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Trouble in Butetown (Modern Plays)
by Diana Nneka AtuonaFirst thing I'm a need you to do is keep my secret. Can't let nobody know I'm here and I mean nobody.In her illegal boarding house in Butetown, Cardiff, Gwyneth Mbanefo toils tirelessly to keep afloat. It's a port town during the war; home to souls from every corner of the globe. When Nate, an African American GI, escapes his barracks and discovers this new world without segregation, can he find safe harbour? And with danger on every corner, who can he trust? Trouble in Butetown is a pressing new play from the George Devine award-winning playwright, Diana Nneka Atuona. This edition was published to coincide with the world premiere at Donmar Warehouse in London, in February 2023.
Trouble in Butetown (Modern Plays)
by Diana Nneka AtuonaFirst thing I'm a need you to do is keep my secret. Can't let nobody know I'm here and I mean nobody.In her illegal boarding house in Butetown, Cardiff, Gwyneth Mbanefo toils tirelessly to keep afloat. It's a port town during the war; home to souls from every corner of the globe. When Nate, an African American GI, escapes his barracks and discovers this new world without segregation, can he find safe harbour? And with danger on every corner, who can he trust? Trouble in Butetown is a pressing new play from the George Devine award-winning playwright, Diana Nneka Atuona. This edition was published to coincide with the world premiere at Donmar Warehouse in London, in February 2023.
Tropes and the Literary-Scientific Revolution: Forms of Proof (Routledge Studies in Renaissance Literature and Culture)
by Michael SlaterTropes and the Literary-Scientific Revolution: Forms of Proof argues that the rise of mechanical science in the seventeenth century had a profound impact on both language and literature. To the extent that new ideas about things were accompanied by new attitudes toward words, what we commonly regard as the “scientific revolution” inevitably bore literary dimensions as well. Literary tropes and forms underwent tremendous reassessment in the seventeenth century, and early modern science was shaped just as powerfully by contest over the place of literary figures, from personification and metaphor to anamorphosis and allegory. In their rejection of teleological explanations of natural motion, for instance, early modern philosophers often disputed the value of personification, a figural projection of interiority onto what was becoming increasingly a mechanical world. And allegory—a dominant mode of literature from the late Middle Ages until well into the Renaissance—became “the vice of those times,” as Thomas Rymer described it in 1674. This book shows that its acute devaluation was possible only in conjunction with a distinctively modern physics. Analyzing writings by Sidney, Shakespeare, Bacon, Jonson, Brahe, Kepler, Galileo, Hobbes, Descartes, and more, it asserts that the scientific revolution was a literary phenomenon, just as the literary revolution was also a scientific one.
Tropes and the Literary-Scientific Revolution: Forms of Proof (Routledge Studies in Renaissance Literature and Culture)
by Michael SlaterTropes and the Literary-Scientific Revolution: Forms of Proof argues that the rise of mechanical science in the seventeenth century had a profound impact on both language and literature. To the extent that new ideas about things were accompanied by new attitudes toward words, what we commonly regard as the “scientific revolution” inevitably bore literary dimensions as well. Literary tropes and forms underwent tremendous reassessment in the seventeenth century, and early modern science was shaped just as powerfully by contest over the place of literary figures, from personification and metaphor to anamorphosis and allegory. In their rejection of teleological explanations of natural motion, for instance, early modern philosophers often disputed the value of personification, a figural projection of interiority onto what was becoming increasingly a mechanical world. And allegory—a dominant mode of literature from the late Middle Ages until well into the Renaissance—became “the vice of those times,” as Thomas Rymer described it in 1674. This book shows that its acute devaluation was possible only in conjunction with a distinctively modern physics. Analyzing writings by Sidney, Shakespeare, Bacon, Jonson, Brahe, Kepler, Galileo, Hobbes, Descartes, and more, it asserts that the scientific revolution was a literary phenomenon, just as the literary revolution was also a scientific one.
The Trojan Women (Oberon Modern Plays)
by Caroline BirdThe war is over. Beyond the prison walls, Troy and its people burn. Inside the prison, the city’s captive women await their fate. Stalking the antiseptic confines of its mother and baby unit is Hecuba, the fallen Trojan queen. But her grief at what has been before will soon be drowned out by the horror of what is to come, as the Greek lust for vengeance consumes everything – man, woman and baby – in its path.
