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A Thousand Stars Explode in the Sky (Modern Plays)

by David Eldridge Robert Holman Simon Stephens

On a farm in the North East of England a family gathers. Five brothers and four generations feature in an epic play about hope, love, fear and the very end of time.A Thousand Stars Explode in the Sky is a refreshingly subtle and compassionate vision of the world on the edge of apocalypse. Within a cosmological context, the focus is on a single family, their relations with each other and their unreconciled regrets, soon to become permanent. With an ensemble of strong, engaging characters, there are knotty, realistic family dynamics and a palimpsest of recent family history. The characters and dialogue are naturalistic but the serious themes are elucidated and alleviated with humour and quirky, surreal touches. The play represents a unique collboration between three of the UK's pre-eminent stage writers. The ambition of the partnership is matched by the ambition of the play's sweeping scope. Whilst the three voices collide, they also ring out individually without sacrificing the piece's coherent wholeness, and the play represents a rare, fascinating study in stage collaboration.

Three Acts of Love: The Start of Space; fangirl, or the justification of limerence; with the love of neither god nor state (Modern Plays)

by Laura Lindow Naomi Obeng Vici Wreford-Sinnott

Passion. Obsession. Acceptance. Betrayal. Three ground-breaking female playwrights have cooked up a feast, with a trio of short plays with music that explore love in all its glorious, sticky complexity. From the boozy warmth of the social club to the endless labyrinth of the internet, this is a show about the communities we form, the care that we show each other and the love that we hope never tears us apart.The Start of Space by Laura Lindow: A visiting expert lecturing on the secrets of the heart has a dark and unexpected truth of their own.fangirl, or the justification of limerence by Naomi Obeng: An obsessive fan poses as her musical idol online and becomes lost in a maze of love and revenge.with the love of neither god nor state by Vici Wreford-Sinnott: A young woman runs away from a world that doesn't understand her and finds shelter in a local social club. But will they have the heart to truly let her in?This edition was published to coincide with the world premiere at Newcastle's Live Theatre, in November 2023.

Three Acts of Love: The Start of Space; fangirl, or the justification of limerence; with the love of neither god nor state (Modern Plays)

by Laura Lindow Naomi Obeng Vici Wreford-Sinnott

Passion. Obsession. Acceptance. Betrayal. Three ground-breaking female playwrights have cooked up a feast, with a trio of short plays with music that explore love in all its glorious, sticky complexity. From the boozy warmth of the social club to the endless labyrinth of the internet, this is a show about the communities we form, the care that we show each other and the love that we hope never tears us apart.The Start of Space by Laura Lindow: A visiting expert lecturing on the secrets of the heart has a dark and unexpected truth of their own.fangirl, or the justification of limerence by Naomi Obeng: An obsessive fan poses as her musical idol online and becomes lost in a maze of love and revenge.with the love of neither god nor state by Vici Wreford-Sinnott: A young woman runs away from a world that doesn't understand her and finds shelter in a local social club. But will they have the heart to truly let her in?This edition was published to coincide with the world premiere at Newcastle's Live Theatre, in November 2023.

Three Comedies: Behind The Scenes In Eden, Rigamaroles, And The Other William

by G Racz

Three Comedies represents the first English-language collection of plays by Jaime Salom, one of Spain's most important contemporary dramatists. His forty-plus works encompass an impressive array of sub-genres, including domestic dramas, mysteries,

Three Days in May

by Ben Brown

Ben Brown's political thriller takes us behind the doors of Number Ten in May 1940 during three pivotal days in British History when, extraordinarily, giving in to Hitler was seriously considered.Having urgently assembled the British war cabinet, the new Prime Minister is confronted with an intense game of political chess as he tries to persuade peace treaty supporters, including Neville Chamberlain, that Britain must not concede. Divided on whether to negotiate terms through Mussolini or escalate the battle against fascism alone, one man has to make a monumental decision, which will shape the future of the free world.Three Days in May was presented by Bill Kenwright and first performed at Theatre Royal, Windsor, in August 2011.

