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Yeats’s Poems
by W. B. YeatsHere in one volume is the entire canon of Yeat's verse, who was awarded the Nobel Prize for Literature in 1923. He was a poet and playwright, storyteller and visionary. The author also wrote "Yeats: Man and Poet".
Yeats's "Vision" Papers: The Automatic Script - 5 November, 1917 to 23 September, 1918 (Yeats's 'Vision' Papers)
by W. B. YeatsThe first volume of a three-volume edition of the collected papers and notebooks which comprise the "automatic writing" of W.B.Yeats. This material, which spans the years between 1917 and 1920, contains Yeats' thoughts concerning literature and art, which in turn, comprises his "vision".
Yeats’s Vision Papers: Volume 3: Sleep and Dream Notebooks, Vision Notebooks 1 and 2, Card File (Yeats's 'Vision' Papers)
by W. B. YeatsThe third volume of a three volume edition of the collected papers and notebooks which comprise the "automatic writing" of W.B.Yeats. The material presented here is taken from the writings known as "the sleep and dreams" notebooks, the "vision" notebooks one and two and from Yeats' card files.
The Passionate Spectator: Essays on Art and Poetry (Poets On Poetry)
by John YauThe Passionate Spectator collects essays, reviews, and art criticism by John Yau, an internationally lauded poet, critic, and curator. In this wide-ranging collection, Yau explores the intersection of art and poetry, dissolving boundaries between the artistic traditions and reimagining what it means to see and to write. Whether he is interpreting the poetic use of titles in Jessica Stockholder’s paintings, reviewing the collaborative book project between American poet Robert Creeley and German artist Georg Baselitz, or considering the significance of Frank O’Hara’s decision to have his portrait drawn wearing nothing but army boots, Yau is consistently daring, original, and contemporary. Yau’s diverse critical sensibilities permeate The Passionate Spectator as he moves seamlessly between the visual and literary arts. Highlights of this collection include an essay on the poet as art critic, a study of the relationship between Kevin Young’s poetry and the paintings of Jean-Michel Basquiat, and an imaginative piece in which Yau speculates about what Jorge Luis Borges would have created had he been a visual artist. In the title essay, Yau lays out the duty of the spectator—a duty shared by viewer, reader, critic, and artist: “it is up to us to experience art, to engage and believe in its power.” .
Challenges to the Power of Zeus in Early Greek Poetry
by Noriko YasumuraIn the earliest extant works of Greek literature, Zeus reigns supreme in the Olympian hierarchy. However, scattered and scanty though they may be, there are allusions to threats of rebellion which challenge Zeus' supremacy. This book examines these passages, drawn from Homer, Hesiod and the "Homeric Hymns", to offer some new interpretations. While focusing on the theme of cosmic/divine strife, it becomes clear that hints of lost legends underlie these texts. Tracing their hidden logic helps to improve our understanding of early Greek poetry.
Challenges to the Power of Zeus in Early Greek Poetry
by Noriko YasumuraIn the earliest extant works of Greek literature, Zeus reigns supreme in the Olympian hierarchy. However, scattered and scanty though they may be, there are allusions to threats of rebellion which challenge Zeus' supremacy. This book examines these passages, drawn from Homer, Hesiod and the "Homeric Hymns", to offer some new interpretations. While focusing on the theme of cosmic/divine strife, it becomes clear that hints of lost legends underlie these texts. Tracing their hidden logic helps to improve our understanding of early Greek poetry.
Persian Lyric Poetry in the Classical Era, 800-1500: A History of Persian Literature Vol. II (History of Persian Literature #Vol.6)
by Ehsan YarshaterThe second volume in this series presents the reader with an extensive study of some major genres of Persian poetry from the first centuries after the rise of Islam to the end of the Timurid era and the inauguration of Safavid rule in the beginning of the sixteenth century. The authors explore the development of poetic genres, from the panegyric (qaside), to short lyrical poems (ghazal), and the quatrains (roba'i), tracing the stylistic evolution of Persian poetry up to 1500 and examine the vital role of these poetic forms within the rich landscape of Persian literature.
