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The Treaty (Modern Plays)
by Colin MurphyIn October 1921, a delegation of the Dáil left by boat and train for London, where they were to negotiate with the British government for peace, unity and a republic. They came back with just one of those; and that peace didn't last long, as war with Britain was replaced by war with their own. Were the Irish outclassed or outgunned? Were they lied to? Did they lie to their own colleagues back in Dublin? Or did they achieve the best that could be achieved, an incremental step on the way to fuller sovereignty? The Treaty tells the story of what happened inside those negotiations, as Arthur Griffith, Michael Collins and colleagues faced off against one of the most formidable negotiating teams ever assembled, headed by David Lloyd George and with Winston Churchill often at his side. This edition is published to coincide with Fishamble's production in November 2021.
Physics and the Modernist Avant-Garde: Quantum Modernisms and Modernist Relativities (Explorations in Science and Literature)
by Rachel Fountain EamesDeveloping a reading of modernist poetics centred on the three-way relationship between literature, modern physics and avant-garde art movements, this book focuses on four key poets – William Carlos Williams, Mina Loy, the Baroness Elsa von Freytag-Loringhoven and Wallace Stevens – whose lives crossed paths in 20th-century New York. This book explores how modernist art movements have shaped these writers' thinking about physics in relation to their work, demonstrating how science's new ideas about measurement and how to visualize material reality provoked innovative poetic forms and images. From Einstein's visit to New York City in 1921 to the impact of the atomic bomb, the author traces the flow of ideas about physics through culture, linking the new physics with modern approaches to art found in Cubism, Futurism, Dada and Surrealism.
Physics and the Modernist Avant-Garde: Quantum Modernisms and Modernist Relativities (Explorations in Science and Literature)
by Rachel Fountain EamesDeveloping a reading of modernist poetics centred on the three-way relationship between literature, modern physics and avant-garde art movements, this book focuses on four key poets – William Carlos Williams, Mina Loy, the Baroness Elsa von Freytag-Loringhoven and Wallace Stevens – whose lives crossed paths in 20th-century New York. This book explores how modernist art movements have shaped these writers' thinking about physics in relation to their work, demonstrating how science's new ideas about measurement and how to visualize material reality provoked innovative poetic forms and images. From Einstein's visit to New York City in 1921 to the impact of the atomic bomb, the author traces the flow of ideas about physics through culture, linking the new physics with modern approaches to art found in Cubism, Futurism, Dada and Surrealism.
Braids and Cheer Up Slug (Modern Plays)
by Olivia Hannah Tamsin Daisy Rees“Don't you ever get sick of it?” “Being the only one?” “Yeah. Being the Ambassador of Blackness?” Abeni is new to college. She's putting purple braids in Jasmine's hair and giving her 'the talk', opening Jasmine's mind to new ways of seeing the world - and the world seeing both of them. A new play by Olivia Hannah, about fitting in and standing out. Featured as part of BBC Arts Light Up Festival and played on BBC Radio, Braids was longlisted for the Alfred Fagon Award 2018. “Not that I'm saying I know more about you than you do, I'm not saying, that's not what I'm saying, like, at all! Just that I do know you better than maybe you know yourself.”Will and Bean have been friends forever. ?But they're not kids anymore and the adult world is a scary place. In a tent in County Durham, a Duke of Edinburgh Award trip becomes more complicated than either of them planned. Cheer Up Slug is a new play by Tamsin Daisy Rees, about boundaries and behaviour.This double-edition of debut plays by North-East based writers was published to coincide with the premiere at Live Theatre in October 2021.
