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Wicked World! (Puffin Poetry Ser.)
by Benjamin ZephaniahA brand new brilliant collection from the ground-breaking poet, Benjamin Zephaniah. His verse explores people and places, cultures, nationalities and tribes. Includes poems about Inuits, Celts, the history of Britain, Maories, the Dalai Lama, the North and South Poles, and much more - a real tour of the world.
We Sang Across The Sea: The Empire Windrush And Me
by Benjamin Zephaniah Onyinye IwuA powerfully moving and beautiful picture book about the voyage of HMT Empire Windrush from national treasure, Benjamin Zephaniah.
How Fire Descends: New and Selected Poems (The Margellos World Republic of Letters)
by Serhiy ZhadanA searing testament to poetry’s power to define and defy injustice, from iconic writer-activist Serhiy Zhadan Since the Russian invasion of Crimea in 2014, the Ukrainian poet Serhiy Zhadan has brought international attention to his country’s struggle through his unflinching poetry of witness. In this searing testament to poetry’s power to define and defy injustice, Zhadan honors the memory of the lost and addresses the living, inviting us to consider what language can offer to a country threatened with extinction. Young lovers, marginalized outsiders, and ordinary citizens pulse with life in a composite portrait of a people newly unified by extremity. Even in the midst of enemy fire, Zhadan’s lyrical monuments beat with a subterranean thrum of hope. With a foreword by the poet Ilya Kaminsky, this selection of Zhadan’s poetry, forged entirely in wartime, is an homage to the Ukrainian people, a forceful reckoning with the violence of the past and present, and an act of artistic imagination that breaks with trauma and charts a new future for Ukraine.
American Modernist Poetry and the Chinese Encounter
by Zhang Yuejun and Stuart ChristieAmerican Modernist Poetry and the Chinese Encounteroffers a framework for understanding the variety of imagined encounters by eight different American poets with their imagined 'Chinese' subject. The method is historical and materialist, insofar as the contributors to the volume read the claims of specific poems alongside the actual and tumultuous changes China faced between 1911 and 1979. Even where specific poems are found to be erroneous, the contributors to the volume suggest that each of the poets attempted to engage their 'Chinese' subject with a degree of commitment that presaged imaginatively China's subsequent dominance. The poems stand as unique artifacts, via proxy and in the English language, for the rise of China in the American imagination. The audience of the volume is international, including the growing number of scholars and graduate students in Chinese universities working on American literature and comparative cultural studies, as well as already established commentators and students in the west.
The Magic Cube of Ancient Chinese Poetry: A Linguistic Perspective (China Perspectives)
by Ge ZhaoguangThis book focuses on the linguistic perspective of classical Chinese poetry and its changes and development in diff erent historical periods. It off ers a combination of theoretical analysis and aesthetic appreciation of exemplary poems. The author discusses the following aspects of classical Chinese poetry: the relationships between background and meaning in the interpretation of a poem; how readers can deal with the tangle of linguistic approach and intuitive perception in interpreting poems; the engagement and disengagement of the poet’s thought fl ow with and from the word order of the verse; the tonal and metrical schemes; and the three special features of classical Chinese poetry: the signifi cance and role of allusions, “Xu Zi”, and “Shi Yan”. Last, the author analyses the development of Chinese poetry from the Vernacular Song Dynasty Style to the Vernacular Modern Style. It will be a great read for students and scholars of East Asian studies, Chinese studies, linguistics, and those interested in Chinese poetry in general. The book aims to lead readers to discover a fresh and amazing world of classical Chinese poetry, a fantastic panoramic picture of its beauty and charm, and a poetic feast that the reader may not otherwise be privileged to enjoy.
The Magic Cube of Ancient Chinese Poetry: A Linguistic Perspective (China Perspectives)
by Ge ZhaoguangThis book focuses on the linguistic perspective of classical Chinese poetry and its changes and development in diff erent historical periods. It off ers a combination of theoretical analysis and aesthetic appreciation of exemplary poems. The author discusses the following aspects of classical Chinese poetry: the relationships between background and meaning in the interpretation of a poem; how readers can deal with the tangle of linguistic approach and intuitive perception in interpreting poems; the engagement and disengagement of the poet’s thought fl ow with and from the word order of the verse; the tonal and metrical schemes; and the three special features of classical Chinese poetry: the signifi cance and role of allusions, “Xu Zi”, and “Shi Yan”. Last, the author analyses the development of Chinese poetry from the Vernacular Song Dynasty Style to the Vernacular Modern Style. It will be a great read for students and scholars of East Asian studies, Chinese studies, linguistics, and those interested in Chinese poetry in general. The book aims to lead readers to discover a fresh and amazing world of classical Chinese poetry, a fantastic panoramic picture of its beauty and charm, and a poetic feast that the reader may not otherwise be privileged to enjoy.
