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Beckett's Convenient Bride (Beckett's Fortune #3)
by Dixie BrowningPolice detective Carson Beckett had skirted the altar as smoothly as a sly criminal avoided handcuffs.
Beckett's Creatures: Art of Failure after the Holocaust
by Joseph AndertonIn the shadow of the Holocaust, Samuel Beckett captures humanity in ruins through his debased beings and a decomposing mode of writing that strives to 'fail better'. But what might it mean to be a 'creature' or 'creaturely' in Beckett's world? In the first full-length study of the concept of the creature in Beckett's prose and drama, this book traces the suspended lives and melancholic existences of Beckett's ignorant and impotent creatures to assess the extent to which political value marks the divide between human and inhuman. Through close readings of Beckett's prose and drama, particularly texts from the middle period, including Molloy, Malone Dies, The Unnamable, Waiting for Godot and Endgame, Anderton explicates four arenas of creaturely life in Beckett. Each chapter attends to a particular theme – testimony, power, humour and survival – to analyse a range of pressures and impositions that precipitate the creaturely state of suspension. Drawing on the writings of Adorno, Agamben, Benjamin, Deleuze and Derrida to explore the overlaps between artistic and political structures of creation, the creature emerges as an in-between figure that bespeaks the provisional nature of the human. The result is a provocative examination of the indirect relationship between art and history through Beckett's treatment of testimony, power, humour and survival, which each attest to the destabilisation of meaning after Auschwitz.
Beckett's Creatures: Art of Failure after the Holocaust
by Joseph AndertonIn the shadow of the Holocaust, Samuel Beckett captures humanity in ruins through his debased beings and a decomposing mode of writing that strives to 'fail better'. But what might it mean to be a 'creature' or 'creaturely' in Beckett's world? In the first full-length study of the concept of the creature in Beckett's prose and drama, this book traces the suspended lives and melancholic existences of Beckett's ignorant and impotent creatures to assess the extent to which political value marks the divide between human and inhuman. Through close readings of Beckett's prose and drama, particularly texts from the middle period, including Molloy, Malone Dies, The Unnamable, Waiting for Godot and Endgame, Anderton explicates four arenas of creaturely life in Beckett. Each chapter attends to a particular theme – testimony, power, humour and survival – to analyse a range of pressures and impositions that precipitate the creaturely state of suspension. Drawing on the writings of Adorno, Agamben, Benjamin, Deleuze and Derrida to explore the overlaps between artistic and political structures of creation, the creature emerges as an in-between figure that bespeaks the provisional nature of the human. The result is a provocative examination of the indirect relationship between art and history through Beckett's treatment of testimony, power, humour and survival, which each attest to the destabilisation of meaning after Auschwitz.
Beckett's Eighteenth Century
by F. SmithBeckett's Eighteenth Century is the first book-length study of Samuel Beckett's affinity with the British eighteenth century and of the influence of its writers on his work. Reading Swift, Pope, Defoe, Fielding, Sterne, Johnson, Gray, and other writers of this period, this study demonstrates how he was not only influenced by them but interprets them for us in a quite modern way. Beckett's uniqueness is not questioned here, but this uniqueness is shown, paradoxically, to have its roots at least in part in his native literature of two centuries ago.
Beckett’s Imagined Interpreters and the Failures of Modernism (New Interpretations of Beckett in the Twenty-First Century)
by Nick WoltermanSamuel Beckett’s work is littered with ironic self-reflexive comments on presumed audience expectations that it should ultimately make explicable sense. An ample store of letters and anecdotes suggests Beckett’s own preoccupation with and resistance to similar interpretive mindsets. Yet until now such concerns have remained the stuff of scholarly footnotes and asides. Beckett’s Imagined Interpreters and the Failures of Modernism addresses these issues head-on and investigates how Beckett’s ideas about who he writes for affect what he writes. What it finds speaks to current understandings not only of Beckett’s techniques and ambitions, but also of modernism’s experiments as fundamentally compromised challenges to enshrined ways of understanding and organizing the social world. Beckett’s uniquely anxious audience-targeting brings out similarly self-doubting strategies in the work of other experimental twentieth-century writers and artists in whom he is interested: his corpus proves emblematic of a modernism that understands its inability to achieve transformative social effects all at once, but that nevertheless judiciously complicates too-neat distinctions drawn within ongoing culture wars. For its re-evaluations of four key points of orientation for understanding Beckett’s artistic ambitions—his arch critical pronouncements, his postwar conflations of value and valuelessness, his often-ambiguous self-commentary, and his sardonic metatheatrical play—as well as for its running dialogue with wider debates around modernism as a social phenomenon, this book is of interest to students and researchers interested in Beckett, modernism, and the relations between modern and contemporary artistic and social developments.