Coleridge and the Abyssinian Maid (RLE: Wordsworth and Coleridge)
by Geoffrey YarlottFirst published in 1967, this book seeks to show the causes which led to Coleridge’s breakdown in 1802 and to indicate how his views on poetry changed as a result of it. The approach is selective in that it only focuses on one part of Coleridge’s life (roughly 1793-1810); however the author attempts to relate a number of different areas of his activity and to trace his emotional and moral development more closely than might be possible in a full-scale biography. The account of Coleridge’s life ends in 1810, when his relationship with the two key figures in his life Asra and Wordsworth had ruptured, as this reflected which of Coleridge’s Notebooks were available at the time.
Coleridge and the Abyssinian Maid (RLE: Wordsworth and Coleridge)
by Geoffrey YarlottFirst published in 1967, this book seeks to show the causes which led to Coleridge’s breakdown in 1802 and to indicate how his views on poetry changed as a result of it. The approach is selective in that it only focuses on one part of Coleridge’s life (roughly 1793-1810); however the author attempts to relate a number of different areas of his activity and to trace his emotional and moral development more closely than might be possible in a full-scale biography. The account of Coleridge’s life ends in 1810, when his relationship with the two key figures in his life Asra and Wordsworth had ruptured, as this reflected which of Coleridge’s Notebooks were available at the time.
Foreign Accents: Chinese American Verse from Exclusion to Postethnicity (Global Asias)
by Steven G. YaoForeign Accents examines the various transpacific signifying strategies by which poets of Chinese descent in the U.S. have sought to represent cultural tradition in their articulations of an ethnic subjectivity, in Chinese as well as in English. In assessing both the dynamics and the politics of poetic expression by writers engaging with a specific cultural heritage, the study develops a general theory of ethnic literary production that clarifies the significance of "Asian American" literature in relation to both other forms of U.S. "minority discourse," as well as canonical "American" literature more generally. At the same time, it maps an expanded textual arena and a new methodology for Asian American literary studies that can be further explored by scholars of other traditions. Yao discusses a range of works, including Ezra Pound's Cathay and the Angel Island poems. He examines the careers of four contemporary Chinese/American poets: Ha Jin, Li-young Lee, Marilyn Chin, and John Yau, each of whom bears a distinctive relationship to the linguistic and cultural tradition he or she seeks to represent. Specifically, Yao investigates the range of rhetorical and formal strategies by which these writers have sought to incorporate Chinese culture and, especially, language in their works. Combining such analysis with extensive social contextualization, Foreign Accents delineates an historical poetics of Chinese American verse from the early twentieth century to the present.
A Poetics of Minds and Madness: Fiction, Cognition and Interpretation
by XINRAN YANGThis monograph aims to explore the mind-narrative nexus by conducting a cognitive narratological study on the mad minds in fictional narratives. Set on the interface of narrative and cognitive science (cognitive linguistics, cognitive psychology and cognitive neuropsychology), it adopts an indirect empirical approach to the fictional representation of madness. The American writer Ken Kesey’s novel One Flew Over the Cuckoo’s Nest is chosen as the primary text of investigation, whereas due consideration is also given to other madness narratives when necessary. This book not only demonstrates the value of reading and rereading literary classics in the modern era, but also sheds light on the studies of cognitive narratology, cognitive poetics, madness narratives and literature in general.
Poetry: A Survivor's Guide
by Mark YakichPlayful and serious, unforgiving and compassionate, Poetry: A Survivor's Guide offers an original take on a subject both loved and feared. In a series of provocative and inspiring propositions, the act of reading a poem is made new, and the act of writing one is made over. Questions of poetry's difficulty, pretension, and relevance are explored with insight and daring. In an age of new media and social networking, this handbook-cum-manifesto provides fresh reverence for one of our oldest forms of art.
Poetry: A Survivor's Guide (National Poetry Ser.)
by Mark YakichPlayful and serious, unforgiving and compassionate, Poetry: A Survivor's Guide offers an original take on a subject both loved and feared. In a series of provocative and inspiring propositions, the act of reading a poem is made new, and the act of writing one is made over. Questions of poetry's difficulty, pretension, and relevance are explored with insight and daring. In an age of new media and social networking, this handbook-cum-manifesto provides fresh reverence for one of our oldest forms of art.
Poetry: A Survivor's Guide
by Mark YakichPoetry: A Survivor's Guide has earned high praise from students, teachers, and readers from around the globe for its playful sincerity and idiosyncratic humor and for its approach to a subject both loved and feared. Updated and expanded, including six new sections, the second edition probes a range of strategies for inspiring students and aspiring poets on the ways poetry relates to their own lives. These include the delights and pitfalls of individual meditation, the complications of identity and appropriation, and the uses and utility of poetry as a tool of social change.The second edition also includes a curated companion website for teachers, students, and aspiring poets that features poetry examples, writing prompts and exercises, and resources for publishing poetry.