Literary Communication in Song Dynasty (ISSN)
by Wang ZhaopengBased on first-hand historical materials, this book explores the various aspects of literary communication during the Song Dynasty in China.The book investigates the single-channel dissemination of poetry and ci works, the dissemination of literary collections, the dissemination through wall inscriptions, the oral dissemination of Song ci, the remuneration and commercialization of literature in the Song Dynasty, the paths to fame for Song writers, the non-literary factors in the dissemination of literature and the dissemination of literary works through paintings and songs. The author provides insights into the six major questions in the study of literary communication: Who disseminates, where, how, what, to whom and the effects of dissemination. The author also seeks to provide detailed answers to the following questions. What was the role of female singers in both domestic and official entertainment? What were the costs and prices of the books? Who paid the authors? What methods did writers use to gain fame and social recognition?This work will be essential reading for scholars and students of Chinese studies, communication studies and media and cultural studies.
Literary Communication in Song Dynasty (ISSN)
by Wang ZhaopengBased on first-hand historical materials, this book explores the various aspects of literary communication during the Song Dynasty in China.The book investigates the single-channel dissemination of poetry and ci works, the dissemination of literary collections, the dissemination through wall inscriptions, the oral dissemination of Song ci, the remuneration and commercialization of literature in the Song Dynasty, the paths to fame for Song writers, the non-literary factors in the dissemination of literature and the dissemination of literary works through paintings and songs. The author provides insights into the six major questions in the study of literary communication: Who disseminates, where, how, what, to whom and the effects of dissemination. The author also seeks to provide detailed answers to the following questions. What was the role of female singers in both domestic and official entertainment? What were the costs and prices of the books? Who paid the authors? What methods did writers use to gain fame and social recognition?This work will be essential reading for scholars and students of Chinese studies, communication studies and media and cultural studies.
Men’s Work: Gender, Class, and the Professionalization of Poetry, 1660–1784
by L. ZionkowskiThis book examines how the concept of the poet as a male professional emerged during the Restoration and eighteenth century. Analyzing works by writers from Rochester to Johnson, Linda Zionkowski argues that the opportunities for publication created by the growth of a commercial market in texts profoundly challenged aristocratic conceptions of authorship and altered the status of professional poets on the hierarchies of class and gender. The book proposes that during this period, discourse about the poet's social role both revealed and produced a crucial shift in configurations of masculinity: the belief that commodifying their mental labor undermined writers' cultural authority gave way to a celebration of the market's function as the proving ground for both literary merit and bourgeois manhood.
William Shakespeare and John Donne: Stages of the soul in early modern English poetry (The Manchester Spenser)
by Angelika ZirkerThis study analyses concepts and representations of the soul in the poetry of William Shakespeare and John Donne. It shows how the soul becomes a linking element between the genres of poetry and drama, and how poetry becomes dramatic whenever the soul is at its focus. This double movement can be observed in Shakespeare’s The Rape of Lucrece and Donne’s Holy Sonnets: in these texts, the connection between interiority and performance, psychology and religious self-care can be found, which is central to the understanding of early modern drama and its characteristic development of the soliloquy. The study thus offers a new reading of the poems by Shakespeare and Donne by analysing them, in different ways, as staged dialogues within the soul. It contributes to research on the soliloquy as much as on concepts of inwardness during the early modern period. The book is aimed at readers studying early modern literature and culture.
William Shakespeare and John Donne: Stages of the soul in early modern English poetry (The Manchester Spenser)
by Angelika ZirkerThis study analyses concepts and representations of the soul in the poetry of William Shakespeare and John Donne. It shows how the soul becomes a linking element between the genres of poetry and drama, and how poetry becomes dramatic whenever the soul is at its focus. This double movement can be observed in Shakespeare’s The Rape of Lucrece and Donne’s Holy Sonnets: in these texts, the connection between interiority and performance, psychology and religious self-care can be found, which is central to the understanding of early modern drama and its characteristic development of the soliloquy. The study thus offers a new reading of the poems by Shakespeare and Donne by analysing them, in different ways, as staged dialogues within the soul. It contributes to research on the soliloquy as much as on concepts of inwardness during the early modern period. The book is aimed at readers studying early modern literature and culture.
