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Virginia Woolf and Heritage (Clemson University Press)
by Jane DeGay Tom Breckin Anne ReusThis volume aims to situate Virginia Woolf as a writer who, despite her fame as a leading modernist, also drew on a rich literary and cultural heritage. The chapters in this volume explore the role her family heritage, literary tradition and heritage locations play in Woolf’ s works, uncovering the influence the past had on her work, and particularly her deep indebtedness to the Victorian period in the process. It looks at how she reimagined heritage, including her queer readings of the past. This volume also aims to examine Woolf’ s own literary legacy: with essays examining her reception in Romania, Poland and France and her impact on contemporary writers like Alice Munro and Lidia Yuknavitch. Lastly, Woolf’ s standing in the increasingly popular field of biofiction is explored. The collection features an extended chapter on Virginia Woolf’ s relationship with her cousin H.A.L. Fisher by David Bradshaw, and an extended chapter by Laura Marcus on Woolf and the concept of shame.
Vivre Ici: Space, Place and Experience in Contemporary French Documentary (Contemporary French and Francophone Cultures #50)
by Alison J. Murray LevineVivre Ici invites the reader on a journey through the vast viewing landscape of contemporary French documentary film, a genre that has experienced a renaissance in the past twenty years. The films explored are connected not just by a general interest in engaging the “real,” but by a particular attention to French space and place. From farms and wild places to roads, schools, and urban edgelands, these films explore the spaces of the everyday and the human and non-human experiences that unfold within them. Through a critical approach that integrates phenomenology, film theory, eco-criticism and cultural history, Levine investigates the notion of documentary as experience. She asks how and why, in the contemporary media landscape, these films seek to avoid argumentation and instead, give the viewer a feeling of “being there.” As a diverse collection of filmmakers, both well-known and lesser-known, explore the limits and possibilities of these places, a collage-like, incomplete, and fragmented vision of France as seen and felt through documentary cameras comes into view. Venturing beyond film analysis to examine the production climate for these films and their circulation in contemporary France, Levine explores the social and political consequences of these “films that matter” for the viewers who come into contact with them.
Voyage of the Liberdade
by Joshua SlocumIn 1890, the author became the first person to circumnavigate the globe alone. This is the account of one of his lesser-known but no less remarkable sea journeys. From the Publisher: Great 19th-century mariner's thrilling, account of the wreck of his ship off the coast of South America, the 35-foot brave little craft he built from the wreckage, and its remarkable, danger-fraught voyage home. A 19th-century maritime classic brimming with courage, ingenuity, and daring. Easy-to-read and fast-paced.
Walden; Or Life in the Woods
by Henry David ThoreauA multi-faceted classic of American literature and philosophy. At the beginning of the book, Thoreau leaves his civilized life behind, planning to live in the wilderness for two years to discover what a simpler, purer life has to offer him. He builds a home for himself near Walden pond, and begins on a journey of discovery. Throughout the course of the book Thoreau mixes in-depth explanations of how he lived with reflective musings on what his life of tranquility, simplicity, and closeness with nature taught him. Penguin Random House Canada is proud to bring you classic works of literature in e-book form, with the highest quality production values. Find more today and rediscover books you never knew you loved.
A Week on the Concord and Merrimack Rivers (Writings of Henry D. Thoreau #31)
by Henry David ThoreauThoreau's classic account of a river journey depicting the early years of his spiritual and artistic growthThis paperback edition of Henry D. Thoreau's A Week on the Concord and Merrimack Rivers features an invaluable introduction by noted writer John McPhee. Unusual for its symbolism and structure, its criticism of Christian institutions, and its many-layered storytelling, this classic work was Thoreau's first published book.In the late summer of 1839, Thoreau and his older brother John made a two-week boat-and-hiking trip from Concord, Massachusetts, to the White Mountains of New Hampshire. After John's sudden death in 1842, Thoreau began to prepare a memorial account of their excursion. He wrote two drafts of this story at Walden Pond, which he continued to revise and expand until 1849, when he arranged for its publication at his own expense. The book's heterodoxy and apparent formlessness troubled its contemporary audience, but modern readers have come to see it as an appropriate predecessor to Walden.
What Pure Eyes Could See: Calvin's Doctrine Of Faith In Its Exegetical Context
by Barbara PitkinBarbara Pitkin traces the way in which Calvin's exegetical labors contributed to his understanding of faith. Through detailed analysis of Calvin's interpretation of selected biblical passages, this study shows how his views evolved. Pitkin describes the gradual development of the mature Calvin's view that faith exhibits a twofold character--saving faith and providential faith--that corresponds to the twofold aspect of its object--Christ as both the incarnate and eternal Son of God.
