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Shakespeare and Law (Arden Critical Companions)
by Andrew ZurcherReaders of Shakespeare's language, from the playhouse to the classroom, have long been aware of his peculiar interest in legal words and concepts - Richard II's two bodies, Hamlet's quiddities and quillets, Pandarus' peine forte et dure. In this new study, Andrew Zurcher takes a fresh, historically sensitive look at Shakespeare's meticulous resort to legal language, texts, concepts, and arguments in a range of plays and poems. Following a preface that situates Shakespeare's life within the various legal communities of his Stratford and London periods, Zurcher reconsiders the ways in which Shakespeare adapts legal language and concepts to figure problems about being, knowing, reading, interpretation, and action.In challenging new readings of plays from King John and Henry IV to As You Like It and Hamlet, Shakespeare and Law reveals the importance of early modern common legal thinking to Shakespeare's representations of inheritance, possession, gift-giving, oath-swearing, contract, sovereignty, judgment, and conscience - and, finally, to our own reception and interpretation of his works.
Shakespeare and Law (Arden Critical Companions)
by Andrew ZurcherReaders of Shakespeare's language, from the playhouse to the classroom, have long been aware of his peculiar interest in legal words and concepts - Richard II's two bodies, Hamlet's quiddities and quillets, Pandarus' peine forte et dure. In this new study, Andrew Zurcher takes a fresh, historically sensitive look at Shakespeare's meticulous resort to legal language, texts, concepts, and arguments in a range of plays and poems. Following a preface that situates Shakespeare's life within the various legal communities of his Stratford and London periods, Zurcher reconsiders the ways in which Shakespeare adapts legal language and concepts to figure problems about being, knowing, reading, interpretation, and action.In challenging new readings of plays from King John and Henry IV to As You Like It and Hamlet, Shakespeare and Law reveals the importance of early modern common legal thinking to Shakespeare's representations of inheritance, possession, gift-giving, oath-swearing, contract, sovereignty, judgment, and conscience - and, finally, to our own reception and interpretation of his works.
In the Company of Actors: Reflections on the Craft of Acting
by Carole ZuckerIn the Company of Actors is a wonderful ensemble of entertaining and illuminating discussions with sixteen of the most celebrated and prestigious actors in contemporary theatre, film and television. The impressive list of actors includes: Eileen Atkins, Alan Bates, Simon Callow, Judi Dench, Brenda Fricker, Nigel Hawthorne, Jane Lapotaire, Janet McTeer, Ian Richardson, Miranda Richardson, Stephen Rea, Fiona Shaw, Anthony Sher, Janet Suzman, David Suchet, and Penelope Wilton. Carole Zucker covers a wide range of topics including the actors' main childhood influences, their actor training, early acting experience, preparation for roles and sound advice for coping with actors' problems such as creative differences with other actors or directors.
In the Company of Actors: Reflections on the Craft of Acting (Stage And Costume Ser.)
by Carole ZuckerIn the Company of Actors is a wonderful ensemble of entertaining and illuminating discussions with sixteen of the most celebrated and prestigious actors in contemporary theatre, film and television. The impressive list of actors includes: Eileen Atkins, Alan Bates, Simon Callow, Judi Dench, Brenda Fricker, Nigel Hawthorne, Jane Lapotaire, Janet McTeer, Ian Richardson, Miranda Richardson, Stephen Rea, Fiona Shaw, Anthony Sher, Janet Suzman, David Suchet, and Penelope Wilton. Carole Zucker covers a wide range of topics including the actors' main childhood influences, their actor training, early acting experience, preparation for roles and sound advice for coping with actors' problems such as creative differences with other actors or directors.
The Places Of Wit In Early Modern English Comedy
by Adam ZuckerWhat is wit made out of in the comedies of Shakespeare, Jonson, Shirley and their contemporaries? What does it hide? What does it reveal? This book addresses these questions by turning to the relationship between comic form and local history. Explorations of familiar sites, including Windsor Forest, Smithfield, Covent Garden and Hyde Park, are matched with close readings of drama that focus on overlays between theatrical, spatial, narrative and social conventions. Dramatic comedy's definitive interest in cultural competency and incompetence, and wit and witlessness, is revealed through discussions of commerce, gambling, royal forests and new or newly public spaces in and around early modern London. Along with Shakespeare's The Merry Wives of Windsor and Ben Jonson's Epicene and Bartholomew Fair, special emphasis is placed on the neglected town comedies of the 1630s - the forerunners of the Restoration comedy of manners and the satirical realism of our own day.
