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The Maculate Muse: Obscene Language in Attic Comedy
by Jeffrey HendersonThe pervasive and unrestrained use of obscenity has long been acknowledged as a major feature of fifth-century Attic Comedy; no other Western art form relies so heavily on the sexual and scatological dimensions of language. This acclaimed book, now in a new edition, offers both a comprehensive discussion of the dynamics of Greek obscenity and a detailed commentary on the terminology itself. After contrasting the peculiar characteristics of the Greek notion of obscenity to modern-day ideas, Henderson discusses obscenity's role in the development of Attic Comedy, its historical origins, varieties, and dramatic function. His analysis of obscene terminology sheds new light on Greek culture, and his discussion of Greek homosexuality offers a refreshing corrective to the idealized Platonic view. He also looks in detail at the part obscenity plays in each of Aristophanes' eleven surviving plays. The latter part of the book identifies all the obscene terminology found in the extant examples of Attic Comedy, both complete plays and fragments. Although these terminological entries are arranged in numbered paragraphs resembling a glossary, they can also be read as independent essays on the various aspects of comic obscenity. Terms are explained as they occur in each individual context and in relation to typologically similar terminology. With newly corrected and updated philological material, this second edition of Maculate Muse will serve as an invaluable reference work for the study of Greek drama.
Seven Against Thebes (Greek Tragedy in New Translations)
by Aeschylus Helen H. BaconThe formidable talents of Anthony Hecht, one of the most gifted of contemporary American poets, and Helen Bacon, a classical scholar, are here brought to bear on this vibrant translation of Aeschylus' much underrated tragedy The Seven Against Thebes. The third and only remaining play in a trilogy dealing with related events, The Seven Against Thebes tells the story of the Argive attempt to claim the Kingdom of Thebes, and of the deaths of the brothers Eteocles and Polyneices, each by the others hand. Long dismissed by critics as ritualistic and lacking in dramatic tension, Seven Against Thebes is revealed by Hecht and Bacon as a work of great unity and drama, one exceptionally rich in symbolism and imagery.
The Art of Adaptation: Turning Fact and Fiction into Film (PDF)
by Linda SegerAdaptations have long been a mainstay of Hollywood and the television networks. Indeed, most Academy Award- and Emmy Award-winning films have been adaptations of novels, plays, or true-life stories. Linda Seger, author of two acclaimed books on scriptwriting, now offers a comprehensive handbook for screenwriters, producers, and directors who want to successfully transform fictional or factual material into film. Seger tells how to analyze source material to understand why some of it resists adaptation. She then gives practical methods for translating story, characters, themes, and style into film. A final section details essential information on how to adapt material and how to protect oneself legally
Bond Plays: Worlds with Activists; Restoration; Summer (Contemporary Dramatists)
by Edward BondOne of Britain's greatest living contemporary dramatists, Edward Bond is widely studied by schools and colleges. The collection includes a commentary by the author."Restoration towers like a colossus ...its stylistic wit, moral complexity and theatrical force are of the kind one associates with classic drama" (Michael Billington). In settings both historical and modern, Edward Bond's plays continue to offer a wide-ranging political and moral critique of human society and human relationships. The fourth volume of his collected works contains his plays from the late seventies and early eighties.Edward Bond is "a great playwright - many, particularly in continental Europe, would say the greatest living English playwright" (Independent)
Desire And Anxiety: Circulations Of Sexuality In Shakespearean Drama, Routledge Revivals (PDF)
by Valerie TraubIn both feminist theory and Shakespearean criticism, questions of sexuality have consistently been conflated with questions of gender. First published in 1992, this book details the intersections and contradictions between sexuality and gender in the early modern period. Valerie Traub argues that desire and anxiety together constitute the erotic in Shakespearean drama circulating throughout the dramatic texts, traversing masculine and feminine sites, eliciting and expressing heterosexual and homoerotic fantasies, embodiments, and fears. This is the first book to present a non-normalizing account of the unconscious and the institutional prerogatives that comprise the erotics of Shakespearean drama. Employing feminist, psychoanalytic, and new historical methods, and using each to interrogate the other, the book synthesises the psychic and the social, the individual and the institutional.