Trojan Women (Greek Tragedy in New Translations)
by EuripidesAmong surviving Greek tragedies only Euripides' Trojan Women shows us the extinction of a whole city, an entire people. Despite its grim theme, or more likely because of the centrality of that theme to the deepest fears of our own age, this is one of the relatively few Greek tragedies that regularly finds its way to the stage. Here the power of Euripides' theatrical and moral imagination speaks clearly across the twenty-five centuries that separate our world from his. The theme is really a double one: the suffering of the victims of war, exemplified by the woman who survive the fall of Troy, and the degradation of the victors, shown by the Greeks' reckless and ultimately self-destructive behavior. It offers an enduring picture of human fortitude in the midst of despair. Trojan Women gains special relevance, of course, in times of war. It presents a particularly intense account of human suffering and uncertainty, but one that is also rooted in considerations of power and policy, morality and expedience. Furthermore, the seductions of power and the dangers both of its exercise and of resistance to it as portrayed in Trojan Women are not simply philosophical or rhetorical gambits but part of the lived experience of Euripides' day. And their analogues in our own day lie all too close at hand. This new powerful translation of Trojan Women includes an illuminating introduction, explanatory notes, a glossary, and suggestions for further reading.
Troilus and Cressida: A Critical Reader (Arden Early Modern Drama Guides)
by Efterpi Mitsi Andrew Hiscock Lisa HopkinsTroilus and Cressida: A Critical Reader offers an accessible and thought-provoking guide to this complex problem play, surveying its key themes and evolving critical preoccupations. Considering its generic ambiguity and experimentalism, it also provides a uniquely detailed and up-to-date history of the play's stage performance from Dryden's rewriting up to Mark Ravenhill and Elizabeth LeCompte's controversial 2012 production for the Royal Shakespeare Company and the Wooster Group. Moving through to four new critical essays, the guide opens up fresh perspectives on the play's iconoclastic nature and its key themes, ranging from issues of gender and sexuality to Elizabethan politics, from the uses of antiquity to questions of cultural translation, with particular attention paid on Troilus' “Greekness”. The volume finishes with a helpful guide to critical and web-based resources. Discussing the ways in which this challenging and acerbic play can be brought to life in the classroom, it suggests performance-based strategies, designed to engage with the dramaturgical and theatrical dimensions of the text; close-reading exercises with an emphasis on rhetoric, metaphor and the practice of “troping”; and a series of tools designed to situate the play in a range of contexts, including its classical and critical frameworks.
Troilus and Cressida: A Critical Reader (Arden Early Modern Drama Guides)
by Efterpi Mitsi Andrew Hiscock Lisa HopkinsTroilus and Cressida: A Critical Reader offers an accessible and thought-provoking guide to this complex problem play, surveying its key themes and evolving critical preoccupations. Considering its generic ambiguity and experimentalism, it also provides a uniquely detailed and up-to-date history of the play's stage performance from Dryden's rewriting up to Mark Ravenhill and Elizabeth LeCompte's controversial 2012 production for the Royal Shakespeare Company and the Wooster Group. Moving through to four new critical essays, the guide opens up fresh perspectives on the play's iconoclastic nature and its key themes, ranging from issues of gender and sexuality to Elizabethan politics, from the uses of antiquity to questions of cultural translation, with particular attention paid on Troilus' “Greekness”. The volume finishes with a helpful guide to critical and web-based resources. Discussing the ways in which this challenging and acerbic play can be brought to life in the classroom, it suggests performance-based strategies, designed to engage with the dramaturgical and theatrical dimensions of the text; close-reading exercises with an emphasis on rhetoric, metaphor and the practice of “troping”; and a series of tools designed to situate the play in a range of contexts, including its classical and critical frameworks.
Troilus and Cressida
by William ShakespeareThe story of the Trojan War unfolds from the perspectives of Troilus and Cressida—a Trojan prince and his true love, one of whom is traded to the Greeks as part of a prisoner exchange.
