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Three Lives Of Lucie Cabrol (Modern Plays)
by Complicite John BergerWiner of a 1994 Time Out Theatre Award and TMA/Martini Award for Best UK Touring ProductionLucie Cabrol is a wild, tiny woman born into a peasant family in France in 1900. Abandoned by her lover, Jean, and banished by her family, she becomes an outcast. She survives her second life by smuggling goods across the border. But it is not until her thrid life, her afterlife, that she discovers the survival of something more than bare human existence - the survival of hope and love."In Simon McBurney's exhilarating production the story becomes an unsentimental evocation of peasant life, a hymn to the tenacity of love and a Brechtian fable about the world's unfairness...Complicite's brilliant technique is used to express Berger's ideas...Complicite have matured into greatness." (Michael Billington, Guardian)
Three Lives Of Lucie Cabrol (Modern Plays)
by Complicite John BergerWiner of a 1994 Time Out Theatre Award and TMA/Martini Award for Best UK Touring ProductionLucie Cabrol is a wild, tiny woman born into a peasant family in France in 1900. Abandoned by her lover, Jean, and banished by her family, she becomes an outcast. She survives her second life by smuggling goods across the border. But it is not until her thrid life, her afterlife, that she discovers the survival of something more than bare human existence - the survival of hope and love."In Simon McBurney's exhilarating production the story becomes an unsentimental evocation of peasant life, a hymn to the tenacity of love and a Brechtian fable about the world's unfairness...Complicite's brilliant technique is used to express Berger's ideas...Complicite have matured into greatness." (Michael Billington, Guardian)
Three Major Plays: Three Major Plays (Oberon Modern Playwrights)
by Henrik Ibsen David RudkinThe three plays in this volume are representative of Ibsen's extraordinary achievement as a playwright. The first is perhaps his best known work, the great dramatic poem Peer Gynt, presented here in the acclaimed translation used by the Royal Shakespeare Company for its 1982 production. With this are Romersholm, in which Ibsen unmasks the moral evasions which prevent us from being truly free, and When We Dead Waken, in which a figure from the past rises to haunt an ageing artist. These distinctive translations are accompanied by an introductory foreword and are followed by notes on pronunciations and other details and aspects of Ibsen's original texts
Three Men in a Boat (Oberon Modern Plays)
by Jerome K. Jerome Clive FrancisIn an attempt to escape the stresses of city life three friends, J, Harris and George, plus their faithful canine companion Montmorency, decide to take a boating jaunt between Kingston and Oxford. However a trip intended to relax and rejuvenate quickly becomes a journey of unquenchable comedy, with deathdefying battles with swans, culinary disasters and contrary tea kettles just a few of the challenges facing the trio along the way.
The Three Musketeers (PDF)
by Ken LudwigAcclaimed Broadway playwright Ken Ludwig's humorous adaptation of this classic tale. First performed by the Bristol Old Vic in 2006.
Three Plays
by EuripidesOne of the greatest playwrights of Ancient Greece, the works of Euripides (484-406 BC) were revolutionary in their depiction of tragic events caused by flawed humanity, and in their use of the gods as symbols of human nature. The three plays in this collection show his abilities as the sceptical questioner of his age. Alcestis, an early drama, tells the tale of a queen who offers her own life in exchange for that of her husband; cast as a tragedy, it contains passages of satire and comedy. The tragicomedy Iphigenia in Tauris melodramatically reunites the ill-fated children of Agamemnon, while the pure tragedy of Hippolytus shows the fatal impact of Phaedra's unreasoning passion for her chaste stepson. All three plays explore a deep gulf that separates man from woman, and all depict a world dominated by amoral forces beyond human control.
Three Plays: The White Devil, The Duchess Of Malfi, The Devil's Law-case (English Library)
by John Webster David GunbyThe plays of Jacobean dramatist John Webster are masterpieces of early seventeenth-century English theatre. ‘The White Devil’ depicts a dark, sinister world of duplicity, intrigue and murderous infidelity, while ‘The Duchess of Malfi’ tells the macabre story of a woman who marries beneath herself and sets in motion a terrible cycle of violence. Unlike these revenge tragedies, ‘The Devil’s Law-Case’ asserts social order in a plot filled with twists of fate. Written at a time when the court of King James was rife with instability and corruption, Webster’s disturbing plays reflect this abuse of power and are known for their horrific vision of humanity – yet they are also some of the most rich, sophisticated dramas ever composed.