Three Days in the Country: An Unfaithful Version

by Ivan Turgenev

A handsome new tutor brings reckless, romantic desire to an eccentric household. Over three days one summer the young and the old will learn lessons in love: first love and forbidden love, maternal love and platonic love, ridiculous love and last love. The love left unsaid and the love which must out.Ivan Turgenev's passionate, moving comedy, A Month in the Country, has been a source of inspiration for films, a ballet and the plays of Chekhov. Patrick Marber's Three Days in the Country premiered at the National Theatre, London, in June 2015 in association with Sonia Friedman Productions.

Three Elizabethan Domestic Tragedies: Arden of Faversham; a Yorkshire Tragedy; a Woman Killed with Kindness

by Keith Sturgess Thomas Heywood

Elizabethan domestic tragedies depicted the workings of Fortune in the lives of ordinary people, telling stories of sin, discovery, punishment and divine mercy, with their settings and characterization often enhanced by a highly entertaining blend of realism and sensationalism. Only some half-dozen survive to offset the dramas of kings and nobles in the tragedies of Shakespeare and his peers. They combined journalism and entertainment with a didactic concern, and their plots were often derived from contemporary events. Arden of Faversham (1592) and A Yorkshire Tragedy (1608) are both based on chronicles or pamphlets describing authentic murders, while A Woman Killed with Kindness (1603) by Thomas Heywood is a fictional creation, considered his masterpiece.

Three Farces and a Comedy (Oberon Modern Playwrights)

by Ben Travers

Contains the plays Rookery Nook, Thark, Plunder and The Bed Before Yesterday. ‘Travers should be regarded as an important figure post-Pinero and pre-Orton, and certainly one of the most skilled of British farceurs’ Oxford Dictionary of National Biography ‘The single-track dirty mind, the double entendre, the treble think, the quadruple bluff: funny names, funny local yokels, domineering women, pretty girls and the ever-swinging bedroom door… Explosively funny’ Richard Usborne, The Times Literary Supplement

Three Kingdoms (Modern Plays)

by Simon Stephens

Three Kingdoms is a blackly entertaining and unsettling detective story cum parable about the devil in us all, international human trafficking and the changing state of Europe.As the severed human head of an Estonian woman is found in a river in Hammersmith, two British detectives set off in search of her origins in Europe and how she came to be found dead. Accompanied by a mephistophelian German detective acting as their guide, they gradually sink deeper and deeper into the world of prostitution and international human trafficking. Fighting to cross international borders and language barriers, they enter a nightmarish world that will change one of them forever. Three Kingdoms tells the stories of trafficked women, the gangs and the police forces across Europe that attempt to control them.This dark new thriller by Simon Stephens, set across three countries, explores an international business where the goods are not products, but people. Questioning and undermining not just tenets about the nature of Europe with its old and new borders, Three Kingdoms also explodes moral certainties. With good and evil presented not as polarised forces but as disturbingly shifting, overlapping and contradictory, the play provocatively unbalances convictions of truth, ethical codes, violence and justice. This edition also includes a preface with contributions from playwright Simon Stephens, German director Sebastian Nuebling and Estonian dramaturg Eero Epner, discussing this uniquely collaborative and tri-lingual project.

Three Kingdoms: Three Kingdoms; The Trial Of Ubu; Morning; Carmen Disruption (Modern Plays)

by Simon Stephens

Three Kingdoms is a blackly entertaining and unsettling detective story cum parable about the devil in us all, international human trafficking and the changing state of Europe.As the severed human head of an Estonian woman is found in a river in Hammersmith, two British detectives set off in search of her origins in Europe and how she came to be found dead. Accompanied by a mephistophelian German detective acting as their guide, they gradually sink deeper and deeper into the world of prostitution and international human trafficking. Fighting to cross international borders and language barriers, they enter a nightmarish world that will change one of them forever. Three Kingdoms tells the stories of trafficked women, the gangs and the police forces across Europe that attempt to control them.This dark new thriller by Simon Stephens, set across three countries, explores an international business where the goods are not products, but people. Questioning and undermining not just tenets about the nature of Europe with its old and new borders, Three Kingdoms also explodes moral certainties. With good and evil presented not as polarised forces but as disturbingly shifting, overlapping and contradictory, the play provocatively unbalances convictions of truth, ethical codes, violence and justice. This edition also includes a preface with contributions from playwright Simon Stephens, German director Sebastian Nuebling and Estonian dramaturg Eero Epner, discussing this uniquely collaborative and tri-lingual project.

