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An Algebra (Phoenix Poets)
by Don Bogenfrom Bagatelles Bagatelles, mere gestures in dry air, each pluck a dot, strokes marked on silence reaching into the dark. Beauty is strict, it passes: an echo, a wedge of harmony, sudden, broken—Who goes there? An Algebra is an interwoven collection of eight sequences and sixteen individual poems, where images and phrases recur in new contexts, connecting and suspending thoughts, emotions and insights. By turns, the poems leap from the public realm of urban decay and outsourcing to the intimacies of family life, from a street mime to a haunting dream, from elegy to lyric evocation. Wholeness and brokenness intertwine in the book; glimpsed patterns and startling disjunctions drive its explorations. An Algebra is a work of changing equivalents, a search for balance in a world of transformation and loss. It is a brilliantly constructed, moving book by a poet who has achieved a new level of imaginative expression and skill. Praise for After the Splendid Display “In his best work . . . conscience and craft fuse seamlessly, and the result is original and arresting."—The Nation
Alice in Wonderland and Through the Looking Glass: An Illustrated Classic (Macmillan Collector's Library)
by Lewis CarrollOn a glorious summer's afternoon, young Alice happens upon a smartly dressed rabbit looking at his watch and muttering 'I'm too late!' This being an unexpected occurrence, she follows him down a nearby rabbit hole and falls in Wonderland.Lewis Carroll's timeless children's stories Alice's Adventures in Wonderland and Through the Looking-Glass and What Alice Found There are magically brought to life in this new adaptation by Adrian Mitchell, specially commissioned for a Christmas production by the RSC. The amazing Lobster Quadrille, the Queen of Hearts' infamous croquet match and the Mad Hatter's Tea Party are just a few of the remarkable events and characters in this enchanting play.
Alice Walker: Her Blue Body Everything We Know: Earthling Poems 1965-1990
by Alice WalkerThe collected poems of the Pulitzer Prize winning author of THE COLOR PURPLE.'I am the womanoffering two flowerswhose roots are twin.Justice and HopeHope and JusticeLet us begin'Alice Walker has been writing poetry since the summer of 1965, when she travelled to East Africa and began the collection ONCE while sitting beneath a tree facing Mount Kenya.Encompassing the collections ONCE, REVOLUTIONARY PETUNIAS & OTHER POEMS, GOOD NIGHT WILLIE LEE I'LL SEE YOU IN THE MORNING, and HORSES MAKE A LANDSCAPE LOOK MORE BEAUTIFUL as well as other poems, this is a wonderful, surprising, entertaining collection that offers a historical perspective on the evolution of both the poetry itself and the political and spiritual inspiration behind it.
Aliens Love Underpants
by Claire Freedman Ben Cort"Aliens love underpants, in every shape and size, But there are no underpants in space, so here's a big surprise. . . . " This zany, hilarious tale is delightfully brought to life by Ben Cort's vibrant illustrations. With a madcap, rhyming text by award-winning Claire Freedman, this is sure to enchant and amuse the whole family! Perfect for joining in, this story is fantastically fresh and funny - you'll laugh your pants off!
All About Cats: Fantastically Funny Rhymes
by Frantz WittkampAll About Cats is a collection of hilarious rhymes . . . all about cats! These short, funny rhymes are brought to life with illustrations from Axel Scheffler, the bestselling illustrator of The Gruffalo. Cats are sleek, and cats are slick. They read, and do arithmetic!Have you ever seen a cat playing a piano? Or taking a bubble bath with a rubber duck? Find out what cats really get up to when people aren't around! Axel Scheffler's charming and witty illustrations introduce all kinds of cats – making mischief, playing games, singing songs and out on adventures. This collection of hilarious, quirky poems by Frantz Wittkamp is wonderfully adapted from German to English for the very first time by celebrated children's author David Henry Wilson.With fourteen delightfully funny short poems, and full-page colour illustrations by Axel Scheffler, the genius illustrator of Room on the Broom, Zog, The Smeds and the Smoos and many more, this collection is sure to entertain children young and old, and is the perfect gift for any cat fan.
