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Theatre and Christianity (Theatre And)
by Elizabeth SchaferThis critical new title in the Theatre & series explores the fluctuating relationship between theatre and Christianity by focusing on key points of intersection - the challenge of realism and the real, the treatment of women and the role of amateur performance. It covers a wide range of examples from medieval times to today, examining how theatre and Christianity have sometimes clashed dramatically and sometimes embraced one another to great effect. Engaging and enlightening, this book offers an insight into the complex dynamic between theatre and Christianity perfect for undergraduate and postgraduate students of Theatre or Religious Studies.
Theatre and Christianity (Theatre And)
by Elizabeth SchaferThis critical new title in the Theatre & series explores the fluctuating relationship between theatre and Christianity by focusing on key points of intersection - the challenge of realism and the real, the treatment of women and the role of amateur performance. It covers a wide range of examples from medieval times to today, examining how theatre and Christianity have sometimes clashed dramatically and sometimes embraced one another to great effect. Engaging and enlightening, this book offers an insight into the complex dynamic between theatre and Christianity perfect for undergraduate and postgraduate students of theatre or religious studies.
Theatre and National Identity in Colonial India: Formation Of A Community Through Cultural Practice
by Sharmistha SahaThis book critically engages with the study of theatre and performance in colonial India, and relates it with colonial (and postcolonial) discussions on experience, freedom, institution-building, modernity, nation/subject not only as concepts but also as philosophical queries. It opens up with the discourse around ‘Indian theatre’ that was started by the orientalists in the late 18th century, and which continued till much later. The study specifically focuses on the two major urban centres of colonial India: Bombay and Calcutta of the 19th and early 20th centuries. It discusses different cultural practices in colonial India, including the initiation of ‘Indian theatre’ practices, which resulted in many forms of colonial-native ‘theatre’ by the 19th century; the challenges to this dominant discourse from the ‘swadeshi jatra’ (national jatra/theatre) in Bengal, which drew upon earlier folk and religious traditions and was used as a tool by the nationalist movement; and the Indian People’s Theatre Association (IPTA) that functioned from Bombay around the 1940s, which focused on the creation of one national subject – that of the ‘Indian’. The author contextualizes the relevance of the concept of ‘Indian theatre’ in today’s political atmosphere. She also critically analyses the post-Independence Drama Seminar organized by the Sangeet Natak Akademi in 1956 and its relevance to the subsequent organization of ‘Indian theatre’. Many theatre personalities who emerged as faces of smaller theatre committees were part of the seminar which envisioned a national cultural body. This book is an important contribution to the field and is of interest to researchers and students of cultural studies, especially Theatre and Performance Studies, and South Asian Studies.
Theatre and Performance in the Asia-Pacific: Regional Modernities in the Global Era (Studies in International Performance)
by D. Varney P. Eckersall C. Hudson B. HatleyTheatre and Performance in the Asia-Pacific is an innovative study of contemporary theatre and performance within the framework of modernity in the Asia-Pacific. It is an analysis of the theatrical imaginative as it manifests in theatre and performance in Australia, Indonesia, Japan and Singapore.
Theatre and Residual Culture: J.M. Synge and Pre-Christian Ireland
by Christopher CollinsThis book considers the cultural residue from pre-Christian Ireland in Synge’s plays and performances. By dramatising a residual culture in front of a predominantly modern and political Irish Catholic middle class audience, the book argues that Synge attempted to offer an alternative understanding of what it meant to be “modern” at the beginning of the twentieth century. The book draws extensively on Synge’s archive to demonstrate how pre-Christian residual culture informed not just how he wrote and staged pre-Christian beliefs, but also how he thought about an older, almost forgotten culture that Catholic Ireland desperately wanted to forget. Each of Synge’s plays is considered in an individual chapter, and they identify how Synge’s dramaturgy was informed by pre-Christian beliefs of animism, pantheism, folklore, superstition and magical ritual.
Theatre and War: Notes from the Field (PDF)
by Nandita DineshNandita Dinesh places Kipling's "six honest serving-men" (who, what, when, where, why, how) in productive conversation with her own experiences in conflict zones across the world to offer a theoretical and practical reflection on making theatre in times of war. This timely and important book weaves together Dinesh's personal narrative with the public story of modern conflict, illustrating as it does, the importance of theatre as a force for ethical deliberation and social justice. In it Dinesh asks how theatre might intervene in times and places of conflict and how we might reflect on such interventions. In pursuit of answers, Theatre and War adopts the methods of auto-ethnography, positioning the theatrical practitioner at the heart of conflict zones in northern Uganda, Guatemala, Northern Ireland, Mexico, Rwanda, Kenya, Nagaland, and Kashmir. No longer a detached observer, the researcher and practitioner has to be able to meld theory with practice; to speak to 'doing', without undervaluing the importance of 'thinking about doing'. Each chapter approaches the need for a synthesis of theory and practice by way of a term of inquiry―Why, Where, Who, What, When―and each is equipped with a set of unflinchingly honest field notes that are designed to reveal some of the 'hows' from the author's own repertoire: questions and issues that were encountered during her own theatrical undertakings, along with first hand reflection on the complexities, potential, and challenges that attended her global work in community theatre. Within these notes are strategies that give the reader a practical insight into how the discussion might find its footing on the ground of war. The range and scope of this book make it required reading for those interested in theatre―practitioners, researchers, and students alike-as well as those seeking to understand the applications of the arts for ethics, politics, and education.
