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Style For Actors: A Handbook for Moving Beyond Realism
by Robert Barton"Style is a journey from tourist to native. It is living in the world of the play, not just visiting it." - from Chapter One Anyone who has ever struggled with capes, fans, swords, doublets and crinolines should make Style for Actors 2nd Edition their constant companion. Robert Barton has completely updated his award winning handbook for the 21st century with contemporary references and up-to-date illustrations. This is the definitive guide to roles in historical drama. The past is a foreign country, and this outstanding book is concerned with exploring it from the actor’s point of view. Specific guides range from Greek, Elizabethan, Restoration and Georgian theatre to more contemporary stylings, including Futurism, Surrealism and Postmodernism. Barton takes great care to present the actor with the roles and genres that will most commonly confront them. His analysis moves from entire genres to specific scenes and characters. A huge resource of nearly 150 practical exercises helps a newfound understanding of style to make the leap from page to performance.
Style For Actors 2nd Edition: A Handbook for Moving Beyond Realism
by Robert Barton"Style is a journey from tourist to native. It is living in the world of the play, not just visiting it." - from Chapter One Anyone who has ever struggled with capes, fans, swords, doublets and crinolines should make Style for Actors 2nd Edition their constant companion. Robert Barton has completely updated his award winning handbook for the 21st century with contemporary references and up-to-date illustrations. This is the definitive guide to roles in historical drama. The past is a foreign country, and this outstanding book is concerned with exploring it from the actor’s point of view. Specific guides range from Greek, Elizabethan, Restoration and Georgian theatre to more contemporary stylings, including Futurism, Surrealism and Postmodernism. Barton takes great care to present the actor with the roles and genres that will most commonly confront them. His analysis moves from entire genres to specific scenes and characters. A huge resource of nearly 150 practical exercises helps a newfound understanding of style to make the leap from page to performance.
Movement: Onstage and Off
by Robert Barton Barbara Sellers-YoungMovement: Onstage and Off is the complete guide for actors to the most effective techniques for developing a fully expressive body. It is a comprehensive compilation of established fundamentals, a handbook for movement centered personal growth and a guide to helping actors and teachers make informed decisions for advanced study. This book includes: fundamental healing/conditioning processes essential techniques required for versatile performance specialized skills various training approaches and ways to frame the actor’s movement training. Using imitation exercises to sharpen awareness, accessible language and adaptable material for solo and group work, the authors aim to empower actors of all levels to unleash their extraordinary potential.
Movement: Onstage and Off
by Robert Barton Barbara Sellers-YoungMovement: Onstage and Off is the complete guide for actors to the most effective techniques for developing a fully expressive body. It is a comprehensive compilation of established fundamentals, a handbook for movement centered personal growth and a guide to helping actors and teachers make informed decisions for advanced study. This book includes: fundamental healing/conditioning processes essential techniques required for versatile performance specialized skills various training approaches and ways to frame the actor’s movement training. Using imitation exercises to sharpen awareness, accessible language and adaptable material for solo and group work, the authors aim to empower actors of all levels to unleash their extraordinary potential.
Music And Sound In Silent Film: From The Nickelodeon To The Artist (PDF)
by Ruth Barton Simon TreziseDespite their name, the silent films of the early cinematic era were frequently accompanied by music and other sound elements of many kinds, including mechanical instruments, live performers, and audience sing-alongs. The 12 chapters in this concise book explore the multitude of functions filled by music in the rapidly changing context of the silent film era, as the concept of cinema itself developed. Examples are drawn from around the globe and across the history of silent film, both during the classic era of silent film and later uses of the silent format. With contributors drawn from film studies and music disciplines, and including both senior and emerging scholars, Music and Sound in Silent Film offers an essential introduction to the origins of film music and the cinematic art form.
Music And Sound In Silent Film: From The Nickelodeon To The Artist
by Ruth Barton Simon TreziseDespite their name, the silent films of the early cinematic era were frequently accompanied by music and other sound elements of many kinds, including mechanical instruments, live performers, and audience sing-alongs. The 12 chapters in this concise book explore the multitude of functions filled by music in the rapidly changing context of the silent film era, as the concept of cinema itself developed. Examples are drawn from around the globe and across the history of silent film, both during the classic era of silent film and later uses of the silent format. With contributors drawn from film studies and music disciplines, and including both senior and emerging scholars, Music and Sound in Silent Film offers an essential introduction to the origins of film music and the cinematic art form.
