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From Song to Book: The Poetics of Writing in Old French Lyric and Lyrical Narrative Poetry
by Sylvia HuotAs the visual representation of an essentially oral text, Sylvia Huot points out, the medieval illuminated manuscript has a theatrical, performative quality. She perceives the tension between implied oral performance and real visual artifact as a fundamental aspect of thirteenth- and fourteenth-century poetics. In this generously illustrated volume, Huot examines manuscript texts both from the performance-oriented lyric tradition of chanson courtoise, or courtly love lyric, and from the self-consciously literary tradition of Old French narrative poetry. She demonstrates that the evolution of the lyrical romance and dit, narrative poems which incorporate thematic and rhetorical elements of the lyric, was responsible for a progressive redefinition of lyric poetry as a written medium and the emergence of an explicitly written literary tradition uniting lyric and narrative poetics.Huot first investigates the nature of the vernacular book in the thirteenth and fourteenth centuries, analyzing organization, page layout, rubrication, and illumination in a series of manuscripts. She then describes the relationship between poetics and manuscript format in specific texts, including works by widely read medieval authors such as Guillaume de Lorris, Jean de Meun, and Guillaume de Machaut, as well as by lesser-known writers including Nicole de Margival and Watriquet de Couvin. Huot focuses on the writers' characteristic modifications of lyric poetics; their use of writing and performance as theme; their treatment of the poet as singer or writer; and of the lady as implied reader or listener; and the ways in which these features of the text were elaborated by scribes and illuminators. Her readings reveal how medieval poets and book-makers conceived their common project, and how they distinguished their respective roles.
The Haw Lantern (Noonday Ser.)
by Seamus HeaneyWidely and justly celebrated for his flawless handling of the lyric, Seamus Heaney is here shown venturing into new imaginative territory. Poems exploring the theme of loss, and in particular a sonnet sequence concerning the death of the poet's mother, are joined in The Haw Lantern by meditations on the conscience of the writer and exercises in an allegorical vein that will both surprise and delight the many admirers of his previous work.'More than other poet since Wordsworth he can make us understand that the outside world is not outside, but what we are made of.' John Carey, Sunday Times
John Skelton, Priest As Poet: Seasons of Discovery
by Arthur F. KinneyKinney shows how the Mass, the Divine Offices, and the liturgy underlie the themes and image clusters of Skelton's poems and argues that liturgical music, especially the plainsong, informs all of Skelton's meters. What emerges is the portrait of a consistent, determined, and imaginative poet in whose canon poetics is grounded in the marriage of teaching and preaching. The study sheds new light on the interrelationships of politics, poetry, and religion in Renaissance England.Originally published in 1987.A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
Meeting the British
by Paul MuldoonMeeting the British is Paul Muldoon's fifth collection of poems. They range from an account of the first recorded case of germ wafare, though a meditation on a bar of soap, to a sequence of monologues spoken by some of the famous, or infamous, inhabitants of '7, Middagh Street,', New York, on Thanksgiving Day, 1940.
Reading Wordsworth (RLE: Wordsworth and Coleridge)
by J.H. AlexanderFirst published in 1987, this book is written for those who are encountering Wordsworth for the first time and for those familiar with his works that are at a loss to understand his reputation or why his work has impressed them. The strength of the author’s approach is that it unravels the poet’s true meaning and the process by which he all too frequently lost the voice of inspiration — working and reshaping his poems until the original freshness disappeared. It concentrates on helping the reader appreciate Wordsworth’s distinctive and daring way with words and poetic structure. By showing Wordsworth’s failures, the author demonstrates by contrast the achievements of his greatest works.
Reading Wordsworth (RLE: Wordsworth and Coleridge)
by J.H. AlexanderFirst published in 1987, this book is written for those who are encountering Wordsworth for the first time and for those familiar with his works that are at a loss to understand his reputation or why his work has impressed them. The strength of the author’s approach is that it unravels the poet’s true meaning and the process by which he all too frequently lost the voice of inspiration — working and reshaping his poems until the original freshness disappeared. It concentrates on helping the reader appreciate Wordsworth’s distinctive and daring way with words and poetic structure. By showing Wordsworth’s failures, the author demonstrates by contrast the achievements of his greatest works.
Selected Poems of Gerard Manley Hopkins (Bloomsbury Master Guides)
by R J WattThis ebook is now available from Bloomsbury Academic. Bloomsbury Academic publish acclaimed resources for undergraduate and postgraduate courses across a broad range of subjects including Art & Visual Culture, Biblical Studies, Business & Management, Drama & Performance Studies, Economics, Education, Film & Media, History, Linguistics, Literary Studies, Philosophy, Politics & International Relations, Religious Studies, Social Work & Social Welfare, Study Skills and Theology. Visit bloomsbury.com for more information.
Shakespeare: The Play Of History (Contemporary Interpretations of Shakespeare)
by G. Holderness J. Turner Nick Potter
Surrealism: The Road to the Absolute
by Anna BalakianFirst published in 1959, Surrealism remains the most readable introduction to the French surrealist poets Apollinaire, Breton, Aragon, Eluard, and Reverdy. Providing a much-needed overview of the movement, Balakian places the surrealists in the context of early twentieth-century Paris and describes their reactions to symbolist poetry, World War I, and developments in science and industry, psychology, philosophy, and painting. Her coherent history of the movement is enhanced by her firsthand knowledge of the intellectual climate in which some of these poets worked and her interviews with Reverdy and Breton. In a new introduction, Balakian discusses the influence of surrealism on contemporary poetry. This volume includes photographs of the poets and reproductions of paintings by Ernst, Dali, Tanguy, and others.
Berryman and Lowell: The Art of Losing
by Stephen MattersonPMContents: Introduction: Tumbles and Leaps; Beginning in Wisdom; Towards a Rhetoric of Destitution; Excellence and Loss; History and Seduction; Defeats and Dreams; Notes and References; Index