Troilus and Cressida: Third Series, Revised Edition (The Arden Shakespeare Third Series)
by William ShakespeareA revised edition of this intriguing and complex play, updated to cover recent critical thinking and stage history. Troilus and Cressida is a tragedy often labelled a "problem" play because of its apparent blend of genres and its difficult themes. Set in the Trojan Wars it tells a story of doomed love and honour, offering a debased view of human nature in war-time and a stage peopled by generally unsympathetic characters. The revised edition makes an ideal text for study at undergraduate level and above.
Troilus and Cressida: Third Series, Revised Edition (The Arden Shakespeare Third Series)
by William Shakespeare David BevingtonA revised edition of this intriguing and complex play, updated to cover recent critical thinking and stage history. Troilus and Cressida is a tragedy often labelled a "problem" play because of its apparent blend of genres and its difficult themes. Set in the Trojan Wars it tells a story of doomed love and honour, offering a debased view of human nature in war-time and a stage peopled by generally unsympathetic characters. The revised edition makes an ideal text for study at undergraduate level and above.
Troilus and Cressida: Webster's Korean Thesaurus Edition (The\arden Shakespeare Third Ser. #Vol. 24)
by William Shakespeare Colin Burrow R. A. FoakesIt is the seventh year of the Trojan War. The Greek army is camped outside Troy and Achilles - their military hero - refuses to fight. Inside the city Troilus, the Trojan King's son, falls in love with Cressida, whose father has defected to the Greek camp. In an exchange of prisoners the couple are split - they believe forever. The honour of lovers and soldiers is tested as a fierce battle begins and heroes must prove their worth.
Troilus and Cressida
by Paul Werstine William Shakespeare Barbara MowatFor Troilus and Cressida, set during the Trojan War, Shakespeare turned to the Greek poet Homer, whose epic poems the Iliad and the Odyssey treat the war and its aftermath, and to Geoffrey Chaucer, author of The Canterbury Tales and the great romance of the war, Troilus and Criseyde. The authoritative edition of Troilus and Cressida from The Folger Shakespeare Library, the trusted and widely used Shakespeare series for students and general readers, includes: -Freshly edited text based on the best early printed version of the play -Full explanatory notes conveniently placed on pages facing the text of the play -Scene-by-scene plot summaries -A key to the play’s famous lines and phrases -An introduction to reading Shakespeare’s language -An essay by a leading Shakespeare scholar providing a modern perspective on the play -Fresh images from the Folger Shakespeare Library’s vast holdings of rare books -An annotated guide to further reading Essay by Jonathan Gil Harris The Folger Shakespeare Library in Washington, DC, is home to the world’s largest collection of Shakespeare’s printed works, and a magnet for Shakespeare scholars from around the globe. In addition to exhibitions open to the public throughout the year, the Folger offers a full calendar of performances and programs. For more information, visit Folger.edu.
Tristana: by Benito Pérez Galdós (Hispanic Texts)
by Pablo ValdiviaThis volume provides an annotated critical edition of Galdós' Tristana (1892). Set in fin de siècle Madrid, this unique text reflects upon the ruling elites' political appropriation and exploitation of feminism and the human rights movement, and a variety of literary and philosophical issues associated with late-romantic thought.
Trish Arnold: The Legacy of Her Movement Training for Actors
by Lizzie Ballinger'All you have is yourself, no words, no script in hand, no music to dance to, nothing to hide behind. It was just me – the pure expression of my desire.'Trish Arnold (1918-2017) was a pioneer in the field of movement. Her work stands alongside that of movement practitioners such as Litz Pisk, Jacques Lecoq and Rudolf Laban in its influence on international theatre, film and drama-school training. Until now, her practice has never been written down in its entirety, but has been passed from body to body, through one-to-one teaching between movement practitioners.Lizzie Ballinger's intimate and groundbreaking book provides the first full exploration of Arnold's movement training for actors, focusing on the context, practice and evolution of Arnold's work, and its legacy in theatre-making today. Beginning with Arnold's journey into theatre from a dance background, Ballinger describes her own mentorship with Movement Director and Choreographer Jane Gibson, Arnold's first mentee, and provides a detailed and honest reflection on how she learned to teach this work.Supplemented throughout by beautiful illustrations of her movements, alongside Arnold's original notes and sketches, this book gives a clear and concise explanation of how to embody Arnold's movements.
