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Antony And Cleopatra (Wordsworth Classics Series (PDF))
by William Shakespeare Keith Carabine Cedric WattsEdited, introduced and annotated by Cedric Watts, Research Professor of English, University of Sussex. Antony and Cleopatra is one of Shakespeare's greatest tragedies: a spectacular, widely-ranging drama of love and war, passion and politics. Antony is divided between the responsibilities of imperial power and the intensities of his sexual relationship with Cleopatra. She, variously generous and ruthless, loving and jealous, petulant and majestic, emerges as Shakespeare's most complex depiction of a woman: ‘Age cannot wither her, nor custom stale Her infinite variety.’ Unsurpassed in sumptous eloquence and powerful characterisation, Anthony and Cleopatra deservedly retains its popularity in the theatre. Its insights into the corruptions of power and the ambiguities of desire remain timely. This volume is part of the Wordsworth Classics' Shakespeare Series, in which each volume has been edited by Cedric Watts. Readers wishing to know more of Cedric Watts’ work should buy his ‘Shakespeare Puzzles’, published by PublishNation (ISBN 978-1-291-66410-2), available from Amazon (both in printed and Kindle editions) and through all good bookshops.
Antony and Cleopatra (Oberon Classics)
by William Shakespeare Janet SuzmanDesire and duty collide in Shakespeare’s captivating tragedy of politics, passion and power. Two charismatic leaders, Mark Antony of Rome and Cleopatra, Queen of Egypt, are caught in an all encompassing love that threatens the Empire. Rome will do all it can to pull them apart. Or it will destroy them both. This classic Shakespeare tale is edited by Dame Janet Suzman, making this an authoritative edition. As she says in her new book Not Hamlet: Meditations on the Frail Position of Women in Drama which studies the role of and for women in Shakespeare’s canon, Suzman knows this play better than anyone else in the world, having played Cleopatra twice and having now directed the play twice.
Antony and Cleopatra: A Tragedy In Five Acts (The\rsc Shakespeare Ser. #Vol. 27)
by William Shakespeare René Weis Emrys JonesA battle-hardened soldier, Antony is one of the three leaders of the Roman world. But he is also a man in the grip of an all-consuming passion for the exotic and tempestuous queen of Egypt. And when their life of pleasure together is threatened by the encroaching politics of Rome, the conflict between love and duty has devastating consequences.
Antony and Cleopatra: Language and Writing (Arden Student Skills: Language and Writing)
by Virginia Mason VaughanReading Antony and Cleopatra is particularly challenging because of Shakespeare's masterful embodiment of Rome and Egypt's contrasting worlds in language, structure, and characterization.Instead of seeing the interaction of Roman and Egyptian perspectives in Antony and Cleopatra as a type of double image of reality that changes as one moves from one location to another, students often find themselves compelled to pick sides. The more romantic opt for Cleopatra as the most sympathetic character, while the pragmatists dismiss her lifestyle as self-indulgent. The central challenge in reading this play, in other words, is to resist the compulsion to take sides and, instead, to adopt a 'both-and' point of view rather than an 'either-or' choice. The play's central binary - Rome vs. Egypt - is deeply embedded in its language and structure, yet the play consistently complicates our view of either side. The book encourages students to think outside the binary box, to understand, and to celebrate, Shakespeare's exploitation of the multivalent nature of language. As well as helping students to analyse the intricacy of Shakespeare's language in Antony and Cleopatra, each chapter's 'Writing matters' section enables students to develop their own writing strategies in coursework and examinations.
Antony and Cleopatra: Language and Writing (Arden Student Skills: Language and Writing)
by Virginia Mason VaughanReading Antony and Cleopatra is particularly challenging because of Shakespeare's masterful embodiment of Rome and Egypt's contrasting worlds in language, structure, and characterization.Instead of seeing the interaction of Roman and Egyptian perspectives in Antony and Cleopatra as a type of double image of reality that changes as one moves from one location to another, students often find themselves compelled to pick sides. The more romantic opt for Cleopatra as the most sympathetic character, while the pragmatists dismiss her lifestyle as self-indulgent. The central challenge in reading this play, in other words, is to resist the compulsion to take sides and, instead, to adopt a 'both-and' point of view rather than an 'either-or' choice. The play's central binary - Rome vs. Egypt - is deeply embedded in its language and structure, yet the play consistently complicates our view of either side. The book encourages students to think outside the binary box, to understand, and to celebrate, Shakespeare's exploitation of the multivalent nature of language. As well as helping students to analyse the intricacy of Shakespeare's language in Antony and Cleopatra, each chapter's 'Writing matters' section enables students to develop their own writing strategies in coursework and examinations.
