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Posthumous Love: Eros and the Afterlife in Renaissance England
by Ramie TargoffFor Dante and Petrarch, posthumous love was a powerful conviction. Like many of their contemporaries, both poets envisioned their encounters with their beloved in heaven—Dante with Beatrice, Petrarch with Laura. But as Ramie Targoff reveals in this elegant study, English love poetry of the Renaissance brought a startling reversal of this tradition: human love became definitively mortal. Exploring the boundaries that Renaissance English poets drew between earthly and heavenly existence, Targoff seeks to understand this shift and its consequences for English poetry. Targoff shows that medieval notions of the somewhat flexible boundaries between love in this world and in the next were hardened by Protestant reformers, who envisioned a total break between the two. Tracing the narrative of this rupture, she focuses on central episodes in poetic history in which poets developed rich and compelling compensations for the lack of posthumous love—from Thomas Wyatt’s translations of Petrarch’s love sonnets and the Elizabethan sonnet series of Shakespeare and Spencer to the carpe diem poems of the seventeenth century. Targoff’s centerpiece is Romeo and Juliet, where she considers how Shakespeare’s reworking of the Italian story stripped away any expectation that the doomed teenagers would reunite in heaven. Casting new light on these familiar works of poetry and drama, this book ultimately demonstrates that the negation of posthumous love brought forth a new mode of poetics that derived its emotional and aesthetic power from its insistence upon love’s mortal limits.
Posthumous Love: Eros and the Afterlife in Renaissance England
by Ramie TargoffFor Dante and Petrarch, posthumous love was a powerful conviction. Like many of their contemporaries, both poets envisioned their encounters with their beloved in heaven—Dante with Beatrice, Petrarch with Laura. But as Ramie Targoff reveals in this elegant study, English love poetry of the Renaissance brought a startling reversal of this tradition: human love became definitively mortal. Exploring the boundaries that Renaissance English poets drew between earthly and heavenly existence, Targoff seeks to understand this shift and its consequences for English poetry. Targoff shows that medieval notions of the somewhat flexible boundaries between love in this world and in the next were hardened by Protestant reformers, who envisioned a total break between the two. Tracing the narrative of this rupture, she focuses on central episodes in poetic history in which poets developed rich and compelling compensations for the lack of posthumous love—from Thomas Wyatt’s translations of Petrarch’s love sonnets and the Elizabethan sonnet series of Shakespeare and Spencer to the carpe diem poems of the seventeenth century. Targoff’s centerpiece is Romeo and Juliet, where she considers how Shakespeare’s reworking of the Italian story stripped away any expectation that the doomed teenagers would reunite in heaven. Casting new light on these familiar works of poetry and drama, this book ultimately demonstrates that the negation of posthumous love brought forth a new mode of poetics that derived its emotional and aesthetic power from its insistence upon love’s mortal limits.
Posthumous Love: Eros and the Afterlife in Renaissance England
by Ramie TargoffFor Dante and Petrarch, posthumous love was a powerful conviction. Like many of their contemporaries, both poets envisioned their encounters with their beloved in heaven—Dante with Beatrice, Petrarch with Laura. But as Ramie Targoff reveals in this elegant study, English love poetry of the Renaissance brought a startling reversal of this tradition: human love became definitively mortal. Exploring the boundaries that Renaissance English poets drew between earthly and heavenly existence, Targoff seeks to understand this shift and its consequences for English poetry. Targoff shows that medieval notions of the somewhat flexible boundaries between love in this world and in the next were hardened by Protestant reformers, who envisioned a total break between the two. Tracing the narrative of this rupture, she focuses on central episodes in poetic history in which poets developed rich and compelling compensations for the lack of posthumous love—from Thomas Wyatt’s translations of Petrarch’s love sonnets and the Elizabethan sonnet series of Shakespeare and Spencer to the carpe diem poems of the seventeenth century. Targoff’s centerpiece is Romeo and Juliet, where she considers how Shakespeare’s reworking of the Italian story stripped away any expectation that the doomed teenagers would reunite in heaven. Casting new light on these familiar works of poetry and drama, this book ultimately demonstrates that the negation of posthumous love brought forth a new mode of poetics that derived its emotional and aesthetic power from its insistence upon love’s mortal limits.
