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Nocturne: A Journey in Search of Moonlight
by James Attlee“Nobody who has not taken one can imagine the beauty of a walk through Rome by full moon,” wrote Goethe in 1787. Sadly, the imagination is all we have today: in Rome, as in every other modern city, moonlight has been banished, replaced by the twenty-four-hour glow of streetlights in a world that never sleeps. Moonlight, for most of us, is no more. So James Attlee set out to find it. Nocturne is the record of that journey, a traveler’s tale that takes readers on a dazzling nighttime trek that ranges across continents, from prehistory to the present, and through both the physical world and the realms of art and literature. Attlee attends a Buddhist full-moon ceremony in Japan, meets a moon jellyfish on a beach in Northern France, takes a moonlit hike in the Arizona desert, and experiences a lunar eclipse on New Year’s Eve atop the snowbound Welsh hills. Each locale is illuminated not just by the moonlight he seeks, but by the culture and history that define it. We learn about Mussolini’s pathological fear of moonlight; trace the connections between Caspar David Friedrich, Rudolf Hess, and the Apollo space mission; and meet the inventors of the Moonlight Collector in the American desert, who aim to cure all kinds of ailments with concentrated lunar rays. Svevo and Blake, Whistler and Hokusai, Li Po and Marinetti are all enlisted, as foils, friends, or fellow travelers, on Attlee’s journey. Pulled by the moon like the tide, Attlee is firmly in a tradition of wandering pilgrims that stretches from Basho to Sebald; like them, he presents our familiar world anew.
Nocturne: A Journey in Search of Moonlight
by James Attlee“Nobody who has not taken one can imagine the beauty of a walk through Rome by full moon,” wrote Goethe in 1787. Sadly, the imagination is all we have today: in Rome, as in every other modern city, moonlight has been banished, replaced by the twenty-four-hour glow of streetlights in a world that never sleeps. Moonlight, for most of us, is no more. So James Attlee set out to find it. Nocturne is the record of that journey, a traveler’s tale that takes readers on a dazzling nighttime trek that ranges across continents, from prehistory to the present, and through both the physical world and the realms of art and literature. Attlee attends a Buddhist full-moon ceremony in Japan, meets a moon jellyfish on a beach in Northern France, takes a moonlit hike in the Arizona desert, and experiences a lunar eclipse on New Year’s Eve atop the snowbound Welsh hills. Each locale is illuminated not just by the moonlight he seeks, but by the culture and history that define it. We learn about Mussolini’s pathological fear of moonlight; trace the connections between Caspar David Friedrich, Rudolf Hess, and the Apollo space mission; and meet the inventors of the Moonlight Collector in the American desert, who aim to cure all kinds of ailments with concentrated lunar rays. Svevo and Blake, Whistler and Hokusai, Li Po and Marinetti are all enlisted, as foils, friends, or fellow travelers, on Attlee’s journey. Pulled by the moon like the tide, Attlee is firmly in a tradition of wandering pilgrims that stretches from Basho to Sebald; like them, he presents our familiar world anew.
Nocturne: A Journey in Search of Moonlight
by James Attlee“Nobody who has not taken one can imagine the beauty of a walk through Rome by full moon,” wrote Goethe in 1787. Sadly, the imagination is all we have today: in Rome, as in every other modern city, moonlight has been banished, replaced by the twenty-four-hour glow of streetlights in a world that never sleeps. Moonlight, for most of us, is no more. So James Attlee set out to find it. Nocturne is the record of that journey, a traveler’s tale that takes readers on a dazzling nighttime trek that ranges across continents, from prehistory to the present, and through both the physical world and the realms of art and literature. Attlee attends a Buddhist full-moon ceremony in Japan, meets a moon jellyfish on a beach in Northern France, takes a moonlit hike in the Arizona desert, and experiences a lunar eclipse on New Year’s Eve atop the snowbound Welsh hills. Each locale is illuminated not just by the moonlight he seeks, but by the culture and history that define it. We learn about Mussolini’s pathological fear of moonlight; trace the connections between Caspar David Friedrich, Rudolf Hess, and the Apollo space mission; and meet the inventors of the Moonlight Collector in the American desert, who aim to cure all kinds of ailments with concentrated lunar rays. Svevo and Blake, Whistler and Hokusai, Li Po and Marinetti are all enlisted, as foils, friends, or fellow travelers, on Attlee’s journey. Pulled by the moon like the tide, Attlee is firmly in a tradition of wandering pilgrims that stretches from Basho to Sebald; like them, he presents our familiar world anew.