Three Plays After: The Yalta Game; The Bear; Afterplay (Faber Plays Ser.)
by Brian FrielThree exquisite masterpieces from Brian Friel, based on works by Chekhov: The Bear: A Vaudeville; Afterplay (where Sonya from Uncle Vanya and Andrey from Three Sisters meet), and The Yalta Game (from a theme in Chekhov's 1899 story, 'The Lady with the Lapdog'). The Yalta Game: from a theme in Chekhov's 1899 story 'The Lady with the Lapdog'Two strangers meet on holiday and almost manage to convince one another that disappointments are 'merely the postponement of the complete happiness to come...'The Bear: A VaudevilleElena Popova, a young and attractive widow, has immersed herself in the role of mourning for her philandering but now dead husband. Luka, her frail and ancient man-servant, tries in vain to snap her out of it. Then Smirnov barges in...Afterplay1920s Moscow, a small run-down café. Uncle Vanya's niece, Sonya Serebriakova, now in her forties, is the only customer. Until the arrival of the Three Sisters' put-upon brother Andrey Prozorov.Two Plays After (Afterplay and The Bear) premiered at the Gate Theatre, Dublin, in March 2002 and Afterplay transferred to the Gielgud Theatre, London, in September 2002.
Three Plays by Mae West: Sex, The Drag and Pleasure Man
by Lillian SchlisseMae West, wise-cracking vaudeville performer, was one of the most controversial figures of her era. Rarely, however, do people think of Mae West as a writer. In Three Plays By Mae West, Lillian Schlissel brings this underexplored part of West's career to the fore by offering for the first time in book form, three of the plays West wrote in the 1920s--Sex (1926), The Drag (1927) and Pleasure Man (1928). With an insightful introduction by Schlissel, this book offers a unique look into to the life and early career of this legendary stage and screen actress.
Three Plays by Mae West: Sex, The Drag and Pleasure Man
by Lillian SchlisselMae West, wise-cracking vaudeville performer, was one of the most controversial figures of her era. Rarely, however, do people think of Mae West as a writer. In Three Plays By Mae West, Lillian Schlissel brings this underexplored part of West's career to the fore by offering for the first time in book form, three of the plays West wrote in the 1920s--Sex (1926), The Drag (1927) and Pleasure Man (1928). With an insightful introduction by Schlissel, this book offers a unique look into to the life and early career of this legendary stage and screen actress.
Three Plays by Squint & How They Were Made: Long Story Short, Molly, The Incredible True Story of the Johnstown Flood
by Squint TheatreAre you a theatre-maker looking for devising tools? A writer wanting to improve your dialogue? A director trying to create a story through improvisation? Three Plays by Squint & How They Were Made brings three of the company's plays together with the methods used to create them, in a practical, user-friendly toolkit. Three of Squint's plays - created by Lee Anderson, Adam Foster and Andrew Whyment - are published here for the first time. At the heart of each, a character is struggling to process their personal trauma under the intense glare of the public eye. Long Story Short (2014) dissects journalism in the digital age, Molly (2015) takes a reality television-style journey into the mind of a sociopath, and The Incredible True Story of the Johnstown Flood (2021) embarks on a transatlantic exploration of class, exploitation and appropriation.Developed over ten years through Squint's education programme, the exercises in this book distil the company's collaborative practice into over 25 tools for writing and devising. The Squint Toolkit covers the entire theatre-making process, from carrying out research and improvising story to writing subtext, devising from music and making cuts.
Three Plays by Squint & How They Were Made: Long Story Short, Molly, The Incredible True Story of the Johnstown Flood
by Squint TheatreAre you a theatre-maker looking for devising tools? A writer wanting to improve your dialogue? A director trying to create a story through improvisation? Three Plays by Squint & How They Were Made brings three of the company's plays together with the methods used to create them, in a practical, user-friendly toolkit. Three of Squint's plays - created by Lee Anderson, Adam Foster and Andrew Whyment - are published here for the first time. At the heart of each, a character is struggling to process their personal trauma under the intense glare of the public eye. Long Story Short (2014) dissects journalism in the digital age, Molly (2015) takes a reality television-style journey into the mind of a sociopath, and The Incredible True Story of the Johnstown Flood (2021) embarks on a transatlantic exploration of class, exploitation and appropriation.Developed over ten years through Squint's education programme, the exercises in this book distil the company's collaborative practice into over 25 tools for writing and devising. The Squint Toolkit covers the entire theatre-making process, from carrying out research and improvising story to writing subtext, devising from music and making cuts.
Three Plays for Puritans: The Devil's Disciple, Caesar And Cleopatra, And Captain Brassbound's Conversion...
by George Bernard Shaw Michael BillingtonShaw believed that theatre audiences of the 1890s deserved more than the hollow spectacle and sham he saw displayed on the London stage. But he also recognized that people wanted to be entertained while educated, and to see purpose mixed with pleasure. In these three plays of ideas, Shaw employed traditional dramatic forms - Victorian melodrama, the history play and the adventure story - to turn received wisdom upside down. Set during the American War of Independence, The Devil's Disciple exposes fake Puritanism and piety, while Caesar and Cleopatra, a cheeky riposte to Shakespeare, redefines heroism in the character of the ageing Roman leader. And in Captain Brassbound's Conversion, an expedition in Morocco is saved from disaster by a lady explorer's skilful manipulation of the truth.
