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Tremor (Modern Plays)
by Brad BirchThis is the person I am now. It's the person I want to be, should have been for a long time. We got dark, Sophie. Things got dark, and I...I'm better now. I'm in a better place...Once our lives are touched by tragedy, can we ever truly move on? Sophie and Tom's relationship fell apart in the aftermath of a catastrophe. Four years on, as they come face to face once again, the aftershocks of that fateful day can still be felt.Tremor is a play about now. It's about how we choose to see things and live our lives in a world riven with tension, anxiety and division. This thrilling new play by Brad Birch, recipient of the Harold Pinter Commission, offers a taut, intense and thrilling two-hander.
Trelawny of the 'Wells': An Original Comedietta
by Arthur Wing PineroLondon, the 1860s. Rose Trelawny is the brightest young star at the Sadler's Wells Theatre. But she's prepared to give it all up for the love of her noble stage door suitor, Arthur Gower. Meanwhile, her colleague at the 'Wells', Tom Wrench, is writing a new kind of play for Rose to star in. And her friend, Imogen Parrott, hopes to take a theatre in which to produce it. Rose will be forced to choose between her two great loves. Set amongst theatrical folk and the non-theatricals they seek to please and provoke, Trelawny of the 'Wells', by Arthur Wing Pinero, premiered at the Royal Court Theatre, London, in January 1898. This version, with revisions and additions by Patrick Marber, premiered at the Donmar Warehouse, London, in February 2013.
The Treaty (Modern Plays)
by Colin MurphyIn October 1921, a delegation of the Dáil left by boat and train for London, where they were to negotiate with the British government for peace, unity and a republic. They came back with just one of those; and that peace didn't last long, as war with Britain was replaced by war with their own. Were the Irish outclassed or outgunned? Were they lied to? Did they lie to their own colleagues back in Dublin? Or did they achieve the best that could be achieved, an incremental step on the way to fuller sovereignty? The Treaty tells the story of what happened inside those negotiations, as Arthur Griffith, Michael Collins and colleagues faced off against one of the most formidable negotiating teams ever assembled, headed by David Lloyd George and with Winston Churchill often at his side. This edition is published to coincide with Fishamble's production in November 2021.
The Treaty (Modern Plays)
by Colin MurphyIn October 1921, a delegation of the Dáil left by boat and train for London, where they were to negotiate with the British government for peace, unity and a republic. They came back with just one of those; and that peace didn't last long, as war with Britain was replaced by war with their own. Were the Irish outclassed or outgunned? Were they lied to? Did they lie to their own colleagues back in Dublin? Or did they achieve the best that could be achieved, an incremental step on the way to fuller sovereignty? The Treaty tells the story of what happened inside those negotiations, as Arthur Griffith, Michael Collins and colleagues faced off against one of the most formidable negotiating teams ever assembled, headed by David Lloyd George and with Winston Churchill often at his side. This edition is published to coincide with Fishamble's production in November 2021.
Treats: Treats
by Christopher HamptonWhile her bullying and unfaithful boyfriend, Dave, is reporting in Iraq, Ann seizes the opportunity to change the locks and take up with her infinitely more considerate colleague Patrick. But Patrick proves no match against savagery and charisma when Dave comes crashing home, determined to win back his girl.First staged at the Royal Court Theatre, London, in 1976, this updated version demonstrates that, in love, our instinct for making the wrong decisions remains as sharp as ever. Treats was revived at the Garrick Theatre, London, in February 2007, following a tour to Windsor, Malvern, Bath and Richmond.
Treasure Island
by Bryony LaveryNot one of us must breathe a word of what we've found.It's a dark and stormy night. Jim, the inn-keeper's granddaughter, opens the door to a terrifying stranger. At the old sailor's feet sits a huge sea-chest, full of secrets. Jim invites him in - and her dangerous voyage begins.Treasure Island, Robert Louis Stevenson's classic story of murder, money and mutiny, premiered at the National Theatre, London, in December 2014, in a thrilling adaptation by Bryony Lavery.
