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I Ain't Dumb (Modern Plays)
by Tom WrightA tough inner-city school, proud of its inclusivity, suddenly explodes in a rapidly escalating culture war.Sex secrets, hip-hop and hope fight for centre stage in a vibrant, loud and proud, real talk rollercoaster.Tom Wright's hard-hitting new play tackles contemporary issues in a school setting, published to coincide with Coventry's year as City of Culture.
I Ain't Dumb (Modern Plays)
by Tom WrightA tough inner-city school, proud of its inclusivity, suddenly explodes in a rapidly escalating culture war.Sex secrets, hip-hop and hope fight for centre stage in a vibrant, loud and proud, real talk rollercoaster.Tom Wright's hard-hitting new play tackles contemporary issues in a school setting, published to coincide with Coventry's year as City of Culture.
Poetry: A Writer's Guide and Anthology (Bloomsbury Writer's Guides and Anthologies)
by Dr Amorak Huey W. Todd KanekoFully revamped and expanded, this second edition offers a complete introduction to the art and craft of writing poetry. Mapping out 38 foundational elements of poetry including image, line, point of view, metaphor, movement, and music, authors Amorak Huey and W. Todd Kaneko use these elements as starting points for discussion questions and writing prompts. The book guides readers through a range of poetic modes and styles such as:o Elegies and Odeso Found poemso Aubades and Nocturneso Documentary and Protest poemso Ars Poeticao Lyric and Narrative poemso Personas and PortraitsWith a focus on contemporary poems, the anthology features a truly diverse and global line-up of poets and poems to illustrate the elements and craft discussed in the book. Featuring all-new chapters on traditional poetic forms, prosody, writing poems that engage the current moment, and the value and ethics of imitation, this is the ultimate companion to studying and practicing the craft of poetry.
Poetry: A Writer's Guide and Anthology (Bloomsbury Writer's Guides and Anthologies)
by Dr Amorak Huey W. Todd KanekoFully revamped and expanded, this second edition offers a complete introduction to the art and craft of writing poetry. Mapping out 38 foundational elements of poetry including image, line, point of view, metaphor, movement, and music, authors Amorak Huey and W. Todd Kaneko use these elements as starting points for discussion questions and writing prompts. The book guides readers through a range of poetic modes and styles such as:o Elegies and Odeso Found poemso Aubades and Nocturneso Documentary and Protest poemso Ars Poeticao Lyric and Narrative poemso Personas and PortraitsWith a focus on contemporary poems, the anthology features a truly diverse and global line-up of poets and poems to illustrate the elements and craft discussed in the book. Featuring all-new chapters on traditional poetic forms, prosody, writing poems that engage the current moment, and the value and ethics of imitation, this is the ultimate companion to studying and practicing the craft of poetry.
Manga, Murder and Mystery: The Boy Detectives of Japan’s Lost Generation
by Mimi OkabeLittle is known about the boy detective in Japanese detective fiction despite his popularity. Who is he, and what mysteries does he unveil about cultural understandings of youth in Japanese society?Manga, Murder and Mystery answers these questions by exploring the figure of the shonen (boy) detective in commercially successful manga series such as Detective Conan, The Case Files of Young Kindaichi, Death Note and Moriarty the Patriot. The book explores how these popular works tackle the crisis of young adult culture within the socioeconomic climate of Japan's 'lost decade' and Heisei era, broadly speaking. Mimi Okabe shows how detective manga materialized in a nation undergoing a state of crisis and how the boy detective emerged as a site of national trauma to address perceived youth problems but in thematically different ways.