Theatre Censorship in Britain: Silencing, Censure and Suppression
by H. FreshwaterThis exploration of the wide variety of censorship that has shaped theatrical performance in twentieth and twenty-first century Britain examines the unpredictable outcomes of censorship, deep-seated anxieties about the performative influence of the stage, and the complex questions raised by acts of theatrical censorship.
Theatre/Ecology/Cognition: Theorizing Performer-Object Interaction in Grotowski, Kantor, and Meyerhold (Cognitive Studies in Literature and Performance)
by T. PaavolainenHow is performer-object interaction enacted and perceived in the theatre? How thereby are varieties of 'meaning' also enacted and perceived? Using cognitive theory and ecological ontology, Paavolainen investigates how the interplay of actors and objects affords a degree of enjoyment and understanding, whether or not the viewer speaks the language.
Theatre in Co-Communities: Articulating Power
by Shulamith Lev-AladgemEach chapter of this book presents a different marginalized community and explores how it appropriates theatre for its own needs, which are often at odds with those of the powerful sponsoring organisations. This fresh approach to the topic provides the reader with an innovative, critical way of studying community theatre.
Theatre in Health and Care
by Emma BrodzinskiThis unique book examines theatre practice that takes place within a range of health and care settings from medical training to advocacy projects for service users. Drawing on a range of case studies, the book provides insights into working practices as well as posing critical questions in relation to the field.
Theatre of Good Intentions: Challenges and Hopes for Theatre and Social Change
by D. Snyder-YoungTheatre of Good Intentions examines limitations of theatre in the creation of social and political change. This book looks at some of the reasons why achieving such goals is hard; examining what theatre can and can't do. It examines a range of applied and political theatre case studies, focusing on theatre's impact on participants and spectators.
Theatre, Performance, and Memory Politics in Argentina
by B. WerthSince Argentina's transition to democracy, the expression of human fragility on the stage has taken diverse forms. This book examines the intervention of theatre and performance in the memory politics surrounding Argentina's return to democracy and makes a case for performance's transformative power.
Theatre, Politics, and Markets in Fin-de-Siècle Paris: Staging Modernity (Palgrave Studies in Theatre and Performance History)
by S. CharnowSince the Enlightenment, French theatre has occupied a prominent place within French thought, society and culture, but as a subject of study it has remained a purview of theatre historians, literary scholars and aestheticians. They focus on the emergence of the modern theatre as change generated from within bourgeois literary drama but ignore theatre as a complex social practice. Theatre, Politics, and Markets in Fin-de-Siècle Paris investigates the dynamic relationships among the avant-garde, official culture and the commercial sphere, arguing against the neat divide of 'high' and 'low' culture by showing how cultural forms of varying social origins influenced each other.
Theatre Responds to Social Trauma: Chasing the Demons (Routledge Series in Equity, Diversity, and Inclusion in Theatre and Performance)
by Ellen W. KaplanThis book is a collection of chapters by playwrights, directors, devisers, scholars, and educators whose praxis involves representing, theorizing, and performing social trauma.Chapters explore how psychic catastrophes and ruptures are often embedded in social systems of oppression and forged in zones of conflict within and across national borders. Through multiple lenses and diverse approaches, the authors examine the connections between collective trauma, social identity, and personal struggle. We look at the generational transmission of trauma, socially induced pathologies, and societal re-inscriptions of trauma, from mass incarceration to war-induced psychoses, from gendered violence through racist practices. Collective trauma may shape, protect, and preserve group identity, promoting a sense of cohesion and meaning, even as it shakes individuals through pain. Engaging with communities under significant stress through artistic practice offers a path towards reconstructing the meaning(s) of social trauma, making sense of the past, understanding the present, and re-visioning the future.The chapters combine theoretical and practical work, exploring the conceptual foundations and the artists’ processes as they interrogate the intersections of personal grief and communal mourning, through drama, poetry, and embodied performance.