Braids and Cheer Up Slug (Modern Plays)
by Tamsin Daisy Rees Olivia Hannah“Don't you ever get sick of it?” “Being the only one?” “Yeah. Being the Ambassador of Blackness?” Abeni is new to college. She's putting purple braids in Jasmine's hair and giving her 'the talk', opening Jasmine's mind to new ways of seeing the world - and the world seeing both of them. A new play by Olivia Hannah, about fitting in and standing out. Featured as part of BBC Arts Light Up Festival and played on BBC Radio, Braids was longlisted for the Alfred Fagon Award 2018. “Not that I'm saying I know more about you than you do, I'm not saying, that's not what I'm saying, like, at all! Just that I do know you better than maybe you know yourself.”Will and Bean have been friends forever. ?But they're not kids anymore and the adult world is a scary place. In a tent in County Durham, a Duke of Edinburgh Award trip becomes more complicated than either of them planned. Cheer Up Slug is a new play by Tamsin Daisy Rees, about boundaries and behaviour.This double-edition of debut plays by North-East based writers was published to coincide with the premiere at Live Theatre in October 2021.
The Ethics of Giacomo Leopardi: A Philosophy for the Environmental Crisis
by Alice GibsonProviding a comprehensive introduction to the work of pioneering poet-philosopher Giacomo Leopardi, Alice Gibson pushes his thought into new directions by investigating how his ethics and philosophy of nature offer means for understanding and taking responsibility for the environmental crisis.Through examination of the whole of Leopardi's oeuvre, from the Zibaldone to the poems he wrote towards the end of his life, this book disrupts the common image of Leopardi as a pessimist poet whose works contribute to the nihilistic tradition. The Ethics of Giacomo Leopardi instead uncovers his forward-looking views on living in a multispecies world, in which humans live alongside other living beings in a delicate ecosystem that not only requires respect, but also instigates wonder.Bringing Leopardi's thought into dialogue with contemporary ecological theorists such as Donna Haraway, Bruno Latour, and Timothy Morton, Gibson reveals how a Leopardian ethics of solidarity, compassion and community is the guide we need today to reframe our relationship with nature.
The Ethics of Giacomo Leopardi: A Philosophy for the Environmental Crisis
by Alice GibsonProviding a comprehensive introduction to the work of pioneering poet-philosopher Giacomo Leopardi, Alice Gibson pushes his thought into new directions by investigating how his ethics and philosophy of nature offer means for understanding and taking responsibility for the environmental crisis.Through examination of the whole of Leopardi's oeuvre, from the Zibaldone to the poems he wrote towards the end of his life, this book disrupts the common image of Leopardi as a pessimist poet whose works contribute to the nihilistic tradition. The Ethics of Giacomo Leopardi instead uncovers his forward-looking views on living in a multispecies world, in which humans live alongside other living beings in a delicate ecosystem that not only requires respect, but also instigates wonder.Bringing Leopardi's thought into dialogue with contemporary ecological theorists such as Donna Haraway, Bruno Latour, and Timothy Morton, Gibson reveals how a Leopardian ethics of solidarity, compassion and community is the guide we need today to reframe our relationship with nature.
Performing the Queer Past: Public Possessions (Methuen Drama Agitations: Text, Politics and Performances)
by Fintan Walsh'Tender and rigorous, this book invites readers to linger with difficult pasts and consider how best to grasp their hauntings, demands and manifestations in the present. This is a book about mourning as well as holding, a simultaneous act of exhumation and a laying to rest.' anna six, author of Madness, Art, and Society: Beyond Illness 'This is an extraordinary book, in which queer theatre and performance become sites of celebration and resistance, as well as holding the potential for performers and audiences to work through painfully felt yet difficult to articulate experiences towards feelings of hope. Replete with rigorous, generous and creative readings, it is also a meditation on Walsh's own emotional engagement with queer theatre and performance, and how our cultural attachments can sustain, enliven and contain us.' Noreen Giffney, psychoanalytic psychotherapist and author of The Culture-Breast in Psychoanalysis Why do contemporary queer theatre and performance appear to be possessed by the past? What aesthetic practices and dramaturgical devices reveal the occupation of the present by painful history? How might the experience of theatre and performance relieve the present of its most arduous burdens?Following recent legislation and cultural initiatives across many Western countries hailed as confirming the darkest days for LGBTQ+ people were over, this book turns our attention to artists fixed on history's enduring harm. Guiding us through an eclectic range of examples including theatre, performance, installation and digital practices, Fintan Walsh explores how this work reckons with complex cultural and personal histories. Among the issues confronted are the incarceration of Oscar Wilde, the Holocaust, racial and sexual objectification, the AIDS crisis and Covid-19, alongside more local and individual experiences of violence, trauma and grief.Walsh traces how the queer past is summoned and interrogated via what he elaborates as the aesthetics and dramaturgies of possession, which lend form to the still-stinging aches and generative potential of injury, injustice and loss. These strategies expose how the past continues to haunt and disturb the present, while calling on those of us who feel its force to respond to history's unresolved hurt.