Manga, Murder and Mystery: The Boy Detectives of Japan’s Lost Generation
by Mimi OkabeLittle is known about the boy detective in Japanese detective fiction despite his popularity. Who is he, and what mysteries does he unveil about cultural understandings of youth in Japanese society?Manga, Murder and Mystery answers these questions by exploring the figure of the shonen (boy) detective in commercially successful manga series such as Detective Conan, The Case Files of Young Kindaichi, Death Note and Moriarty the Patriot. The book explores how these popular works tackle the crisis of young adult culture within the socioeconomic climate of Japan's 'lost decade' and Heisei era, broadly speaking. Mimi Okabe shows how detective manga materialized in a nation undergoing a state of crisis and how the boy detective emerged as a site of national trauma to address perceived youth problems but in thematically different ways.
Maggie O'Farrell: Contemporary Critical Perspectives (Contemporary Critical Perspectives)
by Dr Elaine CanningBringing together cultural analysis and textual readings on critically-acclaimed bestseller and winner of the prestigious Women's Prize for Fiction, Maggie O'Farrell, this collection covers her nine novels, her memoir I Am, I Am, I Am, two children's books and features an exclusive interview with the author herself. The first full-length study of O'Farrell's work, this book offers critical explorations from her earliest works to the award-winning Hamnet and most recent best-selling novel, The Marriage Portrait. With a timeline of her life and works, as well as suggested further reading, the themes explored include grief and sacrifice, longing and belonging, trauma, translation, palimpsestic texts and the relation of her work to history and the female domestic gothic.
Maggie O'Farrell: Contemporary Critical Perspectives (Contemporary Critical Perspectives)
by Dr Elaine CanningBringing together cultural analysis and textual readings on critically-acclaimed bestseller and winner of the prestigious Women's Prize for Fiction, Maggie O'Farrell, this collection covers her nine novels, her memoir I Am, I Am, I Am, two children's books and features an exclusive interview with the author herself. The first full-length study of O'Farrell's work, this book offers critical explorations from her earliest works to the award-winning Hamnet and most recent best-selling novel, The Marriage Portrait. With a timeline of her life and works, as well as suggested further reading, the themes explored include grief and sacrifice, longing and belonging, trauma, translation, palimpsestic texts and the relation of her work to history and the female domestic gothic.
Politics and Literature at the Dawn of World War II
by James A. HeffernanMining the borderlands where history meets literature in Britain and Europe as well as America, this book shows how the imminence and outbreak of World War II ignited the imaginations of writers ranging from Ernest Hemingway, W.H. Auden, and James Joyce to Bertolt Brecht, Evelyn Waugh, Henry Green, and Irène Némirovsky. Taking its cue from Percy Shelley's dictum that great writers are to some extent created by the age in which they live, this book shows how much the politics and warfare of the years from 1939 to 1941 drove the literature of this period. Its novels, poems, and plays differ radically from histories of World War II because-besides being works of imagination-- they are largely products of a particular stage in the author's life as well as of a time at which no one knew how the war would end. This is the first comprehensive study of the impact of the outbreak of the Second World War on the literary work of American, English, and European writers during its first years.
Politics and Literature at the Dawn of World War II
by James A. HeffernanMining the borderlands where history meets literature in Britain and Europe as well as America, this book shows how the imminence and outbreak of World War II ignited the imaginations of writers ranging from Ernest Hemingway, W.H. Auden, and James Joyce to Bertolt Brecht, Evelyn Waugh, Henry Green, and Irène Némirovsky. Taking its cue from Percy Shelley's dictum that great writers are to some extent created by the age in which they live, this book shows how much the politics and warfare of the years from 1939 to 1941 drove the literature of this period. Its novels, poems, and plays differ radically from histories of World War II because-besides being works of imagination-- they are largely products of a particular stage in the author's life as well as of a time at which no one knew how the war would end. This is the first comprehensive study of the impact of the outbreak of the Second World War on the literary work of American, English, and European writers during its first years.