Three Late Medieval Morality Plays: A New Mermaids Anthology (New Mermaids)

by G. A. Lester

"Take example, all ye that this do hear or see..." The Morality Play was popular in England between 1400 and 1600. It offers moral instruction and spiritual teaching with personal abstractions representing good and evil. Surviving plays from that period number about sixty and the three in this edition were among the first ten. Mankind is a plain, honest farming man who struggles against worldly and spiritual temptation. The bawdy humour and violent action in the play serve to make the moral point and instruct by example. Everyman portrays a man's struggles in the face of death to raise himself to a state of grace so that he may experience everlasting life. It is exceptional among the Moralities for this narrow focus on the last phase of life, and conveys its message with awe-inspiring seriousness. Mundus et Infans is more typical of the Morality genre. It shows an arrogant, bullying protagonist led astray by a single evildoer into a life of debauchery, before the inevitable conversion to virtue. In showing the whole of man's life it is the antithesis of Everyman, the action of which seems to take place in a single day.

Three Late Medieval Morality Plays: A New Mermaids Anthology (New Mermaids)

by G. A. Lester

"Take example, all ye that this do hear or see..." The Morality Play was popular in England between 1400 and 1600. It offers moral instruction and spiritual teaching with personal abstractions representing good and evil. Surviving plays from that period number about sixty and the three in this edition were among the first ten. Mankind is a plain, honest farming man who struggles against worldly and spiritual temptation. The bawdy humour and violent action in the play serve to make the moral point and instruct by example. Everyman portrays a man's struggles in the face of death to raise himself to a state of grace so that he may experience everlasting life. It is exceptional among the Moralities for this narrow focus on the last phase of life, and conveys its message with awe-inspiring seriousness. Mundus et Infans is more typical of the Morality genre. It shows an arrogant, bullying protagonist led astray by a single evildoer into a life of debauchery, before the inevitable conversion to virtue. In showing the whole of man's life it is the antithesis of Everyman, the action of which seems to take place in a single day.

Three Lives Of Lucie Cabrol (Modern Plays)

by Complicite John Berger

Winer of a 1994 Time Out Theatre Award and TMA/Martini Award for Best UK Touring ProductionLucie Cabrol is a wild, tiny woman born into a peasant family in France in 1900. Abandoned by her lover, Jean, and banished by her family, she becomes an outcast. She survives her second life by smuggling goods across the border. But it is not until her thrid life, her afterlife, that she discovers the survival of something more than bare human existence - the survival of hope and love."In Simon McBurney's exhilarating production the story becomes an unsentimental evocation of peasant life, a hymn to the tenacity of love and a Brechtian fable about the world's unfairness...Complicite's brilliant technique is used to express Berger's ideas...Complicite have matured into greatness." (Michael Billington, Guardian)

Three Lives Of Lucie Cabrol (Modern Plays)

by Complicite John Berger

Winer of a 1994 Time Out Theatre Award and TMA/Martini Award for Best UK Touring ProductionLucie Cabrol is a wild, tiny woman born into a peasant family in France in 1900. Abandoned by her lover, Jean, and banished by her family, she becomes an outcast. She survives her second life by smuggling goods across the border. But it is not until her thrid life, her afterlife, that she discovers the survival of something more than bare human existence - the survival of hope and love."In Simon McBurney's exhilarating production the story becomes an unsentimental evocation of peasant life, a hymn to the tenacity of love and a Brechtian fable about the world's unfairness...Complicite's brilliant technique is used to express Berger's ideas...Complicite have matured into greatness." (Michael Billington, Guardian)

