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Mongrel Island (Modern Plays)
by Ed HarrisMarie is losing herself in her grey office existence, trapped by endless piles of paperwork and the same people saying the same things every single day. But as she is forced to work later and later into the night, she discovers a deeply strange twilight world where a new possibility for rescuing her sanity is illuminated by the fluorescent office lights.Commissioned by Soho Theatre and written by up-and-coming writer Ed Harris, Mongrel Island explores the mind and memory, offering a perspective of how the workplace can strip away our humanity. Combining madcap, surreal humour with an indictment of the corporate world's subjugation of individualism, Mongrel Island is a bittersweet, touching and darkly humourous play.
Mongrel Island (Modern Plays)
by Ed HarrisMarie is losing herself in her grey office existence, trapped by endless piles of paperwork and the same people saying the same things every single day. But as she is forced to work later and later into the night, she discovers a deeply strange twilight world where a new possibility for rescuing her sanity is illuminated by the fluorescent office lights.Commissioned by Soho Theatre and written by up-and-coming writer Ed Harris, Mongrel Island explores the mind and memory, offering a perspective of how the workplace can strip away our humanity. Combining madcap, surreal humour with an indictment of the corporate world's subjugation of individualism, Mongrel Island is a bittersweet, touching and darkly humourous play.
Money and Magic in Early Modern Drama (Arden Studies in Early Modern Drama)
by Lisa Hopkins Douglas BrusterMoney, magic and the theatre were powerful forces in early modern England. Money was acquiring an independent, efficacious agency, as the growth of usury allowed financial signs to reproduce without human intervention. Magic was coming to seem Satanic, as the manipulation of magical signs to performative purposes was criminalized in the great 'witch craze.' And the commercial, public theatre was emerging – to great controversy – as the perfect medium to display, analyse and evaluate the newly autonomous power of representation in its financial, magical and aesthetic forms. Money and Magic in Early Modern Drama is especially timely in the current era of financial deregulation and derivatives, which are just as mysterious and occult in their operations as the germinal finance of 16th-century London. Chapters examine the convergence of money and magic in a wide range of early modern drama, from the anonymous Mankind through Christopher Marlowe to Ben Jonson, concentrating on such plays as The Alchemist, The New Inn and The Staple of News. Several focus on Shakespeare, whose analysis of the relations between finance, witchcraft and theatricality is particularly acute in Timon of Athens, The Comedy of Errors, Antony and Cleopatra and The Winter's Tale.
Money and Magic in Early Modern Drama (Arden Studies in Early Modern Drama)
by Lisa Hopkins Douglas BrusterMoney, magic and the theatre were powerful forces in early modern England. Money was acquiring an independent, efficacious agency, as the growth of usury allowed financial signs to reproduce without human intervention. Magic was coming to seem Satanic, as the manipulation of magical signs to performative purposes was criminalized in the great 'witch craze.' And the commercial, public theatre was emerging – to great controversy – as the perfect medium to display, analyse and evaluate the newly autonomous power of representation in its financial, magical and aesthetic forms. Money and Magic in Early Modern Drama is especially timely in the current era of financial deregulation and derivatives, which are just as mysterious and occult in their operations as the germinal finance of 16th-century London. Chapters examine the convergence of money and magic in a wide range of early modern drama, from the anonymous Mankind through Christopher Marlowe to Ben Jonson, concentrating on such plays as The Alchemist, The New Inn and The Staple of News. Several focus on Shakespeare, whose analysis of the relations between finance, witchcraft and theatricality is particularly acute in Timon of Athens, The Comedy of Errors, Antony and Cleopatra and The Winter's Tale.
Money: The Gameshow (Oberon Modern Plays)
by Clare DuffyCasino and Queenie used to be hedge fund managers. Before the financial crisis of 2008, that is. Now, in an inspired – or desperate – career move, they’ve turned to performance art to share their stories of how to make (and lose) billions from economic downturn. Playing with £10,000 in real pound coins, you are invited to bet long, short and hedge, as Casino and Queenie guide you through a series of high-stake games that show how the world’s economic system came to the precipice of total collapse. MONEY the game show takes a playful and politically sharp look at the roots of the 2008 financial crisis and its ongoing impact, as well as tackling some bigger questions: What is money? What is it worth? And what happens if we stop believing in it?