Trish Arnold: The Legacy of Her Movement Training for Actors
by Lizzie Ballinger'All you have is yourself, no words, no script in hand, no music to dance to, nothing to hide behind. It was just me – the pure expression of my desire.'Trish Arnold (1918-2017) was a pioneer in the field of movement. Her work stands alongside that of movement practitioners such as Litz Pisk, Jacques Lecoq and Rudolf Laban in its influence on international theatre, film and drama-school training. Until now, her practice has never been written down in its entirety, but has been passed from body to body, through one-to-one teaching between movement practitioners.Lizzie Ballinger's intimate and groundbreaking book provides the first full exploration of Arnold's movement training for actors, focusing on the context, practice and evolution of Arnold's work, and its legacy in theatre-making today. Beginning with Arnold's journey into theatre from a dance background, Ballinger describes her own mentorship with Movement Director and Choreographer Jane Gibson, Arnold's first mentee, and provides a detailed and honest reflection on how she learned to teach this work.Supplemented throughout by beautiful illustrations of her movements, alongside Arnold's original notes and sketches, this book gives a clear and concise explanation of how to embody Arnold's movements.
The Tricycle: Collected Tribunal Plays 1994-2012 (Oberon Modern Playwrights)
by Victoria Brittain Gillian Slovo Richard Norton-Taylor Nicolas KentFrom 1994-2012 Kilburn’s Tricycle Theatre produced an extraordinary body of work that sought to engage, inform, and critique British and International Politics using verbatim testimony to respond to contemporary issues. Collected here for the first time are the complete ‘Tribunal Plays’. 2014 marks the 20th anniversary of the Tricycle’s first Tribunal Play – Half the Picture. This collection celebrates a remarkable and enduring body of work. Contains the plays Half the Picture, Nuremberg, Srebrenica, The Colour of Justice, Justifying War, Guantanamo, Bloody Sunday, Called to Account, Tactical Questioning and The Riots. Also included is a brand-new round table discussion with Nicolas Kent, Richard Norton-Taylor, Gillian Slovo and the playwright David Edgar, charting the history and development of each show and the contribution the Tribunal Plays have made to political theatre in the last two decades, and a foreword by Guardian journalist and chief theatre critic Michael Billington.
The Trick (Oberon Modern Plays)
by Eve LeighMira’s husband, Jonah, died seven months ago, but that doesn’t mean that either of them are ready to let him go. For most of her life Jonah has been Mira’s reason to get out of bed in the morning. So when he does his final disappearing act, Mira can’t quite believe her eyes. She knows she should be moving on. And yet, Mira finds herself caring less and less about the world outside. The Trick is a magic show about the parts of life we don’t talk about – the realities of getting older and coming to terms with loss. Ghosts, goldfish, mediums, and sleight-of-hand collide in this unpredictable exploration of ageing and grief by Eve Leigh (Stone Face, Silent Planet).
The Trial of Ubu (Modern Plays)
by Simon StephensIn The Trial of Ubu, Simon Stephens takes the grotesque and amoral megalomaniac dictator from Alfred Jarry's proto-surrealist 1896 play Ubu Roi and places him before a twenty-first century international tribunal. Set in January 2010, at the International Criminal Tribunal sitting in The Hague, it is day 436 of the trial of the dictator Ubu. Sitting before a UN constituted International Tribunal, he is charged with Crimes against Humanity and other serious violations of international humanitarian law. Simon Stephens' virtuosic satire examines the often absurd legal wrangling of the international justice system. The Trial of Ubu is a savage comedy that interrogates the assumptions of a Court as it struggles to deal with defendants who are not only opposed to the morality of law, but exist in a different moral dimension altogether.Exploring the central legitimacy and effectiveness of international law, Stephens asks how a civilised society can deal with the perpetrators of unspeakable crime, and wherein lies the legitimacy of any internationally convened tribunal. Taking a wry and intelligent look at the international courts when reduced to senseless and convoluted legal altercations, this funny yet unsettling play asks important questions about legal against moral justice, and the futility of reasoned argument in the presence of a heinous malefactor.
