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• Word - Accessible Word output, which can be unzipped and opened in any tool that allows .docx files

Each Peach Pear Plum (An\i-spy-book Ser.)

In this book with your little eye, take a look and play I spy - so starts the classic story from best-selling author/illustrator team, Janet and Allan Ahlberg. Each Peach Pear Plum introduces favourite fairy tale characters, such as Tom Thumb and The Three Bears and, with a poem on each page hinting as to what is hiding in the picture, children are encouraged to participate and follow the story themselves.Now available in digital format, this well-known favourite truly is a modern classic.

Rubaiyyat & Other Verses

This powerful new collection of poetry from Shahab Uddin Ahmed puts us in touch with the deep emotions we all feel from time to time. In our darkest hours, the fears we hold inside seem all-consuming, and this collection perfectly captures our despair as we remember broken dreams.

I cannot be good until you say it

The much-anticipated debut collection by the winner of the Outspoken Performance Poetry Prize: a tender meditation on queerness and Islam'Dissolving whatever boundaries would wall us off from love, Ahsan finds a way to let it all be holy' Victoria Adukwei-Bulley'When I speak of the word "sacred", Sanah Ahsan's I cannot be good until you say it will forever instantly spring to mind ... A masterpiece - an honour to have read this book, I am forever changed after reading its beauty' Nikita Gill'Innovative and deeply compassionate ... multilingual verse suffused with a vital musicality and a palpable tenderness, Ahsan calls poetry into prayer and evokes a faith safe enough to be mothered by' Mary Jean Chan'Dexterous, varied, erotic, filled with rage, worships and wonder ... I am electrified' Pádraig Ó Tuama'Tensions of psychological drama, together with an induced sense of yearning.. what an artful and inspired set of poems' Anthony Anaxagorou'Liberation is at the nucleus of every page of Sanah Ahsan's rousing debut ... Ahsan is doing liberation work, offering readers a prayer, a song, a hand to hold amidst the amidst' Kaveh Akbar'A remarkable and transformative collection' Keith Jarrett'A daring debut collection, which guides us through the complexities of just being' Yomi Sode'Alive with a want and restlessness that remakes the "You" of desire - and faith - again and again' Will Harris'A heart punching debut collection' Raymond Antrobus______________________________________________Intricately weaving Quranic verse, psychology, and the hip-hop soundtrack of their childhood, Sanah's poems reach for divinity in the body; an archive that refuses erasure.These poems traverse unruly emotional and physical landscapes, Whiteness, islamophobia, homophobia, intergenerational suffering, and the politics of therapeutic processes. In these pages, belief and unbelief, goodness and badness, the material and spiritual are intertwined, reclaiming queer love and desire as holy.How are we incarcerated by others' gazes? Who gets to be good in a society built upon hierarchy? How might we embrace each other's madnesses? Sanah Ahsan asks questions that travel to the heart of our humanness, bending the lines between psychologist and client to show us the sacred nature of our wounds. These poems kneel to the messiness of being alive, building altars to complication and presence. Refusing binaries of gender or religious doctrine, I cannot be good until you say it finds what is to be revered in the grey spaces of morality, advancing imagination and self-compassion as sites of communion.This debut collection is a call to prayer, fearlessly complicating what is good, and what is god.

I cannot be good until you say it

The much-anticipated debut collection by the winner of the Outspoken Performance Poetry Prize: a tender meditation on queerness and Islam'Dissolving whatever boundaries would wall us off from love, Ahsan finds a way to let it all be holy' Victoria Adukwei-Bulley'When I speak of the word "sacred", Sanah Ahsan's I cannot be good until you say it will forever instantly spring to mind ... A masterpiece - an honour to have read this book, I am forever changed after reading its beauty' Nikita Gill'Innovative and deeply compassionate ... multilingual verse suffused with a vital musicality and a palpable tenderness, Ahsan calls poetry into prayer and evokes a faith safe enough to be mothered by' Mary Jean Chan'Dexterous, varied, erotic, filled with rage, worships and wonder ... I am electrified' Pádraig Ó Tuama'Tensions of psychological drama, together with an induced sense of yearning.. what an artful and inspired set of poems' Anthony Anaxagorou'Liberation is at the nucleus of every page of Sanah Ahsan's rousing debut ... Ahsan is doing liberation work, offering readers a prayer, a song, a hand to hold amidst the amidst' Kaveh Akbar'A remarkable and transformative collection' Keith Jarrett'A daring debut collection, which guides us through the complexities of just being' Yomi Sode'Alive with a want and restlessness that remakes the "You" of desire - and faith - again and again' Will Harris'A heart punching debut collection' Raymond Antrobus______________________________________________Intricately weaving Quranic verse, psychology, and the hip-hop soundtrack of their childhood, Sanah's poems reach for divinity in the body; an archive that refuses erasure.These poems traverse unruly emotional and physical landscapes, Whiteness, islamophobia, homophobia, intergenerational suffering, and the politics of therapeutic processes. In these pages, belief and unbelief, goodness and badness, the material and spiritual are intertwined, reclaiming queer love and desire as holy.How are we incarcerated by others' gazes? Who gets to be good in a society built upon hierarchy? How might we embrace each other's madnesses? Sanah Ahsan asks questions that travel to the heart of our humanness, bending the lines between psychologist and client to show us the sacred nature of our wounds. These poems kneel to the messiness of being alive, building altars to complication and presence. Refusing binaries of gender or religious doctrine, I cannot be good until you say it finds what is to be revered in the grey spaces of morality, advancing imagination and self-compassion as sites of communion.This debut collection is a call to prayer, fearlessly complicating what is good, and what is god.