The Mommo Plays: Brigit; Bailegangaire; A Thief of a Christmas (Play Anthologies)
by Tom MurphyBrigitI'd like it to be perfect . . . Beautiful . . . The statue . . . Unbeatable? . . . I'd like it to be what I feel . . . And I don't know what that is.Set in the 1950s, Brigit, a prequel to Murphy's critically-acclaimed Bailegangaire (1985), tells the story of Mommo and Séamus, grandparents living on the breadline, who are raising three grandchildren: Mary, Dolly and Tom, when Séamus is offered a job to carve a statue of St Brigit. Brigit premiered in September 2014, in a production by Druid Theatre Company, Galway, Ireland.Bailegangaire'One of the finest and most inventive pieces of Irish dramatic writing ever - the power of its language soaring beyond the loftiest aspirations of Synge and its insights on the human spirit cutting deeper than O'Casey's' - Sunday IndependentA Thief of a Christmas'Grand opera . . . both timeless and contemporary' - Fintan O'Toole
The Mommo Plays: Brigit; Bailegangaire; A Thief of a Christmas (Play Anthologies)
by Tom MurphyBrigitI'd like it to be perfect . . . Beautiful . . . The statue . . . Unbeatable? . . . I'd like it to be what I feel . . . And I don't know what that is.Set in the 1950s, Brigit, a prequel to Murphy's critically-acclaimed Bailegangaire (1985), tells the story of Mommo and Séamus, grandparents living on the breadline, who are raising three grandchildren: Mary, Dolly and Tom, when Séamus is offered a job to carve a statue of St Brigit. Brigit premiered in September 2014, in a production by Druid Theatre Company, Galway, Ireland.Bailegangaire'One of the finest and most inventive pieces of Irish dramatic writing ever - the power of its language soaring beyond the loftiest aspirations of Synge and its insights on the human spirit cutting deeper than O'Casey's' - Sunday IndependentA Thief of a Christmas'Grand opera . . . both timeless and contemporary' - Fintan O'Toole
The Moment of Speech: Creative Articulation for Actors (RADA Guides)
by Annie MorrisonAnnie Morrison, creator of the Morrison Bone Prop, abandons the notion that language and thought are mainly processed in the left cerebral hemisphere, and coaches the actor to speak from the heart. Through this method, words acquire physical properties, such as weight, texture, colour and kinetic force. Think about Martin Luther King, Mao Zedong or Malala Yousafzai; potent speech impacts external events. And internally, it forms and shapes the world of the speaker. Seeing articulation as a purely mechanical skill is detrimental to an actor's process: it is crucial to understand what language is doing on a biological level. This workbook is invaluable for actors, both professional and in training, and also for voice and speech teachers.
The Moment of Speech: Creative Articulation for Actors (RADA Guides)
by Annie MorrisonAnnie Morrison, creator of the Morrison Bone Prop, abandons the notion that language and thought are mainly processed in the left cerebral hemisphere, and coaches the actor to speak from the heart. Through this method, words acquire physical properties, such as weight, texture, colour and kinetic force. Think about Martin Luther King, Mao Zedong or Malala Yousafzai; potent speech impacts external events. And internally, it forms and shapes the world of the speaker. Seeing articulation as a purely mechanical skill is detrimental to an actor's process: it is crucial to understand what language is doing on a biological level. This workbook is invaluable for actors, both professional and in training, and also for voice and speech teachers.
Moll
by Mr John B. KeaneMoll is a hilarious and highly successful comedy about life in an Irish country presbytery.’When a presbytery gets a new housekeeper it becomes like a country that gets a change of government, or like a family that gets a new stepmother’. Moll Kettle would work for no less than a canon for, in her own words, ‘Tis hard to come back to the plain black and white when one is used to the purple’. John B. Keane was one of Ireland's most prolific and respected literary figures. He was born in 1928 in Listowel, County Kerry and it was here that he spent his literary career, running a pub which provided him with inspiration for his characters and ideas. His first play, 'Sive', was presented by the Listowel Drama Group and won the All-Ireland Drama Festival in 1959. It was followed by another success, 'Sharon's Grave', in 1960. 'The Field' (1965) and 'Big Maggie' (1969), are widely regarded as classics of the modern Irish stage and jewels in a crown which includes such popular hits as 'Many Young Men of Twenty', 'The Man from Clare', 'Moll', 'The Chastitute' and 'The Year of the Hiker'. His large canon of plays have been seen abroad in cities as far afield as Moscow and Los Angeles. 'Big Maggie' ran on Broadway for over two months in 1982 and 'The Field' was adapted into an Oscar-winning Hollywood film, starring Brenda Fricker and Richard Harris, in 1991.