Antony and Cleopatra: Arden Shakespeare (3rd edition) (PDF)
by John Wilders William ShakespeareJohn Wilders - literary advisor to the BBC TV Shakespeare series - brings thorough scholarship and a practical understanding of performance needs to this new edition. Clarity, accessibility and rigour are the hallmarks of an edition which will provide invaluable guidance for all its readers.
Antony and Cleopatra: A Critical Reader (Arden Early Modern Drama Guides)
by Domenico LovascioArden Early Modern Drama Guides offer students and academics practical and accessible introductions to the critical and performance contexts of key Elizabethan and Jacobean plays. Essays from leading international scholars give invaluable insight into the text by presenting a range of critical perspectives, making the books ideal companions for study and research.Key features include:- Essays on the play's critical and performance history- A keynote essay on current research and thinking about the play- A selection of new essays by leading scholars- A survey of resources to direct students' further reading about the play in print and onlineAntony and Cleopatra is among Shakespeare's most enduringly popular tragedies. A theatrical piece of extraordinary political power, it also features one of his most memorable couples. Both intellectually and emotionally challenging, Antony and Cleopatra also tests the boundaries of theatrical representation. This volume offers a stimulating and accessible guide to the play that takes stock of the past and current situation of scholarship while simultaneously opening up fresh, thought-provoking critical perspectives.
Antony and Cleopatra: A Critical Reader (Arden Early Modern Drama Guides)
Arden Early Modern Drama Guides offer students and academics practical and accessible introductions to the critical and performance contexts of key Elizabethan and Jacobean plays. Essays from leading international scholars give invaluable insight into the text by presenting a range of critical perspectives, making the books ideal companions for study and research.Key features include:- Essays on the play's critical and performance history- A keynote essay on current research and thinking about the play- A selection of new essays by leading scholars- A survey of resources to direct students' further reading about the play in print and onlineAntony and Cleopatra is among Shakespeare's most enduringly popular tragedies. A theatrical piece of extraordinary political power, it also features one of his most memorable couples. Both intellectually and emotionally challenging, Antony and Cleopatra also tests the boundaries of theatrical representation. This volume offers a stimulating and accessible guide to the play that takes stock of the past and current situation of scholarship while simultaneously opening up fresh, thought-provoking critical perspectives.
Antony And Cleopatra (PDF)
by William ShakespeareThis edition of Antony and Cleopatra is especially designed for students, with accessible on-page notes and explanatory illustrations, clear background information, and rigorous but accessible scholarly credentials. This edition includes illustrations, preliminary notes, reading lists (including websites) and classroom notes, allowing students to master Shakespeare's work. About the Series: Newly redesigned and easier to read, each play in the Oxford School Shakespeare series includes the complete and unabridged text, detailed and clear explanations of difficult words and passages, a synopsis of the plot, summaries of individual scenes, and notes on the main characters. Also included is a wide range of questions and activities for work in class, together with the historical background to Shakespeare's England, a brief biography of Shakespeare, and a complete list of his plays.
ANU Productions: The Monto Cycle
by Brian SingletonThis book sets out strategies of analysis of the award-winning tetralogy of performances (2010-14) by ANU Productions known as ‘The Monto Cycle’. Set within a quarter square mile of Dublin’s north inner city, colloquially known as The Monto, these performances featured social concerns that have blighted the area over the past 100 years, including prostitution, trafficking, asylum-seeking, heroin addiction, and the scandal of the Magdalene laundries. While placing the four productions in their social, historical, cultural and economic contexts, the book examines these performances that operated at the intersection of performance, installation, visual art, choreography, site-responsive and community arts. In doing so, it explores their concerns with time, place, history, memory, the city, ‘affect’, and the self as agent of action.