All The Names Given
by Raymond AntrobusFrom the Sunday Times Young Writer of the Year 2019Raymond Antrobus’s astonishing debut collection, The Perseverance, won both Rathbone Folio Prize and the Ted Hughes Award, amongst many other accolades; the poet’s much anticipated second collection, All The Names Given, continues his essential investigation into language, miscommunication, place, and memory. Beginning with poems meditating on the author’s surname – one which shouldn’t have survived into the modern era – Antrobus then examines the rich and fraught history carried within it. As he describes a childhood caught between intimacy and brutality, sound and silence, and conflicting racial and cultural identities, the poem becomes a space in which the poet can reckon with his own ancestry, and bear witness to the indelible violence of the legacy wrought by colonialism. The poems travel through space, shifting between England, South Africa, Jamaica, and the American South, and move fluently from family history, through the lust of adolescence, and finally into a vivid and complex array of marriage poems — with the poet older, wiser, and more accepting of love’s fragility.Throughout, All The Names Given is punctuated with [Caption Poems] partially inspired by Deaf sound artist Christine Sun Kim, which attempt to fill in the silences and transitions between the poems, as well as moments inside and outside of them. Direct, open, formally sophisticated, All The Names Given breaks new ground both in form and content: the result is a timely, humane and tender book from one of the most important young poets of his generation.
All of Us: The Collected Poems (Vintage Contemporaries Ser.)
by Raymond CarverRaymond Carver, who became a master-storyteller of his generation and was hailed in Europe as 'the American Chekhov', wrote of himself: "I began as a poet. My first publication was a poem. So I suppose on my tombstone I'd be very pleased if they put 'Poet and short-story writer - and occasional essayist', in that order." This complete edition allows readers to experience the range and overwhelming power of Carver's poetry for the first time. It brings together in the order of their American publication the poems of Fires (1985), Where Water Comes Together with Other Water (1986), Ultramarine (1988), A New Path to the Waterfall (1989) and No Heroics, Please (1991). For readers who know Carver's middle period only through his selected poems, In a Marine Light (1988), it includes the windfall of 51 poems not previously published in Britain. All of Us is edited by Professor William L. Stull of the University of Hartford, and introduced with an essay on Raymond Carver's methods of composition by his widow, the poet Tess Gallagher.
All One Breath
by John BurnsideShortlisted for the 2014 T.S. Eliot Prize and the Forward Prize for Best Collection‘There are lines in All One Breath for instance, that brand themselves into your brain with the fire of painful recognition. And yet it is also part of his genius to be ever alert to beauty, too.’ - Sebastian Barry, a New Statesman Book of the YearIn this absorbing, brilliant new collection – his first since Black Cat Bone – John Burnside examines our shared experience of this mortal world: how we are ‘all one breath’ and – with that breath – how we must strive towards the harmony of choir. Recognising that our attitudes to other creatures – human and non-human – cause too much damage and hurt, that ‘we’ve been going at this for years: / a steady delete / of anything that tells us what we are’, these poems celebrate the fleeting, charged moments where, through measured and gracious encounters with other lives, we find our true selves, and bring some brief, insubstantial goodness and beauty into being. He presents the world in a series of still lifes, in tableaux vivants and tableaux morts, in laboratory tests, anatomy lessons, in a Spiegelkabinett where the reflections in the mirrors, distorted as they seem, reveal buried truths. All the images are in some sense self-portraits: all are, in some way, elegies.One of the finest and most celebrated lyric poets at work today, John Burnside is a master of the moment – when the frames of our film seem to slow and stop and a life slips through the gap in between – and each poem here is a perfect, uncanny hymn to humanity, set down ‘to tell the lives of others’.
All Souls: Poems
by Saskia Hamilton'Celebrating the incredible moral clarity, beauty, fearlessness and power of the spirit of Saskia Hamilton - and of her poetry' Jorie Graham'Full of delicate and muscular truths and graced with rare intelligence, this posthumous volume offers the gifts of a uniquely sensitive mind' Publisher's Weekly (starred review)'To read Saskia Hamilton's opening poem in her forthcoming collection, All Souls, is to move through time in acts of seeing and of noting what is seen . . . For now, the day seems to say, Let the ordinary amaze, it's the grace we hold . . . Hamilton rests her sights on what can be apprehended from a bed, sofa, chair, or window, and named in the quotidian. These small recognitions ensure a life's weightiness, wariness, worthiness' Claudia RankineWho becomes familiar with mortalillness for very long. I was a stranger, &c.Not everyone appreciates it, noone finds being the third personbecoming, it's never accurate,and then one is headed for the past tense.Futurity that was once a lark, a gamble,a chance messenger, traffic and trade, under sail.The boy touches your arm in his sleepfor ballast. It's warm in the hold. Betweenship and sky, the bounds of sightalone, sphere so bounded.-from 'All Souls'In All Souls, Saskia Hamilton transforms compassion, fear, expectation, and memory into art of the highest order. Judgment is suspended as the poems and lyric fragments make an inventory of truths that carry us through night's reckoning with mortal hope into daylight. But even daylight - with its escapements and unbreakable numbers, 'restless, / irregular light and shadow, awakened' - can't appease the crisis of survival at the heart of this collection. Marked with a new openness and freedom - a new way of saying that is itself a study of what can and can't be said-the poems give way to Hamilton's mind, and her unerring descriptions of everyday life: 'the asphalt velvety in the rain.'The central suite of poems vibrates with a ghostly radioactive attentiveness, with care unbounded by time or space. Its impossible charge is to acknowledge and ease suffering with a gaze that both widens and narrows its aperture. Lightly told, told without sentimentality, the story is devastating. A mother prepares to take leave of a young son. Impossible departure. 'A disturbance within the order of moments.' One that can't be stopped, though in these poems language does arrest and in some essential ways fix time.Tenderness, courage, refusal, and acceptance infuse this work, illuminating what Elizabeth Hardwick called 'the universal unsealed wound of existence.'