Best of Enemies (Modern Plays)
by James Graham“A man should never turn down two things. Sex, and appearing on television." 1968 – a year of protest that divided America. As two men fight to become the next President, all eyes are on the battle between two others: the cunningly conservative William F Buckley Jr., and the iconoclastic liberal Gore Vidal.Beliefs are challenged and slurs slung as these political idols feud nightly in a new television format, debating the moral landscape of a shattered nation. Little do they know they're about to open up a new frontier in American politics, and transform television news forever... Best of Enemies is the bold new play by James Graham (Quiz, Labour of Love), directed by Jeremy Herrin, inspired by the documentary by Morgan Neville and Robert Gordon.This edition was published to coincide with the world premiere at London's Young Vic, December 2021.
Best of Enemies (Modern Plays)
by James Graham“A man should never turn down two things. Sex, and appearing on television." 1968 – a year of protest that divided America. As two men fight to become the next President, all eyes are on the battle between two others: the cunningly conservative William F Buckley Jr., and the iconoclastic liberal Gore Vidal.Beliefs are challenged and slurs slung as these political idols feud nightly in a new television format, debating the moral landscape of a shattered nation. Little do they know they're about to open up a new frontier in American politics, and transform television news forever... Best of Enemies is the bold new play by James Graham (Quiz, Labour of Love), directed by Jeremy Herrin, inspired by the documentary by Morgan Neville and Robert Gordon.This edition was published to coincide with the world premiere at London's Young Vic, December 2021.
Baroque Latinity: Studies in the Neo-Latin Literature of the European Baroque (Bloomsbury Neo-Latin Series: Studies in Early Modern Latin)
by Jacqueline Glomski, Gesine Manuwald and Andrew TaylorThis volume addresses the idea of the Baroque in European literature in Latin. With contributions by scholars from various disciplines and countries, and by looking at a range of texts from across Europe, the volume offers case studies to deepen scholarly understanding of this important literary phenomenon and inspire future research. A key aim of the volume is to address the distinctiveness of these texts by interrogating the usefulness and specificity of the term 'Baroque', especially in relation to the classical rules it transgresses to produce effects of grandeur, richness, and exuberance in a range of secular and sacred arts (e.g. music, architecture, painting), as well as various forms of literature (e.g. prose, poetry, drama). The contributors consider how and why Latin writing mutated from earlier humanist paradigms, thus exploring how ideas of 'early modern' and 'Baroque' are related, and examine the interplay of the theory and practice of the 'Baroque', including its debts to and deviations from ancient models, and its limits and limitations.
Baroque Latinity: Studies in the Neo-Latin Literature of the European Baroque (Bloomsbury Neo-Latin Series: Studies in Early Modern Latin)
This volume addresses the idea of the Baroque in European literature in Latin. With contributions by scholars from various disciplines and countries, and by looking at a range of texts from across Europe, the volume offers case studies to deepen scholarly understanding of this important literary phenomenon and inspire future research. A key aim of the volume is to address the distinctiveness of these texts by interrogating the usefulness and specificity of the term 'Baroque', especially in relation to the classical rules it transgresses to produce effects of grandeur, richness, and exuberance in a range of secular and sacred arts (e.g. music, architecture, painting), as well as various forms of literature (e.g. prose, poetry, drama). The contributors consider how and why Latin writing mutated from earlier humanist paradigms, thus exploring how ideas of 'early modern' and 'Baroque' are related, and examine the interplay of the theory and practice of the 'Baroque', including its debts to and deviations from ancient models, and its limits and limitations.