Anxious Masculinity in the Drama of Arthur Miller and Beyond: Salesmen, Sluggers, and Big Daddies
by Claire GleitmanThis study examines the anxious male breadwinner as he is incarnated in Arthur Miller's most celebrated plays and as he resurfaces in different guises throughout American drama, from the 1950s to the present. It offers a compelling analysis of gender dynamics – staunchly homosocial, vaguely or overtly misogynistic, anxiously homophobic – and the legacy of this figure in the works of other American dramatists. Throughout, the book argues that the gendered anxieties exhibited by the anxious male breadwinner are the very ones invoked with such success by Donald Trump.Gleitman examines this figure in the plays of Tennessee Williams, later 20th century writers Lorraine Hansberry, David Mamet, August Wilson, and Sam Shepard (who reposition him in more racially and economically marginalized settings), and in the more recent work of Tony Kushner, Paula Vogel, and Lisa Kron and Jeanine Tesori, who shift their focus to the next generation, which seeks to escape his clutches and forge new, often gleefully queer identities. The final chapter concerns contemporary Black dramatists Suzan-Lori Parks, Jackie Sibblies Drury, and Jeremy O. Harris, whose plays move us from anxious masculinity to anxious whiteness and speak directly to the current moment.
Anxious Masculinity in the Drama of Arthur Miller and Beyond: Salesmen, Sluggers, and Big Daddies
by Claire GleitmanThis study examines the anxious male breadwinner as he is incarnated in Arthur Miller's most celebrated plays and as he resurfaces in different guises throughout American drama, from the 1950s to the present. It offers a compelling analysis of gender dynamics – staunchly homosocial, vaguely or overtly misogynistic, anxiously homophobic – and the legacy of this figure in the works of other American dramatists. Throughout, the book argues that the gendered anxieties exhibited by the anxious male breadwinner are the very ones invoked with such success by Donald Trump.Gleitman examines this figure in the plays of Tennessee Williams, later 20th century writers Lorraine Hansberry, David Mamet, August Wilson, and Sam Shepard (who reposition him in more racially and economically marginalized settings), and in the more recent work of Tony Kushner, Paula Vogel, and Lisa Kron and Jeanine Tesori, who shift their focus to the next generation, which seeks to escape his clutches and forge new, often gleefully queer identities. The final chapter concerns contemporary Black dramatists Suzan-Lori Parks, Jackie Sibblies Drury, and Jeremy O. Harris, whose plays move us from anxious masculinity to anxious whiteness and speak directly to the current moment.
Any Means Necessary (Modern Plays)
by Kefi ChadwickThey don't care about the truth or changing anything. They just want to discredit us. Bury us under a load of insinuation and then shut us up by paying us off. I can't bear to bleed out my pain and it not mean anything. When Mel meets Dave at a protest, she believes she has met her kindred spirit. Dave soon becomes central to her life and her activist friends. But is he who he appears to be?An emotionally compelling drama that explores love, betrayal, secrets and lies and exposes the brutality of a police policy that used any means necessary to undermine political protest.Based on a true story, Any Means Necessary centres on the events surrounding a group of environmental activists and the 2011 court case that charged them with trespass at nearby Ratcliffe-on-Soar Power Station.This real-life event set in Nottingham uncovered a national scandal that has led to a full police apology and an admission that their officers' behaviour was an abuse of the women's human rights. A major public inquiry begins in January 2016 and is expected to run for 3 years.This play was published to coincide with the world premiere of the play at Nottingham Playhouse on 5 February 2016.
Any Means Necessary: Improvisation And The Theatre (Modern Plays)
by Kefi ChadwickThey don't care about the truth or changing anything. They just want to discredit us. Bury us under a load of insinuation and then shut us up by paying us off. I can't bear to bleed out my pain and it not mean anything. When Mel meets Dave at a protest, she believes she has met her kindred spirit. Dave soon becomes central to her life and her activist friends. But is he who he appears to be?An emotionally compelling drama that explores love, betrayal, secrets and lies and exposes the brutality of a police policy that used any means necessary to undermine political protest.Based on a true story, Any Means Necessary centres on the events surrounding a group of environmental activists and the 2011 court case that charged them with trespass at nearby Ratcliffe-on-Soar Power Station.This real-life event set in Nottingham uncovered a national scandal that has led to a full police apology and an admission that their officers' behaviour was an abuse of the women's human rights. A major public inquiry begins in January 2016 and is expected to run for 3 years.This play was published to coincide with the world premiere of the play at Nottingham Playhouse on 5 February 2016.
