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The Drama and Theatre of Annie Baker (Critical Companions)
by Amy MuseIn the first book-length study of Annie Baker, one of the most critically acclaimed playwrights in the United States today and winner of the 2014 Pulitzer Prize, a Guggenheim Fellowship, and a MacArthur “genius” grant, Amy Muse analyzes Baker's plays and other work. These include The Flick, John, The Antipodes, the Shirley Vermont plays, and her adaptation of Uncle Vanya. Muse illuminates their intellectual and ethical themes and issues by contextualizing them with the other works of theatre, art, theology, and psychology that Baker read while writing them. Through close discussions of Baker's work, this book immerses readers in her use of everyday language, her themes of loneliness, desire, empathy, and storytelling, and her innovations with stage time. Enriched by a foreword from Baker's former professor, playwright Mac Wellman, as well as essays by four scholars, Thomas Butler, Jeanmarie Higgins, Katherine Weiss, and Harrison Schmidt, this is a companionable guide for students of American literature and theatre studies, which deepens their knowledge and appreciation of Baker's dramatic invention.Muse argues that Baker is finely attuned to the language of the everyday: imperfect, halting, marked with unexpressed desires, banalities, and silence. Called “antitheatrical,” these plays draw us back to the essence of theatre: space, time, and story, sitting with others in real time, witnessing the dramatic in the ordinary lives of ordinary people. Baker's revolution for the stage has been to slow it down and bring us all into the mystery and pleasure of attention.
The Drama and Theatre of Annie Baker (Critical Companions)
by Amy MuseIn the first book-length study of Annie Baker, one of the most critically acclaimed playwrights in the United States today and winner of the 2014 Pulitzer Prize, a Guggenheim Fellowship, and a MacArthur “genius” grant, Amy Muse analyzes Baker's plays and other work. These include The Flick, John, The Antipodes, the Shirley Vermont plays, and her adaptation of Uncle Vanya. Muse illuminates their intellectual and ethical themes and issues by contextualizing them with the other works of theatre, art, theology, and psychology that Baker read while writing them. Through close discussions of Baker's work, this book immerses readers in her use of everyday language, her themes of loneliness, desire, empathy, and storytelling, and her innovations with stage time. Enriched by a foreword from Baker's former professor, playwright Mac Wellman, as well as essays by four scholars, Thomas Butler, Jeanmarie Higgins, Katherine Weiss, and Harrison Schmidt, this is a companionable guide for students of American literature and theatre studies, which deepens their knowledge and appreciation of Baker's dramatic invention.Muse argues that Baker is finely attuned to the language of the everyday: imperfect, halting, marked with unexpressed desires, banalities, and silence. Called “antitheatrical,” these plays draw us back to the essence of theatre: space, time, and story, sitting with others in real time, witnessing the dramatic in the ordinary lives of ordinary people. Baker's revolution for the stage has been to slow it down and bring us all into the mystery and pleasure of attention.
Morning Sun (Modern Plays)
by Simon StephensI have kind of become invisible. Nobody looks at me. Not like they used to. You reach an age. Like my age and people stop looking at you. They stop checking you out.In Greenwich Village a generation or so ago, the city is alive. Joni Mitchell sings, friends and lovers come and go, and the regulars change at the White Horse Tavern.As 50 years pass, one woman's life is revealed in all its complexity, mystery and possibility in this enthralling world premiere about mothers and daughters, beginnings and endings in New York City.Simon Stephens's new play, commissioned by MTC, premiered off-Broadway in November 2021 starring Blair Brown, Edie Falco and Marin Ireland.
Morning Sun (Modern Plays)
by Simon StephensI have kind of become invisible. Nobody looks at me. Not like they used to. You reach an age. Like my age and people stop looking at you. They stop checking you out.In Greenwich Village a generation or so ago, the city is alive. Joni Mitchell sings, friends and lovers come and go, and the regulars change at the White Horse Tavern.As 50 years pass, one woman's life is revealed in all its complexity, mystery and possibility in this enthralling world premiere about mothers and daughters, beginnings and endings in New York City.Simon Stephens's new play, commissioned by MTC, premiered off-Broadway in November 2021 starring Blair Brown, Edie Falco and Marin Ireland.