What Is a Jewish Classicist?: Essays on the Personal Voice and Disciplinary Politics (Rubicon)
by Simon GoldhillIn recent years, there has been no issue that has convulsed academia and its role in society more stridently than the personal politics of its institutions: who has access to education? How does who you are change what you study and how you engage with it? How does scholarship reflect the politics of society – how should it? These new essays from one of the best-known scholars of ancient Greece offer a refreshing and provocative contribution to these discussions. What is a Jewish Classicist? analyses how the personal voice of a scholar plays a role in scholarship, how religion and cultural identity are acted out within an academic discipline, and how translation, the heart of any engagement with the literature of antiquity, is a transformational practice. Topical, engaging, revelatory, this book opens a sharp and personal perspective on how and why the study of antiquity has become such a battlefield in contemporary culture. The first essay looks at how academics can and should talk about themselves, and how such positionality affects a scholar's work – can anyone can tell his or her own story with enough self-consciousness, sophistication and care? The second essay, which gives the book its title, takes a more socio-anthropological approach to the discipline, and asks how its patterns of inclusion and exclusion, its strategies of identification and recognition, have contributed to the shape of the discipline of classics. This initial enquiry opens into a fascinating history of change – how Jews were excluded from the discipline for many years but gradually after the Second World war became more easily assimilated into it. This in turn raises difficult questions for the current focus on race and colour as the defining aspects of personal identification, and about how academia reflects or contributes to the broader politics of society. The third essay takes a different historical approach and looks at the infrastructure or technology of the discipline through one of its integral and time-honoured practices, namely, translation. It discusses how translation, far from being a mere technique, is a transformational activity that helps make each classicist what they are. Indeed, each generation needs its own translations as each era redefines its relation to antiquity.
What Is a Jewish Classicist?: Essays on the Personal Voice and Disciplinary Politics (Rubicon)
by Simon GoldhillIn recent years, there has been no issue that has convulsed academia and its role in society more stridently than the personal politics of its institutions: who has access to education? How does who you are change what you study and how you engage with it? How does scholarship reflect the politics of society – how should it? These new essays from one of the best-known scholars of ancient Greece offer a refreshing and provocative contribution to these discussions. What is a Jewish Classicist? analyses how the personal voice of a scholar plays a role in scholarship, how religion and cultural identity are acted out within an academic discipline, and how translation, the heart of any engagement with the literature of antiquity, is a transformational practice. Topical, engaging, revelatory, this book opens a sharp and personal perspective on how and why the study of antiquity has become such a battlefield in contemporary culture. The first essay looks at how academics can and should talk about themselves, and how such positionality affects a scholar's work – can anyone can tell his or her own story with enough self-consciousness, sophistication and care? The second essay, which gives the book its title, takes a more socio-anthropological approach to the discipline, and asks how its patterns of inclusion and exclusion, its strategies of identification and recognition, have contributed to the shape of the discipline of classics. This initial enquiry opens into a fascinating history of change – how Jews were excluded from the discipline for many years but gradually after the Second World war became more easily assimilated into it. This in turn raises difficult questions for the current focus on race and colour as the defining aspects of personal identification, and about how academia reflects or contributes to the broader politics of society. The third essay takes a different historical approach and looks at the infrastructure or technology of the discipline through one of its integral and time-honoured practices, namely, translation. It discusses how translation, far from being a mere technique, is a transformational activity that helps make each classicist what they are. Indeed, each generation needs its own translations as each era redefines its relation to antiquity.
Force Majeure (Modern Plays)
by Tim PriceStop it. Stop it! Everyone! We're on holiday, we're meant to be having a nice time. What the hell is wrong with you?Tomas and Ebba are determined to have quality family time with their children, so they head to the Alps on a skiing trip.But when disaster strikes, their family unit is tested to breaking point with hilarious and tragic consequences. Ruben Östlund's award-winning comedy about a family falling apart is adapted for the stage by Tim Price. This edition was published to coincide with the world premiere at London's Donmar Warehouse in December 2021.
Force Majeure (Modern Plays)
by Tim PriceStop it. Stop it! Everyone! We're on holiday, we're meant to be having a nice time. What the hell is wrong with you?Tomas and Ebba are determined to have quality family time with their children, so they head to the Alps on a skiing trip.But when disaster strikes, their family unit is tested to breaking point with hilarious and tragic consequences. Ruben Östlund's award-winning comedy about a family falling apart is adapted for the stage by Tim Price. This edition was published to coincide with the world premiere at London's Donmar Warehouse in December 2021.