Desire and Anxiety: Circulations of Sexuality in Shakespearean Drama (Routledge Revivals)
by Valerie TraubIn both feminist theory and Shakespearean criticism, questions of sexuality have consistently been conflated with questions of gender. First published in 1992, this book details the intersections and contradictions between sexuality and gender in the early modern period. Valerie Traub argues that desire and anxiety together constitute the erotic in Shakespearean drama – circulating throughout the dramatic texts, traversing ‘masculine’ and ‘feminine’ sites, eliciting and expressing heterosexual and homoerotic fantasies, embodiments, and fears. This is the first book to present a non-normalizing account of the unconscious and the institutional prerogatives that comprise the erotics of Shakespearean drama. Employing feminist, psychoanalytic, and new historical methods, and using each to interrogate the other, the book synthesises the psychic and the social, the individual and the institutional.
Desire and Anxiety: Circulations of Sexuality in Shakespearean Drama (Routledge Revivals)
by Valerie TraubIn both feminist theory and Shakespearean criticism, questions of sexuality have consistently been conflated with questions of gender. First published in 1992, this book details the intersections and contradictions between sexuality and gender in the early modern period. Valerie Traub argues that desire and anxiety together constitute the erotic in Shakespearean drama – circulating throughout the dramatic texts, traversing ‘masculine’ and ‘feminine’ sites, eliciting and expressing heterosexual and homoerotic fantasies, embodiments, and fears. This is the first book to present a non-normalizing account of the unconscious and the institutional prerogatives that comprise the erotics of Shakespearean drama. Employing feminist, psychoanalytic, and new historical methods, and using each to interrogate the other, the book synthesises the psychic and the social, the individual and the institutional.
Desire And Anxiety (routledge Revivals): Circulations Of Sexuality In Shakespearean Drama
by Valerie TraubIn both feminist theory and Shakespearean criticism, questions of sexuality have consistently been conflated with questions of gender. First published in 1992, this book details the intersections and contradictions between sexuality and gender in the early modern period. Valerie Traub argues that desire and anxiety together constitute the erotic in Shakespearean drama #65533; circulating throughout the dramatic texts, traversing #65533;masculine#65533; and #65533;feminine#65533; sites, eliciting and expressing heterosexual and homoerotic fantasies, embodiments, and fears. This is the first book to present a non-normalizing account of the unconscious and the institutional prerogatives that comprise the erotics of Shakespearean drama. Employing feminist, psychoanalytic, and new historical methods, and using each to interrogate the other, the book synthesises the psychic and the social, the individual and the institutional.
Directors in Rehearsal: A Hidden World
by Susan ColeFirst Published in 1992. Routledge is an imprint of Taylor & Francis, an informa company.
Directors in Rehearsal: A Hidden World
by Susan ColeFirst Published in 1992. Routledge is an imprint of Taylor & Francis, an informa company.
Doctor Faustus: Playscript (More For Teens Ser.)
by Christopher Marlowe Colin TeevanChristopher Marlowe’s Doctor Faustus is regarded by many as ‘a great play marred’ by dated satire and suspect third and fourth acts. A play with a long history of ‘additions’, Colin Teevan’s contemporary scenes link the thrilling danger of Marlowe’s opening acts with the profound terror and tragedy of his finale in a radical and darkly comic new take on a classic of the English stage. This revival is presented by The Jamie Lloyd Company at the Duke of York’s Theatre, London from April 2016.
A Doll's House: 30 Books And Teaching Unit: Dover Thrift Edition (Modern Plays)
by Henrik Ibsen Simon Stephens'I think I'm a human being before anything else. I don't care what other people say. I don't care what people write in books. I need to think for myself.'Henrik Ibsen's A Doll's House premiered in 1879 in Copenhagen, the second in a series of realist plays by Ibsen, and immediately provoked controversy with its apparently feminist message and exposure of the hypocrisy of Victorian middle-class marriage. In Ibsen's play, Nora Helmer has secretly (and deceptively) borrowed a large sum of money to pay for her husband, Torvald, to recover from illness on a sabbatical in Italy. Torvald's perception of Nora is of a silly, naive spendthrift, so it is only when the truth begins to emerge, and Torvald appreciates the initiative behind his wife, that unmendable cracks appear in their marriage.This compelling new version of Ibsen's masterpiece by playwright Simon Stephens premiered at the Young Vic Theatre, London, on 29 June 2012.'Ibsen's great feminist drama' Daily Telegraph
A Doll's House: 30 Books And Teaching Unit: Dover Thrift Edition (Modern Plays)
by Henrik Ibsen Simon Stephens'I think I'm a human being before anything else. I don't care what other people say. I don't care what people write in books. I need to think for myself.' Henrik Ibsen's A Doll's House premiered in 1879 in Copenhagen, the second in a series of realist plays by Ibsen, and immediately provoked controversy with its apparently feminist message and exposure of the hypocrisy of Victorian middle-class marriage. In Ibsen's play, Nora Helmer has secretly (and deceptively) borrowed a large sum of money to pay for her husband, Torvald, to recover from illness on a sabbatical in Italy. Torvald's perception of Nora is of a silly, naive spendthrift, so it is only when the truth begins to emerge, and Torvald appreciates the initiative behind his wife, that unmendable cracks appear in their marriage. This compelling new version of Ibsen's masterpiece by playwright Simon Stephens premiered at the Young Vic Theatre, London, on 29 June 2012. It was updated with minor changes in 2013.