Nocturne: A Journey in Search of Moonlight
by James Attlee“Nobody who has not taken one can imagine the beauty of a walk through Rome by full moon,” wrote Goethe in 1787. Sadly, the imagination is all we have today: in Rome, as in every other modern city, moonlight has been banished, replaced by the twenty-four-hour glow of streetlights in a world that never sleeps. Moonlight, for most of us, is no more. So James Attlee set out to find it. Nocturne is the record of that journey, a traveler’s tale that takes readers on a dazzling nighttime trek that ranges across continents, from prehistory to the present, and through both the physical world and the realms of art and literature. Attlee attends a Buddhist full-moon ceremony in Japan, meets a moon jellyfish on a beach in Northern France, takes a moonlit hike in the Arizona desert, and experiences a lunar eclipse on New Year’s Eve atop the snowbound Welsh hills. Each locale is illuminated not just by the moonlight he seeks, but by the culture and history that define it. We learn about Mussolini’s pathological fear of moonlight; trace the connections between Caspar David Friedrich, Rudolf Hess, and the Apollo space mission; and meet the inventors of the Moonlight Collector in the American desert, who aim to cure all kinds of ailments with concentrated lunar rays. Svevo and Blake, Whistler and Hokusai, Li Po and Marinetti are all enlisted, as foils, friends, or fellow travelers, on Attlee’s journey. Pulled by the moon like the tide, Attlee is firmly in a tradition of wandering pilgrims that stretches from Basho to Sebald; like them, he presents our familiar world anew.
Nocturne: A Journey in Search of Moonlight
by James Attlee“Nobody who has not taken one can imagine the beauty of a walk through Rome by full moon,” wrote Goethe in 1787. Sadly, the imagination is all we have today: in Rome, as in every other modern city, moonlight has been banished, replaced by the twenty-four-hour glow of streetlights in a world that never sleeps. Moonlight, for most of us, is no more. So James Attlee set out to find it. Nocturne is the record of that journey, a traveler’s tale that takes readers on a dazzling nighttime trek that ranges across continents, from prehistory to the present, and through both the physical world and the realms of art and literature. Attlee attends a Buddhist full-moon ceremony in Japan, meets a moon jellyfish on a beach in Northern France, takes a moonlit hike in the Arizona desert, and experiences a lunar eclipse on New Year’s Eve atop the snowbound Welsh hills. Each locale is illuminated not just by the moonlight he seeks, but by the culture and history that define it. We learn about Mussolini’s pathological fear of moonlight; trace the connections between Caspar David Friedrich, Rudolf Hess, and the Apollo space mission; and meet the inventors of the Moonlight Collector in the American desert, who aim to cure all kinds of ailments with concentrated lunar rays. Svevo and Blake, Whistler and Hokusai, Li Po and Marinetti are all enlisted, as foils, friends, or fellow travelers, on Attlee’s journey. Pulled by the moon like the tide, Attlee is firmly in a tradition of wandering pilgrims that stretches from Basho to Sebald; like them, he presents our familiar world anew.
The Cruel Way: Switzerland to Afghanistan in a Ford, 1939
by Ella K. MaillartIn 1939 Swiss travel writer and journalist Ella K. Maillart set off on an epic journey from Geneva to Kabul with fellow writer Annemarie Schwarzenbach in a brand new Ford. As the first European women to travel alone on Afghanistan’s Northern Road, Maillart and Schwarzenbach had a rare glimpse of life in Iran and Afghanistan at a time when their borders were rarely crossed by Westerners. As the two flash across Europe and the Near East in a streak of élan and daring, Maillart writes of comical mishaps, breathtaking landscapes, vitriolic religious clashes, and the ingenuity with which the women navigated what was often a dangerous journey. In beautiful, clear-eyed prose, The Cruel Way shows Maillart’s great ability to explore and experience other cultures in writing both lyrical and deeply empathetic. While the core of the book is the journey itself and their interactions with people oppressed by political conflict and poverty, towards the end of the trip the women’s increasingly troubled relationship takes center stage. By then the glamorous, androgynous Schwarzenbach, whose own account of the trip can be found in All the Roads Are Open, is fighting a losing battle with her own drug addiction, and Maillart’s frustrated attempts to cure her show the profound depth of their relationship. Complete with thirteen of Maillart’s own photographs from the journey, The Cruel Way is a classic of travel writing, and its protagonists are as gripping and fearless as any in literature.
