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The Pleasure Garden

by Leon Garfield

Eastward in Clerkenwell lies the Mulberry Pleasure Garden: six acres of leafy walks, colonnades and pavillions. In this bosky setting parade a variety of characters of awesome granduer, innocence and evil - and all are subject to a ring of blackmail terror.

Pleasure Island

by TG Haynes

Reclusive, enigmatic Roxanna May - self styled Princess of ‘Pleasure Island’ - fiercely guards her privacy to such an extent that no member of the press has managed to obtain an interview with her for several years.Undaunted by this fact, enterprising freelance journalist, Nikki Foster, is determined to obtain the scoop of the century by securing an interview with Roxanna.Displaying admirable ingenuity, Nikki persuades the Princess to grant her an exclusive. There is a catch, however. The interview must take place on the Princess’s Caribbean Island retreat. Though Nikki is fully aware of the rumours regarding the debauched lifestyle that Roxanna supposedly leads, she feels that she has no choice other than agree to the Princess’s terms.Determined not to get drawn into any intrigues, Nikki sets off for the Island.Upon arriving Nikki quickly realises that temptations abound, none more so than the devilishly handsome Matt Darnley, Roxanna’s right hand man. Soon caught up in the heady atmosphere that pervades the Island, can Nikki secure the interview before giving in to her desires…

Pleasure Under the Sun (Mills And Boon Kimani Ser.)

by Lindsay Evans

Passion is the ultimate seducer

The Pleasures of Spring

by Evie Hunter

An invitation to the hot and steamy world of bestselling Irish erotica author Evie Hunter...'More colour and better written than EL James and a more exciting read than any of Sylvia Day's books' Irish Independent'A BDSM masterpiece' Sunday World'A must-read if you enjoyed Fifty Shades of Grey' Irish Daily StarHe picked up her hand where it grasped the water glass, felt her pulse and looked into her eyes. 'You don't want a man with manners. You want someone who will let you walk on the wild side, who knows what you're really like ...'Roz Spring is an actress and a chameleon, the kind of woman who always lands on her feet. But even Roz can't talk her way out of witnessing a murder, and she must go into hiding before the murderer comes for her. Andy McTavish has turned his back on a life of privilege to prove himself in the world of international security. Tall, dark and dangerous, Andy is the ultimate seducer who has never met a woman who can tame him.Roz needs his protection and, to get his family off his back, Andy needs a fake fiancée. The solution is obvious: pretend to be a couple. Getting up close and personal won't be hard, as the chemistry between them is electrifying. As two practiced charmers drive each other beyond the limits of sensual endurance, they find their usual defences are no good. When the barriers come crashing down, a raw passion emerges that neither wants to admit.They know that when the murderer shows his hand, they will face a fight for life and freedom. And if they survive, what will happen when the need to pretend is over?The Pleasures of Spring is the latest sizzling standalone novel from Evie Hunter whose trademark combination is an addictive erotic story and a page-turning plot. If you're an Evie fan, you won't be disappointed. And if you're new to Evie, well, you're in for quite the delicious treat... PRAISE FOR EVIE HUNTER:'As near perfection as a Suspense/Romance/Erotic/BDSM novel could EVER get!' Ripe for Reader'Every delicious moment comes with amazing tension and believability ... masterfully written, artfully told, and yummy to read.' My Book Boyfriend'All I can say is, holy yowza, Batman! Yes, this book falls firmly into the 'What to read after Fifty Shades of Grey' category, but in my opinion ... this book blows Fifty Shades out of the water. I unabashedly adored this book.' This Bookish Endeavor 'Danger, heat, obsession and unexplored desires come together to form a combustive and sizzling tale, not soon forgotten.' Romancing The Book'One of those rare books that has stolen my heart, my mind and my soul ... a flawless, exciting and down-right steamy read that will stay with you long after your finish.' Totally Bookalicious

Plots and Errors

by Jill McGown

'I shot someone dead.' He watched for her reaction, and there was more than just surprise in those dark blue eyes; there was something very like respect. 'I got out just over eight years ago.' 'What was it like?''Prison?'She shook her head, smiling slightly. 'Killing someone,' she said.Andrew and Kathy Cope, the proprietors of a debt-ridden detective agency on the verge of losing their home, are found dead in their fume-filled car. Few doubt that it was suicide.But Detective Chief Inspector Lloyd does. He knew Kathy, and doesn't believe she was a quitter. And why, he asks DI Judy Hill, were groceries put away on the wrong shelves? Why is Andy Cope's wheelchair still in the boot? Even Kathy's last case is a puzzle. Why, of all the detectives she might have employed, did a member of the super-wealthy Esterbrook family choose to hire the Copes?That night, the murder of matriarch Angela Esterbrook appears to vindicate Lloyd's doubts, but even he doesn't realize that the Copes' apparent suicide is just the curtain-raiser on a tragedy of almost Shakespearean proportions . . .

