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The Substance of Shadow: A Darkening Trope in Poetic History
by John HollanderJohn Hollander, poet and scholar, was a master whose work joined luminous learning and imaginative risk. This book, based on the unpublished Clark Lectures Hollander delivered in 1999 at Cambridge University, witnesses his power to shift the horizons of our thinking, as he traces the history of shadow in British and American poetry from the Renaissance to the end of the twentieth century. Shadow shows itself here in myriad literary identities, revealing its force as a way of seeing and a form of knowing, as material for fable and parable. Taking up a vast range of texts—from the Bible, Dante, Shakespeare, and Milton to Poe, Dickinson, Eliot, and Stevens—Hollander describes how metaphors of shadow influence our ideas of dreaming, desire, doubt, and death. These shadows of poetry and prose fiction point to unknown, often fearful domains of human experience, showing us concealed shapes of truth and possibility. Crucially, Hollander explores how shadows in poetic history become things with a strange substance and life of their own: they acquire the power to console, haunt, stalk, wander, threaten, command, and destroy. Shadow speaks, even sings, revealing to us the lost as much as the hidden self. An extraordinary blend of literary analysis and speculative thought, Hollander’s account of the substance of shadow lays bare the substance of poetry itself.
suddenly we (Wesleyan Poetry Series)
by Evie ShockleyIn her new poetry collection, Evie Shockley mobilizes visual art, sound, and multilayered language to chart routes towards openings for the collective dreaming of a more capacious "we." How do we navigate between the urgency of our own becoming and the imperative insight that whoever we are, we are in relation to each other? Beginning with the visionary art of Black women like Alison Saar and Alma Thomas, Shockley's poems draw and forge a widening constellation of connections that help make visible the interdependence of everyone and everything on Earth. perched i am black, comely,a girl on the cusp of desire.my dangling toes take the restthe rest of my body refuses. spine upright,my pose proposes anticipation. i poisein copper-colored tension, intent onmanifesting my soul in the discouraging world. under the rough eyes of others, i stiffen. if i must be hard, it will be as a tree, alivewith change. inside me, a love of beauty riseslike sap, sprouts from my scalpand stretches forth. i send out my song, an ariablue and feathered, and grow toward it,choirs bare, but soon to bud. i amblack and becoming. —after Alison Saar's Blue Bird
Sufi Lyrics: Selections from a World Classic (Murty classical library of India #1)
by Bullhe ShahBullhe Shah’s work is among the glories of Panjabi literature, and the iconic eighteenth-century poet is widely regarded as a master of mystical Sufi poetry. His verses, famous for their vivid style and outspoken denunciation of artificial religious divisions, have long been beloved and continue to win audiences around the world. This striking new translation is the most authoritative and engaging introduction to an enduring South Asian classic.
The Sugar Mile
by Glyn MaxwellA topical and accessible collection, The Sugar Mile takes its readers on a journey from wartime London to modern-day America. In a series of monologues, each beautifully drawn and intimate, Glyn Maxwell details the effects and experiences of conflict: the sense of community bounded by a distrust of strangers and foreigners; whole streets razed to the ground; homes lost, possessions misplaced and characters displaced; fears for loved-ones offset by tentative bargains with god; casual encounters given an intense, unreal edge by the context in which they occur; the routine drama and unfamiliar ‘everydayness’ of bombs, blackouts, shelters, temporary accommodation and evacuation . . . With painstaking clarity and honesty, Maxwell has captured the surrealism of a world under siege -- whether WWII or the war on terror declared post 9/11.
Suggestion and Statement in Poetry (Bloomsbury Academic Collections: English Literary Criticism)
by Krishna RayanUnstated meaning has always been a feature of poetry, but it is in our own century that it has established itself not only as the prevailing mode of expression but also as the central concern of analytic criticism. Although a variety of terms, such as Ambiguity, Irony and Gesture, have been employed to discuss this aspect of poetry and have gained popularity, Professor Rayan shows that 'Suggestion', occurring as far back as in Edgar Allan Poe's writings and later in Symbolist theorizing, is a concept of much longer standing and of equal serviceability. In examining Suggestion, particularly as the only mode of presentation of emotion, he makes fruitful use of some central ideas from ninth-century Sanskrit aesthetics. The contrasted techniques of Suggestion and Statement are studied in relation to each other and with reference to many poetic examples, past and present.
Suicide Notes: the short works of christopher brett bailey (Oberon Books)
by Christopher Brett Baileya linguistic kaleidoscope of caustic cartoons, crackpot prophecies and demented erotica. a dense, poetic blend of the hallucinogenic and the hardboiled... dirty jokes, venomous poetry and tall tales that corkscrew deep into nightmares. a short story etc. collection for the depraved, the depressed and the death obsessed.