Beckett's Intuitive Spectator: Me to Play (New Interpretations of Beckett in the Twenty-First Century)
by Michelle ChiangBeckett’s Intuitive Spectator: Me to Play investigates how audience discomfort, instead of a side effect of a Beckett pedagogy, is a key spectatorial experience which arises from an everyman intuition of loss. With reference to selected works by Henri Bergson, Immanuel Kant and Gilles Deleuze, this book charts the processes of how an audience member’s habitual way of understanding could be frustrated by Beckett’s film, radio, stage and television plays. Michelle Chiang explores the ways in which Beckett exploited these mediums to reconstitute an audience response derived from intuition.
Beckett's Intuitive Spectator: Me to Play (New Interpretations of Beckett in the Twenty-First Century)
by Michelle ChiangBeckett’s Intuitive Spectator: Me to Play investigates how audience discomfort, instead of a side effect of a Beckett pedagogy, is a key spectatorial experience which arises from an everyman intuition of loss. With reference to selected works by Henri Bergson, Immanuel Kant and Gilles Deleuze, this book charts the processes of how an audience member’s habitual way of understanding could be frustrated by Beckett’s film, radio, stage and television plays. Michelle Chiang explores the ways in which Beckett exploited these mediums to reconstitute an audience response derived from intuition.
Beckett's Laboratory: Experiments in the Theatre Enclosure
by Corey WakelingOffering fresh studies of Samuel Beckett in pre-production, in rehearsal, as an innovator of the script form, and as a speculative director and designer, Beckett's Laboratory reconsiders Beckett's stringent approach to stage direction through the lens of the laboratory and reveals his experimentalism with stage representation and composition. Wakeling argues that acknowledging Beckett's experimental processes, from their composition to their reception, is crucial to understanding the innovative representations of humanity that emerged at different stages in Beckett's practice.Repositioning Beckett's performance oeuvre in relation to philosophy, Wakeling draws upon post-dramatic, symbolist, materialist and post-structural understandings of theatre performance to reappraise Beckett's plays as a composition for performance. The philosophical underpinnings of Beckett's practices are explored through an eclectic mix of familiar and unexplored contemporary theatre productions and films of Beckett's works, including Not I, Nacht und Träume, Happy Days, Footfalls and Catastrophe. Beckett's Laboratory is a provocative examination of Beckett's experimentalism with the human spectacle and his playful reliance upon the interpretative powers of the actors and audience.
Beckett's Laboratory: Experiments in the Theatre Enclosure
by Corey WakelingOffering fresh studies of Samuel Beckett in pre-production, in rehearsal, as an innovator of the script form, and as a speculative director and designer, Beckett's Laboratory reconsiders Beckett's stringent approach to stage direction through the lens of the laboratory and reveals his experimentalism with stage representation and composition. Wakeling argues that acknowledging Beckett's experimental processes, from their composition to their reception, is crucial to understanding the innovative representations of humanity that emerged at different stages in Beckett's practice.Repositioning Beckett's performance oeuvre in relation to philosophy, Wakeling draws upon post-dramatic, symbolist, materialist and post-structural understandings of theatre performance to reappraise Beckett's plays as a composition for performance. The philosophical underpinnings of Beckett's practices are explored through an eclectic mix of familiar and unexplored contemporary theatre productions and films of Beckett's works, including Not I, Nacht und Träume, Happy Days, Footfalls and Catastrophe. Beckett's Laboratory is a provocative examination of Beckett's experimentalism with the human spectacle and his playful reliance upon the interpretative powers of the actors and audience.
Beckett’s Masculinity (New Interpretations of Beckett in the Twenty-First Century)
by J. JeffersThis is the first book to focus on masculinity in Samuel Beckett's work as a way to understand his historical and national context, the difficulty of reading and interpreting his texts, and his ruthless disintegration of sexual and gendered norms throughout his oeuvre.
Beckett's Proust/Deleuze's Proust
by M. Bryden M. ToppingAn encounter between Deleuze the philosopher, Proust the novelist, and Beckett the writer creating interdisciplinary and inter-aesthetic bridges between them, covering textual, visual, sonic and performative phenomena, including provocative speculation about how Proust might have responded to Deleuze and Beckett.
Beckett's Thing: Painting and Theatre (Other Becketts)
by David LloydBeckett was deeply engaged with the visual arts and individual painters, including Jack B. Yeats, Bram van Velde, and Avigdor Arikha. In this monograph, David Lloyd explores what Beckett saw in their paintings. He explains what visual resources Beckett found in these particular painters rather than in the surrealism of Masson or the abstraction of Kandinsky or Mondrian. The analysis of Beckett’s visual imagination is based on his criticism and on close analysis of the paintings he viewed. Lloyd shows how Beckett’s fascination with these painters illuminates the ‘painterly’ qualities of his theatre and the philosophical, political and aesthetic implications of Beckett’s highly visual dramatic work.