Treasure Island (Oberon Modern Plays)
by Robert Louis Stevenson Phil WillmottThis is the first adaptation of Treasure Island with great parts for both male and female performers. Inspired by real-life female adventurers, Phil Willmott has changed the gender of several of the central characters without compromising the spirit of Stevenson's classic novel. First produced to great acclaim as part of London's Free Theatre Festival on the South Bank in 2005, this swashbuckling stage adaptation brings out all the comedy and adventure of this ever-popular story. The play can be simply staged, is suitable for performance by kids and adults and can be adapted to suit a large company or a small team playing several roles.
Treasure: A Drama In Four Acts (Oberon Modern Plays)
by Ludwig Lewisohn Colin Chambers David Pinski‘Oh, it’s a funny sensation, having money in your pocket, I can tell you… Money warms you. If you knew how warm and safe I feel. Like a new creature in a new skin.’ Tille is the poor gravedigger’s daughter, with nothing in the world except a head full of dreams. Things look set to stay that way, until the day her brother returns from the graveyard with a pile of gold coins, and Tille is faced with a choice. She can hand in the money and go back to a life of drudgery, or she can use it to turn the world upside down. As the village community disintegrates into chaos and descends on the cemetery in search of gold, Tille and her family must use all their wits to stay one step ahead of those who want their share of the treasure. A timeless fable that digs down into the depths of our folly and greed and, in the midst of the chaos, celebrates one woman’s ingenuity.
Travesties
by Tom Stoppard'Travesties is a superb comedy, a work of thought and imagination.' Stage and Television'It is a champagne cocktail, compounded of a balletic nimbleness of invention, a bewildering intricacy of design which reaches the sublime heights where mathematics merge with poetry, and the audacious juggling of ideas of a master conjuror.' Sunday Telegraph'A dazzling pyrotechnical feat that combines Wildean pastiche, political history, artistic debate, spoof reminiscence, and song-and-dance in marvellously judicious proportions. The text itself is a Joycean web of literary allusions; yet it also radiates sheer intellectual joie de vivre, as if Stoppard were delightedly communicating the fruits of his own researches.' Guardian
Travels with Tom Crean: Antarctic Explorer
by Aidan DooleyTWO MEN Tom Crean, the Kerryman, whose phenomenal feats of bravery in the unexplored Antarctic earned him a rare medal for valour, pinned on him by King George. Aidan Dooley, the Galway man, who rejected a job in the bank for a life on the stage. ONE STORY In this enthralling, funny and moving account, actor Aidan Dooley tells the story of his journey with Tom Crean. His one- man show about this unsung hero grew from an unknown play with an unknown actor into an award-winning hit that has been performed from Dublin to Dubai, and from Broadway to the Antarctic ice. This is a tale of fortitude and courage – on stage and in the savage beauty at the bottom of the world.
Travels with My Aunt: A Novel (The\collected Edition Ser. #Vol. 20)
by Graham Greene Giles HavergalStage version of the popular novel, first performed at the Citizens Theatre, Glasgow before two West End productions and one on Broadway, winning an Olivier award on the way.
Travelling Gestures - Elfriede Jelineks Theater der (Tragödien-)Durchquerung
by Silke FelberSeit Ein Sportstück (1998) beziehen sich Elfriede Jelineks Theatertexte mit unnachahmlicher Konsequenz auf die griechische Tragödie. Vor dem Hintergrund von Rechtspopulismus, MeToo und Klimakrise durchkreuzt die Autorin den Blick von Aischylos, Sophokles und Euripides und que(e)rt dadurch Kategorisierungen im Hinblick auf Gender, Klasse und Ethnizität. Silke Felber beschreibt Jelineks Theater der (Tragödien-)Durchquerung erstmals an der Schnittstelle von Theater-, Literatur- und Kulturwissenschaft. In Form einer materialreichen Studie bringt dieses Grundlagenwerk Gesten der Klage und der Wut zum Vorschein, die bis in die Antike und gleichzeitig in eine ungewisse Zukunft weisen.
Trauma-Tragedy: Symptoms of contemporary performance
by Patrick DugganTheatre and performance studies; trauma studies; cultural studies; sociology and social anthropology; philosophy; classics.
