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Mandible Wishbone Solvent (Phoenix Poets)
by Asiya WadudA poetry collection that brings together word, image, and sound to reflect on fractured, fragmentary states of being. The poetry of Mandible Wishbone Solvent is situated in the space of bridges, fragmentary overlays, spectral reach, and the desire to keep reaching. Asiya Wadud’s poems engage in this act, not to stake a claim or to fasten themselves, but to hold fragments together in order to offer possibilities for connection and extension. Throughout the collection lies an acknowledgment that any hold will drift, meander, and find new paths, with each separation making space for new entanglements. Drawing on a keen interest in tactility and ekphrasis, Wadud mines the repetition and extension that comes with any fractured state of existence and considers the nature of a residual and roving we. Following this selection of lyrical, ekphrastic, fragmented poems, the book concludes with two prose pieces that dwell on the concepts of “isthmus” and “drift,” respectively, which offer further grounds for contemplation and provide a frame for the poems.
Mandible Wishbone Solvent (Phoenix Poets)
by Asiya WadudA poetry collection that brings together word, image, and sound to reflect on fractured, fragmentary states of being. The poetry of Mandible Wishbone Solvent is situated in the space of bridges, fragmentary overlays, spectral reach, and the desire to keep reaching. Asiya Wadud’s poems engage in this act, not to stake a claim or to fasten themselves, but to hold fragments together in order to offer possibilities for connection and extension. Throughout the collection lies an acknowledgment that any hold will drift, meander, and find new paths, with each separation making space for new entanglements. Drawing on a keen interest in tactility and ekphrasis, Wadud mines the repetition and extension that comes with any fractured state of existence and considers the nature of a residual and roving we. Following this selection of lyrical, ekphrastic, fragmented poems, the book concludes with two prose pieces that dwell on the concepts of “isthmus” and “drift,” respectively, which offer further grounds for contemplation and provide a frame for the poems.
May Day: the new collection from one of Britain's best-loved poets
by Jackie KayMay Day is the long-awaited new poetry collection from one of our best-loved poets and former Makar of Scotland, Jackie Kay.These poems cast an eye over several decades of political activism, from the international solidarity of the Glasgow of Kay’s childhood, accompanying her parents’ Socialist campaigns, through the feminist, LGBT+ and anti-racist movements of the 80s and 90s, up to the present day when a global pandemic intersects with the urgency of Black Lives Matter.Kay brings to life a cast of influential figures, delving beneath the surfaces of received narratives: the Jamaican model Fanny Eaton, muse of the Pre-Raphaelite Brotherhood in England; Paul Robeson, Angela Davis and the poet Audre Lorde; and a ‘what-if’ poem concerning Rabbie Burns and a road-not-taken towards the West Indian slave trade. Woven through the collection is a suite of lyric poems concerning the recent losses of Kay’s parents: poems of grief and profound change that are infused with the light of love and celebration.
The Multivalence of an Epic: Retelling the Rāmāyaṇa in South India and Southeast Asia
This volume examines The Rāmāyaṇa traditions of South India and Southeast Asia. Bringing together 19 well-known scholars in Rāmāyaṇa studies from Cambodia, Canada, France, India, Indonesia, Malaysia, Singapore, Thailand, UK, and USA, this thought-provoking and elegantly illustrated volume engages with the inherent plurality, diversity, and adaptability of the Rāmāyaṇa in changing socio-political, religious, and cultural contexts. The journey and localization of the Rāmāyaṇa is explored in its manifold expressions – from classical to folk, from temples and palaces to theatres and by-lanes in cities and villages, and from ancient to modern times. Regional Rāmāyaṇas from different parts of South India and Southeast Asia are placed in deliberate juxtaposition to enable a historically informed discussion of their connected pasts across land and seas. The three parts of this volume, organized as visual, literary, and performance cultures, discuss the sculpted, painted, inscribed, written, recited, and performed Rāmāyaṇas. A related emphasis is on the way boundaries of medium and genre have been crossed in the visual, literary, and performed representations of the Rāmāyaṇa. Print edition not for sale in South Asia (India, Sri Lanka, Nepal, Bangladesh, Pakistan and Bhutan)