The Cruel Way: Switzerland to Afghanistan in a Ford, 1939
by Ella K. MaillartIn 1939 Swiss travel writer and journalist Ella K. Maillart set off on an epic journey from Geneva to Kabul with fellow writer Annemarie Schwarzenbach in a brand new Ford. As the first European women to travel alone on Afghanistan’s Northern Road, Maillart and Schwarzenbach had a rare glimpse of life in Iran and Afghanistan at a time when their borders were rarely crossed by Westerners. As the two flash across Europe and the Near East in a streak of élan and daring, Maillart writes of comical mishaps, breathtaking landscapes, vitriolic religious clashes, and the ingenuity with which the women navigated what was often a dangerous journey. In beautiful, clear-eyed prose, The Cruel Way shows Maillart’s great ability to explore and experience other cultures in writing both lyrical and deeply empathetic. While the core of the book is the journey itself and their interactions with people oppressed by political conflict and poverty, towards the end of the trip the women’s increasingly troubled relationship takes center stage. By then the glamorous, androgynous Schwarzenbach, whose own account of the trip can be found in All the Roads Are Open, is fighting a losing battle with her own drug addiction, and Maillart’s frustrated attempts to cure her show the profound depth of their relationship. Complete with thirteen of Maillart’s own photographs from the journey, The Cruel Way is a classic of travel writing, and its protagonists are as gripping and fearless as any in literature.
The Cruel Way: Switzerland to Afghanistan in a Ford, 1939
by Ella K. MaillartIn 1939 Swiss travel writer and journalist Ella K. Maillart set off on an epic journey from Geneva to Kabul with fellow writer Annemarie Schwarzenbach in a brand new Ford. As the first European women to travel alone on Afghanistan’s Northern Road, Maillart and Schwarzenbach had a rare glimpse of life in Iran and Afghanistan at a time when their borders were rarely crossed by Westerners. As the two flash across Europe and the Near East in a streak of élan and daring, Maillart writes of comical mishaps, breathtaking landscapes, vitriolic religious clashes, and the ingenuity with which the women navigated what was often a dangerous journey. In beautiful, clear-eyed prose, The Cruel Way shows Maillart’s great ability to explore and experience other cultures in writing both lyrical and deeply empathetic. While the core of the book is the journey itself and their interactions with people oppressed by political conflict and poverty, towards the end of the trip the women’s increasingly troubled relationship takes center stage. By then the glamorous, androgynous Schwarzenbach, whose own account of the trip can be found in All the Roads Are Open, is fighting a losing battle with her own drug addiction, and Maillart’s frustrated attempts to cure her show the profound depth of their relationship. Complete with thirteen of Maillart’s own photographs from the journey, The Cruel Way is a classic of travel writing, and its protagonists are as gripping and fearless as any in literature.
The Cruel Way: Switzerland to Afghanistan in a Ford, 1939
by Ella K. MaillartIn 1939 Swiss travel writer and journalist Ella K. Maillart set off on an epic journey from Geneva to Kabul with fellow writer Annemarie Schwarzenbach in a brand new Ford. As the first European women to travel alone on Afghanistan’s Northern Road, Maillart and Schwarzenbach had a rare glimpse of life in Iran and Afghanistan at a time when their borders were rarely crossed by Westerners. As the two flash across Europe and the Near East in a streak of élan and daring, Maillart writes of comical mishaps, breathtaking landscapes, vitriolic religious clashes, and the ingenuity with which the women navigated what was often a dangerous journey. In beautiful, clear-eyed prose, The Cruel Way shows Maillart’s great ability to explore and experience other cultures in writing both lyrical and deeply empathetic. While the core of the book is the journey itself and their interactions with people oppressed by political conflict and poverty, towards the end of the trip the women’s increasingly troubled relationship takes center stage. By then the glamorous, androgynous Schwarzenbach, whose own account of the trip can be found in All the Roads Are Open, is fighting a losing battle with her own drug addiction, and Maillart’s frustrated attempts to cure her show the profound depth of their relationship. Complete with thirteen of Maillart’s own photographs from the journey, The Cruel Way is a classic of travel writing, and its protagonists are as gripping and fearless as any in literature.
Dangerous Work: Diary of an Arctic Adventure, Text-only Edition
by Arthur Conan DoyleThis e-book features the complete text found in the print edition of Dangerous Work, without the illustrations or the facsimile reproductions of Conan Doyle's notebook pages. In 1880 a young medical student named Arthur Conan Doyle embarked upon the “first real outstanding adventure” of his life, taking a berth as ship’s surgeon on an Arctic whaler, the Hope. The voyage took him to unknown regions, showered him with dramatic and unexpected experiences, and plunged him into dangerous work on the ice floes of the Arctic seas. He tested himself, overcame the hardships, and, as he wrote later, “came of age at 80 degrees north latitude.” Conan Doyle’s time in the Arctic provided powerful fuel for his growing ambitions as a writer. With a ghost story set in the Arctic wastes that he wrote shortly after his return, he established himself as a promising young writer. A subsequent magazine article laying out possible routes to the North Pole won him the respect of Arctic explorers. And he would call upon his shipboard experiences many times in the adventures of Sherlock Holmes, who was introduced in 1887’s A Study in Scarlet. Out of sight for more than a century was a diary that Conan Doyle kept while aboard the whaler. Dangerous Work: Diary of an Arctic Adventure makes this account available for the first time. With humor and grace, Conan Doyle provides a vivid account of a long-vanished way of life at sea. His careful detailing of the experience of arctic whaling is equal parts fascinating and alarming, revealing the dark workings of the later days of the British whaling industry. In addition to the transcript of the diary, the e-book contains two nonfiction pieces by Doyle about his experiences; and two of his tales inspired by the journey. To the end of his life, Conan Doyle would look back on this experience with awe: “You stand on the very brink of the unknown,” he declared, “and every duck that you shoot bears pebbles in its gizzard which come from a land which the maps know not. It was a strange and fascinating chapter of my life.” Only now can the legion of Conan Doyle fans read and enjoy that chapter.