Poetry: A Survivor's Guide
by Mark YakichPoetry: A Survivor's Guide has earned high praise from students, teachers, and readers from around the globe for its playful sincerity and idiosyncratic humor and for its approach to a subject both loved and feared. Updated and expanded, including six new sections, the second edition probes a range of strategies for inspiring students and aspiring poets on the ways poetry relates to their own lives. These include the delights and pitfalls of individual meditation, the complications of identity and appropriation, and the uses and utility of poetry as a tool of social change.The second edition also includes a curated companion website for teachers, students, and aspiring poets that features poetry examples, writing prompts and exercises, and resources for publishing poetry.
Shakespeare and Character: Theory, History, Performance and Theatrical Persons (Palgrave Shakespeare Studies)
by P. Yachnin J. SlightsShakespeare and Character brings together leading scholars in theory, literary criticism, and performance studies in order to redress a serious gap in Shakespeare studies and to put character back at the centre of our understanding of Shakespeare's achievement as an artist and thinker.
Reflections and New Perspectives on Virgil's Georgics
by Bobby Xinyue Nicholas FreerVirgil's Georgics, the most neglected of the poet's three major works, is brought to life and infused with fresh meanings in this dynamic collection of new readings. The Georgics is shown to be a rich field of inherited and varied literary forms, actively inviting a wide range of interpretations as well as deep reflection on its place within the tradition of didactic poetry. The essays contained in this volume – contributed by scholars from Australia, Europe and North America – offer new approaches and interpretive methods that greatly enhance our understanding of Virgil's poem. In the process, they unearth an array of literary and philosophical sources which exerted a rich influence on the Georgics but whose impact has hitherto been underestimated in scholarship. A second goal of the volume is to examine how the Georgics – with its profound meditations on humankind, nature, and the socio-political world of its creation – has been (re)interpreted and appropriated by readers and critics from antiquity to the modern era. The volume opens up a number of exciting new research avenues for the study of the reception of the Georgics by highlighting the myriad ways in which the poem has been understood by ancient readers, early modern poets, explorers of the 'New World', and female translators of the twentieth and twenty-first centuries.
A Study of the Urban Poetics of Frank O’Hara (China Perspectives)
by Wang Xiaoling Wang Yuzhi Zheng MingyuanFocusing on the poetry and cultural practice of Frank O’Hara, the great urban poet of the New York School during the 1950s and 1960s, this books explores the interwoven relationship between his urban poetics and the urban culture of New York, seeking to shed light on poetic concept and its cultural relevance. The poetry of Frank O’Hara is deeply rooted in and nourished by his urban experience as a metropolitan and an active participant in the vibrant cultural scene of New York. Therefore, an investigation into the interactive dynamics between his poetry and the urban culture he helped shape serves as a starting point for further study on the literary representation of European and American urban culture. Across eight chapters, the authors look into the genesis, theoretical constitution, the interface with culture and aesthetics of O’Hara’s urban poetics and also their philosophical foundations, literary ethics, special expression and representation as well as his reception of modernity and postmodernity. The title will appeal to scholars, students and general readers interested in American literature, poetry and urban culture, especially Frank O’Hara and the New York School.
A Study of the Urban Poetics of Frank O’Hara (China Perspectives)
by Wang Xiaoling Wang Yuzhi Zheng MingyuanFocusing on the poetry and cultural practice of Frank O’Hara, the great urban poet of the New York School during the 1950s and 1960s, this books explores the interwoven relationship between his urban poetics and the urban culture of New York, seeking to shed light on poetic concept and its cultural relevance. The poetry of Frank O’Hara is deeply rooted in and nourished by his urban experience as a metropolitan and an active participant in the vibrant cultural scene of New York. Therefore, an investigation into the interactive dynamics between his poetry and the urban culture he helped shape serves as a starting point for further study on the literary representation of European and American urban culture. Across eight chapters, the authors look into the genesis, theoretical constitution, the interface with culture and aesthetics of O’Hara’s urban poetics and also their philosophical foundations, literary ethics, special expression and representation as well as his reception of modernity and postmodernity. The title will appeal to scholars, students and general readers interested in American literature, poetry and urban culture, especially Frank O’Hara and the New York School.