The Plus-One Agreement: Waking Up Pregnant / The Plus-one Agreement (Mills And Boon Modern Tempted Ser.)

by Charlotte Phillips

Successful job? Check. Swish wardrobe? Check. Mr Right? Not so much…

Pocket Cats: Shadow Magic (Pocket Cats #2)

by Kitty Wells

Maddy has always wanted a cat, but now she's got something even better - three small ceramic cats which come to life and give her magical powers! When Maddy discovers that another one of the cats has come to life, she can't wait to get to know her and start using her new magical power. But Nibs doesn't seem very friendly, and she's here for a reason - there's a problem to be solved.It doesn't take long for Maddy and Nibs to figure out who needs their help. Maddy's cousin is having trouble settling into her new school. She's so miserable that she's decided to run away. Can Maddy and Nibs use their Shadow Magic to stop her?

Poe and the Subversion of American Literature: Satire, Fantasy, Critique

by Robert T. Tally Jr.

Choice Outstanding Academic Title 2014In Poe and the Subversion of American Literature, Robert T. Tally Jr. argues that Edgar Allan Poe is best understood, not merely as a talented artist or canny magazinist, but primarily as a practical joker who employs satire and fantasy to poke fun at an emergent nationalist discourse circulating in the United States. Poe's satirical and fantastic mode, on display even in his apparently serious short stories and literary criticism, undermines the earnest attempts to establish a distinctively national literature in the nineteenth century. In retrospect, Poe's work also subtly subverts the tenets of an institutionalized American Studies in the twentieth century. Tally interprets Poe's life and works in light of his own social milieu and in relation to the disciplinary field of American literary studies, finding Poe to be neither the poète maudit of popular mythology nor the representative American writer revealed by recent scholarship. Rather, Poe is an untimely figure whose work ultimately makes a mockery of those who would seek to contain it. Drawing upon Gilles Deleuze's distinction between nomad thought and state philosophy, Tally argues that Poe's varied literary and critical writings represent an alternative to American literature. Through his satirical critique of U.S. national culture and his otherworldly projection of a postnational space of the imagination, Poe establishes a subterranean, nomadic, and altogether worldly literary practice.

Poems

by Alvin Feinman

This volume of Alvin Feinman's poems presents a highly praised earlier work, Preambles and Other Poems, combined with more recent poems. Of Preambles Allen Tate wrote, "This is a remarkable first book. . . . There is an acute and subtle sensibility at work. 'Pilgrim Heights' is one of the best poems by an American that I have seen in many years.' "From "Pilgrim Heights"Something, something, the heart hereMisses, something it knows it needsUnable to bless--the wind passes;A swifter shadow sweeps the reeds,The heart a colder contrast brushes.So this fool, face-forward, bellyPressed among the rushes, plays outHis pulse to the dune's long slantDown from blue to bluer element,The bold encompassing drink of airAnd namelessness, a length compoundOf want and oneness the shore's mumblingDistantly tells--something a wing'sDry pivot stresses, carvedThrough barrens of stillness and glare.Originally published in 1990.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

The Poems of Shelley: 1820-1821 (Longman Annotated English Poets)