Into Africa
by Craig PackerCraig Packer takes us into Africa for a journey of fifty-two days in the fall of 1991. But this is more than a tour of magnificent animals in an exotic, faraway place. A field biologist since 1972, Packer began his work studying primates at Gombe and then the lions of the Serengeti and the Ngorongoro Crater with his wife and colleague Anne Pusey. Here, he introduces us to the real world of fieldwork—initiating assistants to lion research in the Serengeti, helping a doctoral student collect data, collaborating with Jane Goodall on primate research. As in the works of George Schaller and Cynthia Moss, Packer transports us to life in the field. He is addicted to this land—to the beauty of a male lion striding across the Serengeti plains, to the calls of a baboon troop through the rain forests of Gombe—and to understanding the animals that inhabit it. Through his vivid narration, we feel the dust and the bumps of the Arusha Road, smell the rosemary in the air at lunchtime on a Serengeti verandah, and hear the lyrics of the Grateful Dead playing off bootlegged tapes. Into Africa also explores the social lives of the animals and the threats to their survival. Packer grapples with questions he has passionately tried to answer for more than two decades. Why do female lions raise their young in crèches? Why do male baboons move from troop to troop while male chimps band together? How can humans and animals continue to coexist in a world of diminishing resources? Immediate demands—logistical nightmares, political upheavals, physical exhaustion—yield to the larger inescapable issues of the interdependence of the land, the animals, and the people who inhabit it.
Into Africa
by Craig PackerCraig Packer takes us into Africa for a journey of fifty-two days in the fall of 1991. But this is more than a tour of magnificent animals in an exotic, faraway place. A field biologist since 1972, Packer began his work studying primates at Gombe and then the lions of the Serengeti and the Ngorongoro Crater with his wife and colleague Anne Pusey. Here, he introduces us to the real world of fieldwork—initiating assistants to lion research in the Serengeti, helping a doctoral student collect data, collaborating with Jane Goodall on primate research. As in the works of George Schaller and Cynthia Moss, Packer transports us to life in the field. He is addicted to this land—to the beauty of a male lion striding across the Serengeti plains, to the calls of a baboon troop through the rain forests of Gombe—and to understanding the animals that inhabit it. Through his vivid narration, we feel the dust and the bumps of the Arusha Road, smell the rosemary in the air at lunchtime on a Serengeti verandah, and hear the lyrics of the Grateful Dead playing off bootlegged tapes. Into Africa also explores the social lives of the animals and the threats to their survival. Packer grapples with questions he has passionately tried to answer for more than two decades. Why do female lions raise their young in crèches? Why do male baboons move from troop to troop while male chimps band together? How can humans and animals continue to coexist in a world of diminishing resources? Immediate demands—logistical nightmares, political upheavals, physical exhaustion—yield to the larger inescapable issues of the interdependence of the land, the animals, and the people who inhabit it.
Into Africa
by Craig PackerCraig Packer takes us into Africa for a journey of fifty-two days in the fall of 1991. But this is more than a tour of magnificent animals in an exotic, faraway place. A field biologist since 1972, Packer began his work studying primates at Gombe and then the lions of the Serengeti and the Ngorongoro Crater with his wife and colleague Anne Pusey. Here, he introduces us to the real world of fieldwork—initiating assistants to lion research in the Serengeti, helping a doctoral student collect data, collaborating with Jane Goodall on primate research. As in the works of George Schaller and Cynthia Moss, Packer transports us to life in the field. He is addicted to this land—to the beauty of a male lion striding across the Serengeti plains, to the calls of a baboon troop through the rain forests of Gombe—and to understanding the animals that inhabit it. Through his vivid narration, we feel the dust and the bumps of the Arusha Road, smell the rosemary in the air at lunchtime on a Serengeti verandah, and hear the lyrics of the Grateful Dead playing off bootlegged tapes. Into Africa also explores the social lives of the animals and the threats to their survival. Packer grapples with questions he has passionately tried to answer for more than two decades. Why do female lions raise their young in crèches? Why do male baboons move from troop to troop while male chimps band together? How can humans and animals continue to coexist in a world of diminishing resources? Immediate demands—logistical nightmares, political upheavals, physical exhaustion—yield to the larger inescapable issues of the interdependence of the land, the animals, and the people who inhabit it.