All That Divides Us: Poems (Swenson Poetry Award #3)
by Elinor BenedictAlthough the poems in this collection are not narrative, they do present a narrative, gradually unspooling the tale of the poet's rebel aunt, who left the family "to marry a Chinaman" in the 1930s. It's an old story, full of poignancy, mystery, family pride, and doubt. When the aunt returns to die, the poet, now grown, discovers in herself the need to reclaim the connections that her family had severed. She travels to China several times—to learn. Gradually, through wide-eyed insightful poems, we see the poet rebuild with her Chinese cousins a sense of generation, family, and humanity—bridging over all that divides us. Elinor Benedict has also received the Mademoiselle Fiction Prize, a Michigan Council for the Arts Award, and an Editor's Grant from the Coordinating Council of Literary Magazines (CLMP). She earned an M.F.A. in writing from Vermont College and her work has also appeared in various literary journals and in five chapbooks.
All the Best: The Selected Poems of Roger McGough
by Roger McGough Lydia MonksA wonderful selection of over 100 of Roger's own best-loved poems from his vast Puffin catalogue of poetry collections. Lots of favourites and some lesser known surprises, too. Packed with fabulous Lydia Monks illustrations throughout.
All the Flowers Kneeling
by Paul TranA NEW YORKER BOOK OF THE YEAR 'Gorgeous ... intense ... shimmering ... [an] unforgettable collection' Observer'Beautiful, sensuous and plural ... a vital and visceral collection. Breathtaking' Joelle Taylor, author of C+nto & Othered Poems'Brave ... this striking collection ... articulates the unspeakable from various angles ... often nightmarish and dark, there are moments of shimmering release ... an auspicious debut' Seán Hewitt, Irish Times'[A] powerful debut ... marshals narrative lyrics and stark beauty' The New York Times Book Review'Vivid ... searingly honest, beautifully told depictions of survival and self-love' Publishers Weekly'A testament to queer self-love ... a monument to [what] persists' them.us'A true masterwork ... an exquisitely crafted labyrinth of a book' Electric LiteratureThis is a book about survival.This is a book about love.Visceral and astonishing, Paul Tran's debut poetry collection, All the Flowers Kneeling, charts the rebuilding of a self in the wake of extremity. How, it asks, can we reimagine what we have been given in order to make something new: an identity, a family, a life, a dream?These rich, resonant poems of desire, freedom, control and rebirth reach back into the past - the tale of Scheherazade, US imperial violence, a shattering history of personal abuse - to show how it both scars and transforms. Innovative poetic forms mirror the nonlinear experiences of trauma survivors, while ambitious sequences probe our systems of knowledge-making and the power of storytelling as survival.At once virtuosic and vulnerable, confessional and profoundly defiant, All the Flowers Kneeling revels in rediscovering and reconfiguring the self, and ultimately becomes an essential testament to the human capacities for resilience, endurance and love.
All the Good Things You Deserve
by Elaine FeeneyHow do we love, trust and create in the aftermath of trauma? How do we name and speak that love?In this powerful new collection from acclaimed poet and novelist Elaine Feeney, images andmemory circle and recur, and the journey from pain towards a place of greater safety is far from linear. All the Good Things You Deserve juxtaposes violence, hurt and the tyranny of shame with love, beauty and the transformative possibilities of art.
All the Words Are Yours: Haiku On Love
by Tyler Knott GregsonI'll be your deep breath,I'll be your simple relief.I'll be home to you.Every day for the past six years, Tyler Knott Gregson has written a simple haiku about love and posted it online. These heartfelt poems have spoken to readers around the world, and won Tyler a large and loyal following. Now, in All the Words Are Yours - the follow-up to the US bestseller Chasers of the Light - this startlingly honest, vulnerable and moving new voice presents his favourites among those haiku. Some are previously unpublished; all are accompanied by his signature photographs, reproduced in gorgeous full colour. Together, they capture the textures of daily life and extraordinary love through the eyes of a man truly present in each moment.