The Multivalence of an Epic: Retelling the Rāmāyaṇa in South India and Southeast Asia
by Parul Pandya DharThis volume examines The Rāmāyaṇa traditions of South India and Southeast Asia. Bringing together 19 well-known scholars in Rāmāyaṇa studies from Cambodia, Canada, France, India, Indonesia, Malaysia, Singapore, Thailand, UK, and USA, this thought-provoking and elegantly illustrated volume engages with the inherent plurality, diversity, and adaptability of the Rāmāyaṇa in changing socio-political, religious, and cultural contexts. The journey and localization of the Rāmāyaṇa is explored in its manifold expressions – from classical to folk, from temples and palaces to theatres and by-lanes in cities and villages, and from ancient to modern times. Regional Rāmāyaṇas from different parts of South India and Southeast Asia are placed in deliberate juxtaposition to enable a historically informed discussion of their connected pasts across land and seas. The three parts of this volume, organized as visual, literary, and performance cultures, discuss the sculpted, painted, inscribed, written, recited, and performed Rāmāyaṇas. A related emphasis is on the way boundaries of medium and genre have been crossed in the visual, literary, and performed representations of the Rāmāyaṇa. Print edition not for sale in South Asia (India, Sri Lanka, Nepal, Bangladesh, Pakistan and Bhutan)
Music, Mind, and Language in Chinese Poetry and Performance: The Voice Extended (Global Asias)
by Casey Schoenberger"Poetry puts intent into words; singing lengthens words"--this is one of the earliest Chinese comments on artistic expression. Poetic language extends the reach of a sentiment beyond the individual, and musicality extends the reach of poetic language, not only across a room, but across geography and generations. The "extended mind thesis" (EMT) views minds as extending beyond individual nervous systems to include material and social environments. Music, Mind, and Language in Chinese Poetry and Performance: The Voice Extended offers a comprehensive overview of the interwoven histories of traditional Chinese poetry and performing arts. It employs cognitive and quantitative methods such as EMT, and a database of over six thousand traditional melodies, to describe cyclical, continuous interactions between social minds and material artifacts. From the ancient Canon of Poetry to the song-lyrics (ci) of the late medieval period and the dramatic arias of Kun and Beijing operas, Casey Schoenberger introduces the rhythms, melodies, pronunciation, and grammatical stylistics of the major Chinese verse and performance traditions. In doing so, he gleans insights from cognitive neuroscience, digital humanities, musicology, and linguistics to explain not only the trajectory of Chinese arts, but also bigger phenomena, like vernacularisation and improvisation.
My Poetics
by Maureen N. McLaneAcclaimed poet and critic Maureen N. McLane offers an experimental work of criticism ranging across Romantic and contemporary poetry. In My Poetics, Maureen N. McLane writes as a poet, critic, theorist, and scholar—but above all as an impassioned reader. Written in an innovative, conversable style, McLane’s essays illuminate her own poetics and suggest more generally all that poetics can encompass. Ranging widely from romantic-era odes and hymns to anonymous ballads to haikus and haibuns to modernist and contemporary poetries in English, My Poetics explores poems as speculative instruments and as ways of registering our very sense of being alive. McLane pursues a number of open questions: How do poems generate modes for thinking? How does rhyme help us measure out thought? What is the relation of poetry to its surroundings, and how do specific poems activate that relation? If, as Wallace Stevens wrote, “poetry is the scholar’s art,” My Poetics flies under a slightly different banner: study and criticism are also the poet’s art. Punctuated with McLane’s poems and drawing variously on Hannah Arendt, Percy Bysshe Shelley, Roland Barthes, Bruno Latour, and other writers and poets, My Poetics is a formally as well as intellectually adventurous work. Its artful arrangement of readings and divagations shows us a way to be with poems and poetics.