Performing the Queer Past: Public Possessions (Methuen Drama Agitations: Text, Politics and Performances)
by Fintan Walsh'Tender and rigorous, this book invites readers to linger with difficult pasts and consider how best to grasp their hauntings, demands and manifestations in the present. This is a book about mourning as well as holding, a simultaneous act of exhumation and a laying to rest.' anna six, author of Madness, Art, and Society: Beyond Illness 'This is an extraordinary book, in which queer theatre and performance become sites of celebration and resistance, as well as holding the potential for performers and audiences to work through painfully felt yet difficult to articulate experiences towards feelings of hope. Replete with rigorous, generous and creative readings, it is also a meditation on Walsh's own emotional engagement with queer theatre and performance, and how our cultural attachments can sustain, enliven and contain us.' Noreen Giffney, psychoanalytic psychotherapist and author of The Culture-Breast in Psychoanalysis Why do contemporary queer theatre and performance appear to be possessed by the past? What aesthetic practices and dramaturgical devices reveal the occupation of the present by painful history? How might the experience of theatre and performance relieve the present of its most arduous burdens?Following recent legislation and cultural initiatives across many Western countries hailed as confirming the darkest days for LGBTQ+ people were over, this book turns our attention to artists fixed on history's enduring harm. Guiding us through an eclectic range of examples including theatre, performance, installation and digital practices, Fintan Walsh explores how this work reckons with complex cultural and personal histories. Among the issues confronted are the incarceration of Oscar Wilde, the Holocaust, racial and sexual objectification, the AIDS crisis and Covid-19, alongside more local and individual experiences of violence, trauma and grief.Walsh traces how the queer past is summoned and interrogated via what he elaborates as the aesthetics and dramaturgies of possession, which lend form to the still-stinging aches and generative potential of injury, injustice and loss. These strategies expose how the past continues to haunt and disturb the present, while calling on those of us who feel its force to respond to history's unresolved hurt.
Hear Me Now, Volume Two: Audition Monologues for Actors of Colour (Audition Speeches)
by Titilola DawuduHear Me Now, Volume Two is a unique collection of over 80 original audition monologues, expressly created by a range of writers including Vera Chok, Josh-Susan Enright and Bea Webster, brought together by producer Titilola Dawudu and Tamasha Theatre Company. They are ideal for actors of colour searching for speeches for auditions or training, writers, teachers, and theatre-makers who are passionate about improving diversity.The volume is introduced by BAFTA-nominated actor Ashley Madekwe, and will also feature a section on Top Tips for auditioning from Tamasha Theatre and a host of actors, including Ted Lasso's Kevin 'KG' Garry and Cherrelle Skeete of Harry Potter and the Cursed Child.Following on from the successful first volume, and featuring a variety of themes, scenes and characters, Hear Me Now, Volume Two is an essential tool for actors of colour to showcase their range, and seeks to inspire, empower, and create a legacy for generations to come.