All We Saw: Poems
by Anne MichaelsA mesmerising, luminously beautiful new poetry collection from Anne Michaels, internationally acclaimed poet and bestselling author of Fugitive PiecesIn this passionate, profound collection, Anne Michaels explores one of her essential concerns: 'what love makes us capable of, and incapable of'. Here is the paradox at the heart of loss, the ways in which passion must accept, must insist, that 'death ... give/not only take from us'. A sea in darkness, a woman's hair shining in light, rain falling... how quiet must a voice be in order to be heard? In this way, desire is evoked with intensity and precision. By the end, we are left with a renewed awareness of the mystery at the core of existence; we enter a space that is 'not inside, not outside: / dusk's doorway,' where love remains alive.
“All Will Be Swept Away”: Dimensions of Elegy in the Poetry of Paul Muldoon (Routledge Studies in Contemporary Literature)
by Wit PietrzakThe book offers the first comprehensive study of Paul Muldoon’s mourning verse. Considering not only the celebrated elegies like "Yarrow," "Incantata" or "Sillyhow Stride" but also the elegiac impulse as it develops throughout Muldoon’s entire work, All Will Be Swept Away charts a large swathe of Muldoon’s poetic landscape in order to show the complexity with which he approaches the themes of death and mourning. Using archival material as well as a vast array of theoretical apparatuses, the book unveils the psychological, literary and political undertones in his poetry, all the while attending to the operations of the poetic text: its form, its music and its capacity to console, warn and censure.
“All Will Be Swept Away”: Dimensions of Elegy in the Poetry of Paul Muldoon (Routledge Studies in Contemporary Literature)
by Wit PietrzakThe book offers the first comprehensive study of Paul Muldoon’s mourning verse. Considering not only the celebrated elegies like "Yarrow," "Incantata" or "Sillyhow Stride" but also the elegiac impulse as it develops throughout Muldoon’s entire work, All Will Be Swept Away charts a large swathe of Muldoon’s poetic landscape in order to show the complexity with which he approaches the themes of death and mourning. Using archival material as well as a vast array of theoretical apparatuses, the book unveils the psychological, literary and political undertones in his poetry, all the while attending to the operations of the poetic text: its form, its music and its capacity to console, warn and censure.
Allegory and Sexual Ethics in the High Middle Ages (The New Middle Ages)
by N. GuynnGuynn offers an innovative new approach to the ethical, cultural, and ideological analysis of medieval allegory. Working between poststructuralism and historical materialism, he considers both the playfulness of allegory and its disciplinary force.
Alliteration in Culture
by Jonathan RoperAlliteration occurs in a wide variety of contexts in stress-initial languages, including Icelandic, Finnish and Mongolian. It can be found in English from Beowulf to The Sun . Nevertheless, alliteration remains an unexamined phenomenon. This pioneering volume takes alliteration as its central focus across a variety of languages and domains.
The Allure of Grammar: The Glamour of Angie Estes's Poetry (Under Discussion)
by Douglas R RutledgeOf Angie Estes, the poet and critic Stephanie Burt has written that she “has created some of the most beautiful verbal objects in the world.” In The Allure of Grammar, Doug Rutledge gathers insightful responses to the full range of Estes’s work—from a review of her first chapbook to a reading of a poem appearing in her 2018 book, Parole—that approach these beautiful verbal objects with both intellectual rigor and genuine awe. In addition to presenting an overview of critical reactions to Estes’s oeuvre, reviews by Langdon Hammer, Julianne Buchsbaum, and Christopher Spaide also provide a helpful context for approaching a poet who claims to distrust narrative. Original essays consider the craft of Estes’s poetry and offer literary analysis. Ahren Warner uses line breaks to explore a postmodern analysis of Estes’s work. Mark Irwin looks at her poetic structure. Lee Upton employs a feminist perspective to explore Estes’s use of italics, and B. K. Fischer looks at the way she uses dance as a poetic image. Doug Rutledge considers her relationship to Dante and to the literary tradition through her use of ekphrasis. An interview with Estes herself, in which she speaks of a poem as an “arranged place . . . where experience happens,” adds her perspective to the mix, at turns resonating with and challenging her critics. The Allure of Grammar will be useful for teachers and students of creative writing interested in the craft of non-narrative poetry. Readers of contemporary poetry who already admire Estes will find this collection insightful, while those not yet familiar with her work will come away from these essays eager to seek out her books.