Natural Burial Ground
by Will Burns'Will Burns is a soulful English poet of the kind we don't make enough of' Max PorterIn his beautiful, evocative new collection, Natural Burial Ground, Will Burns explores his deep interest in place and the natural world to excavate the emotional impact of grief and loss. Natural Burial Ground is by turns melancholy and musical, haunting and deeply empathetic, a collection that wrestles with the scope and heft of elegy, while retaining the poet's world-weary humour and range of imagery.There is throughout a sense of 'home' as unsettled, or unsettling - the landscapes of the Home Counties and of the Channel Islands - the very concept of islands themselves, becoming changed, haunted, in the wake of human experience.Time seeps into the soil of Natural Burial Ground. Reckoning with profound grief, and a country rife with 'Restrictions, recriminations . . .' - the poet finds the past visible everywhere on these grounds, where places come loaded with meaning across time - the deep past of archaeology, the weight of the personal-present, the reticent, uncertain future.In poems alive with familiar wildlife and the communities they move among - seabirds on the wing, the fishermen's daily catch - Natural Burial Ground speaks to our connections to landscapes, to family, the impact of climate change, pop music, wildlife and history.
The Night Alphabet: the electrifying debut novel from the award-winning poet
by Joelle Taylor'Joelle Taylor has a Midas touch with words' Diana SouhamiA Cosmo best books to look forward to in 2024 pick 'A glorious jewel of a novel' Sophie Ward'Exhilarating, profoundly beautiful and exquisitely written' Salena Godden'A mesmerising debut from one of the most talented literary stylists writing today' The Bookseller'Hugely imaginative' Marie Claire (Best New Books, 2024)---------------------------------------------------------------------------------The tattoo was a reclamation, a flag we mounted in the centre of our own landscape.A woman walks into a tattoo parlour. But this is no ordinary woman, and this is Hackney in 2233. Jones' body is covered in tattoos but she wants to add one final inking to her gallery - a thin line of ink mixed with blood that connects her body art together, creating a unique map.As the two artists set to work, Jones tells them the story behind each tattoo. As Jones is no ordinary woman, these are no ordinary stories: each one represents a doorway to a life Jones fell into, a 'remembering'. Some of these lives were in the past, others in the future, some are sideways, but each of them connects Jones to the two tattoo artists in some way, though they are unaware of it.We visit the dystopian cities of the Quiet Men, the coal mines of 19th century Lancashire, join a gang of vigilante sex workers, enter the world of an INCEL murderer, haunt the old Maryville gay bar, and uncover plans to genetically modify female children. Each of the stories brings us closer to Jones' truth, and how her life is intricately interwoven with that of the women tattooing her body.Set across geographies and timespans, The Night Alphabet is a dazzlingly bold and original work, a deep investigation into human nature and violence against women.
One Love: Romantic Quotes for the LGBTQ+ Community
by Summersale PublishersLove is for everyone and should be celebrated. It is a universal experience that transcends boundaries, gender and sexuality. Show your special someone how important they are to you with this diverse selection of thoughtful words. Be proud of your love and love with everything you have, because love is the most powerful thing in the world.
Owen Barfield’s Poetic Philosophy: Meaning and Imagination (Bloomsbury Studies in Philosophy and Poetry)
by Dr Jeffrey HipolitoThe first book to offer an overview, at once introductory and comprehensive, of the philosophical thought of Owen Barfield, sometimes known as the “first and last Inkling” and as the “British Heidegger.”Beginning by placing Barfield's early poetics in the context of the critical hurly-burly of modernist London of the 1920s, Owen Barfield's Poetic Philosophy: Meaning and Imagination shows how Barfield's subsequent development of a philosophy of history, metaphysics, and ethics culminates in his development of a poetic cosmology. Hipolito situates Barfield's poetic philosophy in relation to his significant contemporaries (and predecessors) including T.S. Eliot, D.H. Lawrence, I.A. Richards, Jean Paul Sartre, Martin Heidegger and Ernst Cassirer, bringing to light for the first time many important aspects of Barfield's thought. The book concludes with an analysis of the Burgeon trilogy, in which Barfield recapitulates the themes and arguments of his poetic philosophy by exemplifying them in three genre-defying works of fiction.Structured chronologically and giving a systematic examination of Barfield's thought, Owen Barfield's Poetic Philosophy paints a much-needed picture of a major thinker and poet, who was entirely engaged with his times and who remains crucially relevant to our own.