Hear Me Now, Volume Two: Audition Monologues for Actors of Colour (Audition Speeches)
Hear Me Now, Volume Two is a unique collection of over 80 original audition monologues, expressly created by a range of writers including Vera Chok, Josh-Susan Enright and Bea Webster, brought together by producer Titilola Dawudu and Tamasha Theatre Company. They are ideal for actors of colour searching for speeches for auditions or training, writers, teachers, and theatre-makers who are passionate about improving diversity.The volume is introduced by BAFTA-nominated actor Ashley Madekwe, and will also feature a section on Top Tips for auditioning from Tamasha Theatre and a host of actors, including Ted Lasso's Kevin 'KG' Garry and Cherrelle Skeete of Harry Potter and the Cursed Child.Following on from the successful first volume, and featuring a variety of themes, scenes and characters, Hear Me Now, Volume Two is an essential tool for actors of colour to showcase their range, and seeks to inspire, empower, and create a legacy for generations to come.
Mutant Narratives in Ecological Science Fiction: Thinking with Embodied Estrangement (Posthumanism in Practice)
by Kaisa KortekallioUsing an innovative multidisciplinary approach which is deeply invested in posthumanist thought, this book demonstrates how reading science fiction shapes the way we engage with lived environments. In dialogue with works by widely studied science fiction authors Greg Bear, N.K. Jemisin, Paolo Bacigalupi, and Jeff VanderMeer, it draws out how they function as mutant narratives. The first to systematically integrate three fields – feminist posthumanism, cognitive narratology, and science fiction studies – it offers a complex and coherent understanding of readerly experience as material, embodied, dynamic, and imaginative. Covering a range of urgent topics, including climate fiction, New Weird fiction, and new phenomenologies of the body, this book is the first to demonstrate how readerly experience acts as a site for ethical and political reorientation in the time of climate change.
Mutant Narratives in Ecological Science Fiction: Thinking with Embodied Estrangement (Posthumanism in Practice)
by Kaisa KortekallioUsing an innovative multidisciplinary approach which is deeply invested in posthumanist thought, this book demonstrates how reading science fiction shapes the way we engage with lived environments. In dialogue with works by widely studied science fiction authors Greg Bear, N.K. Jemisin, Paolo Bacigalupi, and Jeff VanderMeer, it draws out how they function as mutant narratives. The first to systematically integrate three fields – feminist posthumanism, cognitive narratology, and science fiction studies – it offers a complex and coherent understanding of readerly experience as material, embodied, dynamic, and imaginative. Covering a range of urgent topics, including climate fiction, New Weird fiction, and new phenomenologies of the body, this book is the first to demonstrate how readerly experience acts as a site for ethical and political reorientation in the time of climate change.
Multisensory Shakespeare and Specialized Communities (Shakespeare and Social Justice)
by Sheila T. CavanaghHow can theatre and Shakespearean performance be used with different communities to assist personal growth and development, while advancing social justice goals?Employing an integrative approach that draws from science, actor training, therapeutical practices and current research on the senses, this study reveals the work being done by drama practitioners with a range of specialized populations, such as incarcerated people, neurodiverse individuals, those with physical or emotional disabilities, veterans, people experiencing homelessness and many others. With insights drawn from visits to numerous international programs, it argues that these endeavors succeed when they engage multiple human senses and incorporate kinesthetic learning, thereby tapping into the diverse benefits associated with artistic, movement and mindfulness practices. Neither theatre nor Shakespeare is universally beneficial, but the syncretic practices described in this book offer tools for physical, emotional and collaborative undertakings that assist personal growth and development, while advancing social justice goals. Among the practitioners and companies whose work is examined here are programs from the Shakespeare in Prison Network, the International Opera Theater, Blue Apple Theatre, Flute Theatre, DeCruit and Feast of Crispian programs for veterans, Extant Theatre and prison programs in Kolkata and Mysore, India.