Almanac: Poems
by Austin SmithAlmanac is a collection of lyrical and narrative poems that celebrate, and mourn the passing of, the world of the small family farm. But while the poems are all involved in some way with the rural Midwest, particularly with the people and land of the northwestern Illinois dairy farm where Austin Smith was born and raised, they are anything but merely regional. As the poems reflect on farm life, they open out to speak about childhood and death, the loss of tradition, the destruction of the natural world, and the severing of connections between people and the land. This collection also reflects on a long poetic apprenticeship. Smith's father is a poet himself, and Almanac is in part a meditation about the responsibility of the poet, especially the young poet, when it falls to him to speak for what is vanishing. To quote another Illinois poet, Thomas James, Smith has attempted in this book to write poems "clear as the glass of wine / on [his] father's table every Christmas Eve." By turns exhilarating and disquieting, this is a remarkable debut from a distinctive new voice in American poetry.______ From Almanac:THE MUMMY IN THE FREEPORT ART MUSEUM Austin Smith ? Amongst the masterpieces of the small-town Picassos and Van Goghs and photographs of the rural poor and busts of dead Greeks or the molds of busts donated by the Art Institute of Chicago to this dying town's little museum, there was a mummy, a real mummy, laid out in a dim-lit room by himself. I used to go to the museum just to visit him, a pharaoh who, expecting an afterlife of beautiful virgins and infinite food and all the riches and jewels he'd enjoyed in earthly life, must have wondered how the hell he'd ended up in Freeport, Illinois. And I used to go alone into that room and stand beside his sarcophagus and say, "My friend, I've asked myself the same thing."
Almanac: Poems (PDF)
by Austin SmithAlmanac is a collection of lyrical and narrative poems that celebrate, and mourn the passing of, the world of the small family farm. But while the poems are all involved in some way with the rural Midwest, particularly with the people and land of the northwestern Illinois dairy farm where Austin Smith was born and raised, they are anything but merely regional. As the poems reflect on farm life, they open out to speak about childhood and death, the loss of tradition, the destruction of the natural world, and the severing of connections between people and the land. This collection also reflects on a long poetic apprenticeship. Smith's father is a poet himself, and Almanac is in part a meditation about the responsibility of the poet, especially the young poet, when it falls to him to speak for what is vanishing. To quote another Illinois poet, Thomas James, Smith has attempted in this book to write poems "clear as the glass of wine / on [his] father's table every Christmas Eve." By turns exhilarating and disquieting, this is a remarkable debut from a distinctive new voice in American poetry.______ From Almanac:THE MUMMY IN THE FREEPORT ART MUSEUM Austin Smith ? Amongst the masterpieces of the small-town Picassos and Van Goghs and photographs of the rural poor and busts of dead Greeks or the molds of busts donated by the Art Institute of Chicago to this dying town's little museum, there was a mummy, a real mummy, laid out in a dim-lit room by himself. I used to go to the museum just to visit him, a pharaoh who, expecting an afterlife of beautiful virgins and infinite food and all the riches and jewels he'd enjoyed in earthly life, must have wondered how the hell he'd ended up in Freeport, Illinois. And I used to go alone into that room and stand beside his sarcophagus and say, "My friend, I've asked myself the same thing."
Almost the Equinox: Selected Poems
by Sarah Maguire* A POETRY BOOK SOCIETY SPECIAL COMMENDATION *Sarah Maguire’s first collection, Spilt Milk, established her as one of the most original voices in British poetry, and led to her being chosen as one of the New Generation Poets. Three critically acclaimed volumes have since followed – The Invisible Mender, The Florist’s at Midnight and The Pomegranates of Kandahar – to form a lucid, lyrical and rich body of work remarkable for its intelligence and artistry.This welcome selection of Maguire’s poems spans time and continents – from the ‘bare flanks’ of the Thames at low tide to the night streets of Marrakech – bringing us the sights and sounds of distant lands, as well as taking us to the very heart of human feeling. Verdant in imagery and imagination, this is poetry of extraordinary precision and power – fully attuned to ‘that precious music, / the pitch of flesh / on flesh’.
Alone!
by Barry FallsThere once was a boy called Billy McGill who lived by himself at the top of a hill. He spent every day in his house all alone for Billy McGill liked to be on his own. But life doesn't always turn out how you plan it… This brilliant book is a laugh-out-loud tale of growing chaos, with a subtle message about how it's good to have friends.