Archetypes (Psychology Revivals)
by Elémire ZollaMan is dominated by his archetypes; they mould not only his history but his dreams. But how are we to define and evaluate them? Is it perhaps possible for us to relate more creatively to them? Originally published in 1981, these are some of the questions raised by this title. To answer them the author gathered together a vast amount of material drawn from Eastern and Western traditions, from science, literature, art and poetry. The answers he puts forward are often highly original and will surely challenge many of our most cherished patterns of thought. There emerges from this book what can only be described as a global metaphysical system, yet the author’s language is not that of an ordinary metaphysical treatise, and what he writes offered new challenge and hope to those suffering from the despair and cynicism engendered by a great deal in modern society at the time. Zolla does not, however, advocate a return to earlier historical patterns, nor is he proposing a new Utopia, but rather offers us a brilliant series of lessons in the art of centring. In the words of Bernard Wall, writing in the Times Literary Supplement, Zolla’s ‘deep, polymathic probing of the terms of human existence makes it sensible to compare him with Simone Weil, while some of his conclusions about ultimate mysteries – expressed in signs, symbols and sacraments, the sense of which we have lost – will make us think of the later T. S. Eliot’.
Archetypes (Psychology Revivals)
by Elémire ZollaMan is dominated by his archetypes; they mould not only his history but his dreams. But how are we to define and evaluate them? Is it perhaps possible for us to relate more creatively to them? Originally published in 1981, these are some of the questions raised by this title. To answer them the author gathered together a vast amount of material drawn from Eastern and Western traditions, from science, literature, art and poetry. The answers he puts forward are often highly original and will surely challenge many of our most cherished patterns of thought. There emerges from this book what can only be described as a global metaphysical system, yet the author’s language is not that of an ordinary metaphysical treatise, and what he writes offered new challenge and hope to those suffering from the despair and cynicism engendered by a great deal in modern society at the time. Zolla does not, however, advocate a return to earlier historical patterns, nor is he proposing a new Utopia, but rather offers us a brilliant series of lessons in the art of centring. In the words of Bernard Wall, writing in the Times Literary Supplement, Zolla’s ‘deep, polymathic probing of the terms of human existence makes it sensible to compare him with Simone Weil, while some of his conclusions about ultimate mysteries – expressed in signs, symbols and sacraments, the sense of which we have lost – will make us think of the later T. S. Eliot’.
The First Book: Twentieth-Century Poetic Careers in America
by Jesse Zuba"We have many poets of the First Book," the poet and critic Louis Simpson remarked in 1957, describing a sense that the debut poetry collection not only launched the contemporary poetic career but also had come to define it. Surveying American poetry over the past hundred years, The First Book explores the emergence of the poetic debut as a unique literary production with its own tradition, conventions, and dynamic role in the literary market. Through new readings of poets ranging from Wallace Stevens and Marianne Moore to John Ashbery and Louise Glück, Jesse Zuba illuminates the importance of the first book in twentieth-century American literary culture, which involved complex struggles for legitimacy on the part of poets, critics, and publishers alike. Zuba investigates poets' diverse responses to the question of how to launch a career in an increasingly professionalized literary scene that threatened the authenticity of the poetic calling. He shows how modernist debuts evoke markedly idiosyncratic paths, while postwar first books evoke trajectories that balance professional imperatives with traditional literary ideals. Debut titles ranging from Simpson's The Arrivistes to Ken Chen's Juvenilia stress the strikingly pervasive theme of beginning, accommodating a new demand for career development even as it distances the poets from that demand.Combining literary analysis with cultural history, The First Book will interest scholars and students of twentieth-century literature as well as readers and writers of poetry.
The First Book: Twentieth-Century Poetic Careers in America
by Jesse Zuba"We have many poets of the First Book," the poet and critic Louis Simpson remarked in 1957, describing a sense that the debut poetry collection not only launched the contemporary poetic career but also had come to define it. Surveying American poetry over the past hundred years, The First Book explores the emergence of the poetic debut as a unique literary production with its own tradition, conventions, and dynamic role in the literary market. Through new readings of poets ranging from Wallace Stevens and Marianne Moore to John Ashbery and Louise Glück, Jesse Zuba illuminates the importance of the first book in twentieth-century American literary culture, which involved complex struggles for legitimacy on the part of poets, critics, and publishers alike. Zuba investigates poets' diverse responses to the question of how to launch a career in an increasingly professionalized literary scene that threatened the authenticity of the poetic calling. He shows how modernist debuts evoke markedly idiosyncratic paths, while postwar first books evoke trajectories that balance professional imperatives with traditional literary ideals. Debut titles ranging from Simpson's The Arrivistes to Ken Chen's Juvenilia stress the strikingly pervasive theme of beginning, accommodating a new demand for career development even as it distances the poets from that demand.Combining literary analysis with cultural history, The First Book will interest scholars and students of twentieth-century literature as well as readers and writers of poetry.