Trauma and Embodied Healing in Dramatherapy, Theatre and Performance
by J. F. JacquesThis edited volume explores the singularity of embodiment and somatic approaches in the healing of trauma from a dramatherapy, theatre and performance perspective.Collating voices from across the fields of dramatherapy, theatre and performance, this book examines how different interdisciplinary and intercultural approaches offer unique and unexplored perspectives on the body as a medium for the exploration, expression and resolution of chronic, acute and complex trauma as well as collective and intergenerational trauma. The diverse chapters highlight how the intersection between dramatherapy and body-based approaches in theatre and performance offers additional opportunities to explore and understand the creative, expressive and imaginative capacity of the body, and its application to the healing of trauma.The book will be of particular interest to dramatherapists and other creative and expressive arts therapists. It will also appeal to counsellors, psychotherapists, psychologists and theatre scholars.
Trauma and Embodied Healing in Dramatherapy, Theatre and Performance
This edited volume explores the singularity of embodiment and somatic approaches in the healing of trauma from a dramatherapy, theatre and performance perspective.Collating voices from across the fields of dramatherapy, theatre and performance, this book examines how different interdisciplinary and intercultural approaches offer unique and unexplored perspectives on the body as a medium for the exploration, expression and resolution of chronic, acute and complex trauma as well as collective and intergenerational trauma. The diverse chapters highlight how the intersection between dramatherapy and body-based approaches in theatre and performance offers additional opportunities to explore and understand the creative, expressive and imaginative capacity of the body, and its application to the healing of trauma.The book will be of particular interest to dramatherapists and other creative and expressive arts therapists. It will also appeal to counsellors, psychotherapists, psychologists and theatre scholars.
Trash Cuisine & Minsk 2011: Two Plays by Belarus Free Theatre (Oberon Modern Playwrights)
by Nicolai Khalezin Vladimir Shcherban Natalia KaliadaTrash Cuisine:Banned from performing in their own country, Belarus Free Theatre serve up food, music, dance and Shakespeare as they share true stories from inmates, executioners, human rights lawyers and families of the executed. This provocative and urgent play pierces the imagination with moments of the darkest humour as it challenges capital punishment in our contemporary world, where 95 countries still carry out the death penalty.Minsk 2011 (A Reply to Kathy Acker):If scars are sexy, Minsk must be the sexiest city in the world...Strip clubs, underground raves and gay pride parades pulse beneath the surface of a city, where sexuality is twisted by oppression. A love letter to a home that exiles those willing to fight for it, Minsk, 2011 celebrates and mourns a land that has lost its way.
The Trap (Oberon Modern Plays)
by Kieran LynnTom and Clem are deep in debt. Alan, Tom’s boss, owes big bucks. Meryl, Alan’s manager, is mortgaged to the hilt. When The Debt Duck’s owner liquidates the company and retires to his luxury chalet, Tom, Clem, Alan and Meryl each decide to crack the safe, steal some cash and put an end to their financial woes.But will they break the cycle of debt? Or is this just another terrible trap?A biting new topical comedy about the perils of a capitalist world from one of the UK's top contemporary playwrights.
The Trap
by Tadeusz RosewiczFirst Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
The Trap
by Tadeusz RosewiczFirst Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
Transposing Drama: Studies in Representation (New Directions in Theatre)
by Egil TornqvistWhat happens when a play is transposed from one medium or mode of presentation to another? What occurs, for example, when a drama intended for readers in one language is translated into another, or when a play written for the stage is adapted for radio, television or film? Egil Trnqvist examines these questions in relation to Shakespeare's Macbeth, Ibsen's A Doll's House, Strindberg's The Ghost Sonata and Pinter's The Homecoming and discusses interpretive transformations achieved by Peter Hall, Ingmar Bergman and Roman Polanski.