Beckett's Thing: Painting and Theatre (Other Becketts)
by David LloydBeckett was deeply engaged with the visual arts and individual painters, including Jack B. Yeats, Bram van Velde, and Avigdor Arikha. In this monograph, David Lloyd explores what Beckett saw in their paintings. He explains what visual resources Beckett found in these particular painters rather than in the surrealism of Masson or the abstraction of Kandinsky or Mondrian. The analysis of Beckett’s visual imagination is based on his criticism and on close analysis of the paintings he viewed. Lloyd shows how Beckett’s fascination with these painters illuminates the ‘painterly’ qualities of his theatre and the philosophical, political and aesthetic implications of Beckett’s highly visual dramatic work.
Beckett's Words: The Promise of Happiness in a Time of Mourning
by David Kleinberg-LevinAt stake in this book is a struggle with language in a time when our old faith in the redeeming of the word-and the word's power to redeem-has almost been destroyed. Drawing on Benjamin's political theology, his interpretation of the German Baroque mourning play, and Adorno's critical aesthetic theory, but also on the thought of poets and many other philosophers, especially Hegel's phenomenology of spirit, Nietzsche's analysis of nihilism, and Derrida's writings on language, Kleinberg-Levin shows how, because of its communicative and revelatory powers, language bears the utopian "promise of happiness," the idea of a secular redemption of humanity, at the very heart of which must be the achievement of universal justice. In an original reading of Beckett's plays, novels and short stories, Kleinberg-Levin shows how, despite inheriting a language damaged, corrupted and commodified, Beckett redeems dead or dying words and wrests from this language new possibilities for the expression of meaning. Without denying Beckett's nihilism, his picture of a radically disenchanted world, Kleinberg-Levin calls attention to moments when his words suddenly ignite and break free of their despair and pain, taking shape in the beauty of an austere yet joyous lyricism, suggesting that, after all, meaning is still possible.
Beckett's Words: The Promise of Happiness in a Time of Mourning
by David Kleinberg-LevinAt stake in this book is a struggle with language in a time when our old faith in the redeeming of the word-and the word's power to redeem-has almost been destroyed. Drawing on Benjamin's political theology, his interpretation of the German Baroque mourning play, and Adorno's critical aesthetic theory, but also on the thought of poets and many other philosophers, especially Hegel's phenomenology of spirit, Nietzsche's analysis of nihilism, and Derrida's writings on language, Kleinberg-Levin shows how, because of its communicative and revelatory powers, language bears the utopian "promise of happiness," the idea of a secular redemption of humanity, at the very heart of which must be the achievement of universal justice. In an original reading of Beckett's plays, novels and short stories, Kleinberg-Levin shows how, despite inheriting a language damaged, corrupted and commodified, Beckett redeems dead or dying words and wrests from this language new possibilities for the expression of meaning. Without denying Beckett's nihilism, his picture of a radically disenchanted world, Kleinberg-Levin calls attention to moments when his words suddenly ignite and break free of their despair and pain, taking shape in the beauty of an austere yet joyous lyricism, suggesting that, after all, meaning is still possible.
Becklaw's Murder Mystery Tour (Jo Anderson Series #1)
by Dane McCaslinJosephine Anderson, youngest of the immense Anderson clan, has an itch to travel and to put some distance between herself and Piney Woods, Louisiana, and she is determined to scratch it with a stint as a traveling actor for a murder mystery dinner show. With Beatrice Becklaw in the pilot’s seat, the troupe of four amateur actors hit the circuit – and hit the end of the tour when a real dead body stops the show. Jo’s fondness for Miss Bea is the impetus to find out just who ruined the tour, and the person she least suspects is the one she needs to watch. Set in the beautiful mountains of Colorado, Becklaw’s Murder Mystery Tour is proof that sometimes the confines of the family compound is the best place to be, nutty family and all.
The Beckoning Dream (Mills And Boon Historical Ser.)
by Paula MarshallPretend marriage…real danger!
The Beckoning Lady (Portway Ser.)
by Margery AllinghamA VINTAGE MURDER MYSTERYAgatha Christie called her ‘a shining light’. Have you discovered Margery Allingham, the 'true queen' of the classic murder mystery?Private detective Albert Campion's glorious summer in Pontisbright is blighted by death. Amidst the preparations for Minnie and Tonker Cassand's fabulous summer party a murder is discovered and it falls to Campion to unravel the intricate web of motive, suspicion and deduction with all his imagination and skill.As urbane as Lord Wimsey…as ingenious as Poirot… Meet one of crime fiction’s Great Detectives, Mr Albert Campion.