Posthumous Love: Eros and the Afterlife in Renaissance England
by Ramie TargoffFor Dante and Petrarch, posthumous love was a powerful conviction. Like many of their contemporaries, both poets envisioned their encounters with their beloved in heaven—Dante with Beatrice, Petrarch with Laura. But as Ramie Targoff reveals in this elegant study, English love poetry of the Renaissance brought a startling reversal of this tradition: human love became definitively mortal. Exploring the boundaries that Renaissance English poets drew between earthly and heavenly existence, Targoff seeks to understand this shift and its consequences for English poetry. Targoff shows that medieval notions of the somewhat flexible boundaries between love in this world and in the next were hardened by Protestant reformers, who envisioned a total break between the two. Tracing the narrative of this rupture, she focuses on central episodes in poetic history in which poets developed rich and compelling compensations for the lack of posthumous love—from Thomas Wyatt’s translations of Petrarch’s love sonnets and the Elizabethan sonnet series of Shakespeare and Spencer to the carpe diem poems of the seventeenth century. Targoff’s centerpiece is Romeo and Juliet, where she considers how Shakespeare’s reworking of the Italian story stripped away any expectation that the doomed teenagers would reunite in heaven. Casting new light on these familiar works of poetry and drama, this book ultimately demonstrates that the negation of posthumous love brought forth a new mode of poetics that derived its emotional and aesthetic power from its insistence upon love’s mortal limits.
Postmodern Metanarratives: Blade Runner and Literature in the Age of Image
by Décio Torres CruzPostmodern Metanarratives investigates the relationship between cinema and literature by analyzing the film Blade Runner as a postmodern work that constitutes a landmark of cyberpunk narrative and establishes a link between tradition and the (post)modern.
Poststructuralist Discourse Analysis: Subjectivity in Enunciative Pragmatics (Postdisciplinary Studies in Discourse)
by J. AngermullerThis book presents developments of discourse analysis in France and applies its tools to key texts from five theorists of structuralism: Lacan, Althusser, Foucault, Derrida and Sollers. It pays special attention to enunciative pragmatics as a poststructuralist approach which analyzes the discursive construction of subjectivity.
Potent Pleasures (Pleasures Trilogy #Bk. 1)
by Eloisa JamesNothing is more seductive than temptation.Reckless desire sends Charlotte Daicheston into the garden with a dashing masked stranger. He's powerful, unforgettable, a devastatingly handsome footman who lures her - not against her will - into a grand indiscretion at a masquerade ball. Then he vanishes.Several years later, after Charlotte has made her dazzling debut in London society, they meet again. But the rogue is no footman. He's rich, titled, and he doesn't remember Charlotte. Worse, he's the subject of some scandalous gossip: rumour has it, the earl's virility is in question.Charlotte, who knows all too intimately the power of his passion, is stunned by the gossip that has set society ablaze. At last, there can be a storybook ending...unless, of course, Charlotte's one mad indiscretion had not been with him at all....
Pound's "Cavalcanti": An Edition of the Translation, Notes, and Essays
by David AndersonThis book makes available the entire range of Ezra Pounds studies and translations of the technically complex philosophical poems of the thirteenth-century Florentine Guido Cavalcanti, Dante's first friend" and artistic rival.Originally published in 1983.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Poverty in Contemporary Literature: Themes and Figurations on the British Book Market
by B. Korte G. ZippPoverty and inequality have gained a new public presence in the United Kingdom. Literature, and particularly narrative literature, (re-)configures how people think, feel and behave in relation to poverty. This makes the analysis of poverty-themed fiction an important aspect in the new transdisciplinary field of poverty studies.
Power and Sainthood: The Case of Birgitta of Sweden (The New Middle Ages)
by P. SalmesvuoriAnalyzing the renowned Saint Birgitta of Sweden from the perspectives of power, authority, and gender, this probing study investigates how Birgitta went about establishing her influence during the first ten years of her career as a living saint, in 1340–1349.