Anyone's Guess How We Got Here (Oberon Modern Plays)
by Jack Perkins Barrel OrganAnyone’s Guess How We Got Here is a road-trip. A haunted house. A bedtime story. A photo-album. An 80s fantasy film. A demolition project. A riot.Barrel Organ’s new play about the long-lasting trauma of debt and eviction.
Apocolocyntosis: or Ludus de morte Claudii: The Pumpkinification of Claudius (ERIS Gems)
by Seneca"I know the same day made me free, which was the last day for him who made the proverb true—One must be born either a Pharaoh or a fool".Best known as a philosopher and tragedian, in Apocolocyntosis Seneca also produced one of classical literature's greatest satires. Depicting a posthumous trial in which the recently deceased Emperor Claudius makes the case for his elevation to the company of the gods, this short work brilliantly skewers the pretensions and corruptions of power.
Apologies to Lorraine Hansberry (Yale Drama Series)
by Rachel LynettThe fourteenth winner of the Yale Drama Series prize explores “Blackness” and the reasons why joy and peace might be harder to get than we think What does it mean to be safe when you’re a person of color in the United States? If you were given the chance to leave and create a utopia, would you? Is utopia possible with all of our subconscious bias? The fourteenth winner of the Yale Drama Series prize, this highly satirical and funny play is set in the fictional world following a second Civil War. Bronx Bay, an all-Black state (and neighborhood), is established in order to protect “Blackness.” As Jules’s new partner, Yael, moves into town, community members argue over whether Yael, who is Dominican, can stay. Questions of safety and protection surround both Jules and Yael as the utopia of Bronx Bay confronts within itself where the line is when it comes to defining who is Black and who gets left out in the process.
The Apology (Modern Plays)
by Kyo ChoiI exist now. Don't tell me that I didn't existbefore.How should a nation apologise for the crimes of its past?Seoul, 1991. She kept her silence for over forty years. Then Sun-Hee spoke out, igniting a fire that burns to this day. Yuna is about to uncover a shameful family secret. Priyanka, the first United Nations investigator into Violence Against Women, probes the harrowing circumstances of the WWII “comfort women”. Three women's lives intertwine as they speak truth to power and confront the atrocity of Japanese military sexual slavery during wartime.Based on true accounts by survivors and historical documents, The Apology is a play about what it takes to forgive. This edition is published to coincide with the world premiere at the Arcola Theatre, UK, in September 2022.
The Apology (Modern Plays)
by Kyo ChoiI exist now. Don't tell me that I didn't existbefore.How should a nation apologise for the crimes of its past?Seoul, 1991. She kept her silence for over forty years. Then Sun-Hee spoke out, igniting a fire that burns to this day. Yuna is about to uncover a shameful family secret. Priyanka, the first United Nations investigator into Violence Against Women, probes the harrowing circumstances of the WWII “comfort women”. Three women's lives intertwine as they speak truth to power and confront the atrocity of Japanese military sexual slavery during wartime.Based on true accounts by survivors and historical documents, The Apology is a play about what it takes to forgive. This edition is published to coincide with the world premiere at the Arcola Theatre, UK, in September 2022.
The Apple Family: What Do We Need to Talk About?; And So We Come Forth; Incidental Moments of the Day
by Richard NelsonThese three plays were written and performed in real time over the course of the memorable summer of 2020. Forced into isolation as the pandemic raged and massive protests against racism spread after the murder of George Floyd, the Apple Family of Rhinebeck, New York, gather over Zoom to share meals and weather the storms. Together, virtually, they share jokes, stories and their adventures with grocery shopping and dating; they reveal their depression, fears and anxieties, they mourn lost friends and even watch together a dance performance, all while the world outside sputters increasingly out of control, amidst anger, illness, and a coming election.With an introduction and afterword by the author.