Moliere Today 2
by Michael SpinglerThe refusal on the part of academic critics to recognize the primacy of farce in Moliere's theatre is contradicted by wide spread theatrical pracitce. These essays develop the argument that Moliere needs to be rescued from the pantheon of classical literature and put back on the Pont-Neuf with the strolling players, low-life rogues, cut-purses and clowns with whom he filled his theatre.
Moliere Today 2
by Michael SpinglerThe refusal on the part of academic critics to recognize the primacy of farce in Moliere's theatre is contradicted by wide spread theatrical pracitce. These essays develop the argument that Moliere needs to be rescued from the pantheon of classical literature and put back on the Pont-Neuf with the strolling players, low-life rogues, cut-purses and clowns with whom he filled his theatre.
Moliere Today 1
by Michael SpinglerThis collection focuses on Moliere's theatre as works to be performed as well as read. The essays deal in their various ways with limits which are imposed and respected or violated and broken. The question of transgression both as a subject within Moliere's plays and as a dilemma confronting Moliere's critics and interpreters is addressed. The book aims to enlarge the scope of academic scholarship and include the thinking and insights of actors.
Moliere Today 1
by Michael SpinglerThis collection focuses on Moliere's theatre as works to be performed as well as read. The essays deal in their various ways with limits which are imposed and respected or violated and broken. The question of transgression both as a subject within Moliere's plays and as a dilemma confronting Moliere's critics and interpreters is addressed. The book aims to enlarge the scope of academic scholarship and include the thinking and insights of actors.
The Molière Encyclopedia (Non-ser.)
by James F. GainesBorn Jean-Baptiste Poquelin in 1622, the French playwright Moli^D`ere became one of the most influential dramatists of the 17th century. His comedies shaped the development of theater in Europe, inspired his contemporaries in England, and left a lasting dramatic legacy after his death in 1673. Moli^D`re has also inspired a vast body of scholarship, and recent work has dispelled many of the myths surrounding his career. This reference provides English-speaking readers with a current and comprehensive guide to his life and works.Hundreds of A-Z entries cover topics related to his life, works, and theatrical career, including: Plays; Individual characters; Historical persons; Allusions; Influences; Cultural institutions; And much more. This scrupulously researched volume relies on verifiable facts, giving scant attention to the romantic fiction surrounding the playwright. Many of the entries list works for further reading. A chronology outlines the chief events of Moli^D`re's life and his contributions to the stage. The volume concludes with a bibliography.
Molière (Sammlung Metzler)
by Jürgen GrimmMolière kompakt. Molières Werk ist eng verknüpft mit den Ereignissen des öffentlichen Lebens im Frankreich des 17. Jahrhunderts. Dies gilt für die bekannten "klassischen" Stücke wie Le Tartuffe oder Le Misanthrope und für die zahlreichen Farcen, Hofballette und Ballettkomödien. Jürgen Grimm stellt alle Stücke in chronologische Abfolge vor.