by Michael Rossington Jack Donovan Kelvin Everest

Percy Bysshe Shelley (1792-1822) was one of the major Romantic poets, and wrote what is critically recognised as some of the finest lyric poetry in the English language. This is the fourth volume of the five-volume The Poems of Shelley, which presents all of Shelley’s poems in chronological order and with full annotation. Date and circumstances of composition are provided for each poem and all manuscript and printed sources relevant to establishing an authoritative text are freshly examined and assessed. Headnotes and footnotes furnish the personal, literary, historical and scientific information necessary to an informed reading of Shelley’s varied and allusive verse. Most of the poems in the present volume were written between late autumn 1820 and late summer 1821. They include Adonais, Shelley’s lament on the death of John Keats, widely recognised as one of the finest elegies in English poetry, as well as Epipsychidion, a poem inspired by his relationship with the nineteen-year-old Teresa Viviani (‘Emilia’), the object of an intense but temporary fascination for Shelley. The poems of this period show the extent both of Shelley’s engagement with Keats’s volume Lamia, Isabella, The Eve of St. Agnes, and Other Poems (1820) — a copy of which he first read in October 1820 — and of his interest in Italian history, culture and politics. Shelley’s translations of some of his own poems into Italian and his original compositions in the language are also included here. In addition to accompanying commentaries, there are extensive bibliographies to the poems, a chronological table of Shelley’s life and publications, and indexes to titles and first lines. The volumes of The Poems of Shelley form the most comprehensive edition of Shelley’s poetry available to students and scholars.

The Poems of Shelley: 1820-1821 (Longman Annotated English Poets)

by Michael Rossington Jack Donovan Kelvin Everest

Percy Bysshe Shelley (1792-1822) was one of the major Romantic poets, and wrote what is critically recognised as some of the finest lyric poetry in the English language. This is the fourth volume of the five-volume The Poems of Shelley, which presents all of Shelley’s poems in chronological order and with full annotation. Date and circumstances of composition are provided for each poem and all manuscript and printed sources relevant to establishing an authoritative text are freshly examined and assessed. Headnotes and footnotes furnish the personal, literary, historical and scientific information necessary to an informed reading of Shelley’s varied and allusive verse. Most of the poems in the present volume were written between late autumn 1820 and late summer 1821. They include Adonais, Shelley’s lament on the death of John Keats, widely recognised as one of the finest elegies in English poetry, as well as Epipsychidion, a poem inspired by his relationship with the nineteen-year-old Teresa Viviani (‘Emilia’), the object of an intense but temporary fascination for Shelley. The poems of this period show the extent both of Shelley’s engagement with Keats’s volume Lamia, Isabella, The Eve of St. Agnes, and Other Poems (1820) — a copy of which he first read in October 1820 — and of his interest in Italian history, culture and politics. Shelley’s translations of some of his own poems into Italian and his original compositions in the language are also included here. In addition to accompanying commentaries, there are extensive bibliographies to the poems, a chronological table of Shelley’s life and publications, and indexes to titles and first lines. The volumes of The Poems of Shelley form the most comprehensive edition of Shelley’s poetry available to students and scholars.

Poems of the Great War: An Anthology 1914-1918 (RP Minis)

by Edited by Christopher Navratil

This collection featuring nearly 50 memorable poems from some of the best writers of the time: Rupert Brooke, Siegried Sasson, Wilfred Owen, Ivan Gurney, Isaac Rosenberg, Richard Aldington, Edward Thomas, and many more. Vividly expressing the ravages of war fought on the front lines, their poems are some of the most powerful and poignant works of the twentieth century.

Poems to Siva: The Hymns of the Tamil Saints

by Indira Viswanathan Peterson

Composed by three poet-saints between the sixth and eighth centuries A.D., the Tevaram hymns are the primary scripture of the Tamil Saivism, one of the first popular large-scale devotional movements within Hinduism. Indira Peterson eloquently renders into English a substantial portion of these hymns, which provide vivid and moving portraits of the images, myths, rites, and adoration of Siva and which continue to be loved and sung by the millions of followers of the Tamil Saiva tradition. Her introduction and annotations illuminate the work's literary, religious, and cultural contexts, making this anthology a rich sourcebook for the study of South Indian popular religion.Indira Peterson highlights the Tevaram as a seminal text in Tamil cultural history, a synthesis of pan-Indian and Tamil civilization, as well as a distinctly Tamil expression of the love of song, sacred landscape, and ceremonial religion. Her discussion of this work draws on her pioneering research into the performance of the hymns and their relation to the art and ritual of the South Indian temple.Originally published in 1989.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

The Poem's Two Bodies: The Poetics of the 1590 "Faerie Queene"

by David Lee Miller

The role of the human body as a poetic and ideological construct in the 1590 Faerie Queene provides the point of departure for David Lee Miller's richly detailed treatment of Spenser's allegory. In this major contribution to the study of Renaissance literature and ideology, Miller finds the poem organized by a fantasy of bodily wholeness that, like the marriage of Arthur and Gloriana, is both anticipated and deferred in the text.Originally published in 1988.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

The Poet Edgar Allan Poe: Alien Angel

by Jerome McGann

Jerome McGann takes his readers on a spirited tour through a wide range of Poe’s verse as well as the critical and theoretical writings in which he laid out his arresting ideas about poetry and poetics. In a bold reassessment, McGann argues that Poe belongs alongside Whitman and Dickinson as a foundational American poet and cultural presence.

