaborative creative and reflective processes, offering practical ideas and structures which can be easily implemented in the classroom.

Young Chekhov: Platonov; Ivanov; The Seagull (Faber Drama Ser.)

Young Chekhov contains a trilogy of plays by the Russian writer Anton Chekhov, written as he emerged as the greatest playwright of the late nineteenth century. The three works, Platanov, Ivanov and The Seagull, in contemporary adaptations by David Hare, will be staged at the Chichester Festival Theatre in the summer of 2015.

Young Goodman Brown

A Young Man's Passage

This is Julian Clary's story, in his own words - the tale of an awkward schoolboy who became a huge worldwide success on stage and screen.After a sheltered suburban upbringing, Julian was sent to St Benedict's, where beatings from 'holy' men gave him some brutal life lessons, and other 'unholy' boys his first awakenings of sexuality. He had just one true friend and ally, Nick - to his other school peers, Julian's aloof demeanour made him an enigma or simply a figure of ridicule. In school he was just another pained adolescent, but inside Julian was a new Jean Genet or Quentin Crisp bursting to get out.Leaving St Benedict's thankfully behind him, Julian went on to college where he found his true vocation as an entertainer with a peculiar comic brand of smut and glamour. At the same time, he was finding as much sex as he could, sometimes with remarkably less-than-glamorous characters.Periods in community theatre and the singing telegram industry followed before Julian hit the big time with cabaret co-star Fanny the Wonder Dog as The Joan Collins Fan Club. Soon, the world was his oyster. But fame came at a price, as Julian struggled not only with the reality of being a high-profile gay man in the 1980s but also the pain of losing his lover to terminal illness.Far more than just another celebrity autobiography or 'funny book', this is a touching, beautifully written and wryly witty account of a unique progression from shy child to comedy icon.

Young Marx (Oberon Modern Plays)

1850, and Europe’s most feared terrorist is hiding in Dean Street, Soho. Broke, restless and horny, the thirty-two-year-old revolutionary is a frothing combination of intellectual brilliance, invective, satiric wit, and child-like emotional illiteracy. Creditors, spies, rival revolutionary factions and prospective seducers of his beautiful wife all circle like vultures.His writing blocked, his marriage dying, his friend Engels in despair at his wasted genius, his only hope is a job on the railway. But there’s still no one in the capital who can show you a better night on the piss than Karl Heinrich Marx.

Young People, Learning and Storytelling (Palgrave Studies in Alternative Education)

This book explores the lives of young people through the lens of storytelling. Using extensive qualitative and empirical data from young people’s conversations following storytelling performances in secondary schools in the UK, the author considers the benefits of stories and storytelling for learning and the subsequent emotional, behavioural and social connections to story and other genres of narrative. Storytelling has both global and transnational relevance in education, as it allows individuals to compare their experiences to others: young people learn through discussion that their opinions matter, that they are both similar to and different from their peers. This in turn can facilitate the development of critical thinking skills as well as encouraging social learning, co-operation and cohesion. Drawing upon folklore and literary studies as well as sociology, philosophy, youth studies and theatre, this volume explores how storytelling can shape the lives of young people through storytelling projects. This reflective and creative volume will appeal to students and scholars of storytelling, youth studies and folklore.

Young People, New Theatre: A Practical Guide to an Intercultural Process

Young People, New Theatre is a ‘how-to’ book; exploring and explaining the process of collaborating creatively with groups of young people across cultural divides. Organized into exercises, case studies and specific topics, this book plots a route for those wishing to put this kind of theatre into practise. Born out of the hugely successful ‘Contacting the World’ festival, it is the first practical handbook in this field. Topics include: debating the shared world What is collaboration? different ways of working adapting to specific age groups and abilities post-project evaluations.

Young People, New Theatre: A Practical Guide to an Intercultural Process

Young People, New Theatre is a ‘how-to’ book; exploring and explaining the process of collaborating creatively with groups of young people across cultural divides. Organized into exercises, case studies and specific topics, this book plots a route for those wishing to put this kind of theatre into practise. Born out of the hugely successful ‘Contacting the World’ festival, it is the first practical handbook in this field. Topics include: debating the shared world What is collaboration? different ways of working adapting to specific age groups and abilities post-project evaluations.