Theatre Responds to Social Trauma: Chasing the Demons (Routledge Series in Equity, Diversity, and Inclusion in Theatre and Performance)
This book is a collection of chapters by playwrights, directors, devisers, scholars, and educators whose praxis involves representing, theorizing, and performing social trauma.Chapters explore how psychic catastrophes and ruptures are often embedded in social systems of oppression and forged in zones of conflict within and across national borders. Through multiple lenses and diverse approaches, the authors examine the connections between collective trauma, social identity, and personal struggle. We look at the generational transmission of trauma, socially induced pathologies, and societal re-inscriptions of trauma, from mass incarceration to war-induced psychoses, from gendered violence through racist practices. Collective trauma may shape, protect, and preserve group identity, promoting a sense of cohesion and meaning, even as it shakes individuals through pain. Engaging with communities under significant stress through artistic practice offers a path towards reconstructing the meaning(s) of social trauma, making sense of the past, understanding the present, and re-visioning the future.The chapters combine theoretical and practical work, exploring the conceptual foundations and the artists’ processes as they interrogate the intersections of personal grief and communal mourning, through drama, poetry, and embodied performance.
Theatre, Youth, and Culture: A Critical and Historical Exploration (Palgrave Studies in Theatre and Performance History)
by Manon van de WaterThere is a complex relationship between performance, youth, and the shifting material circumstances (social, cultural, economic, ideological, and political) under which theatre for children and youth is generated and perceived. This book explores different aspect of theatre for young audiences using examples from theatrical events globally.
The Theatrical Spectaculum: An Anthropological Theory (Palgrave Studies in Literary Anthropology)
by Tova GamlielThis book offers a new mythic perspective on the secret of the allure and survival of a current-archaic institution—the Western theatre—in an era of diverse technological media. Central to the theory is the spectaculum—a stage “world” that mirrors a monotheistic cosmic order. Tova Gamliel here not only alerts the reader to the possibility of the spectaculum’s existence, but also illuminates its various structural dimensions: the cosmological, ritual, and sociological. Its cosmo-logical meaning is a Judeo-Christian monotheistic consciousness of non-randomness, an exemplary order of the world that the senses perceive. The ritual meaning denotes the centrality of the spectaculum, as the theatre repeatedly reenacts the mythical and paradigmatic event of Biblical revelation. Its social meaning concerns any charismatic social theory that is anchored in the epitomic structure of social sovereignty—stage and audience—that the Western theatre advances in an era characterized by hypermedia.
Theatricality, Dark Tourism and Ethical Spectatorship: Absent Others
by E. WillisWorks of theatre that depict grievous histories derive their force from making audible voices of the past. Such performances, theatrical or tourist, require the attentive belief of spectators. This engaging new study explores how theatricality works in each instance and how 'playing the part' of the listener can be understood in ethical terms.
Theism and Atheism in a Post-Secular Age
by Morteza HashemiThis book examines the post-secular idea of ‘religion for non-believers’. The new form of unbelief which is dubbed as ‘tourist atheism’ is not based on absolute rejection of religion as a ‘dangerous illusion’ or ‘mere prejudice’. Tourist atheists instead consider religion as a cultural heritage and a way of seeking perfection. What are the origins of these new forms of atheism? What are the implications of the emergence of a type of atheism which is more open toward religious teachings, rituals, arts, and world views? Hashemi argues that public intellectuals must consider that it is a sign of a post-secular age in which believers and non-believers go beyond mere tolerance and engage in a creative process of co-practice and co-working.
Theism and Atheism in a Post-Secular Age
by Morteza HashemiThis book examines the post-secular idea of ‘religion for non-believers’. The new form of unbelief which is dubbed as ‘tourist atheism’ is not based on absolute rejection of religion as a ‘dangerous illusion’ or ‘mere prejudice’. Tourist atheists instead consider religion as a cultural heritage and a way of seeking perfection. What are the origins of these new forms of atheism? What are the implications of the emergence of a type of atheism which is more open toward religious teachings, rituals, arts, and world views? Hashemi argues that public intellectuals must consider that it is a sign of a post-secular age in which believers and non-believers go beyond mere tolerance and engage in a creative process of co-practice and co-working.
Theism and Public Policy: Humanist Perspectives and Responses (The Humanities Research Centre)
by Anthony B. PinnDoes theism dominant the language and practices of public life in the United States? This volume explores this question from a humanist perspective, and in so doing it provides insight into the relationship of religion to public policy, and offers ways to advance a more democratic and secular public arena.