Acting & Auditioning for the 21st Century: Tips, Trends, and Techniques for Digital and New Media
by Stephanie Barton-FarcasActing & Auditioning for the 21st Century covers acting and auditioning in relation to new media, blue and green screen technology, motion capture, web series, audiobook work, evolving livestreamed web series, and international acting and audio work. Readers are given a methodology for changing artistic technology and the global acting market, with chapters covering auditions of all kinds, contracts, the impact of new technology and issues relating to disabled actors, actors of colour and actors that are part of the LGBTQIA community.
Acting & Auditioning for the 21st Century: Tips, Trends, and Techniques for Digital and New Media
by Stephanie Barton-FarcasActing & Auditioning for the 21st Century covers acting and auditioning in relation to new media, blue and green screen technology, motion capture, web series, audiobook work, evolving livestreamed web series, and international acting and audio work. Readers are given a methodology for changing artistic technology and the global acting market, with chapters covering auditions of all kinds, contracts, the impact of new technology and issues relating to disabled actors, actors of colour and actors that are part of the LGBTQIA community.
The Clinic
by Dipo Baruwa-EttiI've given up on fighting for change.That's a strange, imperfect illusionthat allowed confusion to reign in my life.I took a knife to its neck and sliced it open.When a passionate activist, Wunmi, is invited into a middle-class Black family's home, a fire is lit. The family members have always seen themselves as pillars of society: they are charity workers, therapists and politicians. But as they begin to realise what Wunmi really represents, their certainty begins to crumble, the tension rises and a suffocating ash starts to fill the air. Full of forensic fury and incandescent poetry, Dipo Baruwa-Etti's fiercely political new play opened at the Almeida Theatre, London, in September 2022.
Half-Empty Glasses
by Dipo Baruwa-EttiI still play to their chords.Livin' within conventions.Livin' within restrictions.Livin' within a structure.Lettin' someone write my story.Toye is preparing for his piano exam to get into a prestigious music school. He's doing it for the contacts, the opportunity, the love of art. But when he notices the lack of Black British history in his school's curriculum, he begins to question himself and the world around him. Toye wants to follow his dream. but he can't let these institutions write his story. He decides to teach his classmates about Black cultural icons himself, but quickly discovers that not everyone wants Black historv to be celebrated.Dipo Baruwa-Etti's inspiring new play about the pressures of being young, gifted and ready to change the world premiered at Roundabout in Kingston, in a Paines Plough and Rose Theatre production, in July 2022.
The Sun, the Moon, and the Stars
by Dipo Baruwa-EttiThis is bout those menwho stripped him of his crown,treated that charcoal skin like concrete.Peace will only comewhen I make em come undone. Femi is visited by her brother's ghost. He takes her into the past, revealing the final moments before his murder. But with a lack of evidence, and eyewitnesses considered unreliable, Femi is determined to set things right herself.Dipo Baruwa-Etti's The Sun, the Moon, and the Stars explores trauma, rage and the extent one young woman will go in her quest for justice. The play premieres at Stratford East, London, in June 2021.
An unfinished man
by Dipo Baruwa-EttiThis hex has festered,iss roots have been stuckfor almost three decades.I've been obliviousbut now I know.Thuh Lord has made it known.I can't ignore it now iss known.Gotta battle.Gotta fight.Kayode has been unemployed for seven years. His marriage is suffering. He needs to get help. His mother knows exactly what to do.Juju exists, spirits battle, and the witches and wizards of Lagos chant loudly in East London.Dipo Baruwa-Etti's An unfinished man premiered at The Yard, London, in February 2021.
