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Richard II: With Notes, Examination Papers, And Plan Of Preparation...
by William Shakespeare Stanley Wells Paul EdmondsonBanishing his cousin, Bolingbroke, King Richard II prevents a dispute from turning bloody. But Richard is an arrogant and despotic ruler, prone to tyranny and vanity, who listens only to his flatterers. As favour turns against him and Bolingbroke returns to reclaim his land, Richard is humbled and grieved to see that the throne given to him by God might be taken from him by men.
Richard II: A Critical Reader (Arden Early Modern Drama Guides)
by Michael Davies and Andrew DuxfieldArden Early Modern Drama Guides offer students and academics practical and accessible introductions to the critical and performance contexts of key Elizabethan and Jacobean plays. Contributions from leading international scholars give invaluable insight into the text by presenting a range of critical perspectives, making these books ideal companions for study and research.Key features include:Essays on the play's critical and performance historiesA keynote chapter reviewing current research and recent criticism of the playA selection of new essays by leading scholarsA survey of learning and teaching resources for both instructors and studentsThis volume offers a thought-provoking guide to Shakespeare's Richard II, surveying its critical heritage and the ways in which scholars, critics, and historians have approached the play, from the 17th to the 21st century. It provides a detailed, up-to-date account of the play's rich performance history on stage and screen, looking closely at some major British productions, as well as a guide to learning and teaching resources and how these might be integrated into effective pedagogic strategies in the classroom.Presenting four new critical essays, this collection opens up fresh perspectives on this much-studied drama, including explorations of: the play's profound preoccupation with earth, ground and land; Shakespeare's engagement with early modern sermon culture, 'mockery' and religion; a complex network of intertextual and cultural references activated by Richard's famous address to the looking-glass; and the long-overlooked importance to this profoundly philosophical drama of that most material of things: money.
Richard II: A Critical Reader (Arden Early Modern Drama Guides)
Arden Early Modern Drama Guides offer students and academics practical and accessible introductions to the critical and performance contexts of key Elizabethan and Jacobean plays. Contributions from leading international scholars give invaluable insight into the text by presenting a range of critical perspectives, making these books ideal companions for study and research.Key features include:Essays on the play's critical and performance historiesA keynote chapter reviewing current research and recent criticism of the playA selection of new essays by leading scholarsA survey of learning and teaching resources for both instructors and studentsThis volume offers a thought-provoking guide to Shakespeare's Richard II, surveying its critical heritage and the ways in which scholars, critics, and historians have approached the play, from the 17th to the 21st century. It provides a detailed, up-to-date account of the play's rich performance history on stage and screen, looking closely at some major British productions, as well as a guide to learning and teaching resources and how these might be integrated into effective pedagogic strategies in the classroom.Presenting four new critical essays, this collection opens up fresh perspectives on this much-studied drama, including explorations of: the play's profound preoccupation with earth, ground and land; Shakespeare's engagement with early modern sermon culture, 'mockery' and religion; a complex network of intertextual and cultural references activated by Richard's famous address to the looking-glass; and the long-overlooked importance to this profoundly philosophical drama of that most material of things: money.
Richard III (The RSC Shakespeare)
by Jonathan Bate Eric RasmussenFrom the Royal Shakespeare Company – a definitive, fresh new look at Shakespeare’s most compelling villain. With an expert introduction by Sir Jonathan Bate, this unique edition presents a historical overview of Richard III in performance, takes a detailed look at specific productions, and recommends film versions. Included in this edition are interviews with an actor, a director and a designer – Simon Russell Beale, Bill Alexander and Tom Piper – providing an illuminating insight into the extraordinary variety of interpretations that are possible. This edition also includes an essay on Shakespeare’s career and Elizabethan theatre, and enables the reader to understand the play as it was originally intended – as living theatre to be enjoyed and performed. Ideal for students, theatre-goers, actors and general readers, the RSC Shakespeare editions offer a fresh, accessible and contemporary approach to reading and rediscovering Shakespeare’s works for the twenty-first century.