The Palace of Forty Pillars
by Armen Davoudian'In this formally radical debut, Armen Davoudian shows how rhyme enacts longing for a homeland left behind; how meter sings to a lost beloved; and how a combination of the two can map a self - or idea of the self - relinquished so that a new life, and all the happiness it deserves, can take shape' Paul Tran'Marks the arrival of a notable new voice . . . The Palace of Forty Pillars is a moving book as well as an elegant one; its central preoccupation with the theme of belonging speaks memorably to one of the most urgent questions of our time' Andrew MotionWry, tender, and formally innovative, Armen Davoudian's debut poetry collection, The Palace of Forty Pillars, tells the story of a self estranged from the world around him as a gay adolescent, an Armenian in Iran, and an immigrant in America. It is a story darkened by the long shadow of global tragedies - the Armenian genocide, war in the Middle East, the specter of homophobia. With masterful attention to rhyme and meter, these poems also carefully witness the most intimate encounters: the awkward distance between mother and son getting ready in the morning, the delicate balance of power between lovers, a tense exchange with the morality police in Iran.In Isfahan, Iran, the eponymous palace has only twenty pillars - but, reflected in its courtyard pool, they become forty. This is the gamble of Davoudian's magical, ruminative poems: to recreate, in art's reflection, a home for the speaker, who is unable to return to it in life.
The Palgrave Handbook of Neo-Victorianism
by Brenda Ayres Sarah E. MaierThis handbook offers analysis of diverse genres and media of neo-Victorianism, including film and television adaptations of Victorian texts, authors’ life stories, graphic novels, and contemporary fiction set in the nineteenth century. Contextualized by Sarah E Maier and Brenda Ayres in a comprehensive introduction, the collection describes current trends in neo-Victorian scholarship of novels, film, theatre, crime, empire/postcolonialism, Gothic, materiality, religion and science, amongst others. A variety of scholars from around the world contribute to this volume by applying an assortment of theoretical approaches and interdisciplinary focus in their critique of a wide range of narratives—from early neo-Victorian texts such as A. S. Byatt’s Possession (1963) and Jean Rhys’ Wide Sargasso Sea (1966) to recent steampunk, from musical theatre to slumming, and from The Alienist to queerness—in their investigation of how this fiction reconstructs the past, informed by and reinforming the present.
Paradise Lost and the Making of English Literary Criticism (Routledge Studies in Renaissance Literature and Culture)
by David A. HarperParadise Lost and the Making of English Literary Criticism identifies the early reception of Paradise Lost as a site of contest over the place of literature in political and religious controversy. Milton’s earliest readers and critics (Dryden, Addison, Dennis, Hume, and Bentley) confronted a poem and author at odds with prevailing culture and the revanchist conservatism of the restored monarchy. Grappling with the epic required navigating Milton’s reputation as a “fanatick” who had called in print for Charles I’s execution, inveighed openly against monarchy on the eve of Charles II’s return, and held heretical views on the trinity, baptism, and divorce. Harper argues that foundational figures in English literary criticism rose to this challenge by innovating new ways of reading: producing creative (and subversive) rewritings of Paradise Lost, articulating new theories of the sublime, explaining the poem in the first substantial body of annotations for an English vernacular text, and by pioneering early forms of textual criticism and editing.
Paradise Lost and the Making of English Literary Criticism (Routledge Studies in Renaissance Literature and Culture)
by David A. HarperParadise Lost and the Making of English Literary Criticism identifies the early reception of Paradise Lost as a site of contest over the place of literature in political and religious controversy. Milton’s earliest readers and critics (Dryden, Addison, Dennis, Hume, and Bentley) confronted a poem and author at odds with prevailing culture and the revanchist conservatism of the restored monarchy. Grappling with the epic required navigating Milton’s reputation as a “fanatick” who had called in print for Charles I’s execution, inveighed openly against monarchy on the eve of Charles II’s return, and held heretical views on the trinity, baptism, and divorce. Harper argues that foundational figures in English literary criticism rose to this challenge by innovating new ways of reading: producing creative (and subversive) rewritings of Paradise Lost, articulating new theories of the sublime, explaining the poem in the first substantial body of annotations for an English vernacular text, and by pioneering early forms of textual criticism and editing.
