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Women's University Narratives, 1890-1945, Part II: Volume II

by Anna Bogen

The years 1890-1945 saw an unprecedented outpouring of fiction focused on British university life, much of it reflecting the drastic change that had swept through the higher education system in the late nineteenth century. Among these narratives, a significant subgroup focused on the lives of women students, newly admitted to the structures of higher education system, their presence still stridently, and sometimes even violently, opposed, especially at Oxbridge. These novels and short stories collected here, largely unknown today, were widely discussed and debated in the public sphere during the early twentieth century, contributing not only to the formation of public knowledge and opinion about education through cultural figures like the ‘Girton Girl’ or the ‘undergraduette,’ but also sparking debate about many wider social and cultural issues, from the place of the women writer in the literary scene to the emergence of new discourses around psychology and the body. The majority have not been reprinted since their original publication, and until now have been rarely available to scholars. The publication of Women’s University Narratives, 1890-1945, therefore, provides a major new resource for scholarship in many areas, including women’s studies, educational history, and literary and cultural modernism.

Women's University Narratives, 1890-1945, Part II: Volume I

by Anna Bogen

The years 1890-1945 saw an unprecedented outpouring of fiction focused on British university life, much of it reflecting the drastic change that had swept through the higher education system in the late nineteenth century. Among these narratives, a significant subgroup focused on the lives of women students, newly admitted to the structures of higher education system, their presence still stridently, and sometimes even violently, opposed, especially at Oxbridge. These novels and short stories collected here, largely unknown today, were widely discussed and debated in the public sphere during the early twentieth century, contributing not only to the formation of public knowledge and opinion about education through cultural figures like the ‘Girton Girl’ or the ‘undergraduette,’ but also sparking debate about many wider social and cultural issues, from the place of the women writer in the literary scene to the emergence of new discourses around psychology and the body. The majority have not been reprinted since their original publication, and until now have been rarely available to scholars. The publication of Women’s University Narratives, 1890-1945, therefore, provides a major new resource for scholarship in many areas, including women’s studies, educational history, and literary and cultural modernism.

Women's University Narratives, 1890-1945, Part II: Volume I

by Anna Bogen

The years 1890-1945 saw an unprecedented outpouring of fiction focused on British university life, much of it reflecting the drastic change that had swept through the higher education system in the late nineteenth century. Among these narratives, a significant subgroup focused on the lives of women students, newly admitted to the structures of higher education system, their presence still stridently, and sometimes even violently, opposed, especially at Oxbridge. These novels and short stories collected here, largely unknown today, were widely discussed and debated in the public sphere during the early twentieth century, contributing not only to the formation of public knowledge and opinion about education through cultural figures like the ‘Girton Girl’ or the ‘undergraduette,’ but also sparking debate about many wider social and cultural issues, from the place of the women writer in the literary scene to the emergence of new discourses around psychology and the body. The majority have not been reprinted since their original publication, and until now have been rarely available to scholars. The publication of Women’s University Narratives, 1890-1945, therefore, provides a major new resource for scholarship in many areas, including women’s studies, educational history, and literary and cultural modernism.

Women's University Narratives, 1890-1945, Part II Vol 3: Volume III

by Anna Bogen

The years 1890-1945 saw an unprecedented outpouring of fiction focused on British university life, much of it reflecting the drastic change that had swept through the higher education system in the late nineteenth century. Among these narratives, a significant subgroup focused on the lives of women students, newly admitted to the structures of higher education system, their presence still stridently, and sometimes even violently, opposed, especially at Oxbridge. These novels and short stories collected here, largely unknown today, were widely discussed and debated in the public sphere during the early twentieth century, contributing not only to the formation of public knowledge and opinion about education through cultural figures like the ‘Girton Girl’ or the ‘undergraduette,’ but also sparking debate about many wider social and cultural issues, from the place of the women writer in the literary scene to the emergence of new discourses around psychology and the body. The majority have not been reprinted since their original publication, and until now have been rarely available to scholars. The publication of Women’s University Narratives, 1890-1945, therefore, provides a major new resource for scholarship in many areas, including women’s studies, educational history, and literary and cultural modernism.

Women's University Narratives, 1890-1945, Part II Vol 3: Volume III

by Anna Bogen

The years 1890-1945 saw an unprecedented outpouring of fiction focused on British university life, much of it reflecting the drastic change that had swept through the higher education system in the late nineteenth century. Among these narratives, a significant subgroup focused on the lives of women students, newly admitted to the structures of higher education system, their presence still stridently, and sometimes even violently, opposed, especially at Oxbridge. These novels and short stories collected here, largely unknown today, were widely discussed and debated in the public sphere during the early twentieth century, contributing not only to the formation of public knowledge and opinion about education through cultural figures like the ‘Girton Girl’ or the ‘undergraduette,’ but also sparking debate about many wider social and cultural issues, from the place of the women writer in the literary scene to the emergence of new discourses around psychology and the body. The majority have not been reprinted since their original publication, and until now have been rarely available to scholars. The publication of Women’s University Narratives, 1890-1945, therefore, provides a major new resource for scholarship in many areas, including women’s studies, educational history, and literary and cultural modernism.