Power Games (Mira Ser.)
by Victoria Fox‘Sexy, fun and full of scandal. You won't be able to put it down.' - Heat SEVEN INFAMOUS CELEBRITIES
The Power of Historical Knowledge: Narrating the Past in Hawthorne, James, and Dreiser
by Susan L. MizruchiIn this provocative study, Susan Mizruchi argues that the act of writing history is the key to the political concerns of American novelists. Using nineteenth-century theories of history as well as recent narratological models, she examines reconstructions of the past in The House of the Seven Gables (1851), The Bostonians (1886), The Wings of the Dove (1902), and An American Tragedy (1925). Her special focus allows us to see that the efforts (on the part of characters and narrators alike) to reshape the past reveal both anxieties about the self and larger struggles for political power.Professor Mizruchi demonstrates the deepening connections between narrative and political coercion from Hawthorne to Dreiser, whose novels (as she further shows) both incorporate, and portray their characters incorporating, the conditions of their contemporary worlds. Her argument addresses a major contemporary dialogue on the subversive qualities of American texts and the place of history in literary interpretation.Originally published in 1988.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Power Play
by Danielle SteelFiona Carson has proven herself as CEO of a multibillion-dollar high-tech company – a successful woman in a man's world. Devoted single mother, world-class strategist, and tough negotiator, Fiona has to manage a delicate balancing act every day.Meanwhile, Marshall Weston basks in the fruits of his achievements. At his side is his wife Liz who has gladly sacrificed her own career to raise their three children. Smooth, shrewd and irreproachable, Marshall's power only enhances his charisma – but he harbors secrets that could destroy his life at any moment. Both must face their own demons, and the lives they lead come at a high price. But just how high a price are they willing to pay to stay at the top of their game?POWER PLAY is a compelling, heart-rending portrayal of love, family and career – the perfect read for fans of Penny Vincenzi and Lesley Pearce.
The Powerbook (Vintage International Series)
by Jeanette WintersonThe PowerBook is twenty-first century fiction that uses past, present and future as shifting dimensions of a multiple reality. The story is simple. An e-writer called Ali or Alix will write to order anything you like, provided that you are prepared to enter the story as yourself and take the risk of leaving it as someone else. You can be the hero of your own life. You can have freedom just for one night. But there is a price to pay.
Practice Makes Perfect (A Varsity Novel #3)
by Melanie SpringBehind every squad, there's a story.It's spring semester at Northside High and the girls of the JV cheer squad are trying out for next fall. The pressure is on as Chloe, Devin, Kate, and Emily practice Varsity-level stunts amidst the drama of best friends, boyfriends, and frenemies. When jealousy and competition threaten to tear these besties apart, can the girls band together to dominate at tryouts?Book 3 in the Varsity series has more best-friend drama, boy trouble, and, of course, sideline spirit!
The Practice of Misuse: Rugged Consumerism in Contemporary American Culture
by Raymond MalewitzIn the age of Ikea Hackers and salvagepunks, this book charts the emergence of "rugged consumers" who creatively misuse, reuse, and repurpose the objects within their environments to suit their idiosyncratic needs and desires. Figures of both literary and material culture whose behavior evokes an American can-do ethic, rugged consumers mediate between older mythic models of self-sufficiency and the consumption-driven realities of our passive, post-industrial economy. Through their unorthodox encounters with the material world, rugged consumers show that using objects 'properly' is a conventional behavior that must be renewed and reinforced rather than a naturalized process that persists untroubled through time and space. At the same time, this Utopian ideal is rarely met: most examples of rugged consumerism conceal rather than foreground the ideological problems to which they respond and thus support or ignore rather than challenge the structures of late capitalist consumerism. By analyzing convergences and divergences between subjective material practices and collectivist politics, Raymond Malewitz shows how rugged consumerism both recodes and reflects the dynamic social history of objects in the United States from the 1960s to the present.
Practicing Romance: Narrative Form and Cultural Engagement in Hawthorne's Fiction
by Richard H. MillingtonPracticing Romance sets out to re-tell the story of Hawthorne's career, arguing that he is best understood as a cultural analyst of extraordinary acuity, ambitious to reshape--in a sense to cure--the community he addresses. Through readings attentive to narrative strategy and alert to the emerging middle-class culture that was his audience, the book defines and describes Hawthornian Romance in a new way: not, in customary fashion, as the definitive instance of a peculiarly American genre, but as a narrative practice designed to expose and restage the covert drama that affiliates us to our community. Hawthorne's fiction thus recovers for its readers, through the interpretive independence it teaches, a freer, more lucid, more critical relation to the community we inhabit, and the cultural engagement romance enacts in turn rescues Hawthorne from the confining marginality that the writer's career had threatened to confer. From the book's distinctive account of his narrative tactics, especially his deployment of the voices and attitudes--authoritarian or democratic, entrapping or freeing--that give shape to his ideological terrain, Hawthorne emerges as a daring reinventor of the novel's cultural role.Originally published in 1992.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Prada And Prejudice: Prada And Prejudice / Love And Liability / Mansfield Lark
by Katie OliverHe’s a man in possession of a large fortune….but is he in want of a wife?!