Localizing Caroline Drama: Politics and Economics of the Early Modern English Stage, 1625-1642 (Early Modern Cultural Studies 1500–1700)
by A. Zucker A. FarmerThis book redefines the plays and theatrical culture of the years 1625 to 1642 as something more than simply post-Shakespearean in character. Scholars reveal the drama's mixture of political engagement, urbane cosmopolitanism, and commercial ingenuity. They urge us to recalibrate our histories to account for the innovations of the Caroline period.
The Languages of Theatre: Problems in the Translation and Transposition of Drama
by O. ZuberThis book focuses on the various problems in the verbal and nonverbal translation and tranposition of drama from one language and cultural background into another and from the text on to the stage. It covers a range of previously unpublished essays specifically written on translation problems unique to drama, by playwrights and literary translators as well as theorists, scholars and teachers of drama and translation studies
The Beloved (Modern Plays)
by Amir Nizar ZuabiWhen Abraham returns home from a journey with his son, his wife is troubled by the boy's state of mind. What took place on the mountain that day is the beginning of a lifetime of suffering for his son and the dawn of a new age for millions.A haunting and heartbreaking twist on the story of Abraham and Isaac, which reminds us that this historic tale of sacrifice began with just one family. The Beloved follows writer Amir Nizar Zuabi's previous successes with I Am Yusuf and This Is My Brother and In the Penal Colony. The publication coincided with a co- production by Palestinian theatre company ShiberHur with the Bush Theatre and KVS Brussels.
The Beloved (Modern Plays)
by Amir Nizar ZuabiWhen Abraham returns home from a journey with his son, his wife is troubled by the boy's state of mind. What took place on the mountain that day is the beginning of a lifetime of suffering for his son and the dawn of a new age for millions.A haunting and heartbreaking twist on the story of Abraham and Isaac, which reminds us that this historic tale of sacrifice began with just one family. The Beloved follows writer Amir Nizar Zuabi's previous successes with I Am Yusuf and This Is My Brother and In the Penal Colony. The publication coincided with a co- production by Palestinian theatre company ShiberHur with the Bush Theatre and KVS Brussels.
I am Yusuf and This Is My Brother (Modern Plays)
by Amir Nizar ZuabiI am Yusuf and This Is My Brother is a powerful, poetic exploration of history, memory and different forms of love.'Before it happened I didn't know those people existed. Now I'm not certain that we do...' January 1948. Palestine. The British Mandate is ending. The UN is voting on who will control what part of the land. Ali is in love with Nada - but he is in despair. Her father won't let them marry because his brother Yusuf is 'odd' with his own eccentric, child-like point of view. Rufus, a soldier on the occupying British forces, longs for the cold fogs of Sheffield. War begins and, as the villagers are scattered and become refugees, the secret that's kept Ali and Nada apart is revealed. Although set within a politically charged context, the play is full of haunting, dreamlike poetry rather than didactic polemicism. Instead of simply exploring the political debate, Zuabi concentrates more on the richness of language and culture. With a keen awareness of the vulnerability and fragile ephemerality of life, I am Yusuf and This Is My Brother explores humanity and love in the context of loss and death.
I am Yusuf and This Is My Brother (Modern Plays)
by Amir Nizar ZuabiI am Yusuf and This Is My Brother is a powerful, poetic exploration of history, memory and different forms of love.'Before it happened I didn't know those people existed. Now I'm not certain that we do...' January 1948. Palestine. The British Mandate is ending. The UN is voting on who will control what part of the land. Ali is in love with Nada - but he is in despair. Her father won't let them marry because his brother Yusuf is 'odd' with his own eccentric, child-like point of view. Rufus, a soldier on the occupying British forces, longs for the cold fogs of Sheffield. War begins and, as the villagers are scattered and become refugees, the secret that's kept Ali and Nada apart is revealed. Although set within a politically charged context, the play is full of haunting, dreamlike poetry rather than didactic polemicism. Instead of simply exploring the political debate, Zuabi concentrates more on the richness of language and culture. With a keen awareness of the vulnerability and fragile ephemerality of life, I am Yusuf and This Is My Brother explores humanity and love in the context of loss and death.