Transnationalism and American Literature: Literary Translation 1773–1892

by Colleen G. Boggs

What is transnationalism and how does it affect American literature? This book examines nineteenth century contexts of transnationalism, translation and American literature. The discussion of transnationalism largely revolves around the question of what role nationalism plays in the spaces and temporalities of the transatlantic. Boggs demonstrates that the assumption that American literature has become transnational only recently – that there is such a thing as an "era" of transnationalism – marks a blindness to the intrinsic transatlanticism of American literature.

Transnationalism and American Literature: Literary Translation 1773–1892 (Routledge Transnational Perspectives On American Literature; Ser.)

by Colleen G. Boggs

What is transnationalism and how does it affect American literature? This book examines nineteenth century contexts of transnationalism, translation and American literature. The discussion of transnationalism largely revolves around the question of what role nationalism plays in the spaces and temporalities of the transatlantic. Boggs demonstrates that the assumption that American literature has become transnational only recently – that there is such a thing as an "era" of transnationalism – marks a blindness to the intrinsic transatlanticism of American literature.

Patriotism by Proxy: The Civil War Draft and the Cultural Formation of Citizen-Soldiers, 1863-1865 (Oxford Studies in American Literary History)

by Colleen Glenney Boggs

At the height of the Civil War in 1863, the Union instated the first-ever federal draft. Patriotism By Proxy develops a new understanding of the connections between American literature and American lives by focusing on this historic moment when the military transformed both. Paired with the Emancipation Proclamation, the 1863 draft inaugurated new relationships between the nation and its citizens. A massive bureaucratic undertaking, it redefined the American people as a population, laying bare social divisions as wealthy draftees hired substitutes to serve in their stead. The draft is the context in which American politics met and also transformed into a new kind of biopolitics, and these substitutes reflect the transformation of how the state governed American life. Censorship and the suspension of habeas corpus prohibited free discussions over the draft's significance, making literary devices and genres the primary means for deliberating over the changing meanings of political representation and citizenship. Assembling an extensive textual and visual archive, Patriotism by Proxy examines the draft as a cultural formation that operated at the nexus of political abstraction and embodied specificity, where the definition of national subjectivity was negotiated in the interstices of what it means to be a citizen-soldier. It brings together novels, poems, letters, and newspaper editorials that show how Americans discussed the draft at a time of censorship, and how the federal draft changed the way that Americans related to the state and to each other.

Patriotism by Proxy: The Civil War Draft and the Cultural Formation of Citizen-Soldiers, 1863-1865 (Oxford Studies in American Literary History)

by Colleen Glenney Boggs

At the height of the Civil War in 1863, the Union instated the first-ever federal draft. Patriotism By Proxy develops a new understanding of the connections between American literature and American lives by focusing on this historic moment when the military transformed both. Paired with the Emancipation Proclamation, the 1863 draft inaugurated new relationships between the nation and its citizens. A massive bureaucratic undertaking, it redefined the American people as a population, laying bare social divisions as wealthy draftees hired substitutes to serve in their stead. The draft is the context in which American politics met and also transformed into a new kind of biopolitics, and these substitutes reflect the transformation of how the state governed American life. Censorship and the suspension of habeas corpus prohibited free discussions over the draft's significance, making literary devices and genres the primary means for deliberating over the changing meanings of political representation and citizenship. Assembling an extensive textual and visual archive, Patriotism by Proxy examines the draft as a cultural formation that operated at the nexus of political abstraction and embodied specificity, where the definition of national subjectivity was negotiated in the interstices of what it means to be a citizen-soldier. It brings together novels, poems, letters, and newspaper editorials that show how Americans discussed the draft at a time of censorship, and how the federal draft changed the way that Americans related to the state and to each other.

A Relevance-Theoretic Approach to Decision-Making in Subtitling

by Łukasz Bogucki

This book aims to investigate the process of decision-making in subtitling of feature films and entertainment series. The author uses Relevance Theory (Sperber and Wilson,1986) to argue that the technical, linguistic and translational constraints at work in subtitling result in a curtailed target text, and illustrates this argument by invoking examples drawn from the English-Polish subtitles of films and television series available through the subscription service Netflix. After introducing the current state of research on audiovisual translation within and outside the framework of translation studies, he presents the core concepts underpinning Relevance Theory and explains how it can be used to construct a model of the process of subtitling. This book will be of interest to students and scholars working in the fields of translation studies, audiovisual translation studies, and communication studies.