Early Modern Liveness: Mediating Presence in Text, Stage and Screen
by Danielle Rosvally Donovan ShermanWhat does it mean for early modern theatre to be 'live'? How have audiences over time experienced a sense of 'liveness'? This collection extends discussions of liveness to works from the 16th and 17th centuries, both in their initial incarnations and contemporary adaptations. Drawing on theatre and performance studies, as well as media theory, this volume uses the concept of liveness to consider how early modern theatre – including non-Western and non-traditional performance – employs embodiment, materiality, temporality and perception to impress on its audience a sensation of presence. The volume's contributors adopt varying approaches and cover a range of topics from material and textual studies, to early modern rehearsal methods, to digital and VR theatre, to the legacy of Shakespearean performance in global theatrical repertoires. This collection uses both early modern and contemporary performance practices to challenge our understanding of live performance. Productions and adaptions discussed include the Royal Shakespeare Company's Dream (2021), CREW's Hands on Hamlet (2017), Kit Monkman's Macbeth (2018), Arslanköy Theatre Company's Kraliçe Lear (2019), and a season of productions by the Original Practice Shakespeare Festival. Early Modern Liveness looks beyond theatrical events as primary sites of interpretive authority and examines the intimate and ephemeral experience of encountering early modern theatre in its diverse manifestations.
Early Modern Liveness: Mediating Presence in Text, Stage and Screen
by Danielle Rosvally and Donovan ShermanWhat does it mean for early modern theatre to be 'live'? How have audiences over time experienced a sense of 'liveness'? This collection extends discussions of liveness to works from the 16th and 17th centuries, both in their initial incarnations and contemporary adaptations. Drawing on theatre and performance studies, as well as media theory, this volume uses the concept of liveness to consider how early modern theatre – including non-Western and non-traditional performance – employs embodiment, materiality, temporality and perception to impress on its audience a sensation of presence. The volume's contributors adopt varying approaches and cover a range of topics from material and textual studies, to early modern rehearsal methods, to digital and VR theatre, to the legacy of Shakespearean performance in global theatrical repertoires. This collection uses both early modern and contemporary performance practices to challenge our understanding of live performance. Productions and adaptions discussed include the Royal Shakespeare Company's Dream (2021), CREW's Hands on Hamlet (2017), Kit Monkman's Macbeth (2018), Arslanköy Theatre Company's Kraliçe Lear (2019), and a season of productions by the Original Practice Shakespeare Festival. Early Modern Liveness looks beyond theatrical events as primary sites of interpretive authority and examines the intimate and ephemeral experience of encountering early modern theatre in its diverse manifestations.
Shakespeare and the Theatrical Event
by John Russell-BrownIn his latest book, John Russell Brown offers a new and revealing way of reading and studying Shakespeare's plays, focusing on what a play does for an audience, as well as what its text says. By considering the entire theatrical experience and not only what happens on stage, Brown takes his readers back to the major texts with a fuller understanding of their language, and an enhanced view of a play's theatrical potential.Chapters on theatre-going, playscripts, acting, parts to perform, interplay, stage space, off-stage space, and the use of time all bring recent developments in Theatre studies together with Shakespeare Studies. Every aspect of theatre-making comes into view as a dozen major plays are presented in the context for which they were written, making this an adventurous and eminently practical book for all students of Shakespeare.
Shakespeare: Third Edition (Longman Critical Readers Ser.)
by Kiernan RyanFirst published to critical acclaim in 1989, this book is now recognised as one of the most original and influential critical studies of Shakespeare to have appeared in recent times.For this brand-new edition, Kiernan Ryan has not only revised and updated the text throughout, but he has also added a great deal of new material, expanding the book to twice the size of the first edition. The section on Shakespearean comedy now includes an essay on Shakespeare's first scintillating experiment in the genre, The Comedy of Errors, and a study of his most perplexing problem play, Measure for Measure.A provocative new last chapter, '"Dreaming on things to come": Shakespeare and the Future of Criticism', reveals how much modern criticism can learn from the appropriation of Shakespeare by Oscar Wilde, George Bernard Shaw and James Joyce.Students, teachers, and anyone with a passionate interest in what the plays have to say to us today, will find this modern classic of Shakespeare criticism indispensable.
An Introduction to Shakespeare: The Dramatist in His Context
by Peter HylandPeter Hyland provides a highly readable account of the historical, social and political pressures of Shakespeare's England and the material conditions under which his plays were written, including a comprehensive description of the development and status of the theatrical profession. Half of the book is given over to a survey of the plays and examines numerous controversial issues that arise when we ask precisely what we can 'know' about them. For those who are daunted by the volume or the impenetrable prose of much recent writing on Shakespeare, Hyland's book will be a stimulating introduction.
Women in the House of Fiction: Post-War Women Novelists
by Lorna SageThe novel was once upon a time the genre women felt at home in. This wide- ranging and detailed study of contemporary novelists explores the forms of nostalgia (shared by many feminist critics) for a 'woman's novel'; and the subtle or savage strategies which have turned the house of fiction upside down. The result is a critique of the nature of narrative now; and a celebration of the energies that are undoing our definitions of women's work.