Multisensory Shakespeare and Specialized Communities (Shakespeare and Social Justice)
by Sheila T. CavanaghHow can theatre and Shakespearean performance be used with different communities to assist personal growth and development, while advancing social justice goals?Employing an integrative approach that draws from science, actor training, therapeutical practices and current research on the senses, this study reveals the work being done by drama practitioners with a range of specialized populations, such as incarcerated people, neurodiverse individuals, those with physical or emotional disabilities, veterans, people experiencing homelessness and many others. With insights drawn from visits to numerous international programs, it argues that these endeavors succeed when they engage multiple human senses and incorporate kinesthetic learning, thereby tapping into the diverse benefits associated with artistic, movement and mindfulness practices. Neither theatre nor Shakespeare is universally beneficial, but the syncretic practices described in this book offer tools for physical, emotional and collaborative undertakings that assist personal growth and development, while advancing social justice goals. Among the practitioners and companies whose work is examined here are programs from the Shakespeare in Prison Network, the International Opera Theater, Blue Apple Theatre, Flute Theatre, DeCruit and Feast of Crispian programs for veterans, Extant Theatre and prison programs in Kolkata and Mysore, India.
Angela Carter and Folk Music: 'Invisible Music', Prose and the Art of Canorography (Bloomsbury Studies in Global Women’s Writing)
by Polly PaulusmaFrom her unique standpoint as singer-songwriter-scholar, Polly Paulusma examines the influences of Carter's 1960s folk singing, unknown until now, on her prose writing. Recent critical attention has focused on Carter's relationship with folk/fairy tales, but this book uses a newly available archive containing Carter's folk song notes, books, LPs and recordings to change the debate, proving Carter performed folk songs. Placing this archive alongside the album sleeve notes Carter wrote and her diaries and essays, it reimagines Carter's prose as a vehicle for the singing voice, and reveals a writing style imbued with 'songfulness' informed by her singing praxis.Reading Carter's texts through songs she knew and sang, this book shows, from influences of rhythm, melodic shape, thematic focus, imagery, 'voice' and 'breath', how Carter steeped her writing with folk song's features to produce 'canorography': song-infused prose. Concluding with a discussion of Carter's profound influence on songwriters, focusing on the author's interview with Emily Portman, this book invites us to reimagine Carter's prose as audial event, dissolving boundaries between prose and song, between text and reader, between word and sound, in an ever-renewing act of sympathetic resonance.
Angela Carter and Folk Music: 'Invisible Music', Prose and the Art of Canorography (Bloomsbury Studies in Global Women’s Writing)
by Polly PaulusmaFrom her unique standpoint as singer-songwriter-scholar, Polly Paulusma examines the influences of Carter's 1960s folk singing, unknown until now, on her prose writing. Recent critical attention has focused on Carter's relationship with folk/fairy tales, but this book uses a newly available archive containing Carter's folk song notes, books, LPs and recordings to change the debate, proving Carter performed folk songs. Placing this archive alongside the album sleeve notes Carter wrote and her diaries and essays, it reimagines Carter's prose as a vehicle for the singing voice, and reveals a writing style imbued with 'songfulness' informed by her singing praxis.Reading Carter's texts through songs she knew and sang, this book shows, from influences of rhythm, melodic shape, thematic focus, imagery, 'voice' and 'breath', how Carter steeped her writing with folk song's features to produce 'canorography': song-infused prose. Concluding with a discussion of Carter's profound influence on songwriters, focusing on the author's interview with Emily Portman, this book invites us to reimagine Carter's prose as audial event, dissolving boundaries between prose and song, between text and reader, between word and sound, in an ever-renewing act of sympathetic resonance.
Life of Pi (Modern Plays)
by Yann Martel"Life of Pi will make you believe in the power of theatre" (Times).After a cargo ship sinks in the middle of the vast Pacific Ocean, there are five survivors stranded on a lifeboat - a hyena, a zebra, an orangutan, a Royal Bengal tiger, and a sixteen year-old boy named Pi. Time is against them, nature is harsh, who will survive?Based on one of the most extraordinary and best-loved works of fiction - winner of the Man Booker Prize, selling over fifteen million copies worldwide - and featuring breath-taking puppetry and state-of-the-art visuals, Life of Pi is a universally acclaimed, smash hit adaptation of an epic journey of endurance and hope.Adapted by acclaimed playwright Lolita Chakrabarti, this edition was published to coincide with the West End premiere in November 2021.