The Young Pretender

"An engrossing, enthralling and utterly captivating read, The Young Pretender tells a simply remarkable story with bounce, energy, wit, and lively authenticity . . . Michael Arditti's brilliant imaginative achievement offers high comedy, dark tragedy and everything between" STEPHEN FRY"The Young Pretender is an absolute joy - charming and funny, with the lightest hint of melancholy, and a wonderfully imaginative recreation of the Georgian theatre scene" KATE SAUNDERS"I loved how Arditti conjures...the smell of the theatre and the ghosts of these bygone players that haunt the stage...and the wonderful period details. Arditti wears his research so lightly" LARUSHKA IVAN-ZADEH, reviewing on Radio 4's FRONT ROW *****Mobbed by the masses, lionised by the aristocracy, courted by royalty and lusted after by patrons of both sexes, the child actor William Henry West Betty was one of the most famous people in Georgian Britain.At the age of thirteen, he played leading roles, including Romeo, Macbeth and Richard III, in theatres across the country. Prime Minister William Pitt adjourned the House of Commons so that its members could attend his debut as Hamlet at Covent Garden. Then, as rivals turned on him and scandal engulfed him, he suffered a fall as merciless as his rise had been meteoric."Arditti's voice as Betty is impeccable. He is touchy, sometimes myopic, sincere in his ambitions. His attempts to reclaim lost glory are run through with an affecting melancholy" The TimesThe Young Pretender takes place during Betty's attempted comeback at the age of twenty-one. As he seeks to relaunch his career, he is forced to confront the painful truths behind his boyhood triumphs. Michael Arditti's revelatory new novel puts this long forgotten figure back in the limelight. In addition to its rich and poignant portrait of Betty himself, it offers an engrossing insight into both the theatre and society of the age. The nature of celebrity, the power of publicity and the cult of youth are laid bare in a story that is more pertinent now than ever."Entrancing and disturbing" ALLAN MASSIE, The Scotsman"Michael Arditti tells a story of a Regency child star with great panache and compassion, bringing a forgotten celebrity back to life for the modern age. A compelling read I was sad to finish." LINDA GRANT"Michael Arditti is a writer who takes risks. His material is always compelling and provocative, his techniques sophisticated and oblique" PATRICIA DUNCKER, Independent on Sunday "Arditti is a master storyteller" PETER STANFORD, Observer

Young Pretender (Oberon Modern Plays)

"We've been in revolution since I was born. I never had to die before"A young rebel. A brutal victory. A devastating defeat. Aged 25, the charismatic Bonnie Prince Charlie laid claim to the thrones of England, Scotland and Ireland in a series of stunning military victories. By the time he was 26, his dreams lay in ruins and he was fleeing for his life. Amidst the chaos of war, the Young Pretender is forced to decide how far he is willing to go for the cause The flawed prince is brought to life vividly in this unflinching look at the nature of rebellion.E. V. Crowe (Kin, Royal Court, 2010) brings the brilliant but flawed Prince to vivid life in this fast-paced new play, taking an irreverent look at Britain’s rebellious past against the backdrop of the world’s rebellious present. Watford Palace Creative Associate nabokov is an internationally acclaimed new writing company. Previous collaborations include Bunny (Fringe First winner), the critically acclaimed 2nd May 1997 and Is Everyone Ok?

Young Shakespeare’s Young Hamlet: Print, Piracy, and Performance (History of Text Technologies)

The different versions of Hamlet constitute one of the most vexing puzzles in Shakespeare studies. In this groundbreaking work, Shakespeare scholar Terri Bourus argues that this puzzle can only be solved by drawing on multiple kinds of evidence and analysis, including book and theatre history, biography, performance studies, and close readings.

Young Vic Taking Part Collection 1: Three Plays by Luke Barnes: Men in Blue, Fable, The Jumper Factory (Oberon Modern Plays)

A collection of three plays for the Young Vic's participation programme Taking Part, written by award-winning playwright Luke Barnes. 'This is a collection of plays written with and for people who wouldn’t identify themselves as theatre-makers. The gesture of these plays is to give platform to people who aren’t heard in the hope that anyone who sees, reads, or does these plays will either be shaped by the experiences of lives removed from their own or feel less alone in hearing stories of peoples like them. This is not a celebration of writing. This is a celebration of human resilience and the practice of using Theatre as amplifier for giving voice to those unable to speak.' - Luke Barnes Everyone has a story to tell… Listening to those stories told with all the deep power of the human heart, we all add hugely to our own experience of what it means to be living today... Nothing matters more. - David Lan, from his Introduction

Your Body Knows: A Movement Guide for Actors (PDF)

Your Body Knows provides the foundation actors need to move with ease and power. It is a practical guide to movement starting at the very beginning: knowing your body and experiencing how it works. Through the work of F.M. Alexander, Rudolf Laban, and Michael Chekhov, this book offers basic training in movement fundamentals. Its step-by-step process supports the actor's work in any acting or movement training program and as a working professional. The book focuses on three main areas of exploration: Body facts – Know your body and its design for movement. Let go of misinformed ideas about your body. Move more freely, avoid injury, and develop a strong body-mind connection. Movement facts – What is movement? Discover the movement fundamentals that can serve your art. Explore new ways of moving. Creative Inspiration – Connect your body, mind, and imagination to liberate authentic and expressive character movement. Your Body Knows: A Movement Guide for Actors is an excellent resource for acting students and their teachers, promoting a strong onstage presence and awakening unlimited potential for creative expression.