Venus’s Palace: Shakespeare and the Antitheatricalists (Studies in Performance and Early Modern Drama)
by Reut BarzilaiThis book lays bare the dialogue between Shakespeare and critics of the stage, and positions it as part of an ongoing cultural, ethical, and psychological debate about the effects of performance on actors and on spectators. In so doing, the book makes a substantial contribution both to the study of representations of theatre in Shakespeare’s plays and to the understanding of ethical concerns about acting and spectating—then, and now. The book opens with a comprehensive and coherent analysis of the main early modern English anxieties about theatre and its power. These are read against 20th- and 21st-century theories of acting, interviews with actors, and research into the effects of media representation on spectator behaviour, all of which demonstrate the lingering relevance of antitheatrical claims and the personal and philosophical implications of acting and spectating. The main part of the book reveals Shakespeare’s responses to major antitheatrical claims about the powerful effects of poetry, music, playacting, and playgoing. It also demonstrates the evolution of Shakespeare’s view of these claims over the course of his career: from light-hearted parody in A Midsummer Night’s Dream, through systematic contemplation in Hamlet, to acceptance and dramatization in The Tempest. This study will be of great interest to scholars and students of theatre, English literature, history, and culture.
Venus’s Palace: Shakespeare and the Antitheatricalists (Studies in Performance and Early Modern Drama)
by Reut BarzilaiThis book lays bare the dialogue between Shakespeare and critics of the stage, and positions it as part of an ongoing cultural, ethical, and psychological debate about the effects of performance on actors and on spectators. In so doing, the book makes a substantial contribution both to the study of representations of theatre in Shakespeare’s plays and to the understanding of ethical concerns about acting and spectating—then, and now. The book opens with a comprehensive and coherent analysis of the main early modern English anxieties about theatre and its power. These are read against 20th- and 21st-century theories of acting, interviews with actors, and research into the effects of media representation on spectator behaviour, all of which demonstrate the lingering relevance of antitheatrical claims and the personal and philosophical implications of acting and spectating. The main part of the book reveals Shakespeare’s responses to major antitheatrical claims about the powerful effects of poetry, music, playacting, and playgoing. It also demonstrates the evolution of Shakespeare’s view of these claims over the course of his career: from light-hearted parody in A Midsummer Night’s Dream, through systematic contemplation in Hamlet, to acceptance and dramatization in The Tempest. This study will be of great interest to scholars and students of theatre, English literature, history, and culture.
Mystery Cults, Theatre and Athenian Politics: A Reading of Euripides' Bacchae and Aristophanes' Frogs
by Luigi BarziniThis new comparative reading of Euripides' Bacchae and Aristophanes' Frogs sets the two plays squarely in their contemporary social and political context and explores their impact on the audiences of the time. Both were composed during a crucial period of Athenian political life following the oligarchic seizure of power in 411 BC and the restoration of democracy in 410 BC, and were in all likelihood produced nearly simultaneously a few months before the rise of the Thirty Tyrants and the ensuing civil war. They also demonstrate significant similarities that are particularly notable among extant Attic theatre productions, including the role of the god Dionysos as protagonist and architect of religious and political action, and the presence of Demetrian and Dionysiac mystic choruses as proponents of the appeasement of civil discord as the cure for Athens' ills. Focusing on the mystic, civic and political content of both Bacchae and Frogs, this volume offers not only a new reading of the plays, but also an interdisciplinary perspective on the special characteristics of mystery cults in Athens in their political context and the nature of theatrical audiences and their reaction to mystic themes. Its illumination of the function of each play at a pivotal moment in fifth-century Athenian politics will be of value to scholars and students of ancient Greek drama, religion and history.
Mystery Cults, Theatre and Athenian Politics: A Reading of Euripides' Bacchae and Aristophanes' Frogs
by Luigi BarziniThis new comparative reading of Euripides' Bacchae and Aristophanes' Frogs sets the two plays squarely in their contemporary social and political context and explores their impact on the audiences of the time. Both were composed during a crucial period of Athenian political life following the oligarchic seizure of power in 411 BC and the restoration of democracy in 410 BC, and were in all likelihood produced nearly simultaneously a few months before the rise of the Thirty Tyrants and the ensuing civil war. They also demonstrate significant similarities that are particularly notable among extant Attic theatre productions, including the role of the god Dionysos as protagonist and architect of religious and political action, and the presence of Demetrian and Dionysiac mystic choruses as proponents of the appeasement of civil discord as the cure for Athens' ills. Focusing on the mystic, civic and political content of both Bacchae and Frogs, this volume offers not only a new reading of the plays, but also an interdisciplinary perspective on the special characteristics of mystery cults in Athens in their political context and the nature of theatrical audiences and their reaction to mystic themes. Its illumination of the function of each play at a pivotal moment in fifth-century Athenian politics will be of value to scholars and students of ancient Greek drama, religion and history.