Three Major Plays: Three Major Plays (Oberon Modern Playwrights)

by Henrik Ibsen David Rudkin

The three plays in this volume are representative of Ibsen's extraordinary achievement as a playwright. The first is perhaps his best known work, the great dramatic poem Peer Gynt, presented here in the acclaimed translation used by the Royal Shakespeare Company for its 1982 production. With this are Romersholm, in which Ibsen unmasks the moral evasions which prevent us from being truly free, and When We Dead Waken, in which a figure from the past rises to haunt an ageing artist. These distinctive translations are accompanied by an introductory foreword and are followed by notes on pronunciations and other details and aspects of Ibsen's original texts

Three Men in a Boat (Oberon Modern Plays)

by Jerome K. Jerome Clive Francis

In an attempt to escape the stresses of city life three friends, J, Harris and George, plus their faithful canine companion Montmorency, decide to take a boating jaunt between Kingston and Oxford. However a trip intended to relax and rejuvenate quickly becomes a journey of unquenchable comedy, with deathdefying battles with swans, culinary disasters and contrary tea kettles just a few of the challenges facing the trio along the way.

The Three Musketeers (PDF)

by Ken Ludwig

Acclaimed Broadway playwright Ken Ludwig's humorous adaptation of this classic tale. First performed by the Bristol Old Vic in 2006.

Three Plays

by Euripides

One of the greatest playwrights of Ancient Greece, the works of Euripides (484-406 BC) were revolutionary in their depiction of tragic events caused by flawed humanity, and in their use of the gods as symbols of human nature. The three plays in this collection show his abilities as the sceptical questioner of his age. Alcestis, an early drama, tells the tale of a queen who offers her own life in exchange for that of her husband; cast as a tragedy, it contains passages of satire and comedy. The tragicomedy Iphigenia in Tauris melodramatically reunites the ill-fated children of Agamemnon, while the pure tragedy of Hippolytus shows the fatal impact of Phaedra's unreasoning passion for her chaste stepson. All three plays explore a deep gulf that separates man from woman, and all depict a world dominated by amoral forces beyond human control.

Three Plays: The White Devil, The Duchess Of Malfi, The Devil's Law-case (English Library)

by John Webster David Gunby

The plays of Jacobean dramatist John Webster are masterpieces of early seventeenth-century English theatre. ‘The White Devil’ depicts a dark, sinister world of duplicity, intrigue and murderous infidelity, while ‘The Duchess of Malfi’ tells the macabre story of a woman who marries beneath herself and sets in motion a terrible cycle of violence. Unlike these revenge tragedies, ‘The Devil’s Law-Case’ asserts social order in a plot filled with twists of fate. Written at a time when the court of King James was rife with instability and corruption, Webster’s disturbing plays reflect this abuse of power and are known for their horrific vision of humanity – yet they are also some of the most rich, sophisticated dramas ever composed.

Three Plays After: The Yalta Game; The Bear; Afterplay (Faber Plays Ser.)

by Brian Friel

Three exquisite masterpieces from Brian Friel, based on works by Chekhov: The Bear: A Vaudeville; Afterplay (where Sonya from Uncle Vanya and Andrey from Three Sisters meet), and The Yalta Game (from a theme in Chekhov's 1899 story, 'The Lady with the Lapdog'). The Yalta Game: from a theme in Chekhov's 1899 story 'The Lady with the Lapdog'Two strangers meet on holiday and almost manage to convince one another that disappointments are 'merely the postponement of the complete happiness to come...'The Bear: A VaudevilleElena Popova, a young and attractive widow, has immersed herself in the role of mourning for her philandering but now dead husband. Luka, her frail and ancient man-servant, tries in vain to snap her out of it. Then Smirnov barges in...Afterplay1920s Moscow, a small run-down café. Uncle Vanya's niece, Sonya Serebriakova, now in her forties, is the only customer. Until the arrival of the Three Sisters' put-upon brother Andrey Prozorov.Two Plays After (Afterplay and The Bear) premiered at the Gate Theatre, Dublin, in March 2002 and Afterplay transferred to the Gielgud Theatre, London, in September 2002.