Richard III: A Critical Reader (Arden Early Modern Drama Guides)
by Annaliese ConnollyCharting the ruthless rise and fall of the villainous king, Richard III remains one of Shakespeare's most enduringly discussed and oft-performed plays. Assembled by leading scholars, this guide provides a comprehensive survey of major issues in the contemporary study of the play.Throughout the book survey chapters explore such issues as the play's critical reception from Dr Johnson to postmodern readings in the 21st century; the performance history of the play, from Shakespeare's day to more recent stagings by Laurence Olivier and Ian McKellen; key themes in current scholarship, from disability to gender and nationalism; Richard III on film, including Al Pacino's Looking for Richard.Richard III: A Critical Guide also includes a complete guide to resources available on the play - including critical editions, online resources and an annotated bibliography - and how they might be used to aid both the teaching and study of Shakespeare's play.
Richard III: A Critical Reader (Arden Early Modern Drama Guides)
by Annaliese ConnollyCharting the ruthless rise and fall of the villainous king, Richard III remains one of Shakespeare's most enduringly discussed and oft-performed plays. Assembled by leading scholars, this guide provides a comprehensive survey of major issues in the contemporary study of the play.Throughout the book survey chapters explore such issues as the play's critical reception from Dr Johnson to postmodern readings in the 21st century; the performance history of the play, from Shakespeare's day to more recent stagings by Laurence Olivier and Ian McKellen; key themes in current scholarship, from disability to gender and nationalism; Richard III on film, including Al Pacino's Looking for Richard.Richard III: A Critical Guide also includes a complete guide to resources available on the play - including critical editions, online resources and an annotated bibliography - and how they might be used to aid both the teaching and study of Shakespeare's play.
Richard III
by William ShakespeareAn account of the brutal and bloody rise of King Richard III to the throne, Shakespeare's play depicts the short-lived monarch's ruthless campaign for power, which resulted in the deaths of two of his brothers.
Richard III
by William ShakespeareRichard III, the hunchback Duke of Gloucester, becomes King Richard III through a series of manipulations and evil schemes. His ambition is the driving force for the plot and he finds little to stand in his way as he strives for domination of all of England.
Richard III (Longman School Shakespeare Ser.)
by William ShakespeareRichard has fought hard in a brutal civil war. His family has won and his brother Edward is King, but Richard wants all the power and glory for himself. He will stop at nothing to place himself on the throne - not even the murder of his family.
Richard III: Propeller Shakespeare (Oberon Modern Plays Ser.)
by William Shakespeare Edward Hall Roger WarrenRichard III brings the Wars of the Roses cycle of history plays to a close in bloody fashion. Arguably Shakespeare’s most villainous king, we watch in horror and delight as Richard murders his way to the throne, unable to resist his cruel wit and dark humour. This is a hugely entertaining and diabolical adventure that tells the story of one man’s journey to heaven, then back to hell.
Richard III: Large Print
by William Shakespeare Michael Taylor Gillian Day E. A. HonigmannThe bitter, deformed brother of the King is secretly plotting to seize the throne of England. Charming and duplicitous, powerfully eloquent and viciously cruel, he is prepared to go to any lengths to achieve his goal - and, in his skilful manipulation of events and people, Richard is a chilling incarnation of the lure of evil and the temptation of power.
Richard Nelson: Three Plays of Adolescence: Goodnight Children Everywhere; Franny's Way; Madame Melville (Faber Contemporary Classics Ser.)
by Richard NelsonThree Plays of Adolescence: Goodnight Children Everywhere; Franny's Way; Madame MelvilleGoodnight Children EverywhereOlivier Award for Best Play, 2000'Exile - both literal and emotional - has been a haunting preoccupation for this dramatist. And with all themes of displacement and loss comes the yearning for a sense of place, for those attachments we cannot always rationalize but know as home. In Goodnight Children Everywhere, the safe harbor of home has been dynamited by war... A disturbing and lovely domestic drama about the loss of childhood.'New York ObserverFranny's Way'Boundaries warp and melt in the dense urban heat that pervades Franny's Way, Nelson's sensitively drawn portrait of love in the age of J.D.Salinger. The lines between childhood and adulthood blur disorientatingly for the three generations of characters gathered in a cramped apartment in Greenwich Village at the height of the summer in the 1950's... Nelson continues to give compassionate and insightful life to such erotic waywardness.'New York Times'It moves with the breathless haste of a horny teen on prom night.'Time Out New YorkMadame Melville'A memory play of wonderful delicacy, tenderness and humour... I left the theatre elated at having discovered such a terrific new play. An exquisite reminder of lost love, innocence and youth.' Daily Telegraph'An elegant, tender, beguiling play.' Guardian'It moves with the breathless haste of a horny teen on prom night.'Time Out New YorkMadame Melville'A memory play of wonderful delicacy, tenderness and humour... I left the theatre elated at having discovered such a terrific new play. An exquisite reminder of lost love, innocence and youth.' Daily Telegraph'An elegant, tender, beguiling play.' Guardian