Into Africa
by Craig PackerCraig Packer takes us into Africa for a journey of fifty-two days in the fall of 1991. But this is more than a tour of magnificent animals in an exotic, faraway place. A field biologist since 1972, Packer began his work studying primates at Gombe and then the lions of the Serengeti and the Ngorongoro Crater with his wife and colleague Anne Pusey. Here, he introduces us to the real world of fieldwork—initiating assistants to lion research in the Serengeti, helping a doctoral student collect data, collaborating with Jane Goodall on primate research. As in the works of George Schaller and Cynthia Moss, Packer transports us to life in the field. He is addicted to this land—to the beauty of a male lion striding across the Serengeti plains, to the calls of a baboon troop through the rain forests of Gombe—and to understanding the animals that inhabit it. Through his vivid narration, we feel the dust and the bumps of the Arusha Road, smell the rosemary in the air at lunchtime on a Serengeti verandah, and hear the lyrics of the Grateful Dead playing off bootlegged tapes. Into Africa also explores the social lives of the animals and the threats to their survival. Packer grapples with questions he has passionately tried to answer for more than two decades. Why do female lions raise their young in crèches? Why do male baboons move from troop to troop while male chimps band together? How can humans and animals continue to coexist in a world of diminishing resources? Immediate demands—logistical nightmares, political upheavals, physical exhaustion—yield to the larger inescapable issues of the interdependence of the land, the animals, and the people who inhabit it.
Into Africa
by Craig PackerCraig Packer takes us into Africa for a journey of fifty-two days in the fall of 1991. But this is more than a tour of magnificent animals in an exotic, faraway place. A field biologist since 1972, Packer began his work studying primates at Gombe and then the lions of the Serengeti and the Ngorongoro Crater with his wife and colleague Anne Pusey. Here, he introduces us to the real world of fieldwork—initiating assistants to lion research in the Serengeti, helping a doctoral student collect data, collaborating with Jane Goodall on primate research. As in the works of George Schaller and Cynthia Moss, Packer transports us to life in the field. He is addicted to this land—to the beauty of a male lion striding across the Serengeti plains, to the calls of a baboon troop through the rain forests of Gombe—and to understanding the animals that inhabit it. Through his vivid narration, we feel the dust and the bumps of the Arusha Road, smell the rosemary in the air at lunchtime on a Serengeti verandah, and hear the lyrics of the Grateful Dead playing off bootlegged tapes. Into Africa also explores the social lives of the animals and the threats to their survival. Packer grapples with questions he has passionately tried to answer for more than two decades. Why do female lions raise their young in crèches? Why do male baboons move from troop to troop while male chimps band together? How can humans and animals continue to coexist in a world of diminishing resources? Immediate demands—logistical nightmares, political upheavals, physical exhaustion—yield to the larger inescapable issues of the interdependence of the land, the animals, and the people who inhabit it.
Into Africa
by Craig PackerCraig Packer takes us into Africa for a journey of fifty-two days in the fall of 1991. But this is more than a tour of magnificent animals in an exotic, faraway place. A field biologist since 1972, Packer began his work studying primates at Gombe and then the lions of the Serengeti and the Ngorongoro Crater with his wife and colleague Anne Pusey. Here, he introduces us to the real world of fieldwork—initiating assistants to lion research in the Serengeti, helping a doctoral student collect data, collaborating with Jane Goodall on primate research. As in the works of George Schaller and Cynthia Moss, Packer transports us to life in the field. He is addicted to this land—to the beauty of a male lion striding across the Serengeti plains, to the calls of a baboon troop through the rain forests of Gombe—and to understanding the animals that inhabit it. Through his vivid narration, we feel the dust and the bumps of the Arusha Road, smell the rosemary in the air at lunchtime on a Serengeti verandah, and hear the lyrics of the Grateful Dead playing off bootlegged tapes. Into Africa also explores the social lives of the animals and the threats to their survival. Packer grapples with questions he has passionately tried to answer for more than two decades. Why do female lions raise their young in crèches? Why do male baboons move from troop to troop while male chimps band together? How can humans and animals continue to coexist in a world of diminishing resources? Immediate demands—logistical nightmares, political upheavals, physical exhaustion—yield to the larger inescapable issues of the interdependence of the land, the animals, and the people who inhabit it.