Penguin's Egg
by Anna KempOn a frozen sea, where the snow falls fast, and the whirlwinds rage and storm,A rockhopper egg, in a stony nest, was lying safe and warm.Dad watched and waited, waited, watched, the night grew inky black, Then he fell into a sleep so deep, he didn't hear the . . . CRACKDaddy Penguin finds himself adrift in an unfamiliar world, and he must get home for his egg!From train to helicopter, hot-air balloon to limousine, Daddy Penguin hitches lifts with kindly folk - but will he be home in time?A race against time for Daddy Penguin in this rhyming delight
Perception, Class and Environment in the Works of Thomas Hardy
by Roger EbbatsonThis book examines Thomas Hardy’s writing in both prose and poetry, focusing on issues of perception, ‘being’, class and environment. It illustrates the ways in which Hardy represents a social world which serves as a ‘horizon’ for the individual and explores the dialectic between the perceptible world and human consciousness. Ebbatson demonstrates how, in Hardy’s oeuvre, modern life becomes alienated from its roots in rural life – individual freedom is achieved in works like Tess of the d'Urbervilles, Jude the Obscure or The Woodlanders at the cost of personal insecurity and a deepening sense of homelessness. However, this development occurs against the marginalisation of dialect forms of speech. This book also explores how Hardy’s impressionist vision serves to undermine the prevailing conventions of plot structure.
The Persistence of the Soul in Literature, Art and Politics
by Delphine Louis-Dimitrov Estelle MurailThis book analyses the evolution of literary and artistic representations of the soul, exploring its development through different time periods. The volume combines literary, aesthetic, ethical, and political considerations of the soul in texts and works of art from the seventeenth to the twenty-first centuries, spanning cultures and schools of thought. Drawing on philosophical, religious and psychological theories of the soul, it emphasizes the far-reaching and enduring epistemological function of the concept in literature, art and politics. The authors argue that the concept of the soul has shaped the understanding of human life and persistently irrigated cultural productions. They show how the concept of soul was explored and redefined by writers and artists, remaining relevant even as it became removed from its ancient or Christian origins.
Poems: 1968-2020 (Penguin Modern Classics)
by Nikki GiovanniA major new career-spanning selection from one of the world’s foremost poets, an international treasure, from 1968 to the present day Nikki Giovanni's poetry has dazzled and inspired readers for more than sixty years. When she first emerged from the Black Arts Movement in the late 1960s, she immediately became one of the most celebrated and controversial poets of the era. Now considered a living legend, this is the first new selection since the late 1990s and offers readers a chance to be introduced to and to celebrate her incredible lifetime's work.Giovanni’s poetry has always been a powerful expression of her ideas about love, race, politics and gender, but part of that power has also been the sensitive and intimate way Giovanni is able to bring to light the heart and soul of herself and her readers. Giovanni's poetry speaks from and to the Black experience, with Black love, Black struggle and Black joy at the centre. Arranged chronologically and spanning the entirety of her career, this selection charts not only the development of a great poet but also of sixty years of American life, bringing together motherhood and revolution, political dreams and great loves, men, women, children and community, and shows Giovanni at her essential, profound best.
Poems as Friends: The Poetry Exchange 10th Anniversary Anthology
by Fiona Bennett Michael ShaefferThe Poetry Exchange is an award-winning podcast and project that celebrates the role poetry plays in people's lives. In their first anthology, Fiona Bennett and Michael Shaeffer draw on ten years of archival material to bring together a collection of poems chosen by readers that know them as friends, presented alongside their personal stories of connection. Featuring Brian Cox on John Clare, Andrew Scott on George Herbert, Maxine Peake on Tony Harrison and many more, in this gathering of poems you can reacquaint yourself with old friends, perhaps make some new ones, and enjoy the companionship poetry can offer us. Friends that offer connection and solidarity.Friends that help us wrestle with difficult things.Friends that name our experiences.Friends that comfort and help us move forward.Friends we admire.