Mojisola Adebayo: Plays One (Oberon Modern Playwrights)
by Mojisola AdebayoIncludes the plays Moj of the Antarctic, Desert Boy, Matt Henson: North Star and Muhammad Ali and MeThis collection signals the emergence of a distinctive new voice on the British theatre landscape. Moj of the Antarctic is inspired by the true story of an African American woman who cross-dresses as a white man to escape slavery; taken on a fantastical odyssey to Antarctica. Time Out Critics’ Choice‘The language is rich and densely poetic. Reveling in the materiality and playfulness of words, cracking open complex ideas like eggshells.’ - Total Theatre MagazineMuhammad Ali and Me is a lyrical coming of age story, following the parallel struggles of a gay girl child growing up in foster care and the black Muslim boxing hero’s fight against racism and the Vietnam war.‘As a piece of stagecraft, an entertaining kaleidoscope of social and political history, only one description will do: this is a play that ‘floatslike a butterfly and stings like a bee.’ - WhatsOnStageDesert Boy, a time-travelling a capella musical, offers a sharp twist on the subject of knife crime, black youth and absent fathers.‘…a spiralling journey through colonial history not unlike Dante’s introduction to the Inferno. The juxtapositions are sometimes startling, and often quite comic.’ - Guardian Matt Henson, North Star is a biographical tale of Arctic betrayal, mixed with Greenlandic folk tales; all about love, climate and change.These plays queer the boundaries of sex and race, fact and fiction, history and geography, poetry and politics to illuminate contemporary themes through a dynamic African Diasporic theatrical aesthetic that leaps off the page.
Mojisola Adebayo: I Stand Corrected / Asara and the Sea-Monstress / Oranges and Stones / The Interrogation of Sandra Bland / STARS (Oberon Modern Playwrights)
by Mojisola Adebayo‘These five plays represent the diverse scope and content of Mojisola’s work, and demonstrate an ongoing commitment to an artistic practice that is both stylistically innovative and politically astute.’ – Lynette Goddard, from her introduction The plays collected here showcase Adebayo’s varied talents through her unflinching political writing about race, gender, sex and sexuality, feminist history and politics. With settings spanning from South Africa to the Middle East, the United States, a mythical kingdom, South London and outer space, the five plays included are: I Stand Corrected: a soulful artistic response to the phenomenon of ‘corrective’ hate rape and murder of lesbians and trans men in South Africa Asara and the Sea-Monstress: a play for young people about a left-handed girl growing up in a mythical right-handed Kingdom Oranges and Stones (previously 48 Minutes for Palestine): an exploration of one woman’s life under occupation in Palestine The Interrogation of Sandra Bland: a verbatim play transcribing the dash cam recording of Sandra Bland’s arrest into a choral performance by black women STARS: a space odyssey telling the story of a very old lady who goes into outer space in search of her own orgasm
Moira Buffini: Dinner; Dying for It; A Vampire Story; Welcome to Thebes; Handbagged
by Moira BuffiniDinner'A cracking black comedy that has you laughing uproariously one moment and jumping with shock the next . . . For those with strong stomachs, Dinner offers a delicious feast of comedy and the macabre.' Daily TelegraphDying for It'A subversive Russian classic: one that addresses the ultimate question of "why live?"' Guardian'The play, freely adapted by Moira Buffini, presents a glorious gallery of comic types.' IndependentWelcome to Thebes'It's thrilling. Moira Buffini's strange and daring play is moving, wise, funny, horrifying . . . Full of resonances you weren't expecting, jokes you didn't see coming . . . It raises huge questions with wit.' The TimesHandbaggedWinner of the 2014 Olivier Award for Outstanding Achievement in an Affiliate Theatre'A phenomenon.' Sunday Telegraph'Perfectly pitched between the comic and the serious.' Guardian
Modernization of Asian Theatres: Process and Tradition
by Yasushi Nagata Ravi ChaturvediThis volume focuses on the theatre history of Asian countries, and discusses the specific context of theatre modernization in Asia. While Asian theatre is one of the primary interests within theatre scholarship in the world today, knowledge of Asian theatre history is very limited and often surprisingly incorrect. Therefore, this volume addresses a major gap in contemporary theatre studies. The volume discusses the conflict between tradition and modernity in theatre, suggesting that the problems of modernity are closely related to the idea of tradition. Although Asian countries preserved the traditional form and values of their respective theatres, they had to also confront the newly introduced values or mechanisms of European modernity. Several papers in this volume therefore provide critical surveys of the history of theatre modernization in Asian countries or regions—Japan, Korea, Taiwan, Hong Kong, India Malaysia, Singapore, and Uyghur. Other papers focus on specific case studies of the history of modernization, discussing contemporary Taiwanese performances, translations of modern French comedy into Chinese, the modernization of Chinese Xiqu, modern Okinawan plays, Malaysian traditional performances, Korean national theatre, and Japanese plays during World War II. Renowned academics and theatre critics have contributed to this volume, making it a valuable resource for researchers and students of theatre studies, literature, and cultural studies.