Traveling in Place: A History of Armchair Travel
by Bernd StieglerArmchair travel may seem like an oxymoron. Doesn’t travel require us to leave the house? And yet, anyone who has lost herself for hours in the descriptive pages of a novel or the absorbing images of a film knows the very real feeling of having explored and experienced a different place or time without ever leaving her seat. No passport, no currency, no security screening required—the luxury of armchair travel is accessible to us all. In Traveling in Place, Bernd Stiegler celebrates this convenient, magical means of transport in all its many forms. Organized into twenty-one “legs”—or short chapters—Traveling in Place begins with a consideration of Xavier de Maistre’s 1794 Voyage autour de ma chambre, an account of the forty-two-day “journey around his room” Maistre undertook as a way to entertain himself while under house arrest. Stiegler is fascinated by the notion of exploring the familiar as though it were completely new and strange. He engages writers as diverse as Roussel, Beckett, Perec, Robbe-Grillet, Cortázar, Kierkegaard, and Borges, all of whom show how the everyday can be brilliantly transformed. Like the best guidebooks, Traveling in Place is more interested in the idea of travel as a state of mind than as a physical activity, and Stiegler reflects on the different ways that traveling at home have manifested themselves in the modern era, from literature and film to the virtual possibilities of the Internet, blogs, and contemporary art. Reminiscent of the pictorial meditations of Sebald, but possessed of the intellectual playfulness of Calvino, Traveling in Place offers an entertaining and creative Baedeker to journeying at home.
Traveling in Place: A History of Armchair Travel
by Bernd StieglerArmchair travel may seem like an oxymoron. Doesn’t travel require us to leave the house? And yet, anyone who has lost herself for hours in the descriptive pages of a novel or the absorbing images of a film knows the very real feeling of having explored and experienced a different place or time without ever leaving her seat. No passport, no currency, no security screening required—the luxury of armchair travel is accessible to us all. In Traveling in Place, Bernd Stiegler celebrates this convenient, magical means of transport in all its many forms. Organized into twenty-one “legs”—or short chapters—Traveling in Place begins with a consideration of Xavier de Maistre’s 1794 Voyage autour de ma chambre, an account of the forty-two-day “journey around his room” Maistre undertook as a way to entertain himself while under house arrest. Stiegler is fascinated by the notion of exploring the familiar as though it were completely new and strange. He engages writers as diverse as Roussel, Beckett, Perec, Robbe-Grillet, Cortázar, Kierkegaard, and Borges, all of whom show how the everyday can be brilliantly transformed. Like the best guidebooks, Traveling in Place is more interested in the idea of travel as a state of mind than as a physical activity, and Stiegler reflects on the different ways that traveling at home have manifested themselves in the modern era, from literature and film to the virtual possibilities of the Internet, blogs, and contemporary art. Reminiscent of the pictorial meditations of Sebald, but possessed of the intellectual playfulness of Calvino, Traveling in Place offers an entertaining and creative Baedeker to journeying at home.
Traveling in Place: A History of Armchair Travel
by Bernd StieglerArmchair travel may seem like an oxymoron. Doesn’t travel require us to leave the house? And yet, anyone who has lost herself for hours in the descriptive pages of a novel or the absorbing images of a film knows the very real feeling of having explored and experienced a different place or time without ever leaving her seat. No passport, no currency, no security screening required—the luxury of armchair travel is accessible to us all. In Traveling in Place, Bernd Stiegler celebrates this convenient, magical means of transport in all its many forms. Organized into twenty-one “legs”—or short chapters—Traveling in Place begins with a consideration of Xavier de Maistre’s 1794 Voyage autour de ma chambre, an account of the forty-two-day “journey around his room” Maistre undertook as a way to entertain himself while under house arrest. Stiegler is fascinated by the notion of exploring the familiar as though it were completely new and strange. He engages writers as diverse as Roussel, Beckett, Perec, Robbe-Grillet, Cortázar, Kierkegaard, and Borges, all of whom show how the everyday can be brilliantly transformed. Like the best guidebooks, Traveling in Place is more interested in the idea of travel as a state of mind than as a physical activity, and Stiegler reflects on the different ways that traveling at home have manifested themselves in the modern era, from literature and film to the virtual possibilities of the Internet, blogs, and contemporary art. Reminiscent of the pictorial meditations of Sebald, but possessed of the intellectual playfulness of Calvino, Traveling in Place offers an entertaining and creative Baedeker to journeying at home.