A Doll's House: 30 Books And Teaching Unit: Dover Thrift Edition (Oberon Modern Plays)
by Henrik Ibsen Tanika GuptaNiru is a young Bengali woman married to an English colonial bureaucrat – Tom. Tom loves Niru, exoticising her as a frivolous plaything to be admired and kept; But Niru has a long-kept secret, and just as she thinks she is almost free of it, it threatens to bring her life crashing down around her. Tanika Gupta reimagines Ibsen’s classic play of gender politics through the lens of British colonialism, offering a bold, female perspective exploring themes of ownership and race.
Doople: The Eternal Law of African Dance (Choreography and Dance Studies Series)
by Alphonse TierouThe African dancer requires complete technical mastery and must respect the precise rules handed down by the society of the Masques de Sagesse. Alphonse Tirou is from the Ouenon people of the Ivory Coast. His major study is the first written record of this oral tradition and it explains the movements, codes and meanings of the traditional African dance. It is extremely valuable reading for all those studying or interested in Africa, as dance is such an essential part of this continent's cultural heritage.A former student of the National Institute of Arts at Abidjan, Alphonse Tirou has been a senior dignitary in the Kman of the Masques de Sagesse for over twenty years. He is currently teaching at the Bloa Nam (Movements) dance school in Nmes, which he founded in 1979 and which is still the only school worldwide to research African dance.
Doople: The Eternal Law of African Dance (Choreography and Dance Studies Series)
by Alphonse TierouThe African dancer requires complete technical mastery and must respect the precise rules handed down by the society of the Masques de Sagesse. Alphonse Tirou is from the Ouenon people of the Ivory Coast. His major study is the first written record of this oral tradition and it explains the movements, codes and meanings of the traditional African dance. It is extremely valuable reading for all those studying or interested in Africa, as dance is such an essential part of this continent's cultural heritage.A former student of the National Institute of Arts at Abidjan, Alphonse Tirou has been a senior dignitary in the Kman of the Masques de Sagesse for over twenty years. He is currently teaching at the Bloa Nam (Movements) dance school in Nmes, which he founded in 1979 and which is still the only school worldwide to research African dance.
Drama And The Market In The Age Of Shakespeare (PDF)
by Douglas BrusterDouglas Bruster's provocative study of English Renaissance drama explores its links with Elizabethan and Jacobean economy and society, looking at the status of playwrights such as Shakespeare and the establishment of commercial theatres. He identifies in the drama a materialist vision which has its origins in the climate of uncertainty engendered by the rapidly expanding economy of London. His examples range from the economic importance of cuckoldry to the role of stage props as commodities, and the commercial significance of the Troy story in Shakespeare's Troilus and Cressida, and he offers new ways of reading English Renaissance drama, by returning the theatre and the plays performed there, to its basis in the material world. 9780521607063
Elements of Performance: A Guide for Performers in Dance, Theatre and Opera (Choreography and Dance Studies Series)
by Pauline KonerFirst Published in 1992. Routledge is an imprint of Taylor & Francis, an informa company.
Elements of Performance: A Guide for Performers in Dance, Theatre and Opera (Choreography and Dance Studies Series)
by Pauline KonerFirst Published in 1992. Routledge is an imprint of Taylor & Francis, an informa company.