The Palgrave Handbook of Audiovisual Translation and Media Accessibility (Palgrave Studies in Translating and Interpreting)

by Łukasz Bogucki Mikołaj Deckert

This handbook is a comprehensive and up-to-date resource covering the booming field of Audiovisual Translation (AVT) and Media Accessibility (MA). Bringing together an international team of renowned scholars in the field of translation studies, the handbook surveys the state of the discipline, consolidates existing knowledge, explores avenues for future research and development, and also examines methodological and ethical concerns. This handbook will be a valuable resource for advanced undergraduate and postgraduate students, early-stage researchers but also experienced scholars working in translation studies, communication studies, media studies, linguistics, cultural studies and foreign language education.

Forschendes Lernen in der interkulturellen Germanistik: Herausforderungen, Reflexionen, Lösungen (Interkulturelle Germanistik #4)

by Julija Boguna Ewald Reuter Gesine Lenore Schiewer

Forschendes Lernen ist der Markenkern des wissenschaftlichen Studiums: Schritt für Schritt sollen Studierende lernen, theoretisch reflektiert und methodisch kontrolliert neues disziplinäres Wissen zu erzeugen. Die Beiträger*innen aus Sprach-, Literatur- und Übersetzungswissenschaft weisen erstmals im Detail nach, unter welchen Bedingungen und mit welchem Erfolg Forschendes Lernen an unterschiedlichen Studienorten der interkulturellen Germanistik verankert ist. Dabei liefern sie internationale best-practice-Beispiele und robuste Modelle, an denen sich Forschendes Lernen auch auf anderen Gebieten der Grundlagen- und Anwendungsforschung erfolgreich orientieren kann.

The Reorganization of Soviet Foreign Trade: Legal Aspects

by Mark M. Boguslavski P.S. Smirnov S.L. Levitsky M. M. Boguslavski Serge L. Levitsky D.M. McCauley

Translated from the Russian. Edited and with a foreword by Serge L. Levitsky. A systematic and authoritative analysis of current Soviet legislation related to the organization and the mechanism of foreign economic relations under perestroika. Of particular interest to prospective partners in joint v

The Reorganization of Soviet Foreign Trade: Legal Aspects

by Mark M. Boguslavski P.S. Smirnov S.L. Levitsky M. M. Boguslavski Serge L. Levitsky D.M. McCauley

Translated from the Russian. Edited and with a foreword by Serge L. Levitsky. A systematic and authoritative analysis of current Soviet legislation related to the organization and the mechanism of foreign economic relations under perestroika. Of particular interest to prospective partners in joint v

Conrad's Existentialism

by O. Bohlmann

Otto Bohlmann's fascinating study offers detailed and exhaustive evidence that the major philosophical aspects of Conrad's novels exhibit a powerful existential strain, foreshadowing many central concerns of twentieth-century modernism. Through both wide and close reading, Dr Bohlmann illuminates more thoroughly than any previous scholar the remarkable extent to which Conrad's fiction is replete with ideas, attitudes and even phrases reminiscent of Kierkegaard, Nietzsche, Jaspers, Marcel, Heidegger, Sartre and Camus.

Romantic Literature and Postcolonial Studies (Postcolonial Literary Studies)

by Elizabeth Bohls

This book examines the relationship between Romantic writing and the rapidly expanding British Empire.

Romantic Literature and Postcolonial Studies (Postcolonial Literary Studies)

by Elizabeth A. Bohls

Demonstrates the importance of postcolonial approaches to understanding the literature of the period 1787-1833 Arguing that literature of the Romantic period must be understood in the context of British colonial expansion and imperial rule, this text surveys Romantic literature’s role in consolidating Britain as the centre of empire. It highlights the ways in which the expanding print market served readers eager to learn about the wider world: Romantic poetry and travel writing, for example, went hand in hand. Elizabeth Bohls shows that while Exoticism and Orientalism help us understand colonial discourses and imperial ideologies, texts not overtly concerned with the exotic, like Wordsworth’s and Austen’s, also engage the historical problematic of empire. Key Features Covers travel writing, slave narratives, political prose as well as novels & poetry Reads canonical materials (Coleridge, Austen, Scott, Shelley, etc.) in new ways Wide coverage: the Romantic Geographies chapter treats travel in the Pacific, Canada/North America, the Caribbean, Africa and India, while the Romantic Orientalism chapter treats writings on India

Archaisierung und Pinkifizierung: Mythen von Männlichkeit und Weiblichkeit in der Kinder- und Jugendliteratur (Lettre)

by Kerstin Böhm

Kinder- und Jugendliteratur wird zunehmend nicht mehr nur in Buchform, sondern in Medienverbünden verkauft. Reihen wie »Die Wilden (Fußball-)Kerle« und »Die Wilden Hühner« zeigen zudem eine zweite Verkaufsstrategie der Kinder- und Jugendliteraturproduktion: Sie sind, vor allem im Hinblick auf eine männliche Zielgruppe, offensiv geschlechtsspezifisch adressiert. Kerstin Böhm zeichnet nach, wie diese Reihen im Rahmen des Zusammenspiels von kommerzieller Orientierung und Zielgruppenspezifik mittels Strategien der »Archaisierung« und »Pinkifizierung« Mythen von Männlichkeit und Weiblichkeit tradieren, aber zugleich auch aktualisieren.