Modernists and the Theatre: The Drama of W.B. Yeats, Ezra Pound, D.H. Lawrence, James Joyce, T.S. Eliot and Virginia Woolf
by James MoranModernists and the Theatre is the first study to examine how theories of modernism intersect with those of the theatre within the works, philosophies and literary lives of six key modernist writers. Drawing on a wealth of unfamiliar archive material and fresh readings of neglected documents, James Moran reveals how these literary figures interacted with the theatre through playwriting, by engaging in philosophical debates and participating in theatrical performances. Chapters assess W.B. Yeats's very earliest playwriting, Ezra Pound's onstage acting, the interconnections between James Joyce's and D.H. Lawrence's sense of drama, Eliot's thinking about theatre in Dublin, and the feminist politics of Virginia Woolf's small-scale theatrical experiments.While these writers valued coterie production and often made hostile comments about drama, this volume highlights the paradoxical fact that, despite their harsh words, the theatrically 'large-scale' also attracted each of these writers. The theatre event of 'restricted production' offered modernists a satisfying mode of sharing their work amongst the like-minded, and the book discloses a set of unfamiliar events of this sort that allowed these writers to act as agents of legitimation in granting cultural value.The book explores their engagements with popular drama, as well as the long-forgotten acting performances in which each of these writers personally participated. Moran uncovers how the playhouse became a key geographical space where the high-modernists could explore a tension that fascinated them, and which motivated much of their wider thinking and literary work.
Modernists and the Theatre: The Drama of W.B. Yeats, Ezra Pound, D.H. Lawrence, James Joyce, T.S. Eliot and Virginia Woolf (Critical Companions Ser.)
by James MoranModernists and the Theatre is the first study to examine how theories of modernism intersect with those of the theatre within the works, philosophies and literary lives of six key modernist writers. Drawing on a wealth of unfamiliar archive material and fresh readings of neglected documents, James Moran reveals how these literary figures interacted with the theatre through playwriting, by engaging in philosophical debates and participating in theatrical performances. Chapters assess W.B. Yeats's very earliest playwriting, Ezra Pound's onstage acting, the interconnections between James Joyce's and D.H. Lawrence's sense of drama, Eliot's thinking about theatre in Dublin, and the feminist politics of Virginia Woolf's small-scale theatrical experiments.While these writers valued coterie production and often made hostile comments about drama, this volume highlights the paradoxical fact that, despite their harsh words, the theatrically 'large-scale' also attracted each of these writers. The theatre event of 'restricted production' offered modernists a satisfying mode of sharing their work amongst the like-minded, and the book discloses a set of unfamiliar events of this sort that allowed these writers to act as agents of legitimation in granting cultural value.The book explores their engagements with popular drama, as well as the long-forgotten acting performances in which each of these writers personally participated. Moran uncovers how the playhouse became a key geographical space where the high-modernists could explore a tension that fascinated them, and which motivated much of their wider thinking and literary work.
Modernist Circumnavigations: Around the World in Jules Verne's Wake
by Kevin RiordanThis book shows how Jules Verne’s Around the World in Eighty Days changed the global imagination. Through his novel, the world was converted into a personal itinerary, scaled to the individual traveller and, by extension, to the individual reader. Exploring Verne’s modern legacy, this study shows how subsequent generations of artists and writers took on Around the World in Eighty Days as an adaptable guidebook to the modern world. It investigates how Verne’s work leads its reader beyond the book itself. It considers Verne’s place in world literature, traces some of the many real reenactments of Verne’s itinerary, and recalls the theatrical adaptations of Verne’s story. Published to coincide with the 500th anniversary of the first circumnavigation and the 150th anniversary of Verne’s novel, this book offers new insights into the largely overlooked influence of Verne on twentieth-century literature and culture and on the field of global modernism.
Modernism, Fiction and Mathematics (Edinburgh Critical Studies In Modernist Culture Ser.)
by Nina EngelhardtArgues that Shakespeare transforms philosophies of comedy and melancholy by revising them concomitantly