Traveling in Place: A History of Armchair Travel
by Bernd StieglerArmchair travel may seem like an oxymoron. Doesn’t travel require us to leave the house? And yet, anyone who has lost herself for hours in the descriptive pages of a novel or the absorbing images of a film knows the very real feeling of having explored and experienced a different place or time without ever leaving her seat. No passport, no currency, no security screening required—the luxury of armchair travel is accessible to us all. In Traveling in Place, Bernd Stiegler celebrates this convenient, magical means of transport in all its many forms. Organized into twenty-one “legs”—or short chapters—Traveling in Place begins with a consideration of Xavier de Maistre’s 1794 Voyage autour de ma chambre, an account of the forty-two-day “journey around his room” Maistre undertook as a way to entertain himself while under house arrest. Stiegler is fascinated by the notion of exploring the familiar as though it were completely new and strange. He engages writers as diverse as Roussel, Beckett, Perec, Robbe-Grillet, Cortázar, Kierkegaard, and Borges, all of whom show how the everyday can be brilliantly transformed. Like the best guidebooks, Traveling in Place is more interested in the idea of travel as a state of mind than as a physical activity, and Stiegler reflects on the different ways that traveling at home have manifested themselves in the modern era, from literature and film to the virtual possibilities of the Internet, blogs, and contemporary art. Reminiscent of the pictorial meditations of Sebald, but possessed of the intellectual playfulness of Calvino, Traveling in Place offers an entertaining and creative Baedeker to journeying at home.
The Ancient Shore: Dispatches from Naples
by Shirley Hazzard Francis SteegmullerBorn in Australia, Shirley Hazzard first moved to Naples as a young woman in the 1950s to take up a job with the United Nations. It was the beginning of a long love affair with the city. The Ancient Shore collects the best of Hazzard’s writings on Naples, along with a classic New Yorker essay by her late husband, Francis Steegmuller. For the pair, both insatiable readers, the Naples of Pliny, Gibbon, and Auden is constantly alive to them in the present. With Hazzard as our guide, we encounter Henry James, Oscar Wilde, and of course Goethe, but Hazzard’s concern is primarily with the Naples of our own time—often violently unforgiving to innocent tourists, but able to transport the visitor who attends patiently to its rhythms and history. A town shadowed by both the symbol and the reality of Vesuvius can never fail to acknowledge the essential precariousness of life—nor, as the lover of Naples discovers, the human compassion, generosity, and friendship that are necessary to sustain it. Beautifully illustrated by photographs from such masters as Henri Cartier-Bresson and Herbert List, The Ancient Shore is a lyrical letter to a lifelong love: honest and clear-eyed, yet still fervently, endlessly enchanted. “Much larger than all its parts, this book does full justice to a place, and a time, where ‘nothing was pristine, except the light.’”—Bookforum “Deep in the spell of Italy, Hazzard parses the difference between visiting and living and working in a foreign country. She writes with enormous eloquence and passion of the beauty of getting lost in a place.”—Susan Slater Reynolds, Los Angeles Times “The two voices join in exquisite harmony. . . . A lovely book.”—Booklist, starred review
The Ancient Shore: Dispatches from Naples
by Shirley Hazzard Francis SteegmullerBorn in Australia, Shirley Hazzard first moved to Naples as a young woman in the 1950s to take up a job with the United Nations. It was the beginning of a long love affair with the city. The Ancient Shore collects the best of Hazzard’s writings on Naples, along with a classic New Yorker essay by her late husband, Francis Steegmuller. For the pair, both insatiable readers, the Naples of Pliny, Gibbon, and Auden is constantly alive to them in the present. With Hazzard as our guide, we encounter Henry James, Oscar Wilde, and of course Goethe, but Hazzard’s concern is primarily with the Naples of our own time—often violently unforgiving to innocent tourists, but able to transport the visitor who attends patiently to its rhythms and history. A town shadowed by both the symbol and the reality of Vesuvius can never fail to acknowledge the essential precariousness of life—nor, as the lover of Naples discovers, the human compassion, generosity, and friendship that are necessary to sustain it. Beautifully illustrated by photographs from such masters as Henri Cartier-Bresson and Herbert List, The Ancient Shore is a lyrical letter to a lifelong love: honest and clear-eyed, yet still fervently, endlessly enchanted. “Much larger than all its parts, this book does full justice to a place, and a time, where ‘nothing was pristine, except the light.’”—Bookforum “Deep in the spell of Italy, Hazzard parses the difference between visiting and living and working in a foreign country. She writes with enormous eloquence and passion of the beauty of getting lost in a place.”—Susan Slater Reynolds, Los Angeles Times “The two voices join in exquisite harmony. . . . A lovely book.”—Booklist, starred review
The Ancient Shore: Dispatches from Naples