Life of Pi (Modern Plays)
by Yann Martel"Life of Pi will make you believe in the power of theatre" (Times).After a cargo ship sinks in the middle of the vast Pacific Ocean, there are five survivors stranded on a lifeboat - a hyena, a zebra, an orangutan, a Royal Bengal tiger, and a sixteen year-old boy named Pi. Time is against them, nature is harsh, who will survive?Based on one of the most extraordinary and best-loved works of fiction - winner of the Man Booker Prize, selling over fifteen million copies worldwide - and featuring breath-taking puppetry and state-of-the-art visuals, Life of Pi is a universally acclaimed, smash hit adaptation of an epic journey of endurance and hope.Adapted by acclaimed playwright Lolita Chakrabarti, this edition was published to coincide with the West End premiere in November 2021.
Beyond The Canon’s Plays for Young Activists: Three Plays by Women from the Global Majority (Plays for Young People)
by Mojisola Adebayo Hannah Khalil Amy NgA first-of-its-kind anthology, Beyond The Canon's Plays for Young Activists combines plays, toolkits, and an online guide to empower young people into activism. With award-winning plays from the UK's most revolutionary female writers of colour, as well as bespoke multimedia learning guides, this collection offers young global activists aged 16+, as well as teachers and creatives at any level, the opportunity to diversify their education and enhance their understanding of politically driven plays, world politics and social justice. Unique in how it amplifies these selected award-winning plays by incorporating learning guides that accommodate different learning styles (be they visual, auditory, reading/writing and kinaesthetic), Beyond The Canon dares readers to take a deeper dive into the world of the play, be inspired by the themes and provocations and use the anthology to evolve into the ultimate activist. The plays include: Muhammad Ali and Me by Mojisola Adebayo A Museum in Baghdad by Hannah Khalil Acceptance by Amy Ng With resources like top tips on creating a safe space, practical drama challenges and games, interviews with the writers, research guides and activism test sheets, Beyond The Canon's Plays for Young Activists will spark the imagination of any and all readers, likely inspiring the next Mojisola Adebayo, Hannah Khalil and Amy Ng.
Beyond The Canon’s Plays for Young Activists: Three Plays by Women from the Global Majority (Plays for Young People)
by Mojisola Adebayo Hannah Khalil Amy NgA first-of-its-kind anthology, Beyond The Canon's Plays for Young Activists combines plays, toolkits, and an online guide to empower young people into activism. With award-winning plays from the UK's most revolutionary female writers of colour, as well as bespoke multimedia learning guides, this collection offers young global activists aged 16+, as well as teachers and creatives at any level, the opportunity to diversify their education and enhance their understanding of politically driven plays, world politics and social justice. Unique in how it amplifies these selected award-winning plays by incorporating learning guides that accommodate different learning styles (be they visual, auditory, reading/writing and kinaesthetic), Beyond The Canon dares readers to take a deeper dive into the world of the play, be inspired by the themes and provocations and use the anthology to evolve into the ultimate activist. The plays include: Muhammad Ali and Me by Mojisola Adebayo A Museum in Baghdad by Hannah Khalil Acceptance by Amy Ng With resources like top tips on creating a safe space, practical drama challenges and games, interviews with the writers, research guides and activism test sheets, Beyond The Canon's Plays for Young Activists will spark the imagination of any and all readers, likely inspiring the next Mojisola Adebayo, Hannah Khalil and Amy Ng.