Erotic Politics: The Dynamics of Desire in the Renaissance Theatre
by Susan ZimmermanIdentifying the stage as a primary site for erotic display, these essays take eroticism in Renaissance culture as a paradigm for issues of sexuality and identity in early modern culture. Contributors examine how the Renaissance stage functioned as a decoder for erotic experience, both reinforcing and subverting expected sexual behaviour. They argue that the dynamics of theatrical eroticism served to deconstruct gender definitions, leaving conventional categories of sexuality blurred, confused - or absent. In seeking to reposition the conventions and subversions of gender and desire in terms of one another, these essays open up an attractive and distinctive perspective in cultural debate.
Erotic Politics: The Dynamics of Desire in the Renaissance Theatre
by Susan ZimmermanIdentifying the stage as a primary site for erotic display, these essays take eroticism in Renaissance culture as a paradigm for issues of sexuality and identity in early modern culture. Contributors examine how the Renaissance stage functioned as a decoder for erotic experience, both reinforcing and subverting expected sexual behaviour. They argue that the dynamics of theatrical eroticism served to deconstruct gender definitions, leaving conventional categories of sexuality blurred, confused - or absent. In seeking to reposition the conventions and subversions of gender and desire in terms of one another, these essays open up an attractive and distinctive perspective in cultural debate.
The Fastest Clock in the Universe: The Pitchfork Disney; The Fastest Clock In The Universe; Ghost From A Perfect Place (Modern Plays)
by Philip RidleyIt's Cougar's birthday. He's having a party. And the gift he'd kill for is youth...In a strange room in East London the party preparations are under way. Everything has been planned to the last detail. Surely nothing can go wrong? After all, there's the specially made birthday cake, the specially written cards, the specially chosen guest of honour... and a very, very sharp knife. Philip Ridley's edgy and provocative drama caused a sensation when it premiered at Hampstead Theatre in 1992, winning the Evening Standard Award for Most Promising Newcomer to the Stage and the Meyer Whitworth Prize. It is now regarded as a contemporary classic. 'A bit like a ride on a ghost train... you find yourself shuddering with shock and laughing uproariously... horror has rarely been so much fun' Daily Telegraph'Scorchingly nasty... fingers an age and its icons with terrifying accuracy' Guardian
Film Music: Music And The Classical Hollywood Film (Wisconsin Studies In Film Ser.)
by Kathryn Kalinak
Generosity and the Limits of Authority: Shakespeare, Herbert, Milton
by William FleschGenerosity is an ambiguous quality, William Flesch observes; while receiving gifts is pleasant, gift-giving both displays the wealth and strength of the giver and places the receiver under an obligation. In provocative new readings of Shakespeare, Herbert, and Milton, Flesch illuminates the personal authority that is bound inextricably with acts of generosity.Drawing on the work of such theorists as Mauss, Blanchot, Bourdieu, Wittgenstein, Bloom, Cavell, and Greenblatt, Flesch maintains that the literary power of Shakespeare, Herbert, and Milton is at its most intense when they are exploring the limits of generosity. He considers how in Herbert's Temple divine assurance of the possibility of redemption is put into question and how the poet approaches such a gift with the ambivalence of a beneficiary. In his readings of Shakespeare's Richard II, Henry IV, King Lear, Antony and Cleopatra, and the sonnets, Flesch examines the perspective of the benefactor—including Shakespeare himself—who confronts the decline of his capacity to give. Turning to Milton's Paradise Lost, Flesch identifies two opposing ways of understanding generosity—Satan's, on the one hand, and Adam and Eve's, on the other - and elaborates the different conceptions of poetry to which these understandings give rise.Scholars of Shakespeare and of Renaissance culture, Miltonists, literary theorists, and others interested in the relationship between philosophy and literature will want to read this insightful and challenging book.
Godber Plays: Bouncers; Happy Families; Shakers (PDF)
by John Godber"John Godber is one of the unsung heroes of British theatre, reaching the giddy heights of number three in the most-performed playwrights league table, nestled in behind Shakespeare and Ayckbourn" - Guardian Bouncers, a play about nightlife: "A show that's worth braving any front of house, however formidable . . . simply spellbinding" Guardian; Happy Families: "The inseparable contradictions of family love and oppression are carefully held in this fine comedy . . . superb characterisation . . . the rhythms of Godber's dialogue are freshly funny, the pace precise" (Independent); Shakers, a play about party-goers: "This is one of those slices of life that everyone can recognise and laugh at" Liverpool Daily Post 9780413758101