Harold Pinter: Stages, Networks, Collaborations (Methuen Drama Engage)
by Basil Chiasson and Catriona FallowThis important book offers a thematic collection of critical essays, ideal for undergraduate courses on modern British theatre, on Harold Pinter's theatrical works, alongside new interviews with contemporary theatre practitioners. The life and works of Harold Pinter (1930–2008), a pivotal figure in British theatre, have been widely discussed, debated and celebrated internationally. For over five decades, Pinter's work traversed and redefined various forms and genres, constantly in dialogue with, and often impacting the work of, other writers, artists and activists. Combining a reconsideration of key Pinter scholarship with new contexts, voices and theoretical approaches, this book opens up fresh insights into the author's work, politics, collaborations and his enduring status as one of the world's foremost dramatists. Three sections re-contextualize Pinter as a cultural figure; explore and interrogate his influence on contemporary British playwriting; and offer a series of original interviews with theatre-makers engaging in the staging of Pinter's work today. Reconsiderations of Pinter's relationship to literary and theatrical movements such as Modernism and the Theatre of the Absurd; interrogations of the role of class, elitism and religious and cultural identity sit alongside chapters on Pinter's personal politics, specifically in relation to the Middle East.
Petrol Station (Oberon Modern Plays)
by Sulayman Al BassamA remote petrol station lying fallow on the periphery of an unnamed country in the Arabian Gulf provides the background for a familial standoff in which the crimes, secrets, and broken loves of one generation make violent claims on the lives of the next. In this iconic setting, the brooding tensions between two half brothers are set alight by the arrival of a beautiful and dangerous woman on the run from the grips of a vicious civil war. Identity, ambition and betrayal play out in the contexts of war, oil and global migrancy.
UR (Oberon Modern Plays)
by Sulayman Al BassamIn Ancient Sumeria, a woman’s desire for sexual sovereignty and radical vision of civic plurality draws the anger and outrage of the male status quo and unleashes catastrophe onto her city and her body.The seminal Lamentation for the Destruction of the City of Ur is the first poem written for a civic entity -- a city -- in the history of mankind. Writing scenes across multiple timelines that stretch from 2000 BC, to the European Imperialist fantasies of the late 19th Century, to the ISIS destruction of Palmyra in 2015, to a distorted Utopian vision of the future, Al Bassam’s play is a riot of imagination and poetic archaeology, exploring themes of iconoclasm, civic space and feminine apotheosis.UR evokes the utopia and destruction of one of humanity's oldest cities, and is played by an ensemble composed of four Arabic actors working alongside four members of the Residenztheater ensemble.
The Arab Shakespeare Trilogy: The Al-Hamlet Summit; Richard III, an Arab Tragedy; The Speaker’s Progress
by Sulayman Al Bassam Graham HoldernessSulayman Al Bassam is one of the world's leading contemporary dramatists. His adaptations of Shakespeare, performed around the world, have won many awards and met with widespread acclaim on four continents. This volume brings together for the first time three of Al Bassam's adaptations of Shakespearean plays - including versions of Hamlet, Richard III and Twelfth Night - collectively known as The Arab Shakespeare Trilogy. The Al-Hamlet Summit sees the familiar characters of Hamlet reborn as delegates placed in a conference room in an unnamed modern Arab state on the brink of war; Richard III: an Arab Tragedy is a contemporary adaptation of Shakespeare's classic, reworked and transplanted into the scorching oil-rich Islamic world of the Gulf; while The Speaker's Progress is a forensic reconstruction of Twelfth Night which transforms into an unequivocal act of defiance towards the state, forming a dark satire on the decades of hopelessness and political inertia that fed twenty-first-century revolts across the Arab region.The Arab Shakespeare Trilogy features an editorial introduction by Graham Holderness, positioning the plays within the contexts of both modern Shakespearean drama and Arab culture as well as an author's preface by Sulayman Al Bassam, detailing the plays' history of theatrical reception and outlining his philosophy of Shakespeare adaptation.