Rick and Morty: I'm Pickle Rick Ruled Journal Notebook, 120 Page, Size 6 X 9 For Adult And Teens
by Rick Sanchez Matt CarsonAs the most intelligent being in the multiverse, I've got a lot of knowledge to drop. Check out this collection of my words of wisdom. If you 're smart, you 'll pay attention - Rick SanchezEach season Rick and his grandson Morty embark on thrilling domestic and intergalactic adventures, all for the benefit of science (and Rick's inflated ego). But what makes the depraved genius tick? Now Rick is eager to impart his unique (and sometimes disturbing) take on life, love, and everything in-between for the benefit of aspiring mad scientists everywhere. Giving a unique insight into a deranged mind, The World According to Rick is a collection of Rick's most meaningful (and meaningless) sayings, monologues, and quotes, complete with a personal introduction by the mad man himself. Isotope 322. This stuff's so powerful, Morty, it makes Isotope 465 look like Isotope 317 - Rick on ScienceThere's pros and cons to every alternate timeline. Fun facts about this one: It's got giant telepathic spiders, eleven nine-elevens, and the best ice cream in the multiverse! - Rick on Interdimensional Time TravelOut of the frying pan, dot dot dot, huh, Morty? - Rick on AdventureWhen a Rick is with a Morty, the genius waves get cancelled out by the, uh, Morty waves - Rick on MortyA truly distinctive volume, this collectible is sure to become a cult favorite like the show that inspired it, and an invaluable reference for Rick's millions of fans.
Rickenbacker Guitars: The definitive history of a 20th-century icon
by Martin Kelly Paul KellyA STUNNING NEW AND COMPLETELY REVISED EDITION OF THE RICKENBACKER BIBLE FOR 2023'Knowing Martin and Paul Kelly's perfectionism and attention to detail it's no surprise that this is the ultimate and complete story of all things Rickenbacker.' - Johnny Marr'A wonderful history of my favourite guitar. The attention to detail is amazing!' - Roger McGuinn'There are few things more satisfying than the shimmer of an open chord played on a Rickenbacker through a Fender Deluxe Reverb amplifier. Martin and Paul have given us the definitive history of these magical instruments.' - Susanna HoffsRickenbacker Guitars is the highly anticipated follow up to Fender: The Golden Age, charting the story of one of the most important and influential guitar makers of all time. From George Beauchamp's invention of the world's first commercially viable electric guitar in 1931, through the company's heyday during the 1960s - when their instruments were favoured by The Beatles, The Byrds and The Who - and up to the continuing legacy of Rickenbacker today.This definitive collection features unprecedented access to the company archives, 350 beautifully photographed original instruments - including all 7 surviving Beatles owned Rickenbackers - and new interviews with legendary Rickenbacker players such as Roger McGuinn, Peter Buck, Susanna Hoffs, Johnny Marr, Mike Campbell, Geddy Lee and Paul Weller.Rickenbacker Guitars is the most comprehensive history of the brand to date and a must-have for all guitar enthusiasts.
The Ride Down Mt. Morgan (Penguin Modern Classics)
by Arthur MillerA car wreck on the slopes of Mount Morgan puts insurance tycoon Lyman Felt in the hospital. While Lyman recovers, two women meet in the hospital waiting room only to discover that they are both married to him. With his secrets exposed, Lyman tries to justify himself to the two women - the prim, cultured Theo and the restless, ambitious Leah - at the same time hoping to convince himself that he is blameless. Moving between broad farce and delicate tragedy, The Ride Down Mt. Morgan explores the struggle between honesty with others and honesty with oneself.
The Ride Down Mt. Morgan (Student Editions)
by Arthur Miller'Mr. Miller knows his audience… he is letting us know, the devil will have his due.' NEW YORK TIMESWhen insurance agent Lyman Felt is hospitalised following a near-fatal car crash, both of his wives show up at his bedside and his duplicitous bigamy is revealed. As his shocked spouses – the prim Theo and the assertive Leah – reel from this revelation and their husband's hypocrisy, an outrageous question is presented: is marriage actually easier this way?Touching on themes of betrayal, crisis and reconciliation, The Ride Down Mt. Morgan is one of Miller's more controversial works, and was nominated for the Tony Award for Best Play in 1991. This Methuen Drama Student Edition is edited by Thiago Russo, with commentary and notes that explore the play's production history (including excerpts from an interview with director David Esbjornson) as well as the dramatic, thematic and academic debates that surround it.