Goethe-Handbuch: Band 3: Prosaschriften

by Gernot Böhme

Der dritte Band bietet einen detaillierten und erstmals vollständigen Überblick über das gesamte Prosaschaffen Goethes. Ausführlich werden die Romane, Erzählungen, Autobiographischen Schriften, Maximen und Reflexionen, das Briefwerk, die Prosaübersetzungen, Schriften zu Literatur und Theater, zur Bildenden Kunst und zur Naturwissenschaft, die amtlichen Schriften sowie die Reden und Ansprachen interpretiert. Dabei werden die literarischen Texte des Autors mit seinen ebenso umfangreichen und von ihm selbst für wichtig erachteten Schriften zur Naturwissenschaft und zur Ästhetik konfrontiert. Einführende Überblicksartikel charakterisieren Goethe als Prosaschriftsteller und Briefschreiber.

Hubert Fichte: Riten des Autors und Leben der Literatur

by Hartmut Böhme

Hubert Fichte hat innerhalb der Nachkriegsliteratur ein beispielloses Werk geschaffen. Ein Gesamtwerk, das, wie Hartmut Böhme zeigt, als ein Buch, als ein großer enzyklopädischer Roman gelesen werden kann.

Vom Umgang mit Literatur und Literaturgeschichte: Positionen und Perspektiven nach der "Theoriedebatte"

by Hartmut Böhme Jörg Schönert

Die Beiträger dieses Bandes wollen angesichts der Vielfalt der theoretischen Konzepte für die gemeinsamen Problemfelder der Interpretation und der Literaturgeschichtsschreibung Begründungsverfahren für eine künftige Ausdifferenzierung des Fachs darstellen.

Die Ausstellung als Marke: Erfolgreiches Projektmanagement in Marketing und PR in Kulturbetrieben

by Katrin Böhme Ulrike Peter

Das Buch stellt die Prozesse bei der Vermarktung von Ausstellungen dar und leitet daraus die Standards für erfolgreiches Marketing in Kulturbetrieben ab. Damit bekommen Praktiker im Ausstellungsbereich - und solche, die es werden wollen - einen Leitfaden an die Hand, um eine Ausstellung als Marke erfolgreich zu etablieren.

Towards an Aisthetics of the Victorian Novel: Senses and Sensations (Among the Victorians and Modernists)

by Nadine Böhm-Schnitker

Towards an Aisthetics of the Victorian Novel: Senses and Sensations establishes a new analytical method in the broader context of sensory studies in order to explain how the genre of the novel can impact on our perception of ourselves and our social contexts. Taking cultural literary studies ahead, the book re-integrates aesthetics – a much fraught concept in cultural studies that long favoured ‘popular’ over ‘high culture’ – into cultural studies as aisthetics in the word’s root sense of ‘perception’. Zooming in on period shifts and changes in taste spanning realism, sensation fiction and aestheticism, aisthetics reveals how these shifts also pertain to new ways of perceiving in selected novels by George Eliot, Wilkie Collins and Vernon Lee. Connecting Victorian and current literary theories, aisthetics helps explore the way in which the novel can shape the way we perceive the world, what remains excluded from the realm of the perceivable and how our conduct is consequently always also influenced by the dominant genres of our time.

Towards an Aisthetics of the Victorian Novel: Senses and Sensations (Among the Victorians and Modernists)

by Nadine Böhm-Schnitker

Towards an Aisthetics of the Victorian Novel: Senses and Sensations establishes a new analytical method in the broader context of sensory studies in order to explain how the genre of the novel can impact on our perception of ourselves and our social contexts. Taking cultural literary studies ahead, the book re-integrates aesthetics – a much fraught concept in cultural studies that long favoured ‘popular’ over ‘high culture’ – into cultural studies as aisthetics in the word’s root sense of ‘perception’. Zooming in on period shifts and changes in taste spanning realism, sensation fiction and aestheticism, aisthetics reveals how these shifts also pertain to new ways of perceiving in selected novels by George Eliot, Wilkie Collins and Vernon Lee. Connecting Victorian and current literary theories, aisthetics helps explore the way in which the novel can shape the way we perceive the world, what remains excluded from the realm of the perceivable and how our conduct is consequently always also influenced by the dominant genres of our time.

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