Becky
by Sarah May‘A Vanity Fair for the mass-media age’ - The GuardianIt’s peak 90s London. Scandal dominates the headlines, men dominate the board rooms and Becky Sharp will stop at nothing to reach the top at the Mercury newspaper.Mingling with tabloid millionaires and trading favours with royalty, Becky lands scoop after scoop, ruthlessly carving a place for herself in a world determined to ignore her. These are the biggest stories of the decade, and Becky has something to do with every one of them.But Becky may have more in common with the people she writes about than she thinks – what takes a lifetime to build takes only a moment to destroy . . .A darkly entertaining and delicious read, Sarah May’s Becky charts the rise and fall of an unforgettable heroine.‘Spiky, clever, funny’ – Emma Stonex‘A true page-turner’ – The Independent‘Fabulous’ – Daily Mail
Becky
by E. V. ThompsonFergus Vine has left the Navy to seek out his mentor, Henry Gordon. But Gordon lies dead, a victim of the scourge of the poor: alcoholism. Grieving for the loss of his friend, Fergus decides to fulfil Gordon's mission to record the lives of the poor on canvas. A mission that will lead him to Becky, the wayward orphan destined to change his life forever.
Becky Bananas: This Is Your Life
by Jean UreA standout title in Jean Ure’s acclaimed series of humorous, delightful and poignant stories written in the form of diaries and letters which make them immediately accessible to children.
Becky Shaw (Modern Plays)
by Gina GionfriddoI'm also going to give you some advice. Your husband is not the Red Cross. The last time he started consoling a cute, suicidal chick, he married her. Becky Shaw is an amusing and cleverly constructed comedy about ambition, the cost of being truthful, and the perils of a blind date. The fast and funny dialogue navigates between five distinctively perverse and disingenuously dysfunctional characters.The plot is as follows: from the moment that Becky arrives overdressed for her blind date with straight-talking Max, it's clear the evening won't go to plan. In the immediate fallout, Becky becomes an object of devotion for her boss Andrew, who appears to have a fetish for vulnerable women. In turn Andrew's wife Suzanna turns to her step-brother Max for comfort, and their mutual desire begins to resurface.Gina Gionfriddo's masterful play is a biting American comedy with sharp, witty dialogue and a carefully crafted yet unforced story arc. Character-driven, Becky Shaw is a comic tale of tangled love lives and a subtle but acerbic comedy of manners.
Becky Shaw (Modern Classics)
by Gina Gionfriddo“A tangled tale of love, sex and ethics among a quartet of men and women in their 30s … as engrossing as it is ferociously funny, like a big box of fireworks fizzing and crackling across the stage from its first moments to its last.” New York Times From the moment that Becky arrives overdressed for her blind date with straight-talking Max, it's clear the evening won't go to plan. In the immediate fallout, Becky becomes an object of devotion for her boss Andrew, who appears to have a fetish for vulnerable women. In turn, Andrew's wife Suzanna turns to her step-brother Max for comfort, and their mutual desire begins to resurface.A biting American comedy with sharp, witty dialogue about ambition, the cost of being truthful, and the perils of a blind date. This modern classic edition features an introduction to the play by Julia Listengarten.
Becky Shaw (Modern Classics)
by Gina Gionfriddo“A tangled tale of love, sex and ethics among a quartet of men and women in their 30s … as engrossing as it is ferociously funny, like a big box of fireworks fizzing and crackling across the stage from its first moments to its last.” New York Times From the moment that Becky arrives overdressed for her blind date with straight-talking Max, it's clear the evening won't go to plan. In the immediate fallout, Becky becomes an object of devotion for her boss Andrew, who appears to have a fetish for vulnerable women. In turn, Andrew's wife Suzanna turns to her step-brother Max for comfort, and their mutual desire begins to resurface.A biting American comedy with sharp, witty dialogue about ambition, the cost of being truthful, and the perils of a blind date. This modern classic edition features an introduction to the play by Julia Listengarten.
Becky the Best Friend Fairy: Special (Rainbow Magic)
by Daisy MeadowsGet ready for an exciting fairy adventure with the no. 1 bestselling series for girls aged 5 and up.Everyone knows Rachel and Kirsty are best friends! But when nasty Jack Frost steals Becky the Best Friend Fairy's magical objects, BFFs everywhere start having problems. Can the girls help Becky get them back and put things right? There's a heart trinket box, a photo album and a BFF charm necklace in this book. Read on to see if Rachel, Kirsty and Becky can find them!'These stories are magic; they turn children into readers!' ReadingZone.comIf you like Rainbow Magic, check out Daisy Meadows' other series: Magic Animal Friends and Unicorn Magic!