Antony and Cleopatra: Shakespeare: The Critical Tradition (Shakespeare: The Critical Tradition)
by Joseph Candido Professor Brian VickersThis new volume in the Shakespeare: The Critical Tradition series increases our knowledge of how Antony and Cleopatra has been received and understood by critics, editors and general readers. The volume provides, in separate sections, both critical opinions about the play across the centuries and an evaluation of their positions within and their impact on the reception of the play. The chronological arrangement of the text-excerpts engages the readers in a direct and unbiased dialogue, and the introduction offers a critical evaluation from a current stance, including modern theories and methods. This volume makes a major contribution to our understanding of the play and of the traditions of Shakespearean criticism surrounding it as they have developed from century to century.
Antony and Cleopatra: Shakespeare: The Critical Tradition (Shakespeare: The Critical Tradition)
by Joseph Candido Professor Brian VickersThis new volume in the Shakespeare: The Critical Tradition series increases our knowledge of how Antony and Cleopatra has been received and understood by critics, editors and general readers. The volume provides, in separate sections, both critical opinions about the play across the centuries and an evaluation of their positions within and their impact on the reception of the play. The chronological arrangement of the text-excerpts engages the readers in a direct and unbiased dialogue, and the introduction offers a critical evaluation from a current stance, including modern theories and methods. This volume makes a major contribution to our understanding of the play and of the traditions of Shakespearean criticism surrounding it as they have developed from century to century.
Out For Blood: A Cultural History of Carrie the Musical
by Chris AdamsFeaturing contributions from over eighty original cast members, creatives, crew and audience members, Out For Blood pieces together the surprising, hilarious and often-moving inside story of Carrie The Musical to discover how this 'horror of a Broadway musical' lived, died and was subsequently resurrected as a mainstream success story.In 1988, following the success of its production of Les Misérables and in the wake of the commercial success of mega-musicals such as Cats, Phantom of the Opera and Chess, the Royal Shakespeare Company agreed to co-produce a musical based on Stephen King's Carrie, written by the team behind Fame. The result was one of Broadway's most infamous disasters. Plagued by technical problems, on-stage chaos and a critical savaging, Carrie would soon become the by-word for musical theatre flops. But thanks to the efforts of a vocal army of fans and the impact of bootleg trading and emerging online communities, the show reinvented itself as a mainstream success story with thousands of productions worldwide.Patching together memories, archive material and contemporary reports, Out For Blood dives into the origins and development of this infamous show and examines how a promising entertainment product can swiftly gain a notorious reputation, what makes or breaks a Broadway show, and how even the most unlikely of musicals can find its place in the hearts of fans around the world.Based on the hit ten-part podcast, Out For Blood will delight theatregoers, flop aficionados and 'Friends of Carrie' alike.
Out For Blood: A Cultural History of Carrie the Musical
by Chris AdamsFeaturing contributions from over eighty original cast members, creatives, crew and audience members, Out For Blood pieces together the surprising, hilarious and often-moving inside story of Carrie The Musical to discover how this 'horror of a Broadway musical' lived, died and was subsequently resurrected as a mainstream success story.In 1988, following the success of its production of Les Misérables and in the wake of the commercial success of mega-musicals such as Cats, Phantom of the Opera and Chess, the Royal Shakespeare Company agreed to co-produce a musical based on Stephen King's Carrie, written by the team behind Fame. The result was one of Broadway's most infamous disasters. Plagued by technical problems, on-stage chaos and a critical savaging, Carrie would soon become the by-word for musical theatre flops. But thanks to the efforts of a vocal army of fans and the impact of bootleg trading and emerging online communities, the show reinvented itself as a mainstream success story with thousands of productions worldwide.Patching together memories, archive material and contemporary reports, Out For Blood dives into the origins and development of this infamous show and examines how a promising entertainment product can swiftly gain a notorious reputation, what makes or breaks a Broadway show, and how even the most unlikely of musicals can find its place in the hearts of fans around the world.Based on the hit ten-part podcast, Out For Blood will delight theatregoers, flop aficionados and 'Friends of Carrie' alike.