Oh My Sweet Land (Modern Plays)
by Amir Nizar ZuabiThey call it a civil war, but there is nothing civil in this. Nothing civil at all. They came from Damascus, from Halab, from Banias where the bombs fall day and night and the wounded children look like sleeping angels. Now they live in camps and abandoned buildings in Lebanon or Jordan. Now Syria is just a distant memory, a home forever lost.This urgent and extraordinary play explores the crisis in Syria through the stories of its two million refugees. Oh My Sweet Land received its UK premiere at the Young Vic Theatre, London, on 9 April 2014.
Oh My Sweet Land (Modern Plays)
by Amir Nizar ZuabiThey call it a civil war, but there is nothing civil in this. Nothing civil at all. They came from Damascus, from Halab, from Banias where the bombs fall day and night and the wounded children look like sleeping angels. Now they live in camps and abandoned buildings in Lebanon or Jordan. Now Syria is just a distant memory, a home forever lost.This urgent and extraordinary play explores the crisis in Syria through the stories of its two million refugees. Oh My Sweet Land received its UK premiere at the Young Vic Theatre, London, on 9 April 2014.
Performativity of Villainy and Evil in Anglophone Literature and Media
by Nizar ZouidiPerformativity of Villainy and Evil in Anglophone Literature and Media studies the performative nature of evil characters, acts and emotions across intersecting genres, disciplines and historical eras. This collection brings together scholars and artists with different institutional standings, cultural backgrounds and (inter)disciplinary interests with the aim of energizing the ongoing discussion of the generic and thematic issues related to the representation of villainy and evil in literature and media. The volume covers medieval literature to contemporary literature and also examines important aspects of evil in literature such as social and political identity, the gothic and systemic evil practices. In addition to literature, the book considers examples of villainy in film, TV and media, revealing that performance, performative control and maneuverability are the common characteristics of villains across the different literary and filmic genres and eras studied in the volume.
The Real Don Juan (Oberon Classics)
by José Zorrilla Ranjit BoltDon Juan Tenorio is an important and influential Spanish classic which gives a softened, romanticised version of the infamous hero and ends, uniquely, in his repentance and salvation. First seen in 1844, it is Zorrilla's best-known play and is still performed every year in Spain on All Souls' Day. The play, in Ranjit Bolt's stunning rhyming verse translations, was given an extensive tour by the Oxford Stage Company in late 1990.
Sergei Radlov: The Shakespearian Fate of a Soviet Director
by David ZolotnistkyFirst Published in 1996. Professor Zolotnitsky provides a picture of the life and work of Sergei Radlov - one of the most outstanding interpreters of Shakespeare on the Soviet stage in the 1930s. Sergei Radlov started as one of the left-wing directors among the disciples and companions of Vsevolod Meyerhold in post-revolutionary Russia. He directed Jack London, Ernst Toller, Evgeni Zamyatin and updated Aristophanes. In the latter he did "modern" operas, such as "The Love for Three Oranges" by Sergei Prokofiev and "Der ferne Klang" by Franz Schrecker.
Sergei Radlov: The Shakespearian Fate of a Soviet Director
by David ZolotnistkyFirst Published in 1996. Professor Zolotnitsky provides a picture of the life and work of Sergei Radlov - one of the most outstanding interpreters of Shakespeare on the Soviet stage in the 1930s. Sergei Radlov started as one of the left-wing directors among the disciples and companions of Vsevolod Meyerhold in post-revolutionary Russia. He directed Jack London, Ernst Toller, Evgeni Zamyatin and updated Aristophanes. In the latter he did "modern" operas, such as "The Love for Three Oranges" by Sergei Prokofiev and "Der ferne Klang" by Franz Schrecker.
Thérèse Raquin: Large Print (Oberon Classics)
by Émile Zola Nona ShepphardA story of paralysing passion Late 19th century, Paris. In a small dusty haberdasher’s shop near the Seine in the dank, narrow Passage du Pont Neuf, the young and beautiful Thérèse Raquin is trapped in a loveless marriage to her sickly cousin, Camille. While her husband is out all day working, Thérèse is confined behind the counter of the small shop and – every Thursday evening – to watching her domineering aunt, Madame Raquin, play dominoes with a very odd assortment of old friends. One Thursday evening Camille brings a childhood friend to the party – the bluff and attractive Laurent – and he inspires such powerful feelings in Thérèse that she surrenders all her inhibitions and loyalties to a brutal and overwhelming passion that overturns all their lives and has results no one could have foreseen… In keeping with the innovative and challenging nature of the original work, this radical new adaptation uses music, lyrics and movement to heighten and distil the underlying themes; and a three-woman chorus to give voice to Thérèse’s secret fears and desires.