The House of Dust

Selected Poems

Poet, short story writer, critic and novelist, Conrad Aiken (1889-1973) has been called the most metaphysical, the most learned, and the most modern of poets. With writing that reflects an intense interest in psychological, philosophical, and scientific issues, Aiken remains a unique influence upon modern writers and critics today. In his lifetime, Aiken received many awards including the Pulitzer Prize for Poetry in 1930 and the National Book Award for Poetry in 1954. He served as the Consultant in Poetry at the Library of Congress from 1950-1952. Selected Poems contains Aiken's own choice of the best and most representative of his poems, spanning more than forty years of his work. Harold Bloom has contributed a new Foreword to reintroduce Aiken to a new generation of readers. The inclusion of several pivotal poems from previous editions broadens the scope of the work to represent Aiken's legacy.

Aiblins: New Scottish Political Poetry

Aiblins is a selection of new Scottish political poetry. The poems in this collection reflect the tumultuous, rapidly evolving nature of contemporary Scottish politics. They also stand as a testament to the deep engagements poets are making with the political landscape today, not only by reflecting on current events through their work but also by issuing provocations which reframe and challenge conventional assumptions.

Poetry After the Invention of América: Don’t Light the Flower (Modern and Contemporary Poetry and Poetics)

This collection of essays traces the emergence of the Western poem from the standpoint of its collision with "American" otherness, particularly, the Latin American tradition. Unlike works extending Western conceptions of writing or searching for an alleged American ethnopoetics, this book approaches literature as a Western invention and, in turn, seeks out correspondences between traditions

Islamic Thought in Africa: The Collected Works of Afa Ajura (1910-2004) and the Impact of Ajuraism on Northern Ghana (World Thought in Translation)

The first book length-work on Afa Ajura and translation of his complete poems This is the first English translation of and commentary on the collected poems of Alhaj YŠ«suf á¹¢Ä?liḥ Ajura (1910–2004), a northern Ghanaian orthodox Islamic scholar, poet, and polemicist known as Afa Ajura, or “scholar from Ejura.” The poems, all handwritten in Arabic script, mainly in the Ghanaian language of Dagbani and also Arabic, explore the author’s socio†‘religious beliefs. In the accompanying introduction, the translator examines the diverse themes of the poems and how they challenge TijÄ?niyyah Sufi clerics and traditional practices such as idol worship.

The Dark Lady

A natural storyteller with a vision of his own, THE DARK LADY, Akala's debut novel for teens will enthuse and entertain teenagers and young adults, showing that reading is a true super-power. A PICKPOCKET WITH AN EXCEPTIONAL GIFTA PRISONER OF EXTRAORDINARY VALUE AN ORPHAN HAUNTED BY DREAMS OF THE MYSTERIOUS DARK LADYHenry is an orphan, an outsider, a thief. He is also a fifteen-year-old invested with magical powers ...This brilliant, at times brutal, first novel from the amazing imagination that is Akala, will glue you to your seat as you are hurled into a time when London stank and boys like Henry were forced to find their own route through the tangled streets and out the other side.