The Trial of Ubu (Modern Plays)
by Simon StephensIn The Trial of Ubu, Simon Stephens takes the grotesque and amoral megalomaniac dictator from Alfred Jarry's proto-surrealist 1896 play Ubu Roi and places him before a twenty-first century international tribunal. Set in January 2010, at the International Criminal Tribunal sitting in The Hague, it is day 436 of the trial of the dictator Ubu. Sitting before a UN constituted International Tribunal, he is charged with Crimes against Humanity and other serious violations of international humanitarian law. Simon Stephens' virtuosic satire examines the often absurd legal wrangling of the international justice system. The Trial of Ubu is a savage comedy that interrogates the assumptions of a Court as it struggles to deal with defendants who are not only opposed to the morality of law, but exist in a different moral dimension altogether.Exploring the central legitimacy and effectiveness of international law, Stephens asks how a civilised society can deal with the perpetrators of unspeakable crime, and wherein lies the legitimacy of any internationally convened tribunal. Taking a wry and intelligent look at the international courts when reduced to senseless and convoluted legal altercations, this funny yet unsettling play asks important questions about legal against moral justice, and the futility of reasoned argument in the presence of a heinous malefactor.
Trial: Adaptation (PDF)
by Franz Kafka Steven BerkoffIn the Penal Colony, his first professional production, was performed at London’s experimental theatre, the Arts Lab, Drury Lane in 1968. His adaptation of Metamorphosis, in which he played the part of Gregor, was first seen at the Round House in 1969. The Trial was first presented at the Oval House in 1970. Steven Berkoff has rewritten Agamemnon (after Aeschylus) and The Fall of the House of Usher (from Edgar Allan Poe). His first original play was East (1975) which won critical acclaim for its originality and eclectic concoction of Elizabethan verse and punk poetry with Cockney slang. His other work for the stage includes Greek, a parody of the Oedipus myth;West, the story of Beowulf written in the Cockney idiom as a sequel to East; Decadence; Harry’s Christmas; Kvetch; Acapulco; Sink the Belgrano; and Massage. As a director Steven Berkoff fuses all the elements of drama together in a whole experience. His work is earthy, physical, musical and surreal, combining movement and mime with text to achieve a high dramatic intensity.
The Trial: Translated By Mike Mitchell (Mobi Classics Series #514)
by Franz Kafka Nick GillA timeless tale of ordinary terror. Josef K’s thirty-fifth birthday begins with a knock on his door. Three sinister agents have arrived from an unidentified agency to arrest him for unidentified crimes. But this is no birthday prank – this is life or death. So begins K’s dark descent into a waking nightmare of bizarre humiliations and compulsive procedures.
The Trench (Oberon Modern Plays)
by Oliver LansleyA new play inspired by the true story of a miner who became entombed in a tunnel during World War One. As the horror threatens to engulf him, he discovers another world beneath the mud and death. Setting off on an epic journey of salvation, the boundaries between reality and fantasy blur as he questions what’s real, what’s not and whether it even matters? The Trench blends Les Enfants Terribles’ acclaimed brand of physical storytelling, verse, puppetry and live music from Alexander Wolfe.
Tremor (Modern Plays)
by Brad BirchThis is the person I am now. It's the person I want to be, should have been for a long time. We got dark, Sophie. Things got dark, and I...I'm better now. I'm in a better place...Once our lives are touched by tragedy, can we ever truly move on? Sophie and Tom's relationship fell apart in the aftermath of a catastrophe. Four years on, as they come face to face once again, the aftershocks of that fateful day can still be felt.Tremor is a play about now. It's about how we choose to see things and live our lives in a world riven with tension, anxiety and division. This thrilling new play by Brad Birch, recipient of the Harold Pinter Commission, offers a taut, intense and thrilling two-hander.
Tremor (Modern Plays)
by Brad BirchThis is the person I am now. It's the person I want to be, should have been for a long time. We got dark, Sophie. Things got dark, and I...I'm better now. I'm in a better place...Once our lives are touched by tragedy, can we ever truly move on? Sophie and Tom's relationship fell apart in the aftermath of a catastrophe. Four years on, as they come face to face once again, the aftershocks of that fateful day can still be felt.Tremor is a play about now. It's about how we choose to see things and live our lives in a world riven with tension, anxiety and division. This thrilling new play by Brad Birch, recipient of the Harold Pinter Commission, offers a taut, intense and thrilling two-hander.