Liberating Shakespeare: Adaptation and Empowerment for Young Adult Audiences (Shakespeare and Adaptation)
The collective trauma of the COVID-19 pandemic. Digital shaming. Violence against women. Sexual bullying. Racial slurs and injustice. These are just some of the problems faced by today's young adults. Liberating Shakespeare explores how adaptations of Shakespeare's plays can be used to empower young audiences by addressing issues of oppression, trauma and resistance. Showcasing a wide variety of approaches to understanding, adapting and teaching Shakespeare, this collection examines the significant number of Shakespeare adaptations targeting adolescent audiences in the past 25 years. It examines a wide variety of creative works made for and by young people that harness the power of Shakespeare to address some of the most pressing questions in contemporary culture – exploring themes of violence, race relations and intersectionality. The contributors to this volume consider whether the representations of characters and situations in YA Shakespeare can function as empowering models for students and how these works might be employed within educational settings. This collection argues that YA Shakespeare represents the diverse concerns of today's youth and should be taken seriously as art that speaks to the complexities of a broken world, offering moments of hope for an uncertain future.
Liberating Shakespeare: Adaptation and Empowerment for Young Adult Audiences (Shakespeare and Adaptation)
by Jennifer Flaherty and Deborah UmanThe collective trauma of the COVID-19 pandemic. Digital shaming. Violence against women. Sexual bullying. Racial slurs and injustice. These are just some of the problems faced by today's young adults. Liberating Shakespeare explores how adaptations of Shakespeare's plays can be used to empower young audiences by addressing issues of oppression, trauma and resistance. Showcasing a wide variety of approaches to understanding, adapting and teaching Shakespeare, this collection examines the significant number of Shakespeare adaptations targeting adolescent audiences in the past 25 years. It examines a wide variety of creative works made for and by young people that harness the power of Shakespeare to address some of the most pressing questions in contemporary culture – exploring themes of violence, race relations and intersectionality. The contributors to this volume consider whether the representations of characters and situations in YA Shakespeare can function as empowering models for students and how these works might be employed within educational settings. This collection argues that YA Shakespeare represents the diverse concerns of today's youth and should be taken seriously as art that speaks to the complexities of a broken world, offering moments of hope for an uncertain future.
The RSC Shakespeare: The Complete Works (The RSC Shakespeare)
by William Shakespeare"The text of any Shakespeare play is a living negotiable entity: scholarship and theatre practice work together to keep the plays alive and vividly present." – Gregory Doran, RSC Artistic Director Developed in partnership with the Royal Shakespeare Company, this Complete Works of William Shakespeare combines exemplary textual scholarship with beautiful design. Curated by expert editors Sir Jonathan Bate and Professor Eric Rasmussen, the text in this collection is based on the iconic 1623 First Folio: the first and original Complete Works lovingly assembled by Shakespeare's fellow actors, and the version of Shakespeare's text preferred by many actors and directors today. This stunning revised edition goes further to present Shakespeare's plays as they were originally intended – as living theatre to be enjoyed and performed on stage. Along with new colour photographs from a vibrant range of RSC productions, a new Stage Notes feature documenting the staging choices in 100 RSC productions showcases the myriad ways in which Shakespeare's plays can be brought to life. Now featuring the entire range of Shakespeare's plays, poems and sonnets, this edition is expanded to include both The Passionate Pilgrim and A Lover's Complaint. Along with Bate's excellent general introduction and short essays, this collection includes a range of aids to the reader such as on-page notes explaining unfamiliar terms and key facts boxes providing plot summaries and additional helpful context. A Complete Works for the 21st century, this versatile and highly collectable edition will inspire students, theatre practitioners and lovers of Shakespeare everywhere.