The Poetry and Essays of Uri Zvi Grinberg: Politics and Zionism (ISSN)
by Tamar Wolf-MonzonThis book focuses on the complex network of relationships between the poet Uri Zvi Grinberg and the Labor Movement in Mandate Palestine from 1923 to 1937.Making use of letters found in the Uri Zvi Grinberg Archive at the National Library of Israel (NLI), the author reconstructs the characteristics of Grinberg’s pioneer readership, attesting to their special relationship with his poetry. In the 1920s, it is argued, they considered Grinberg’s poetry an authentic expression of their complex spiritual world and especially of the reality of their lives. On his side, Grinberg accepted the pioneering ethos as the ideological basis of his works, becoming an outstanding poet of the Labor Movement. The chapters of this book track the various phases of Grinberg’s life and poetry, from his emigration to Palestine through to the 1930s, when he joined the Revisionist Movement and became increasingly ostracized from the Labor Movement. The story of Grinberg’s relations with the pioneers was emotionally charged—a mixture of enchantment and rejection, spiritual closeness and repulsion. Ultimately, this book analyzes the intensity of this connection and its many contradictory layers.This book will interest researchers in a range of fields, including Hebrew poetry and reception theory, as well as anyone interested in Israeli studies and the history of the Labor Movement in Palestine.
The Poetry and Essays of Uri Zvi Grinberg: Politics and Zionism (ISSN)
by Tamar Wolf-MonzonThis book focuses on the complex network of relationships between the poet Uri Zvi Grinberg and the Labor Movement in Mandate Palestine from 1923 to 1937.Making use of letters found in the Uri Zvi Grinberg Archive at the National Library of Israel (NLI), the author reconstructs the characteristics of Grinberg’s pioneer readership, attesting to their special relationship with his poetry. In the 1920s, it is argued, they considered Grinberg’s poetry an authentic expression of their complex spiritual world and especially of the reality of their lives. On his side, Grinberg accepted the pioneering ethos as the ideological basis of his works, becoming an outstanding poet of the Labor Movement. The chapters of this book track the various phases of Grinberg’s life and poetry, from his emigration to Palestine through to the 1930s, when he joined the Revisionist Movement and became increasingly ostracized from the Labor Movement. The story of Grinberg’s relations with the pioneers was emotionally charged—a mixture of enchantment and rejection, spiritual closeness and repulsion. Ultimately, this book analyzes the intensity of this connection and its many contradictory layers.This book will interest researchers in a range of fields, including Hebrew poetry and reception theory, as well as anyone interested in Israeli studies and the history of the Labor Movement in Palestine.
PORTAL (Phoenix Poets)
by Tracy FuadA poetry collection exploring inheritance and reproduction through the lenses of parenthood, etymology, postcoloniality, and climate anxiety. Tracy Fuad’s second collection of poems, PORTAL, probes the fraught experience of bringing a new life into a world that is both lush and filled with gloom. A baby is born in a brutalist building; the planet shrinks under the new logic of contagion; roses washed up from a shipwreck centuries ago are blooming up and down the cape. PORTAL documents a life that is mediated, even at its most intimate moments, by flattening interfaces of technology and in which language—and even intelligence—is no longer produced only by humans. The voices here are stalked by eco-grief and loneliness, but they also brim with song and ecstasy, reveling in the strangeness of contemporary life while grieving losses that cannot be restored. Through Fuad’s frank, honest poetry, PORTAL vibrates with pleasure and dread. Peeling back the surfaces of words to reveal their etymologies, Fuad embraces playfulness through her formal range, engaging styles from the tersely lineated to the essayistic as she intertwines topics of replication, reproduction, technology, language, history, and biology.
PORTAL (Phoenix Poets)
by Tracy FuadA poetry collection exploring inheritance and reproduction through the lenses of parenthood, etymology, postcoloniality, and climate anxiety. Tracy Fuad’s second collection of poems, PORTAL, probes the fraught experience of bringing a new life into a world that is both lush and filled with gloom. A baby is born in a brutalist building; the planet shrinks under the new logic of contagion; roses washed up from a shipwreck centuries ago are blooming up and down the cape. PORTAL documents a life that is mediated, even at its most intimate moments, by flattening interfaces of technology and in which language—and even intelligence—is no longer produced only by humans. The voices here are stalked by eco-grief and loneliness, but they also brim with song and ecstasy, reveling in the strangeness of contemporary life while grieving losses that cannot be restored. Through Fuad’s frank, honest poetry, PORTAL vibrates with pleasure and dread. Peeling back the surfaces of words to reveal their etymologies, Fuad embraces playfulness through her formal range, engaging styles from the tersely lineated to the essayistic as she intertwines topics of replication, reproduction, technology, language, history, and biology.