The Poet Edgar Allan Poe: Alien Angel

by Jerome McGann

Jerome McGann takes his readers on a spirited tour through a wide range of Poe’s verse as well as the critical and theoretical writings in which he laid out his arresting ideas about poetry and poetics. In a bold reassessment, McGann argues that Poe belongs alongside Whitman and Dickinson as a foundational American poet and cultural presence.

Poetic Force: Poetry after Kant (Meridian: Crossing Aesthetics #261)

by Kevin McLaughlin

This book argues that the theory of force elaborated in Immanuel Kant's aesthetics (and in particular, his theorization of the dynamic sublime) is of decisive importance to poetry in the nineteenth century and to the connection between poetry and philosophy over the last two centuries. Inspired by his deep engagement with the critical theory of Walter Benjamin, who especially developed this Kantian strain of thinking, Kevin McLaughlin uses this theory of force to illuminate the work of three of the most influential nineteenth-century writers in their respective national traditions: Friedrich Hölderlin, Charles Baudelaire, and Matthew Arnold. The result is a fine elucidation of Kantian theory and a fresh account of poetic language and its aesthetic, ethical, and political possibilities.

Poetic World of Emily Bronte: Poems from the Author of Wuthering Heights

by Laura Inman

Emily Bronte is known as a novelist, but she was first and equally a poet. Before during and after writing Wuthering Heights, she wrote poetry. Indeed, she wrote virtually nothing else for us to read -- no other work of fiction or correspondence. Her poems, however, fill this void. They are varied, lyrical, intriguing, and innovative, yet they are not well known. This book brings an unjustifiably marginalised poet out of the shadows and presents her poetry in a way that enables readers, even those who shy away from poetry, to appreciate her work. Unlike any other collection of Bronte's poetry, this volume arranges selected poems by thematic topic: nature, mutability, love, death, captivity and freedom, hope and despair, imagination, and spirituality. It provides literary and biographical information on each topic and interpretations, explanations, and insights into each poem. Fans of Wuthering Heights wanting more from Emily Bronte will discover that her poetry is as memorable and powerful as her novel. This book is for all who appreciate poetry, especially from the golden age of 19th century verse. The exploration of Emily Bronte's poetic world allows a greater and different understanding of Wuthering Heights and insights into Bronte's fascinating mind.

Poetics in a New Key: Interviews and Essays

by Marjorie Perloff

Marjorie Perloff writes in her preface to Poetics in a New Key that when she learned David Jonathan Y. Bayot wanted to publish a collection of her interviews and essays, she was “at once honored and mystified.” But to Perloff’s surprise and her readers’ delight, the resulting assembly not only presents an accessible and provocative introduction to Perloff’s critical thought, but also highlights the wide range of her interests, and the energetic reassessments and new takes that have marked her academic career. The fourteen interviews in Poetics in a New Key—conducted by scholars, poets, and critics from the United States, Denmark, Norway, France, and Poland, including Charles Bernstein, Hélène Aji, and Peter Nicholls—cover a broad spectrum of topics in the study of poetry: its nature as a literary genre, its current state, and its relationship to art, politics, language, theory, and technology. Also featured in the collection are three pieces by Perloff herself: an academic memoir, an exploration of poetry pedagogy, and an essay on twenty-first-century intellectuals. But across all the interviews and essays, Perloff’s distinctive personality and approach to reading and talking resound, making this new collection an inspiring resource for scholars both of poetry and writing.

Poetics in a New Key: Interviews and Essays

by Marjorie Perloff

Marjorie Perloff writes in her preface to Poetics in a New Key that when she learned David Jonathan Y. Bayot wanted to publish a collection of her interviews and essays, she was “at once honored and mystified.” But to Perloff’s surprise and her readers’ delight, the resulting assembly not only presents an accessible and provocative introduction to Perloff’s critical thought, but also highlights the wide range of her interests, and the energetic reassessments and new takes that have marked her academic career. The fourteen interviews in Poetics in a New Key—conducted by scholars, poets, and critics from the United States, Denmark, Norway, France, and Poland, including Charles Bernstein, Hélène Aji, and Peter Nicholls—cover a broad spectrum of topics in the study of poetry: its nature as a literary genre, its current state, and its relationship to art, politics, language, theory, and technology. Also featured in the collection are three pieces by Perloff herself: an academic memoir, an exploration of poetry pedagogy, and an essay on twenty-first-century intellectuals. But across all the interviews and essays, Perloff’s distinctive personality and approach to reading and talking resound, making this new collection an inspiring resource for scholars both of poetry and writing.