Thematisierungsweisen guter Arbeit: Eine empirische Untersuchung im Feld der Kinder- und Jugendwohngruppenarbeit (Kasseler Edition Soziale Arbeit #3)
by Cora HerrmannCora Herrmann untersucht, wie sich SozialarbeiterInnen aus dem Bereich der Kinder- und Jugendwohngruppenarbeit gegenüber neuen Steuerungsweisen der Kinder- und Jugendhilfe verhalten. Damit stellt sie die Frage, ob und wie aktuelle, im Kontext gewandelter wohlfahrtsstaatlicher Arrangements entstandene Thematisierungsweisen „guter Arbeit“ Effekte in der alltäglichen Arbeit generieren, dort fort- und/oder umschrieben werden. Zu ihren Ergebnissen gehört, dass sich die interviewten SozialarbeiterInnen gegenüber den gewollten Veränderungen als machtlos präsentieren. Zugleich enthalten ihre Berichte Beschreibungen von Distanzierungs-, Begrenzungs-, Aneignungs- und Gestaltungsweisen. Diese Ergebnisse können als ein empirischer Beleg dafür gelesen werden, dass SozialarbeiterInnen sowohl als „hergestellte“ als auch im Handeln „herstellende“ Subjekte gelten können.
Themen der Governance von Familienunternehmen: Einblicke zu Strukturen, Strategien und Führungspersönlichkeiten
by Hermut Kormann Birgit SubergDieses Buch konzentriert sich auf die Rolle des Beirats oder ähnlicher Governance-Gremien in Familienunternehmen und speziell auf Prozesse und Themen von strategischer Bedeutung. Es umfasst alle relevanten Themen, die regelmäßig behandelt werden müssen, wie Strategieentwicklung, Finanzmanagement und Führung. Zu jedem Thema werden die Vor- und Nachteile herausgearbeitet. Dies ist eines der wenigen Bücher, das sich mit Familienunternehmen befasst, von den Governance-Systemen bis hin zur Rolle der Führungskräfte. Die von den Autoren sorgfältig gesammelten Beispiele und die eingehende Diskussion der Themen bieten dem Leser wertvolle Einblicke, um die Wirksamkeit der Unternehmensführung zu bereichern.
Themenkarrieren in der Wissenschaft: Die Entstehung der Themen Stadtschrumpfung und Klimawandel in der Raumforschung (Organization & Public Management)
by Andreas GravertDiese Open-Access-Publikation ist ein Plädoyer, das Verständnis von Themenkarrieren als integralen Bestandteil der Wissenschaft zu vertiefen und für die Reflexion wissenschaftlicher und planerischer Praxis zu nutzen.Welchen Gegenständen die Wissenschaft besondere Aufmerksamkeit beimisst, unterliegt einem dynamischen Wandel. Einige Themen, die lange Zeit Desinteresse und Ablehnung hervorriefen, rücken schlagartig in den Fokus um anschließend wieder abnehmende Aufmerksamkeit zu verzeichnen. Weder die Ursache noch der Zeitraum der anfänglichen Ignoranz, des abrupten Durchbruchs oder der anschließenden Ermüdung kann jedoch aus „rein wissenschaftlichen“ bzw. vermeintlich „objektiven“ Selektionskriterien erklärt werden. Wie also entstehen Themen in der Wissenschaft?Anhand der Themenkarrieren Schrumpfende Städte und Klimawandel wird untersucht, wie Aufmerksamkeit für ein Thema entsteht, welche sozialen Mechanismen dem Themenverlauf zugrunde liegen und welche Auswirkungen Themenkarrieren auf die planungswissenschaftliche Disziplin haben. Hierbei werden quantitative Methoden der Bibliometrie und der Netzwerkanalyse mit qualitativen Methoden der empirischen Sozialforschung in einer institutionalistischen Perspektive vereint.
Themes from Klein: Knowledge, Scepticism, and Justification (Synthese Library #404)
by Branden Fitelson Rodrigo Borges Cherie BradenThis volume features more than fifteen essays written in honor of Peter D. Klein. It explores the work and legacy of this prominent philosopher, who has had and continues to have a tremendous influence in the development of epistemology. The essays reflect the breadth and depth of Klein's work. They engage directly with his views and with the views of his interlocutors. In addition, a comprehensive introduction discusses the overall impact of Klein's philosophical work. It also explains how each of the essays in the book fits within that legacy. Coverage includes such topics as a knowledge-first account of defeasible reasoning, felicitous falsehoods, the possibility of foundationalist justification, the many formal faces of defeat, radical scepticism, and more. Overall, the book provides readers with an overview of Klein’s contributions to epistemology, his importance to twentieth and twenty-first-century philosophy, and a survey of his philosophical ideas and accomplishments. It's not only a celebration of the work of an important philosopher. It also offers readers an insightful journey into the nature of knowledge, scepticism, and justification.