Calling a Wolf a Wolf

A POETRY BOOK SOCIETY RECOMMENDATIONI could not be held responsiblefor desirehe could not be held at allTracking the joys and pains of the path through addiction, and wrestling with desire, inheritance and faith, Calling a Wolf a Wolf is the darkly sumptuous debut from award-winning poet Kaveh Akbar. These are powerful, intimate poems of thirst: for alcohol, for other bodies, for knowledge and for life.'The struggle from late youth on, with and without God, agony, narcotics and love, is a torment rarely recorded with such sustained eloquence and passion as you will find in this collection'FANNY HOWE'Compelling . . . strange . . . always beautiful' ROXANE GAY, AUTHOR OF BAD FEMINIST AND HUNGER'Truly brilliant'JOHN GREEN, AUTHOR OF THE FAULT IN OUR STARS'A breathtaking addition to the canon of addiction literature'PUBLISHERS WEEKLY (STARRED REVIEW)

The Penguin Book of Spiritual Verse: 110 Poets on the Divine

'An amazing compilation: this book is more than a typical poetry anthology ... Offers a balm, a consolation, a tune, in our desolate world.' - Ilya Kaminsky'An amazing collection of spiritual verse from many cultures and periods ... There cannot be any other anthology that ranges so widely, and anyone concerned with either poetry or spirituality will want to own a copy.' - John BartonAn inspiring new selection of poems exploring faith and the divine, featuring poets from across the world, from antiquity to the presentPoets have always looked to the skies for inspiration, and have written as a way of getting closer to the power and beauty they sense in nature, in each other and in the cosmos. This anthology is a holistic and global survey of a lyric conversation about the divine, one which has been ongoing for millennia.Beginning with the earliest attributable author in all of human literature, the twenty-third century BC Sumerian High Priestess Enheduanna, and taking in a constellation of voices - from King David to Lao Tzu, from the Epic of Gilgamesh to the Malian Epic of Sundiata - this selection presents a number of canonical voices like Blake, Dickinson and Tagore, alongside lesser-anthologized diverse voices going up to the present day, that showcase the breathtaking multiplicity of ways humanity has responded to the divine across place and time.These poets' voices commune between millenia, offering readers a chance to experience for themselves the vast and powerful interconnectedness of these incantations orbiting the most elemental of all subjects - our spirit.

Pilgrim Bell: Poems

*AN OBSERVER BOOK OF THE YEAR 2021***Selected as one of TIME's 100 Must-Read Books of 2021**'Profound and singular, smart and sad and funny. . . We need Pilgrim Bell.' TOMMY ORANGEWith formal virtuosity and ruthless precision, Kaveh Akbar's second collection takes its readers on a spiritual journey of disavowal, fiercely attendant to the presence of divinity where artifacts of self and belonging have been shed. How does one recover from addiction without destroying the self-as-addict? And if living justly in a nation that would see them erased is, too, a kind of self-destruction, what does one do with the body's question, "what now shall I repair?" Here, Akbar responds with prayer as an act of devotion to dissonance - the infinite void of a loved one's absence, the indulgence of austerity, making a life as a Muslim in an Islamophobic nation - teasing the sacred out of silence and stillness.Richly crafted and generous, Pilgrim Bell's linguistic rigour is tuned to the register of this moment and any moment. As the swinging soul crashes into its limits, against the atrocities of the American empire, and through a profoundly human capacity for cruelty and grace, these brilliant poems dare to exist in the empty space where song lives - resonant, revelatory, and holy.America, I warn you, if you invite me into your homeI will linger,kissing my beloveds frankly,pulling up radishesand capping all your pens.There are no good kings,only burning palaces.-from 'The Palace''Very few living writers write so achingly toward God as Kaveh Akbar . . . each of the poems in this collection finds its target' LAUREN GROFF

Burgerz (Oberon Modern Plays)

Hurled words. Thrown objects. Dodged burgers.After someone threw a burger at them and shouted a transphobic slur, performance artist Travis Alabanza became obsessed with burgers. How they are made, how they feel, and smell. How they travel through the air. How the mayonnaise feels on your skin.BURGERZ is the climax of their obsession – exploring how trans and gender non-conforming bodies exist and how, by them reclaiming an act of violence, we can address our own complicity.

It’s Fine, It’s Fine, It’s Fine: It's Not

A raw, honest and heartfelt poetry collection from Taz Alam – for the tough times, the great times, and everything in between.

Extramural Shakespeare (Reproducing Shakespeare)

This study argues that Shakespeare can now be understood as part of public culture. Thanks to the emergence of mass education in the twentieth century, Albanese argues that Shakespeare has become a shared property, despite the depiction of his texts as 'elite' cultural objects in the film industry.

Poem For The Day Two

Poem for the Day Two is a repeat of the formula which made Poem for the Day such a well-loved favourite. There are 366 poems (one for each day of the year, and one for leap years), to delight, inspire and excite. Chosen for their magic and memorability, the poems in this anthology are an exultant mix of old and new from across the world, poems to learn by heart and take to heart.

Gotthold Ephraim Lessing (Sammlung Metzler)

Lessing als Schlüsselfigur der Aufklärung. Vor dem Hintergrund Lessings Werdegangs stellt der Autor die Werke des Dichters in Einzelanlysen vor. Es entsteht ein geschlossenes Bild Lessings Gesamtwerks, das auch das historische Umfeld einbezieht. So werden die zentralen Strömungen sowohl der Epoche als auch in Lessings Denken und Schaffen sichtbar. Eine gelungene Einführung für Schule und Hochschule.