Poetics in a New Key: Interviews and Essays

by Marjorie Perloff

Marjorie Perloff writes in her preface to Poetics in a New Key that when she learned David Jonathan Y. Bayot wanted to publish a collection of her interviews and essays, she was “at once honored and mystified.” But to Perloff’s surprise and her readers’ delight, the resulting assembly not only presents an accessible and provocative introduction to Perloff’s critical thought, but also highlights the wide range of her interests, and the energetic reassessments and new takes that have marked her academic career. The fourteen interviews in Poetics in a New Key—conducted by scholars, poets, and critics from the United States, Denmark, Norway, France, and Poland, including Charles Bernstein, Hélène Aji, and Peter Nicholls—cover a broad spectrum of topics in the study of poetry: its nature as a literary genre, its current state, and its relationship to art, politics, language, theory, and technology. Also featured in the collection are three pieces by Perloff herself: an academic memoir, an exploration of poetry pedagogy, and an essay on twenty-first-century intellectuals. But across all the interviews and essays, Perloff’s distinctive personality and approach to reading and talking resound, making this new collection an inspiring resource for scholars both of poetry and writing.

Poetics in a New Key: Interviews and Essays

by Marjorie Perloff

Marjorie Perloff writes in her preface to Poetics in a New Key that when she learned David Jonathan Y. Bayot wanted to publish a collection of her interviews and essays, she was “at once honored and mystified.” But to Perloff’s surprise and her readers’ delight, the resulting assembly not only presents an accessible and provocative introduction to Perloff’s critical thought, but also highlights the wide range of her interests, and the energetic reassessments and new takes that have marked her academic career. The fourteen interviews in Poetics in a New Key—conducted by scholars, poets, and critics from the United States, Denmark, Norway, France, and Poland, including Charles Bernstein, Hélène Aji, and Peter Nicholls—cover a broad spectrum of topics in the study of poetry: its nature as a literary genre, its current state, and its relationship to art, politics, language, theory, and technology. Also featured in the collection are three pieces by Perloff herself: an academic memoir, an exploration of poetry pedagogy, and an essay on twenty-first-century intellectuals. But across all the interviews and essays, Perloff’s distinctive personality and approach to reading and talking resound, making this new collection an inspiring resource for scholars both of poetry and writing.

The Poetics of Cavafy: Textuality, Eroticism, History

by Gregory Jusdanis

This full-length theoretical examination of Constantine Cavafy breaks the study of this great Greek poet free from the narrow context of traditional scholarship and introduces the latest critical developments into the study of Greek poetry.Originally published in 1987.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Poetics of Reading

by Inge Crosman Wimmers

What happens when we read novels and how do we make sense of them? Inge Wimmers explores these questions by developing a flexible poetics of reading that generously opens up the interpretive space between reader and text, while drawing on current theories of reading and combining rhetorical, pragmatic, and phenomenological approaches. "Poetics," here, is extended beyond the study of purely textual features to structures of exchange between text and reader. In a discussion of four major French novels from the seventeenth century to the present, the author not only sets up a broad-based poetics but also makes important contributions to contemporary issues in the study of narrative. Wimmers introduces the concept of multiple, interlocking frames of reference that allows for the integration of diverse critical perspectives. Analyzing La Princesse de Cleves, Madame Bovary, A la recherche du temps perdu, and Projet pour une revolution a New York, she shows how texts provide some frames of reference, while others are produced by the reader's disposition and cultural milieu.Originally published in 1989.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

The Poetics of the Obscene in Premodern Arabic Poetry: Ibn al-?ajj?j and Sukhf (Literatures and Cultures of the Islamic World)

by S. Antoon

The book is the first study of the 10th century Iraqi poet Ibn al-Hajjaj who popularized a new genre of obscene and scatological parody (sukhf) and is considered the most obscene poet in Arabic literature. Antoon traces the genealogy of this fascinating genre in and examines its rise by placing it in its sociopolitical context.

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