Shakespeare: Three Problem Plays (Analysing Texts)
by Nicholas MarshWritten in 1602-4, between Hamlet and the other great tragedies, Shakespeare's three Problem Plays are so called because they do not fit easily into the other groups of plays. They are awkward dramas, full of unresolved controversies, which leave audiences and readers unsettled by contradictory responses.Nicholas Marsh uses close analysis of extracts from the plays to explore how Shakespeare maintains competing discourses within a single text. In the first part of his study, Marsh highlights the multiple interpretations these plays provoke and provides useful sections on methods of analysis to encourage readers to develop their views independently. The second part of the book discusses the Problem Plays in relation to the playwright's other works, and examines their cultural and historical contexts. A comparison of five modern critical views and helpful suggestions for further reading provide a bridge to continuing study. In this essential guide to a complex set of plays, Marsh does not seek to reconcile the thorny issues these dramas leave open: rather, he equips the reader with the necessary critical tools to fashion their own synthesis.
Julius Caesar (New Casebooks)
by Richard WilsonJulius Caesar: A New Casebook provides students and academics with a selection of important essays by leading contemporary critics on Shakespeare's first "Globe" play. New historicist, feminist, psychoanalytic and Marxist readings of the tragedy have been chosen to highlight the urgency with which this drama of prophecy, interpretation and political crisis speaks to twenty-first century concerns about democracy, the media and mass communication.
Sidney to Milton, 1580-1660 (Transitions)
by Marion Wynne-Davies Julian WolfreysThis invaluable guide offers readers an accessible and imaginative approach to the literature of early modern Britain. Exploring the poetry, drama and prose of the period, Marion Wynne-Davies combines theory and practice, providing a helpful introduction to key theoretical concepts and close readings of individual texts by both canonical and less well-known authors. Amongst other things, Wynne-Davies discusses sixteenth- and seventeenth-century poetry in its political and cultural contexts, considers Renaissance drama in terms of performance space, and uses the early modern map to explain the prose works of writers such as Bunyan and Cavendish.
Aphra Behn: The Comedies (Analysing Texts)
by Kate AughtersonKate Aughterson provides readers with an approachable and fascinating critical guide to the dramatic works of an important seventeenth-century woman writer. Aughterson analyses Aphra Behn's abilities as a playwright, showing particularly how she skillfully employs comic and dramatic conventions to radical ends, and how she forces her audience to engage with issues about gender and sexuality whilst retaining her witty and accessible style.Chapters in the first part of the book provide close readings of the comedies, addressing such topics as openings, endings, character types, staging, and politics and society. In the second part, Aughterson not only examines Behn's literary career and the Restoration contexts of her plays, but also looks at some sample criticism and explores Behn's drama as performance.
Wordsworth and Coleridge: Critical Perspectives
by P. CampbellLyrical Ballads have always been wedded to controversy. Though the judgments of the periodicals and the ensuing authorial reaction have long since been superseded by a plethora of scholarly interpretations, the debate still focuses on their elusive, paradoxical character. Are the poems traditional or experimental, a random collocation or an organised sequence? Patrick Campbell surveys the critical fluctuations of nearly two centuries while privileging recent approaches which have sought fresh perspectives on the volume - contextual, formalist and genre based, psycho-analytic, materialist, maverick.
Poetry: An Introduction
by Ruth Miller and Robert A. GreenbergThis book provides an introduction to the elements of poetry, formulates a series of contexts for the interpretation of poems, and offers a substantial anthology. Its purpose is to enable students to read poems with understanding and pleasure and to provide them with a basic vocabulary for analysing and talking about poems.
John Donne: The Poems (Analysing Texts)
by Joe NuttJohn Donne's poems are some of the most challenging and stimulating in the English literary heritage. This book looks at the entire range of his poetic output, from the erotic to the divine, from satires to sonnets. Through detailed analysis of a large number of individual poems, Donne's intellectual vitality and unique poetic voice is entertainingly explored. The practical techniques are explained clearly, and when applied to the work of other poets, will enable the reader to feel confident in understanding and discussing even the most demanding verse.
Deconstructions: A User's Guide
by Nicholas RoyleDeconstructions: A User's Guide is a new and unusual kind of book. At once a reference work and a series of inventive essays opening up new directions for deconstruction, it is intended as an authoritative and indispensable guide. With a helpful introduction and specially commissioned essays by leading figures in the field, Deconstructions offers lucid and compelling accounts of deconstruction in relation to a wide range of topics and discourses. Subjects range from the obvious (feminism, technology, postcolonialism) to the less so (drugs, film, weaving). Backed up by an unusually detailed index, this User's Guide demonstrates the innumerable and altering contexts in which deconstructive thinking and practice are at work, both within and beyond the academy, both within and beyond what is called 'the West'.