The Whole Works Of ... Jeremy Taylor: With A Life Of The Author And A Critical Examination Of His Writings By R. Heber...
by Jeremy Taylor Reginald HeberThe Whole Works Of ... Jeremy Taylor, With A Life Of The Author And A Critical Examination Of His Writings By R. Heber...
Widger's Quotations from Project Gutenberg Edition of Memoirs of Napoleon
by VariousSynopsis not available.
Widger's Quotations from the Project Gutenberg Editions of the Court Memoirs of France
by VariousSynopsis not available.
The Wild Men: The Remarkable Story of Britain's First Labour Government
by David Torrance'Thoroughly researched…brings superbly to life figures whom history should not have forgotten.' - Simon Heffer, Daily Telegraph'A highly readable, enjoyable and informative book.' - John McTernan, Financial TimesThe incredible story of the first Labour government, and the 'wild men' who shook up the British establishment.In 1923, four short years since the end of the First World War, and after the passing of the Act which gave all men the vote, an inconclusive election result and the prospect of a constitutional crisis opened the door for a radically different sort of government: men from working-class backgrounds who had never before occupied the corridors of power at Westminster. Who were these 'wild men'? Ramsay MacDonald, their leader and Labour's first Prime Minster, was the illegitimate son of a Scottish farm labourer; Arthur Henderson was a Scottish iron moulder; J. H. Thomas, a Welsh railwayman; John Wheatley, an Irish-born miner and publican; and William Adamson, a Fife coal miner. Never before had men from such backgrounds occupied the corridors of power in Westminster.The Wild Men tells the story of that first Labour administration – its unexpected birth, fraught existence, and controversial downfall – through the eyes of those who found themselves in the House of Commons, running the country for the people. Blending biography and history into a compelling narrative, David Torrance reassesses the UK's first Labour government a century after it shook up a British establishment still reeling from the War – and how the establishment eventually fought back.This is an extraordinary period in British political history which echoes down the years to our current politics and laid the foundations for the Britain of today.
Wild Woman: Empowering Stories from Women who Work in Nature
by Philippa ForresterAn engaging blend of conservation stories and humorous, personal anecdotes from Philippa Forrester about women who, like her, choose to live and work in the wild.Surviving in the wilderness has long been associated with men, and conservation and environmental biology have traditionally been male-dominated subjects. Yet many remarkable women also choose to live and work in wild and challenging landscapes. In Wild Woman, Philippa Forrester considers the grit and determination required for women to maintain connections to wildlife and shares stories of female conservation heroes and other extraordinary wild women working in nature. Talking to women from around the world, Philippa studies and celebrates what it means to be a wild woman. From the sixteenth-century botanist who was the first woman to circumnavigate the globe to modern-day women responding to bear attacks in Yellowstone, working to rewild reserves in South Africa, photographing Caribou in the Arctic and more, Philippa examines how these women benefit from a life spent in the wilderness and also considers what the natural world gains from them. Relating some of her own experiences from three decades spent travelling around the world and working in some of the wildest places on Earth, Philippa asks: what does it take for a woman to live or work in the wild?
A Woman's Life: Pauline Wengeroff and Memoirs of a Grandmother (The Littman Library of Jewish Civilization)
by Shulamit MagnusPauline Wengeroff was born in 1833 into a pious Jewish family in Bobruisk in the Pale of Settlement (now Belarus); she died in 1916 in Minsk. Her life, as recounted in this biography, based in part on Shulamit Magnus’s award-winning critical edition of Wengeroff’s Memoirs of a Grandmother, was one of upheaval and transformation during Russian Jewry’s passage from tradition to modernity. Remarkably, Wengeroff's narrative refracts communal experience and larger cultural, economic, and political developments through her own family life, interweaving the personal and the historical to present readers with an extraordinary account of the cultural transformation of Russian Jewry in the nineteenth century. Wengeroff's is the first piece of writing by a Jewish woman to display such authorial audacity and historical consciousness and the first contemporaneous account of Jewish society in any era to make the sensibilities and behaviour of Jewish women—and men—a central focus, providing a gendered account of the emergence of Jewish modernity. In this, her memoirs are a full counterpart to the androcentric autobiographies of her contemporaries, the maskilim (leaders of the Jewish enlightenment movement in eastern Europe), and the basis for much new thinking about gender and modernity. Shulamit Magnus probes Wengeroff’s consciousness and social positioning as a woman of her era and argues that, though Wengeroff was well aware of the women’s movement in Russia, she wrote not from a feminist perspective but as a by-product of her socialization in traditional Jewish society. A brilliant woman who 