Petrarch in Romantic England
by E. ZuccatoThe Petrarchan revival in Romantic England was a unique phenomenon which involved an impressive number of scholars, translators and poets. This book analyses the way Petrarch was read and re-written by Romantic figures. The result is a history of the Romantic-era sonnet and a new lens for understanding English Romantic poetry.
Edmund Spenser's 'The Faerie Queene': A Reading Guide
by Andrew ZurcherThis Guide will help new readers to understand and enjoy The Faerie Queene, drawing attention to its various ironies, its self-reflexive construction, its visual emphasis and the timeless ethical, political, and literary questions that it asks of all of us. The book includes key selections from the poem (each accompanied by a headnote, commentary and glosses), historical and critical discussions, teaching and learning plans and a guide to further resources in electronic and print media
Edmund Spenser's 'The Faerie Queene': A Reading Guide (Reading Guides to Long Poems)
by Andrew ZurcherIntroduces a Renaissance masterpiece to a modern audience.
Politics and Language in Dryden's Poetry: The Art of Disguise
by Steven N. ZwickerThis study of Dryden's poetic career addresses the nature of covert argument in an age of violently contested political and religious issues.Originally published in 1982.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Ancient Greek Myth in Modern Greek Poetry: Essays in Memory of C. A. Trypanis (Routledge Revivals)
Originally published in 1996, this volume contains essays by scholars, critics and translators and includes themes such as the myth in the Cretan Renaissance and the use of ancient myth by 19th and 20th Century poets. Some essays deal with individual mythical figures such as Odysseus, Orpheus, Prometheus and Aphrodite, while others deal with the problematic issue of the use of myth by Greek women poets. The discussion is completed by comparing attitudes to the ancient Greeks as embodied in English and modern Greek poetry.
The Art of Revising Poetry: 21 U.S. Poets on their Drafts, Craft, and Process
Using side-by-side pairings of first drafts and final versions, including full-page reproductions from the poets' personal notebooks, as well as an insightful essay on each poem's journey from start to finish, The Art of Revising Poetry tracks the creative process of twenty-one of the United States' most influential poets as they struggle over a single word, line break, or thought. This behind-the-scenes look into the creative minds of working poets, including African American, Latino, Asian American, and Native poets from across the US, is an essential resource for students practicing poetry, and for instructors looking to enliven the classroom with real world examples. Students learn first-hand from the deft revisions working poets make, while poetry teachers can show in detail how experienced poets self-edit, tinker, cut, rearrange, and craft a poem. The Art of Revising Poetry is a must-have for aspiring poets and poetry teachers at all levels.
Assembly and its Other in German Romantic Literature and Thought: The Inexhaustible Gathering (Romantic Reconfigurations: Studies in Literature and Culture 1780-1850 #16)
This collection of essays turns on a shift in Romantic studies from viewing wholeness as an absolute value to critiquing it as a limiting construction. Wholeness and its concomitant sense of harmony, rather than a natural given, is a construct that was assembled and disassembled, theorized and criticized, by diverse authors and artists in a wide variety of disciplines and socio-historical contexts, and instrumentalized for diverse purposes. The plurality of these constructions – that Goethe’s Urpflanze, for example, is not synonymous with Friedrich Schlegel’s universal progressive poetry – is but one manifestation of how “assembly” strives but fails to be absolute. The “other” of assembly referenced in the title suggests two divergent but inseparable tendencies: firstly, how a construction can take on the appearance of a natural given; and secondly, how assemblages of wholeness harbor within themselves their own principle of disarticulation. These two tendencies underlie the “inexhaustible” character of Romantic “gatherings”. As a construction passes itself off as nature, the natural fails to account for itself as a whole. The scope of this volume encompasses the establishment, mapping, and interrogation of assembly and its other in German Romanticism through interdisciplinary studies on literature, aesthetics, philosophy, drama, music, synaesthesia, mathematics, science, and exploration.List of contributors: Beate Allert, Frederick Burwick, Alexis B. Smith, Margaret Strair, Christina Weiler, Joshua Wilner.