Transposing Broadway: Jews, Assimilation, and the American Musical (Palgrave Studies in Theatre and Performance History)
by S. HechtOver the last hundred years, musical theatre artists - from Berlin to Rodgers and Hammerstein to Sondheim - have developed a form that corresponds directly to the Americanization of the increasingly Jewish New York audience; and that audience's aspirations and concerns have played out in the shows themselves. Musicals thus became a paradigm which instructed newcomers in how to assimilate while correspondingly envisioning "American Dream" America as democratic and inclusive. Broadway musicals still continue to function today as "cultural Ellis Islands" for fringe populations seeking acceptance into the nation's mainstream - including women, blacks, Latinos, and gays - all essentially modeled upon the Jewish example. Stuart J. Hecht offers a fascinatingexamination of the relationship between Jews, assimilation, and the changing face of the American musical.
Transnational Performance, Identity and Mobility in Asia
by Iris H. Tuan Ivy I-Chu ChangThis pivot considers the history, methodology and practice of Asian theatre and investigates the role of Asian theatre and film in contemporary transnational Asian identities. It critically reviews the topics of transnationalism and intercultural political difference, arguing that the concept of Transnational Asian theatre or 'TransAsia' acan promote cultural diversity and social transformation. The book notably offers an understanding of theatre as a cultural laboratory, a repository for diverse histories and a forum for intercultural dialogue, allowing for a better understanding of sociocultural patterns surrounding transnational Asian identity and mobility.
Transnational Performance, Identity and Mobility in Asia
by Iris H. Tuan Ivy I-Chu ChangThis pivot considers the history, methodology and practice of Asian theatre and investigates the role of Asian theatre and film in contemporary transnational Asian identities. It critically reviews the topics of transnationalism and intercultural political difference, arguing that the concept of Transnational Asian theatre or 'TransAsia' acan promote cultural diversity and social transformation. The book notably offers an understanding of theatre as a cultural laboratory, a repository for diverse histories and a forum for intercultural dialogue, allowing for a better understanding of sociocultural patterns surrounding transnational Asian identity and mobility.
Transnational Mobilities in Early Modern Theater (Studies in Performance and Early Modern Drama)
by Robert Henke Eric NicholsonThe essays in this volume investigate English, Italian, Spanish, German, Czech, and Bengali early modern theater, placing Shakespeare and his contemporaries in the theatrical contexts of western and central Europe, as well as the Indian sub-continent. Contributors explore the mobility of theatrical units, genres, performance practices, visual images, and dramatic texts across geo-linguistic borders in early modern Europe. Combining 'distant' and 'close' reading, a systemic and structural approach identifies common theatrical units, or 'theatergrams' as departure points for specifying the particular translations of theatrical cultures across national boundaries. The essays engage both 'dramatic' approaches (e.g., genre, plot, action, and the dramatic text) and 'theatrical' perspectives (e.g., costume, the body and gender of the actor). Following recent work in 'mobility studies,' mobility is examined from both material and symbolic angles, revealing both ample transnational movement and periodic resistance to border-crossing. Four final essays attend to the practical and theoretical dimensions of theatrical translation and adaptation, and contribute to the book’s overall inquiry into the ways in which values, properties, and identities are lost, transformed, or gained in movement across geo-linguistic borders.
Transnational Mobilities in Early Modern Theater (Studies in Performance and Early Modern Drama)
by Robert Henke Eric NicholsonThe essays in this volume investigate English, Italian, Spanish, German, Czech, and Bengali early modern theater, placing Shakespeare and his contemporaries in the theatrical contexts of western and central Europe, as well as the Indian sub-continent. Contributors explore the mobility of theatrical units, genres, performance practices, visual images, and dramatic texts across geo-linguistic borders in early modern Europe. Combining 'distant' and 'close' reading, a systemic and structural approach identifies common theatrical units, or 'theatergrams' as departure points for specifying the particular translations of theatrical cultures across national boundaries. The essays engage both 'dramatic' approaches (e.g., genre, plot, action, and the dramatic text) and 'theatrical' perspectives (e.g., costume, the body and gender of the actor). Following recent work in 'mobility studies,' mobility is examined from both material and symbolic angles, revealing both ample transnational movement and periodic resistance to border-crossing. Four final essays attend to the practical and theoretical dimensions of theatrical translation and adaptation, and contribute to the book’s overall inquiry into the ways in which values, properties, and identities are lost, transformed, or gained in movement across geo-linguistic borders.