'loved books', Wengeroff produced a carefully crafted, beautifully written, and compelling account of tradition and its demise; of intergenerational and marital strife over Jewishness; and of betrayal, loss, and hope. Despite a dramatic and readily accessible narrative line—what Magnus calls ‘Wengeroff’s myth of her life story'—Wengeroff embeds much counter-evidence in her memoirs that subverts this same myth. Why she constructs the particular myth she does, and also, if unconsciously, subverts it, is a major focus of this study. Using archival and secondary sources, Magnus goes beyond constructing a portrait of Pauline Wengeroff, her family, and her social circles to consider how Memoirs of a Grandmother came to be in the form in which we have it: she writes a biography of a literary work as well as of a woman. She documents its astonishing success: published for the first time (largely in German, in Berlin) in 1908, it was republished in 1910, 1913, 1919, and 1922 to rave reviews, in the Jewish but also the non-Jewish press, in Germany, Austria, Russia, and even the Netherlands. Organized topically rather than chronologically, Magnus’s study gives readers entrée to Wengeroff’s life, aspirations, and her disappointments—above all, with her husband, who ridiculed her attachment to traditional observance and forced her to relinquish it and with her seven children (three of whom converted to Christianity; none of the others were committed Jews in any fashion)—raises the question of Wengeroff's actual, intended audience for Memoirs of a Grandmother. Magnus argues that, Wengeroff's title notwithstanding, it was not her biological offspring but other ‘grandchildren’ from among the Jewish youth of the fin de siècle, who shared her Jewish cultural nationalism—and her affinity for Herzlian Zionism. Finally, Magnus probes the reception of Memoirs on two continents, Europe and North America, to reveal a surprising story of the same work being read both as an apologia for tradition and for assimilation and even conversion—both fundamental, if revealing, misreadings, she argues. When Wengeroff died in 1916, the world was very different from the one in which she had grown up. Her story makes a significant contribution to Jewish women's history; to east European Jewish history; to the history of gender, acculturati
Women in Rock Memoirs: Music, History, and Life-Writing
Women in Rock Memoirs vindicates the role of women in rock music. The chapters examine memoirs written by women in rock from 2010 onwards to explore how the artists narrate their life experiences and difficulties they had to overcome, not only as musicians but as women. The book includes memoirs written by both well-known and lesser-known artists and artists from both inside and outside of the Anglo-American sphere. The essays by scholars from different research areas and countries around the world are divided into three parts according to the overall themes: Memory, Trauma, and Writing; Authenticity, Sexuality, and Sexism; and Aging, Performance, and the Image. They explore the dynamics of memoir as a genre by discussing the similarities and differences between the women in rock and the choices they have made when writing their books. As a whole, they help form a better understanding of today's possibilities and future challenges for women in rock music.
Women Writers In The United States: A Timeline Of Literary, Cultural, And Social History
by Cynthia J. Davis Kathryn WestThe World as I Have Found It
by Mary L. Day ArmsA graduate of the Maryland Institution for the Blind, Mary L. Day published a memoir in 1859 entitled Incidents in the Life of a Blind Girl. In this book, a sequel to her first, she recounts how she traveled throughout the country earning a living through the sale of her memoir. She also writes about meeting her future husband, visiting places of interest, and having numerous adventures on the road. The book closes with several essays on blindness and the education of the blind and with a collection of poems by blind authors.
Writing Resistance in Northern Ireland
by Aimée WalshWriting Resistance in Northern Ireland is an examination of feminist republicanism(s) in the north of Ireland between 1975 and 1986. Republican prison protest was rife during this period, and fractures opened up between the feminist and republican movements. Despite their shared objective of self-determination, the two movements did not achieve a natural or total congruence. While it has been argued that there is a disjuncture between feminism and nationalism, this book argues for a new perspective on feminist republicanism(s) in the north and tells the story of a niche collective of republican feminists who came to the fore during the Troubles and sought bodily, political and economic autonomy. The book examines source material including historical narratives, jail-writings, journalism, documentary film and literary texts, and paints a vivid picture of a movement of republican feminist women’s writing concerned with political crisis, gender and the nation. Aimée Walsh uses the plural ‘republicanism(s)’ as a way of encapsulating the varied iterations of nationalist feminism, from militant republicanism in Armagh Gaol to a non-violent literary nationalist feminism. This examination of the interaction between nationalism and gender shows how the study of women’s writing can offer a paradigm shift in the history of the Troubles as seen through a feminist lens.