The Bloomsbury Handbook of Contemporary American Poetry (Bloomsbury Handbooks)
With chapters written by leading scholars such as Steven Gould Axelrod, Cary Nelson, Aldon Lynn Nielsen and Marjorie Perloff, this comprehensive Handbook explores the full range and diversity of poetry and criticism in 21st-century America.The Bloomsbury Handbook of Contemporary American Poetry covers such topics as:· Major histories and genealogies of post-war poetry – from the language poets and the Black Arts Movement to New York school and the Beats· Poetry, identity and community – from African American, Chicana/o and Native American poetry to Queer verse and the poetics of disability· Key genres and forms – including digital, visual, documentary and children's poetry· Central critical themes – economics, publishing, popular culture, ecopoetics, translation and biographyThe book also includes an interview section in which major contemporary poets such as Rae Armantrout, Charles Bernstein and Claudia Rankine reflect on the craft and value of poetry today.
The Bloomsbury Handbook to Sylvia Plath (Bloomsbury Handbooks)
Sylvia Plath is one of the most widely recognised and inspiring poets of the 20th century. With chapters written by more than 25 leading and emerging international scholars this is the most up-to-date and in-depth reference guide to 21st century scholarship on her life and work.The Bloomsbury Handbook to Sylvia Plath covers the full range of contemporary scholarship on Plath's work, including such topics as:· New insights from the publication of Plath's letters· Current scholarly perspectives: feminist and gender studies, race, medical humanities and ecocriticism· Plath's poetry, the major novel, The Bell Jar, and Plath's writing for children· Plath's literary contexts, from Ovid and Robert Lowell to Ted Hughes, Doris Lessing and Stevie Smith· Plath's broadcasting work for the BBCThe book also includes a substantial annotated bibliography of key primary and secondary writing by and on the author.
Chapters into Verse: Volume 1: Genesis to Malachi
For generations, poets have turned to the Bible for insight and inspiration. What did so many creative minds find in scripture? Is the Bible still a vital source of poetic inspirations? Chapters Into Verse is the first comprehensive collection ever made of poems written in English inspired by the Bible. A groundbreaking anthology, it introduces readers to a distinct heritage of English poetry: the scriptural tradition. Though frequently ignored and sometimes suppressed, this tradition rivals the classical and is every bit as venerable. Drawing a unique map of the history of English poetry, the two volumes of Chapters Into Verse survey and define the literary legacy of the Scriptures from the fourteenth century to the present. Each volume is arranged in scriptural order, and each poem is preceded by the biblical passage that inspired it. Thus readers can conveniently witness the various ways sacred text has sparked the imagination of poets throughout the ages. In Volume I, which covers Genesis to Malachi, almost every book of the Old Testament is represented. The collection features verses both famous and unfamiliar, from Milton's Paradise Lost and Lord Byron's Hebrew Melodies to Christopher Smart's hymns and Mary Herbert's psalms. The editors have included poems by virtually all the prominent religious poets--among them, John Donne, George Herbert, Henry Vaughan, Edward Taylor, and Gerard Manley Hopkins. Included, too, are devotional and visionary works from a wide range of vintage poets--Robert Burns, William Blake, Walt Whitman, Emily Dickinson, Christina Rossetti, Alfred Tennyson, and Robert Browning. Proving that the Bible is just as powerful a source of inspiration today as it was in the past, the collection assembles a mixed congregation of modern and contemporary poets, such as Marianne Moore, Delmore Schwartz, Dylan Thomas, Robert Frost, William Carlos Williams, Countee Cullen, e.e. cummings, William Butler Yeats, Robert Lowell, Hugh McDiarmid, Laura (Riding) Jackson, Charles Reznikoff, A.D. Hope, Geoffrey Hill, Denise Levertov, Philip Levine, John Ashbery, and Derek Walcott. Of enduring interest to readers of both scripture and literature, this anthology illuminates key passages of the Old Testament. The measured speech and inspired leaps of poetry offer a spirited alternative to the textual exegesis usually supplied by prose commentary. As such, Chapters Into Verse is truly a poets' Bible. In selection after selection, readers will encounter an astonishing variety of religious experiences, as a host of poets from many eras and many backgrounds respond to Holy Scripture spiritually, profoundly, and imaginatively.