Three Plays by Mae West: Sex, The Drag and Pleasure Man

by Lillian Schlisse

Mae West, wise-cracking vaudeville performer, was one of the most controversial figures of her era. Rarely, however, do people think of Mae West as a writer. In Three Plays By Mae West, Lillian Schlissel brings this underexplored part of West's career to the fore by offering for the first time in book form, three of the plays West wrote in the 1920s--Sex (1926), The Drag (1927) and Pleasure Man (1928). With an insightful introduction by Schlissel, this book offers a unique look into to the life and early career of this legendary stage and screen actress.

Three Plays by Mae West: Sex, The Drag and Pleasure Man

by Lillian Schlissel

Mae West, wise-cracking vaudeville performer, was one of the most controversial figures of her era. Rarely, however, do people think of Mae West as a writer. In Three Plays By Mae West, Lillian Schlissel brings this underexplored part of West's career to the fore by offering for the first time in book form, three of the plays West wrote in the 1920s--Sex (1926), The Drag (1927) and Pleasure Man (1928). With an insightful introduction by Schlissel, this book offers a unique look into to the life and early career of this legendary stage and screen actress.

Three Plays by Squint & How They Were Made: Long Story Short, Molly, The Incredible True Story of the Johnstown Flood

by Squint Theatre

Are you a theatre-maker looking for devising tools? A writer wanting to improve your dialogue? A director trying to create a story through improvisation? Three Plays by Squint & How They Were Made brings three of the company's plays together with the methods used to create them, in a practical, user-friendly toolkit. Three of Squint's plays - created by Lee Anderson, Adam Foster and Andrew Whyment - are published here for the first time. At the heart of each, a character is struggling to process their personal trauma under the intense glare of the public eye. Long Story Short (2014) dissects journalism in the digital age, Molly (2015) takes a reality television-style journey into the mind of a sociopath, and The Incredible True Story of the Johnstown Flood (2021) embarks on a transatlantic exploration of class, exploitation and appropriation.Developed over ten years through Squint's education programme, the exercises in this book distil the company's collaborative practice into over 25 tools for writing and devising. The Squint Toolkit covers the entire theatre-making process, from carrying out research and improvising story to writing subtext, devising from music and making cuts.

Three Plays by Squint & How They Were Made: Long Story Short, Molly, The Incredible True Story of the Johnstown Flood

by Squint Theatre

Are you a theatre-maker looking for devising tools? A writer wanting to improve your dialogue? A director trying to create a story through improvisation? Three Plays by Squint & How They Were Made brings three of the company's plays together with the methods used to create them, in a practical, user-friendly toolkit. Three of Squint's plays - created by Lee Anderson, Adam Foster and Andrew Whyment - are published here for the first time. At the heart of each, a character is struggling to process their personal trauma under the intense glare of the public eye. Long Story Short (2014) dissects journalism in the digital age, Molly (2015) takes a reality television-style journey into the mind of a sociopath, and The Incredible True Story of the Johnstown Flood (2021) embarks on a transatlantic exploration of class, exploitation and appropriation.Developed over ten years through Squint's education programme, the exercises in this book distil the company's collaborative practice into over 25 tools for writing and devising. The Squint Toolkit covers the entire theatre-making process, from carrying out research and improvising story to writing subtext, devising from music and making cuts.

Three Plays for Puritans: The Devil's Disciple, Caesar And Cleopatra, And Captain Brassbound's Conversion...

by George Bernard Shaw Michael Billington

Shaw believed that theatre audiences of the 1890s deserved more than the hollow spectacle and sham he saw displayed on the London stage. But he also recognized that people wanted to be entertained while educated, and to see purpose mixed with pleasure. In these three plays of ideas, Shaw employed traditional dramatic forms - Victorian melodrama, the history play and the adventure story - to turn received wisdom upside down. Set during the American War of Independence, The Devil's Disciple exposes fake Puritanism and piety, while Caesar and Cleopatra, a cheeky riposte to Shakespeare, redefines heroism in the character of the ageing Roman leader. And in Captain Brassbound's Conversion, an expedition in Morocco is saved from disaster by a lady explorer's skilful manipulation of the truth.

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