The Arab Shakespeare Trilogy: The Al-Hamlet Summit; Richard III, an Arab Tragedy; The Speaker’s Progress
by Sulayman Al Bassam Graham HoldernessSulayman Al Bassam is one of the world's leading contemporary dramatists. His adaptations of Shakespeare, performed around the world, have won many awards and met with widespread acclaim on four continents. This volume brings together for the first time three of Al Bassam's adaptations of Shakespearean plays - including versions of Hamlet, Richard III and Twelfth Night - collectively known as The Arab Shakespeare Trilogy. The Al-Hamlet Summit sees the familiar characters of Hamlet reborn as delegates placed in a conference room in an unnamed modern Arab state on the brink of war; Richard III: an Arab Tragedy is a contemporary adaptation of Shakespeare's classic, reworked and transplanted into the scorching oil-rich Islamic world of the Gulf; while The Speaker's Progress is a forensic reconstruction of Twelfth Night which transforms into an unequivocal act of defiance towards the state, forming a dark satire on the decades of hopelessness and political inertia that fed twenty-first-century revolts across the Arab region.The Arab Shakespeare Trilogy features an editorial introduction by Graham Holderness, positioning the plays within the contexts of both modern Shakespearean drama and Arab culture as well as an author's preface by Sulayman Al Bassam, detailing the plays' history of theatrical reception and outlining his philosophy of Shakespeare adaptation.
In Two Minds: A Biography of Jonathan Miller
by Kate BassettIn Two Minds... is the story of Jonathan Miller, one of post war Britain's most intriguing polymaths. Descended from immigrants who fled Tsarist anti-Semitism to become shopkeepers in Ireland and London's East End, Miller was born into an intellectual milieu, between Bloomsbury and Harley Street - the son of a novelist and a leading child psychiatrist. Miller trained as a doctor but then forged a career as a stellar comedian and as a world renowned theatre and opera director. He is a controversial humorist, public intellectual and TV personality. As a star in the ground breaking satirical revue Beyond the Fringe, he shot to fame alongside Peter Cook, Dudley Moore and Alan Bennett. His expertise and interests encompass many areas, from medicine (he wrote and presented the hugely acclaimed BBC documentary series The Body in Question) to the history of art, Mozart, atheism and the nature of laughter. Jonathan Miller is one of the most multi-talented Britons of his generation, celebrated for his dazzling intelligence and anti-establishmentarian wit. This is the first comprehensive biography of him, written by leading arts journalist Kate Bassett (the Independent on Sunday). Drawing on in-depth interviews, it is an entertaining and illuminating portrait of a fascinatingly complex man. ‘I suppose it is true, my life does resemble a butterfly’s existence, moving around from one flower to the next. But, of course, butterflies do pollinate. There is a point to their activity. I hope there is to mine.’ Jonathan Miller ‘He was always my idea of an impossible Renaissance man … he has been a benign and hopeful presence in my life, and the life of my mind, from Cambridge until now.’ A.S. Byatt ‘He was groundbreaking, willing to take risks. His impact upon the opera world has been, without question, one of the most significant of any director in modern times…part of all the schools of thought whose developments we are now experiencing.’ Thomas Hampson ‘If he’d been born French, there would be streets named after him.’ John Fortune
Shakespeare’s Italy and Italy’s Shakespeare: Place, "Race," Politics (Reproducing Shakespeare)
by Shaul BassiShaul Bassi is Associate Professor of English and Postcolonial Literature at Ca'Foscari University of Venice, Italy. His publications include Visions of Venice in Shakespeare, with Laura Tosi, and Experiences of Freedom in Postcolonial Literatures and Cultures, with Annalisa Oboe.
Luigi Pirandello in the Theatre
by Susan Bassnett Jennifer LorchFirst Published in 1993. Routledge is an imprint of Taylor & Francis, an informa company.
Luigi Pirandello in the Theatre
by Susan Bassnett Jennifer LorchFirst Published in 1993. Routledge is an imprint of Taylor & Francis, an informa company.