Therese Raquin: A Realistic Novel (classic Reprint) (Oberon Classics)
by Emile Zola Pip BroughtonEmile Zola’s own stage adaptation of his taut, psychological thriller. An intense story of adultery, murder and revenge, streaked with social satire.
Political Performance in Syria: From the Six-Day War to the Syrian Uprising (Studies in International Performance)
by Edward ZiterPolitical Performance in Syria, charts the history of a theatre that has sought the expansion of civil society and imagined alternate political realities. In doing so, the manuscript situates the current use of performance and theatre by artists of the Syrian Revolution within a long history of political contestation.
William Shakespeare and John Donne: Stages of the soul in early modern English poetry (The Manchester Spenser)
by Angelika ZirkerThis study analyses concepts and representations of the soul in the poetry of William Shakespeare and John Donne. It shows how the soul becomes a linking element between the genres of poetry and drama, and how poetry becomes dramatic whenever the soul is at its focus. This double movement can be observed in Shakespeare’s The Rape of Lucrece and Donne’s Holy Sonnets: in these texts, the connection between interiority and performance, psychology and religious self-care can be found, which is central to the understanding of early modern drama and its characteristic development of the soliloquy. The study thus offers a new reading of the poems by Shakespeare and Donne by analysing them, in different ways, as staged dialogues within the soul. It contributes to research on the soliloquy as much as on concepts of inwardness during the early modern period. The book is aimed at readers studying early modern literature and culture.
William Shakespeare and John Donne: Stages of the soul in early modern English poetry (The Manchester Spenser)
by Angelika ZirkerThis study analyses concepts and representations of the soul in the poetry of William Shakespeare and John Donne. It shows how the soul becomes a linking element between the genres of poetry and drama, and how poetry becomes dramatic whenever the soul is at its focus. This double movement can be observed in Shakespeare’s The Rape of Lucrece and Donne’s Holy Sonnets: in these texts, the connection between interiority and performance, psychology and religious self-care can be found, which is central to the understanding of early modern drama and its characteristic development of the soliloquy. The study thus offers a new reading of the poems by Shakespeare and Donne by analysing them, in different ways, as staged dialogues within the soul. It contributes to research on the soliloquy as much as on concepts of inwardness during the early modern period. The book is aimed at readers studying early modern literature and culture.
Speaking Out: Storytelling and Creative Drama for Children
by Jack ZipesIn his successful Creative Storytelling, Jack Zipes showed how storytelling is a rich and powerful tool for self-expression and for building children's imaginations. In Speaking Out, this master storyteller goes further, speaking out against rote learning and testing and for the positive force within storytelling and creative drama during the K-12 years.For the past four years, Jack Zipes has worked with the Neighborhood Bridges Program of the Children's Theatre Company of Minneapolis, taking his storytelling techniques into inner-city schools. Speaking Out is in part a record of the transformations storytelling can work on the minds and lives of young people. But it is also a vivid and exhilarating demonstration of a different kind of education - one built from deep inside each child. Speaking Out is a book for storytellers, educators, parents, and anyone who cares about helping kids find within themselves the keys to imagination.
Speaking Out: Storytelling and Creative Drama for Children
by Jack ZipesIn his successful Creative Storytelling, Jack Zipes showed how storytelling is a rich and powerful tool for self-expression and for building children's imaginations. In Speaking Out, this master storyteller goes further, speaking out against rote learning and testing and for the positive force within storytelling and creative drama during the K-12 years.For the past four years, Jack Zipes has worked with the Neighborhood Bridges Program of the Children's Theatre Company of Minneapolis, taking his storytelling techniques into inner-city schools. Speaking Out is in part a record of the transformations storytelling can work on the minds and lives of young people. But it is also a vivid and exhilarating demonstration of a different kind of education - one built from deep inside each child. Speaking Out is a book for storytellers, educators, parents, and anyone who cares about helping kids find within themselves the keys to imagination.
Terrence McNally: A Casebook (Casebooks on Modern Dramatists #No. 22)
by Toby Silverman ZinmanFirst Published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.