by Shirley Hazzard Francis SteegmullerBorn in Australia, Shirley Hazzard first moved to Naples as a young woman in the 1950s to take up a job with the United Nations. It was the beginning of a long love affair with the city. The Ancient Shore collects the best of Hazzard’s writings on Naples, along with a classic New Yorker essay by her late husband, Francis Steegmuller. For the pair, both insatiable readers, the Naples of Pliny, Gibbon, and Auden is constantly alive to them in the present. With Hazzard as our guide, we encounter Henry James, Oscar Wilde, and of course Goethe, but Hazzard’s concern is primarily with the Naples of our own time—often violently unforgiving to innocent tourists, but able to transport the visitor who attends patiently to its rhythms and history. A town shadowed by both the symbol and the reality of Vesuvius can never fail to acknowledge the essential precariousness of life—nor, as the lover of Naples discovers, the human compassion, generosity, and friendship that are necessary to sustain it. Beautifully illustrated by photographs from such masters as Henri Cartier-Bresson and Herbert List, The Ancient Shore is a lyrical letter to a lifelong love: honest and clear-eyed, yet still fervently, endlessly enchanted. “Much larger than all its parts, this book does full justice to a place, and a time, where ‘nothing was pristine, except the light.’”—Bookforum “Deep in the spell of Italy, Hazzard parses the difference between visiting and living and working in a foreign country. She writes with enormous eloquence and passion of the beauty of getting lost in a place.”—Susan Slater Reynolds, Los Angeles Times “The two voices join in exquisite harmony. . . . A lovely book.”—Booklist, starred review
The Ancient Shore: Dispatches from Naples
by Shirley Hazzard Francis SteegmullerBorn in Australia, Shirley Hazzard first moved to Naples as a young woman in the 1950s to take up a job with the United Nations. It was the beginning of a long love affair with the city. The Ancient Shore collects the best of Hazzard’s writings on Naples, along with a classic New Yorker essay by her late husband, Francis Steegmuller. For the pair, both insatiable readers, the Naples of Pliny, Gibbon, and Auden is constantly alive to them in the present. With Hazzard as our guide, we encounter Henry James, Oscar Wilde, and of course Goethe, but Hazzard’s concern is primarily with the Naples of our own time—often violently unforgiving to innocent tourists, but able to transport the visitor who attends patiently to its rhythms and history. A town shadowed by both the symbol and the reality of Vesuvius can never fail to acknowledge the essential precariousness of life—nor, as the lover of Naples discovers, the human compassion, generosity, and friendship that are necessary to sustain it. Beautifully illustrated by photographs from such masters as Henri Cartier-Bresson and Herbert List, The Ancient Shore is a lyrical letter to a lifelong love: honest and clear-eyed, yet still fervently, endlessly enchanted. “Much larger than all its parts, this book does full justice to a place, and a time, where ‘nothing was pristine, except the light.’”—Bookforum “Deep in the spell of Italy, Hazzard parses the difference between visiting and living and working in a foreign country. She writes with enormous eloquence and passion of the beauty of getting lost in a place.”—Susan Slater Reynolds, Los Angeles Times “The two voices join in exquisite harmony. . . . A lovely book.”—Booklist, starred review
The Ancient Shore: Dispatches from Naples
by Shirley Hazzard Francis SteegmullerBorn in Australia, Shirley Hazzard first moved to Naples as a young woman in the 1950s to take up a job with the United Nations. It was the beginning of a long love affair with the city. The Ancient Shore collects the best of Hazzard’s writings on Naples, along with a classic New Yorker essay by her late husband, Francis Steegmuller. For the pair, both insatiable readers, the Naples of Pliny, Gibbon, and Auden is constantly alive to them in the present. With Hazzard as our guide, we encounter Henry James, Oscar Wilde, and of course Goethe, but Hazzard’s concern is primarily with the Naples of our own time—often violently unforgiving to innocent tourists, but able to transport the visitor who attends patiently to its rhythms and history. A town shadowed by both the symbol and the reality of Vesuvius can never fail to acknowledge the essential precariousness of life—nor, as the lover of Naples discovers, the human compassion, generosity, and friendship that are necessary to sustain it. Beautifully illustrated by photographs from such masters as Henri Cartier-Bresson and Herbert List, The Ancient Shore is a lyrical letter to a lifelong love: honest and clear-eyed, yet still fervently, endlessly enchanted. “Much larger than all its parts, this book does full justice to a place, and a time, where ‘nothing was pristine, except the light.’”—Bookforum “Deep in the spell of Italy, Hazzard parses the difference between visiting and living and working in a foreign country. She writes with enormous eloquence and passion of the beauty of getting lost in a place.”—Susan Slater Reynolds, Los Angeles Times “The two voices join in exquisite harmony. . . . A lovely book.”—Booklist, starred review