Three Plays for Young Performers: On The Threshing Floor; The Grandfathers; Flood (Plays for Young People)
by Rory MullarkeyThis collection of three plays for young performers from multi-award-winning playwright Rory Mullarkey offers astutely relevant and powerfully theatrical pieces of drama. Each offering large and flexible casts for non-gender specific performers, they are perfect for performances and study by young performers aged 13-23. Presented in the style of eloquent contemporary verse, Flood explores the consequences of global warming and salvaging hope in the midst of despair. The play was originally commissioned by National Youth Theatre and was performed at Hong Kong Youth Arts Foundation in 2018. The Grandfathers explores the personal experience of warfare and what it takes to train to fight for your country. The play was first performed as part of National Theatre Connections, 2012, before being revived at Bristol Old Vic and the National Theatre's Shed. Through a collection of vignettes, On The Threshing Floor captures the speed, strangeness and confusion of living through pivotal moments of history. The play premiered at Hampstead Theatre and uses a large ensemble cast exploring themes of work, government and society. Popular with drama schools, youth groups and young people, this collection provides an excellent resource for those looking for large-scale and flexible plays to produce, perform and study.
Three Plays for Young Performers: On The Threshing Floor; The Grandfathers; Flood (Plays for Young People)
by Rory MullarkeyThis collection of three plays for young performers from multi-award-winning playwright Rory Mullarkey offers astutely relevant and powerfully theatrical pieces of drama. Each offering large and flexible casts for non-gender specific performers, they are perfect for performances and study by young performers aged 13-23. Presented in the style of eloquent contemporary verse, Flood explores the consequences of global warming and salvaging hope in the midst of despair. The play was originally commissioned by National Youth Theatre and was performed at Hong Kong Youth Arts Foundation in 2018. The Grandfathers explores the personal experience of warfare and what it takes to train to fight for your country. The play was first performed as part of National Theatre Connections, 2012, before being revived at Bristol Old Vic and the National Theatre's Shed. Through a collection of vignettes, On The Threshing Floor captures the speed, strangeness and confusion of living through pivotal moments of history. The play premiered at Hampstead Theatre and uses a large ensemble cast exploring themes of work, government and society. Popular with drama schools, youth groups and young people, this collection provides an excellent resource for those looking for large-scale and flexible plays to produce, perform and study.
Three Plays of Racine: Phaedra, Andromache, and Britannicus
by Jean Baptiste Racine"George Dillon has elected for speed and clarity; his speed, of which short quotations can impart no notion, is his equivalent for Racine's impetuous dexterity with the French Alexandrine. . . . Momentum, in such a version, is everything. It stands as a homage to Racine's strength of construction . . . and to the expressive power of his themes, on which Mr. Dillon's prefaces have eloquent and sensible things to say."—Hugh Kenner, National Review "His literal and flexible blank verse actually forms the nearest thing in English to the longer-measured rhymed couplets of Racine; even an ordinary reading aloud of so faithful a rendering provides something of the experience that Proust described."—Elliott Coleman, Poetry "A superb introduction . . . flawless translations, infused with poetic fire and charm."—Margaret Carpenter, Norfolk Virginian-Pilot
Three Restoration Comedies
by George Etherege William Congreve William WycherleyAfter the restoration of King Charles II to the British throne in 1660, dramatists experienced new freedom in an age that broke from the strict morality of puritan rule and in which elegance and wit became the chief virtues. Irreverent, licentious and cynical, the three plays collected here hold up a mirror to this dazzling era and satirize the gulf between appearances and reality. In Etherege's The Man of Mode (1676), the womanizing Dorimant meets his match when he falls in love with the unpretentious Harriet, while Wycherley's The Country Wife (c. 1675) depicts the rakish Horner who fakes impotence to fool trusting husbands into giving him easy access to their wives. And in Congreve's Love for Love (1695), the extravagant Valentine can only win his beloved Angelica if he loses his inheritance.
Three Revenge Tragedies
by Cyril Tourneur John Webster Thomas MiddletonFollowing the end of Queen Elizabeth's reign in the early seventeenth century, the new court of King James was beset by political instability and moral corruption. This atmosphere provided fertile ground for the dramatists of the age, whose plays explore the ways in which social decadence and the abuse of power breed resentment and lead inexorably to violence and bloody retribution. In Tourneur's The Revenger's Tragedy, the debauched son of an Italian Duke attempts to rape the virtuous Gloriana - a veiled reference to Elizabeth I. Webster's The White Devil depicts a sinister world of intrigue and murderous infidelity, while The Changeling, perhaps Middleton's supreme achievement, powerfully portrays a woman bringing about her own unwitting destruction. All three are masterpieces of brooding intensity, dominated by images of decay, disillusionment and death.