An Introduction to Twentieth-Century Poetry in English
by R.P. DraperThis critical survey of modern poetry from Thomas Hardy to Seamus Heaney considers both the self-consciously revolutionary innovations of Modernism and more traditional developments, taking fully into account the extent to which 'English' can no longer be equated solely with England. Scots, Welsh and Irish poetry, and poetry from Commonwealth countries such as Australia, New Zealand and the Caribbean, are recognised as equally important aspects of the diversity that characterises modern poetry in English; and, in particular, the contributions of North American poets such as Ezra Pound, William Carlos Williams, Wallace Stevens and Robert Lowell receive the major emphasis that their achievement and extensive influence warrants and attention is given to important new perspectives in the work of women poets such as Adrienne Rich, Sylvia Plath and Elizabeth Bishop.
The Literature of the United States of America (Macmillan History of Literature)
by Marshall WalkerAmerican literature over the last four hundred years has developed distinctive qualities and traditions, partly engendered by the land itself. The rich variety of literature flourished as the land was colonised and cultivated. In this new edition Marshall Walker has updated his wide-ranging study of American literature by giving greater attention to poets from Hart Crane and e.e.Cummings to John Ashbery and A.R.Ammons and to novelists from William Burroughs and Kurt Vonnegut to John Irving. More space is given to drama, from the later works of Tennessee Williams and Arthur Miller to the plays of Sam Shepard and David Mamet. The special concerns of Black, Jewish and Women writers are explored as this book demonstrates that American literary history can no longer be considered largely in terms of regional dominances.
Chaucer: The Canterbury Tales (Analysing Texts)
by Gail AshtonDetailed textual analysis of the tales by the Miller, Nun's Priest, the Wife of Bath and the Pardoner, as well as the General Prologue invites you to sharpen your critical faculties, extend your knowledge and engage with the text itself in order to fully appreciate the work of this fascinating, complex and surprisingly modern writer. Whether you consider yourself an expert or a student, this study has something for you as it demonstrates the various approaches which can be used to learn about style, structure, multiple voices and the key themes of Chaucer's work. It offers a careful support and thoughtful framework upon which to base your own analysis and challenging you to form your own ideas and opinions.
Theory into Practice: A Reader In Modern Criticism
by Ryan JohnsonStudents of literary theory have been well provided for by the publication of various Readers in literary theory. However, the relation between theory and critical practice still presents a problem to the general reader. This book brings together essays by major critics which apply theory to practice in an accessible way. This will help a general literary readership gain a better understanding of the various types of theoretical criticism, see theory being applied to practice powerfully and persuasively, and encourage students to use theory in their own critical writing.
Terry Eagleton (Transitions)
by David AldersonTerry Eagleton is the foremost Marxist cultural theorist of our time. In the first book-length study of this highly influential figure, David Alderson provides detailed discussions of Eagleton's Marxism and his engagements with postmodernism, as well as an evaluation of his interventions in Irish Studies.Each of the chapters in this important intervention in current theoretical debates offers accessible contextualization of the key issues and provides detailed analyses of Eagleton's literary criticism. Alderson shows that the complex relations between nature, culture and ideology, body, subjectivity and authority are at the heart of Eagleton's ethical and political concerns. He goes on to demonstrate that these relations inform the theorist's critical examinations of such literary works as Wuthering Heights and The Merchant of Venice, and his treatment of W.B. Yeats and Oscar Wilde.
Race (Transitions)
by Brian NiroThis dynamic study of the history of the idea of race traces the concept from its prehistory across 400 years to its current status. Brian Niro introduces key theorists and philosophers and a wide variety of literary and theoretical concepts, taking the central view that the notion of race is a fluid concept that has altered consistently since its inception in Western ideology.Starting with Greek philosophy, Niro moves effortlessly through such diverse writers as Shakespeare, Voltaire, Kant, Mary Shelly, Darwin, Fanon and Achebe in order to explore the representation of race in its various guises. Many contemporary discussions of race are intricate and limited in their scope to current doctrine, but by using a series of close readings of often-studied texts, Niro helps to demonstrate key ideas and make complex theories understandable.
Queer Theories: Hermeneutic Theory And The Future Of Queer Studies (Transitions)
by Donald E. HallThis essential introductory guide explores and aggressively expands the provocative new field of sexual identity studies. It explains the history of sexual identity categories, such as 'gay' and 'lesbian', covers the reclamation of 'queer' as a term of radical self-identification, and details recent challenges to sexual identity studies posed by transgender and bisexual theories. Donald E. Hall offers concrete applications of the abstract theories he explores, with imaginative new readings of such works as 'The Yellow Wallpaper', Dr Jekyll and Mr Hyde, Orlando and The Color Purple.Throughout, Hall urges the reader to grapple with the changing nature of sexual identity in the twenty-first century and asks searching questions about how we might identify ourselves differently given new technologies and new possibilities for sexual experimentation. To students, theorists and activists alike, Queer Theories issues a challenge to continue to disrupt narrow, traditional notions of sexual 'normality' and to resist setting up new and confining categories of 'true' sexual identity.