The Ride Down Mt. Morgan (Student Editions)
by Arthur Miller'Mr. Miller knows his audience… he is letting us know, the devil will have his due.' NEW YORK TIMESWhen insurance agent Lyman Felt is hospitalised following a near-fatal car crash, both of his wives show up at his bedside and his duplicitous bigamy is revealed. As his shocked spouses – the prim Theo and the assertive Leah – reel from this revelation and their husband's hypocrisy, an outrageous question is presented: is marriage actually easier this way?Touching on themes of betrayal, crisis and reconciliation, The Ride Down Mt. Morgan is one of Miller's more controversial works, and was nominated for the Tony Award for Best Play in 1991. This Methuen Drama Student Edition is edited by Thiago Russo, with commentary and notes that explore the play's production history (including excerpts from an interview with director David Esbjornson) as well as the dramatic, thematic and academic debates that surround it.
Riders to the Sea
by J. M. SyngeThis work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Ridiculous Darkness (Oberon Modern Plays)
by Wolfram Lotz“I have a right to appear here. Otherwise, who will listen to me? Where should I talk about myself, if not here?” Ultimo has a degree in piracy from Mogadishu University of Applied Sciences. Tofdau won’t rest until his story’s told. Sergeant Pellner and Officer Dorsch are sailing up the Hindu Kush in search of Lieutenant Colonel Deutinger in the rainforest of Afghanistan. And at his parents’ home in Bad Rippoldsau, Wolfram Lotz is experiencing writer’s block. Critically acclaimed dark comedy The Ridiculous Darkness, by award-winning German playwright Wolfram Lotz, is a surreal, hilarious and powerful response to Heart of Darkness and Apocalypse Now that invites us to rethink colonial narratives, confront our ideas of each other and question what we imagine is in the darkness. Four black femmes. Three revered White Male Writers. Two classic works. A radical deconstruction.
Ridley Plays: Vincent River; Mercury Fur; Leaves of Glass; Piranha Heights (Contemporary Dramatists)
by Philip RidleyThis second volume of Ridley's stage plays confirms him as one of themost imaginative, daring and unique voices currently working intheatre. All four plays collected here resonant with Ridley's trademarkthemes - East London, storytelling, moments of shocking violence,memories of the past, fantastical monologues, and that strange mix ofthe barbaric and the beautiful he has made all his own.Vincent River: '... a grieving mother and a traumatized teenagermeet as adversaries, rough each other up and eventually bond over abarbaric act of cruelty...Ridley asksquestions, lots of them, about how people respond to the loss ofinnocence in their lives, how they hold onto their sanity in the faceof savagery and how they fight to keep the bonds of humanity intact ina mad, mad world.' VarietyMercury Fur: '...depicts a scary, post-apocalyptic London where, intheir struggle to survive, a group of youths are reduced to organisingparties that cater for the most perverted tastes.' IndependentLeaves of Glass: 'There is a different kind of murder going on here:the murder of truth that goes on in all families to a lesser or greaterdegree. As with nations, a family's history is written by the victors.' GuardianPiranha Heights: 'The extravagance of Ridley's dark vision suggests adangerously confused society in which individuals seize on randomgobbets of semi-digested information and use them to construct theirown personal narrative.' TheTimes
Ridley Plays: Vincent River; Mercury Fur; Leaves of Glass; Piranha Heights (Contemporary Dramatists)
by Philip RidleyThis second volume of Ridley's stage plays confirms him as one of themost imaginative, daring and unique voices currently working intheatre. All four plays collected here resonant with Ridley's trademarkthemes - East London, storytelling, moments of shocking violence,memories of the past, fantastical monologues, and that strange mix ofthe barbaric and the beautiful he has made all his own.Vincent River: '... a grieving mother and a traumatized teenagermeet as adversaries, rough each other up and eventually bond over abarbaric act of cruelty...Ridley asksquestions, lots of them, about how people respond to the loss ofinnocence in their lives, how they hold onto their sanity in the faceof savagery and how they fight to keep the bonds of humanity intact ina mad, mad world.' VarietyMercury Fur: '...depicts a scary, post-apocalyptic London where, intheir struggle to survive, a group of youths are reduced to organisingparties that cater for the most perverted tastes.' IndependentLeaves of Glass: 'There is a different kind of murder going on here:the murder of truth that goes on in all families to a lesser or greaterdegree. As with nations, a family's history is written by the victors.' GuardianPiranha Heights: 'The extravagance of Ridley's dark vision suggests adangerously confused society in which individuals seize on randomgobbets of semi-digested information and use them to construct theirown personal narrative.' TheTimes