Formal Matters in Contemporary Latino Poetry

Today's Latino poetry scene is incredibly vibrant. With original interviews, this is the first meditation on the thematic features of such poetry. Looking at how Julia Alvarez, Rhina Espaillat, Rafael Campo, and C. Dale Young use structures such as meter, rhyme, and line break, this study identifies a poetics of formalist Latino poetry.

A Concise Companion to Postwar British and Irish Poetry (Concise Companions to Literature and Culture #31)

This volume introduces students to the most important figures, movements and trends in post-war British and Irish poetry. An historical overview and critical introduction to the poetry published in Britain and Ireland over the last half-century Introduces students to figures including Philip Larkin, Ted Hughes, Seamus Heaney, and Andrew Motion Takes an integrative approach, emphasizing the complex negotiations between the British and Irish poetic traditions, and pulling together competing tendencies and positions Written by critics from Britain, Ireland, and the United States Includes suggestions for further reading and a chronology, detailing the most important writers, volumes and events

A Concise Companion to Postwar British and Irish Poetry (Concise Companions to Literature and Culture #31)

This volume introduces students to the most important figures, movements and trends in post-war British and Irish poetry. An historical overview and critical introduction to the poetry published in Britain and Ireland over the last half-century Introduces students to figures including Philip Larkin, Ted Hughes, Seamus Heaney, and Andrew Motion Takes an integrative approach, emphasizing the complex negotiations between the British and Irish poetic traditions, and pulling together competing tendencies and positions Written by critics from Britain, Ireland, and the United States Includes suggestions for further reading and a chronology, detailing the most important writers, volumes and events

Songs from the Steppes: The Poems Of Makhtumkuli

An oddity among Aldiss works - verse translations.

Representations of Elizabeth I in Early Modern Culture

The volume explores Elizabeth I's impact on English and European culture during her life and after her death, through her own writing as well as through contemporary and later writers. The contributors are codicologists, historians and literary critics, offering a varied reading of the Queen and of her cultural inheritance.

OHB HESIOD OHBK C (Oxford Handbooks)

This volume brings together 29 junior and senior scholars to discuss aspects of Hesiod's poetry and its milieu and to explore questions of reception over two and half millennia from shortly after the poems' conception to Twitter hashtags. Rather than an exhaustive study of Hesiodic themes, the Handbook is conceived as a guide through terrain, some familiar, other less charted, examining both Hesiodic craft and later engagements with Hesiod's stories of the gods and moralizing proscriptions of just human behavior. The volume opens with the "Hesiodic Question," to address questions of authorship, historicity, and the nature of composition of Hesiod's two major poems, the Theogony and Works and Days. Subsequent chapters on the archaeology and economic history of archaic Boiotia, Indo-European poetics, and Hesiodic style offer a critical picture of the sorts of questions that have been asked rather than an attempt to resolve debate. Other chapters discuss Hesiod's particular rendering of the supernatural and the performative nature of the Works and Days, as well as competing diachronic and synchronic temporalities and varying portrayals of female in the two poems. The rich story of reception ranges from Solon to comic books. These chapters continue to explore the nature of Hesiod's poetics, as different writers through time single out new aspects of his art less evident to earlier readers. Long before the advent of Christianity, classical writers leveled their criticism at Hesiod's version of polytheism. The relative importance of Hesiod's two major poems across time also tells us a tale of the age receiving the poems. In the past two centuries, artists and writers have come to embrace the Hesiodic stories for themselves for the insight they offer of the human condition but even as old allegory looks quaint to modern eyes new forms of allegory take form.

The War That Killed Achilles: The True Story Of Homer's Iliad And The Trojan War

The Iliad is still the greatest poem about war that our culture has ever produced. For a hundred generations, poets and thinkers in the West have pored over, retold and argued about the events described in this martial epic, even when direct knowledge of it was lost. Various empires have admired it as a book that in telling the story of the siege of Troy also extols the warrior ethic, and teaches the young how to die well.Yet the figure at the heart of the epic, the consummate warrior Achilles, is a brooding, controversial hero. He is a fierce critic of those who have started this war and allowed it to drag on, consuming soldiers and civilians alike. Disconcertingly, The Iliad portrays war as a catastrophe that destroys cities, orphans children and wrecks whole societies.Caroline Alexander's extraordinary book is not about any of the traditional concerns that have occupied classicists for centuries. It is simpler and more radical than that. In her words, 'This book is about what the Iliad is about; this book is about what the Iliad says of war.'