Pragmatic Literary Stylistics (Palgrave Studies in Pragmatics, Language and Cognition)
by Billy Clark Siobhan ChapmanIn considering the ways in which current theories of language in use and communicative processes are applied to the analysis, interpretation and definition of literary texts, this book sets an agenda for the future of pragmatic literary stylistics and provides a foundation for future research and debate.
The Prairie: A Tale By The Author Of The Pioneers... (The\john Harvard Library #140)
by James Fenimore CooperIn The Prairie (1827), Cooper's most celebrated literary work, Natty Bumppo, now aged, is reduced to making a living by trapping. As his journey from Atlantic to Pacific nears its end in a vast uninhabited grassland that Cooper consistently imagines as an ocean of the interior, nothing less than the future identity of America is at stake.
The Prairie (The\john Harvard Library #140)
by James Fenimore Cooper Domhnall Martin MitchellIn The Prairie (1827), Cooper's most celebrated literary work, Natty Bumppo, now aged, is reduced to making a living by trapping. As his journey from Atlantic to Pacific nears its end in a vast uninhabited grassland that Cooper consistently imagines as an ocean of the interior, nothing less than the future identity of America is at stake.
Pray for the Dying: An intricate and thrilling Scottish mystery (Bob Skinner)
by Quintin JardineFamily ties can hide deep wounds... Bob Skinner uncovers a trail of evil in Pray for the Dying, Quintin Jardine's gripping crime thriller. Perfect for fans of Ian Rankin and James Oswald.'Jardine's 23rd Bob Skinner mystery showcases the shrewd and personable Edinburgh cop at his relentless best' - Publishers WeeklyThe killing was an expert hit. Three shots through the head, as the lights dimmed at a celebrity concert in Glasgow. A most public crime, and Edinburgh Chief Constable Bob Skinner is right in the centre of the storm, as it breaks over the Strathclyde force.The shooters are dead too, killed at the scene. But who sent them? The crisis finds Skinner, his private life shattered by the shocking end of his marriage, taking a step that he had sworn he never would. Tasked by Scotland's First Minister with the investigation of the outrage, he finds himself quickly uncovering some very murky deeds. The trail leads to London, where national issues compromise the hunt. Skinner has to rattle the bars of the most formidable cage in the country, and go head to head with its leading power brokers, a confrontation that seems too much, even for him. Can the Chief solve the most challenging mystery of his career... or will failure end it? What readers are saying about Pray for the Dying: 'Gripping from the moment I started reading... twists and turns all the way through it that leave you guessing right to the end. Fantastic book''A page turner from the first word to the last''An intricate plot, very well thought out and executed - enthralling'
Prayer: A Novel
by Philip KerrA chilling modern horror story in which the source of the horror is totally unexpected - and utterly terrifying. Special Agent Gil Martins investigates domestic terrorism for the Houston FBI. Once a religious man, now his job makes him question the existence of a God who could allow the violence he sees every day. Gil is asked to investigate a series of unexplained deaths of victims known for their liberal views. When a woman tells Gil that these men have been killed by prayer, he questions her sanity. Yet the evidence mounts that there might be something in what she says, even more so when Gil finds that his own life is on the line.
Prayers for the Stolen
by Jennifer Clement‘Now we make you ugly,’ my mother said. ‘The best thing you can be in Mexico is an ugly girl.’On the mountainside in rural Mexico where Ladydi lives, being a girl is dangerous. Especially a pretty one. If the Narcos hear there is a pretty girl on the mountain, they steal her. So when the black SUVs roll into town, Ladydi and her friends hide in the warren of holes scattered across the mountain, safely out of sight. Because the stolen girls don’t come back.Ladydi is determined to get out, to find a life that offers more than just the struggle to survive. But she soon finds that the drug cartels have eyes everywhere, and the cities are no safer than the mountains.