Ridley Plays 1: The Pitchfork Disney; The Fastest Clock in the Universe; Ghost from a Perfect Place (Contemporary Dramatists)
by Philip RidleyThis volume contains Ridley's first three plays, which heralded the arrival of a unique and disturbing voice in the world of contemporary drama. They are seminal works in the development of the 'in yer face' theatre that emerged in Britain during the mid-1990s.The three plays here all manifest Ridley's vivid and visionary imagination and the dark beauty of his outlook. They resonate with his trademark themes: East London, storytelling, moments of shocking violence, memories of the past, fantastical monologues, and that strange mix of the barbaric and the beautiful he has made all his own.Pitchfork Disney was Ridley's first play and is now seen as launching a new generation of playwrights who were unafraid to shock and court controversy. This unsettling, dreamlike piece has surreal undertones and thematically explores fear, dreams and story-telling. The Fastest Clock in the Universe is a multi-award-winning play which caused a sensation when it premiered at Hampstead Theatre in 1992. An edgy and provocative drama, it is now regarded as a contemporary classic.Ghost from a Perfect Place is a scorchingly nasty blend of comedy, spectacle and terror where a monster from the past meets the monsters of the present.
Ridley Plays 1: The Pitchfork Disney; The Fastest Clock in the Universe; Ghost from a Perfect Place (Contemporary Dramatists)
by Philip RidleyThis volume contains Ridley's first three plays, which heralded the arrival of a unique and disturbing voice in the world of contemporary drama. They are seminal works in the development of the 'in yer face' theatre that emerged in Britain during the mid-1990s.The three plays here all manifest Ridley's vivid and visionary imagination and the dark beauty of his outlook. They resonate with his trademark themes: East London, storytelling, moments of shocking violence, memories of the past, fantastical monologues, and that strange mix of the barbaric and the beautiful he has made all his own.The Pitchfork Disney was Ridley's first play and is now seen as launching a new generation of playwrights who were unafraid to shock and court controversy. This unsettling, dreamlike piece has surreal undertones and thematically explores fear, dreams and story-telling. The Fastest Clock in the Universe is a multi-award-winning play which caused a sensation when it premiered at Hampstead Theatre in 1992. An edgy and provocative drama, it is now regarded as a contemporary classic.Ghost from a Perfect Place is a scorchingly nasty blend of comedy, spectacle and terror where a monster from the past meets the monsters of the present.
Riflemind
by Andrew UptonTwenty years after their frontman, John, walked off stage for good, the ironic rock band Riflemind are set to get together again. For John, a reunion might be his second chance; for his wife, Lyn, it could be the end of the world as she knows it . . . As the band descend upon John's country manor, this weekend fast becomes the ultimate test of talent, friendship and loyalty.Originally produced by Sydney Theatre Company, Riflemind received its UK premiere at the Trafalgar Studio, London, in September 2008.
The Right Light: Interviews with Contemporary Lighting Designers
by Nick MoranHow do theatre lighting designers decide what is 'the right light' for each moment of a production? What informs their choices? Why does the audience respond more strongly when the lighting feels 'right'? By interviewing nineteen prominent lighting designers and weaving their insights through his own narrative, Nick Moran aims to answer such questions. This book considers practice across different types of theatre, including opera, dance, musicals and drama. Rather than being a technical manual, it allows lighting designers to contribute contrasting and complementary ideas about how to approach lighting design. Moran argues that the best stage lighting is made with emotion, passion and soul, by creative artists willing to take risks. Includes interviews with: Neil Austin – Lucy Carter – Jon Clark – Natasha Chivers – Paule Constable – James Farncombe – Rick Fisher – Mark Henderson – David Howe – Michael Hulls – Mark Jonathan – Peter Mumford – Ben Ormerod – Bruno Poet – Paul Pyant – Nick Richings – Johanna Town – Hugh Vanstone – Katharine Williams