Victorian Dress in Contemporary Historical Fiction: Materiality, Agency and Narrative
by Dr Danielle Mariann DoveVictorian Dress in Contemporary Historical Fiction is the first full-length study to investigate and attend to the deeply suggestive and highly symbolic iterations of Victorian women's dress in the contemporary cultural imagination. Drawing upon a range of popular and less well-studied neo-Victorian novels published between 1990 and 2014, as well as their Victorian counterparts, 19th-century illustrative material, and extant Victorian garments, Danielle Dove explores the creative possibilities afforded by dress and fashion as gendered sites of agency and affect. Focusing on the relationship between texts and textiles, she demonstrates how dress is central to the narrativization, re-formulation, and re-fashioning of the material past in the present. In its examination of the narrative trajectories, lively vitalities, and material entanglements that accrue to, and originate from, dress in the neo-Victorian novel, this study brings a fresh approach to reading Victorian sartorial culture. For researchers and students of Victorian and neo-Victorian studies, dress history, material culture, and gender studies, this volume offers a rich resource with which to illuminate the power of fashion in fiction.
Victorian Dress in Contemporary Historical Fiction: Materiality, Agency and Narrative
by Dr Danielle Mariann DoveVictorian Dress in Contemporary Historical Fiction is the first full-length study to investigate and attend to the deeply suggestive and highly symbolic iterations of Victorian women's dress in the contemporary cultural imagination. Drawing upon a range of popular and less well-studied neo-Victorian novels published between 1990 and 2014, as well as their Victorian counterparts, 19th-century illustrative material, and extant Victorian garments, Danielle Dove explores the creative possibilities afforded by dress and fashion as gendered sites of agency and affect. Focusing on the relationship between texts and textiles, she demonstrates how dress is central to the narrativization, re-formulation, and re-fashioning of the material past in the present. In its examination of the narrative trajectories, lively vitalities, and material entanglements that accrue to, and originate from, dress in the neo-Victorian novel, this study brings a fresh approach to reading Victorian sartorial culture. For researchers and students of Victorian and neo-Victorian studies, dress history, material culture, and gender studies, this volume offers a rich resource with which to illuminate the power of fashion in fiction.
The Boy With Two Hearts: A Story Of Hope (Modern Plays)
by Phil Porter Hamed AmiriA story of hope, from Afghanistan to Wales. Herat, Afghanistan, 2000. A young mother makes a speech demanding freedom for Afghan women, angering local Taliban leaders who issue a warrant for her execution. With no choice but to run, the Amiri family embark on a long and terrifying journey out of Afghanistan and across Europe with the UK as their ultimate goal.Thrown into an unfamiliar world of fake passports and untrustworthy handlers, the Amiris must learn how to live with nothing and avoid capture at all costs. But with their eldest son Hussein's life-threatening heart condition growing steadily worse, the journey soon becomes a race against time.Will they beat the odds and reach the UK in time for Hussein to receive the surgery he so badly needs?The Boy with Two Hearts is the story of a family in danger and a love letter to the NHS. This extraordinary true story reveals the courage and humanity behind each refugee story, showing that hope and a sense of home can be found in the most unlikely places.This edition was published to coincide with the world premiere at Wales Millennium Centre in 2021.
The Boy With Two Hearts (Modern Plays)
by Phil Porter Hamed AmiriA story of hope, from Afghanistan to Wales. Herat, Afghanistan, 2000. A young mother makes a speech demanding freedom for Afghan women, angering local Taliban leaders who issue a warrant for her execution. With no choice but to run, the Amiri family embark on a long and terrifying journey out of Afghanistan and across Europe with the UK as their ultimate goal.Thrown into an unfamiliar world of fake passports and untrustworthy handlers, the Amiris must learn how to live with nothing and avoid capture at all costs. But with their eldest son Hussein's life-threatening heart condition growing steadily worse, the journey soon becomes a race against time.Will they beat the odds and reach the UK in time for Hussein to receive the surgery he so badly needs?The Boy with Two Hearts is the story of a family in danger and a love letter to the NHS. This extraordinary true story reveals the courage and humanity behind each refugee story, showing that hope and a sense of home can be found in the most unlikely places.This edition was published to coincide with the world premiere at Wales Millennium Centre in 2021.