June Fourth Elegies: Poems
by Liu XiaoboLiu Xiaobo died in 2017, the first Nobel Laureate to do so in detention since 1935. Liu was a pre-eminent Chinese literary critic, professor and humanitarian activist. After his hunger strike in Tiananmen Square in June 1989 he became a thorn in the side of the Chinese government, helping to write the Charter 08 manifesto calling for free speech, democratic elections and basic human rights. He was arrested and convicted on charges of 'incitement to subversion', and sentenced to eleven years in prison. The following year, 2010, during this fourth prison term, he was awarded the Nobel Peace Prize for 'his prolonged non-violent struggle for fundamental human rights in China'. Neither he nor his wife was allowed to travel to Oslo, and the Chinese government blocked all news stories of the prize and intimidated Liu's friends and family. June Fourth Elegies is a collection of the poems Liu Xiaobo wrote each year on the anniversary of the Tiananmen Square massacre in 1989. An extraordinarily moving testimony and an historical document of singular importance, it is dedicated to 'the Tiananmen Mothers and for those who can remember'. In this bilingual volume, Liu's poetry is for the first time published freely in both English translation and in the Chinese original.
Banjo
by Samantha Wynne-RhydderchWhile Banjo opens with a clutch of fine lyrics, elegies and set-pieces, at the heart of Samantha Wynne-Rhydderch’s new book is a remarkable tale of darkness and light, music and silence. Celebrating the centenary of Captain Scott’s arrival at the South Pole in 1912, Banjo gives us new psychological insight into the lives of the early Antarctic pioneers, as well as an extraordinary account of the role played by music in surviving the long Antarctic winters. Banjo is Wynne-Rhydderch’s most accomplished collection to date, and further evidence of a writer of great imaginative versatility. 'Everything is close to the nerve, everything under cool emotional pressure. The cuts blossom into freshness and colour. And delight, the delight borne out of precision of sound and an exquisite command of register’ George Szirtes ‘Lines full of beauty, sometimes gorgeous, sometimes stark . . . implicating us in the essential human situations, life, death and survival, she explores’ Philip Gross
Not In These Shoes
by Samantha Wynne-RhydderchSamantha Wynne-Rhydderch’s debut collection for Picador introduces a young poet with a remarkable range of imaginative tactics at her disposal, and seems to announce not one, but several new voices. Not In These Shoes is an act of uncanny ventriloquism, and a distinct spirit haunts each of Wynne-Rhydderch’s meticulously drawn spaces. Whether conjuring the interior of a toy snowstorm, a flooded valley, a woman in a backless dress, a ship’s figurehead or a matador in a hotel room, Wynne-Rhydderch finds a voice that perfectly commands our attention. ‘A major voice in contemporary poetry. Razor-sharp wit, a singing vitality of language, and remarkable technical prowess' Penelope Shuttle 'Mysterious and erotic, heartfelt, sophisticated and immensely readable - there's not a page that doesn't stir the imagination. It's a book I've been waiting years to read' Robert Minhinnick
Geoffrey Hill's later work: Radiance of apprehension
by Alex WylieAn exploration of the later work of Geoffrey Hill, often described as ‘the greatest living poet’ in his lifetime. This book reads, interprets, evaluates, and sets in context the work of Hill’s prolific later period from 1996 to 2016, the year of his death.
Geoffrey Hill's later work: Radiance of apprehension
by Alex WylieAn exploration of the later work of Geoffrey Hill, often described as ‘the greatest living poet’ in his lifetime. This book reads, interprets, evaluates, and sets in context the work of Hill’s prolific later period from 1996 to 2016, the year of his death.
The Complete Poems (Penguin Classics)
by Thomas Wyatt R. RebholzAs a diplomat in Renaissance Europe, and a luminary at the court of Henry VII, Sir Thomas Wyatt wrote in an incestuous world where everyone was uneasily subject to the royal whims and rages. Wyatt had himself survived two imprisonments in the Tower as well as a love affair with Anne Boleyn, and his poetry - that of an extraordinarily sophisticated, passionate and vulnerable man - reflects these experiences, making disguised reference to current political events. Above all, though, Wyatt is known for his love poetry, which often dramatizes incidents and remembered conversations with his beloved, with an ear acutely sensitive to patterns of rhythm and colloquial speech. Conveying the actuality of betrayal or absence, and the intense pressure of his longing for a love that could be trusted, these are some of the most haunting poems in the English language.