Three romances of Eastern conquest (Revels Plays Companion Library)
by Ladan NiayeshThis volume brings together three little-known works by key playwrights from the late sixteenth-century golden age of English drama. All three convey the public theatre’s fascination with travel and adventure through the popular genre of heroic romance, while reflecting the contemporaries’ wide range of responses to cross-cultural contacts with the Muslim East and the Mediterranean challenges posed by the Ottoman empire. The volume presents the first modern-spelling editions of the three plays, with extensive annotations catering for specialised scholars while also making the texts accessible to students and theatre-goers. A detailed introduction discusses issues of authorship, dates and sources, and sets the plays in their historical and cultural contexts, offering exciting insights on Elizabethan performance strategies, printing practices, and the circulation of knowledge and stereotypes related to ethnic and religious difference.
Three Sisters: A Drama In Four Acts... (Nhb Classic Plays Ser.)
by Anton ChekhovI don't know what it is I'm going to do but I'm going to do something. I'm going to be someone. I am! I'm sick of just being me. I'm going to be someone else. Someone better. I'm going to make a difference.Three sisters, Orla, Marianne and Erin, dream of escaping their tedious suburban lives for a fresh start in America. It is Erin's eighteenth birthday and, as the sun shines and guests assemble, everything for a fleeting moment feels possible. Relocated from a Russian provincial town in 1900 to East Belfast in the 1990s, Lucy Caldwell's new version of Chekhov's Three Sisters opened at the Lyric Theatre, Belfast in October 2016.
Three Sisters: A Drama In Four Acts (Hackett Classics)
by Anton Chekhov Benedict AndrewsIn a remote Russian town, Olga, Masha and Irina yearn for the adrenaline rush of life in Moscow – but their plans go nowhere. Disaster, deception, meaningless self-sacrifice – in Chekhov’s heartbreaking masterpiece, each new twist of fate sees the sisters’ control over their destiny slip away. In a new version of a well known Chekhov play, by this visionary young director Benedict Andrews, lauded in Berlin and Sydney (including for The Wars of the Roses with Cate Blanchett), returns to the Young Vic after his triumphant The Return of Ulysses in 2011. Renowned German designer Johannes Schütz makes his Young Vic debut.
Three Sisters (Oberon Modern Plays)
by Anton Chekhov Anya Reiss‘You won’t be here. Not in thirty years. You’ll have had a stroke, or I’ll have shot you. It’ll be one or the other.’ Three sisters. Three thousand miles from home. Overworked Olga, wild Masha and idealistic Irina dream of returning. Living in a world of deceit, desire and hard drinking it’s difficult but is there something else holding them back? Reinterpreted for the 21st century by Anya Reiss, this is a searing new version of Chekhov’s masterpiece. Press for The Seagull: ‘Fresh, colloquial, sexy and downright perceptive’ The Telegraph ‘in a year of remarkable Chekhov revivals, this Seagull flies with the best’ The Guardian ‘As emotionally honest and heartfelt a production as the author could have hoped’ The Times
Three Sisters (Oberon Modern Plays)
by Inua EllamsChekhov’s iconic characters are relocated to Nigeria in this bold new adaptation. Owerri, 1967, on the brink of the Biafran Civil War. Lolo, Nne Chukwu and Udo are grieving the loss of their father. Months before, two ruthless military coups plunged the country into chaos. Fuelled by foreign intervention, the conflict encroaches on their provincial village, and the sisters long to return to their former home in Lagos. Following his smash-hit Barber Shop Chronicles, Inua Ellams returns to the National Theatre with this heartbreaking retelling.
Three Sisters
by Tracy Letts Anton ChekovThe Prozorov sisters pine for Moscow. Culture and life brim in the city center, while they live among the mundane of a crumbling army garrison after their father's death. Though living with their brother Andrey, nothing keeps them back but their own misfortune, decisions, and the inertia of negativity that continues to follow this family.
Three Sisters (Oberon Modern Plays)
by RashDash‘He was philosophising his head off all night.’ How should I make the most of being alive in this moment? How should I try to enjoy life whilst also being a good person who makes space for a better future? What is love and where do I find it? Why do the men in this play have all the lines? Following their sell-out tour of the ‘exhilarating, furious, polyphonous, frustrating, unabashed’ smash-hit Two Man Show (***** The Stage, Time Out, The Independent), RashDash take on Chekhov. A dead, white man. A classic play. What are you expecting?