Apples (Oberon Modern Plays)
by Richard Milward John RetallackAdapted for stage, Apples is set on a Middlesbrough council estate, this astonishing piece of writing by 23 year old Richard Milward, is an electrifying collision of Irvine Welsh and Virginia Woolf. Streams of poetic, impassioned and often hilarious words pour from five fifteen year olds as they negotiate a world where the adults are absent, drugs are everywhere, sex is desperate and life is both terrifying and thrilling. A dazzling, tragicomic love story of adolescence based on the astonishing debut novel by Richard Milward. Shameless, ruthless and intensely poetic, Apples articulates what it is like to be young.Apples was the winner of the coveted Bank of Scotland Herald Angel Award at the 2010 Edinburgh Fringe Festival. The prize is awarded for excellence in the Edinburgh Festival.
Application of the Michael Chekhov Technique to Shakespeare’s Sonnets, Soliloquies and Monologues
by Mark MondayApplication of the Michael Chekhov Technique to Shakespeare’s Sonnets, Soliloquies, and Monologues illustrates how to apply the Michael Chekhov Technique, through exercises and rehearsal techniques, to a wide range of Shakespeare’s works. The book begins with a comprehensive chapter on the definitions of the various aspects of the Technique, followed by five chapters covering Shakespeare’s sonnets, comedies, tragedies, histories, and romances. This volume offers a very specific path, via Michael Chekhov, on how to put theory into practice and bring one’s own artistic life into the work of Shakespeare. Offering a wide range of pieces that can be used as audition material, Application of the Michael Chekhov Technique to Shakespeare’s Sonnets, Soliloquies, and Monologues is an excellent resource for acting teachers, directors, and actors specializing in the work of William Shakespeare. The book also includes access to a video on Psychological Gesture to facilitate the application of this acting tool to Shakespeare’s scenes.
Application of the Michael Chekhov Technique to Shakespeare’s Sonnets, Soliloquies and Monologues
by Mark MondayApplication of the Michael Chekhov Technique to Shakespeare’s Sonnets, Soliloquies, and Monologues illustrates how to apply the Michael Chekhov Technique, through exercises and rehearsal techniques, to a wide range of Shakespeare’s works. The book begins with a comprehensive chapter on the definitions of the various aspects of the Technique, followed by five chapters covering Shakespeare’s sonnets, comedies, tragedies, histories, and romances. This volume offers a very specific path, via Michael Chekhov, on how to put theory into practice and bring one’s own artistic life into the work of Shakespeare. Offering a wide range of pieces that can be used as audition material, Application of the Michael Chekhov Technique to Shakespeare’s Sonnets, Soliloquies, and Monologues is an excellent resource for acting teachers, directors, and actors specializing in the work of William Shakespeare. The book also includes access to a video on Psychological Gesture to facilitate the application of this acting tool to Shakespeare’s scenes.
Applied Drama: The Gift Of Theatre (PDF)
by Helen NicholsonApplied Drama offers an insight into theatre-making that takes place in communities across the world. It considers the role of artists who work in challenging settings, including prisons, schools, hostels for the homeless, care homes for the elderly and on the street. In this updated second edition, Helen Nicholson provides vivid new examples of practice, and addresses twenty-first century concerns about the environments in which applied theatre takes place. Ideal for students and practitioners, this lively study poses critical questions about the aesthetics and ethics of applied theatre. It invites debate about the social role of theatre, and explores how interventionist theatre might maintain its radicalism in an increasingly globalized world.
Applied Drama: The Gift of Theatre (Theatre and Performance Practices)
by Helen NicholsonThis core text offers insight into theatre-making that takes place in communities across the world. Offering an overview of the theory that underpins practice in applied drama, this thought-provoking text outlines practices in the context of contemporary political and theoretical concerns. It considers the role of artists who work in challenging settings, including prisons, schools, hostels for the homeless, care homes for the elderly and on the street. In so doing, the book poses critical questions about the aesthetics and ethics of applied theatre. It also invites debate about the environments in which applied theatre takes place. Written by an experienced academic in the field, this lively text is the ideal introductory text for students on Applied Theatre degree programmes and those taking Applied Theatre modules on Drama, Theatre and Performance Studies programmes. It is also essential reading for practitioners of applied theatre looking for a comprehensive insight into theatre-making and its impact in an increasingly globalized world.