Sukun: New and Selected Poems (Wesleyan Poetry Series)
by Kazim DanielKazim Ali is a poet, novelist, and essayist whose work explores themes of identity, migration, and the intersections of cultural and spiritual traditions. His poetry is known for its lyrical and expressive language, as well as its exploration of themes such as love, loss, and the search for meaning in a rapidly changing world. "Sukun" means serenity or calm, and a sukun is also a form of punctuation in Arabic orthography that denotes a pause over a consonant. This Sukun draws a generous selection from Kazim's six previous full-length collections, and includes 35 new poems. It allows us to trace Ali's passions and concerns, and take the measure of his art: the close attention to the spiritual and the visceral, and the deep language play that is both musical and plain spoken.[sample poem]The Fifth PlanetCome, early summer in the mountains, and come, strawberry moon,and carry me softly in the silver canoe on wires to the summit, where in that way of late night useless talk, the bright dark asks me, "What is the thing you are most afraid of?" and I already know which lie I will tell.There were six of us huddled there in the cold, leaning on the rockslingering in the dark where I do not like to linger, looking up at thesharp round pinnacle of light discussing what shapes we saw—rabbit,man, goddess—but that brightness for me was haunted by no thing,no shadow at all in the lumens.What am I, what am I, I kept throwing out to the hustling silence.No light comes from the moon, he's just got good positioning and I suppose that's the answer, that's what I'm most afraid of,that I'm a mirror, that I have no light of my own, that I hang in empty spacein faithful orbit around a god or fatherneither of Whom will ever see me whole. I keep squinting to try to see Jupiterwhich the newspaper said would be found near the moon but it's nowhere, they must have lied. Or like god, there is too muchreflection, headsplitting and profane, scraping up every shadow,too much light for anyone to see.
Summer Evening (Four Seasons of Walter de la Mare)
by Walter de la MareThe sandy cat by the Farmer's chairMews at his knee for dainty fare;Old Rover in his moss-greened houseMumbles a bone, and barks at a mouse. Carolina Rabei's stunning illustrations beautifully illuminate Walter de la Mare's glorious celebration of a balmy summer's evening. One of four exceptional Walter de la Mare picture books that form a seasonal set, each with complementing colour palates and illustrations by rising young star Carolina Rabei.
Summer Requiem: From the author or the classic bestseller A SUITABLE BOY
by Vikram Seth‘I have so carefully mapped the corners of my mind
Summer with Monika
by Roger McGough Chris RiddellSummer with Monika is an honest and touching portrait of a romance, charting the progress of a love affair from the delicious intimacy of the honeymoon, with the milk bottles turning to cheese on the doorstep, through the stage of quarrels, jealousy, recriminations and boredom, to the point where love is as nice as a cup of tea in bed.Re-issued for its 50th anniversary, Summer with Monika is a hidden gem of British love poetry featuring beautiful illustrations from Children's Laureate Chris Riddell.
Summon: Spotlight: Poetry (Spotlight)
by Elizabeth Ridout‘This dazzling series shows that if the barriers can be vaulted there is true beauty to be had from the lesser-walked streets of literature. These works are both nourishing and inspiring, and a gift to any reader.’ —Kerry HudsonThe experience of living with the adventures and griefs of bipolar disorder forms the focus for this remarkable collection of poetry.Ridout uses the language of the fairy story and visceral images of the female form and femininity to explore how personal trauma and instability makes their mark on the wider world. Different voices and twisted accounts of the body and mind are combined with the mythological and the esoteric to create striking, beautifully unsettling and unusual poems—each a celebration of the extremes of being human.Spotlight Books is a collaboration between Creative Future, New Writing South and Myriad Editions to discover, guide and support writers who are under-represented due to mental or physical health issues, disability, race, class, gender identity or social circumstance.
Sun Time Snow Time
by Grace NicholsGrace Nichols' first collection of poetry for children, Come on into my Tropical Garden, was published in 1988. Give Yourself a Hug followed in 1994. Sun Time Snow Time combines these two collections in a single-volume edition. The Caribbean rhythms and culture that come through Grace Nichols' writing blend with the experience of moving to Britain to make this a truly multicultural collection from one of our foremost poets.
Sun Time Snow Time
by Grace NicholsGrace Nichols' first collection of poetry for children, Come on into my Tropical Garden, was published in 1988. Give Yourself a Hug followed in 1994. Sun Time Snow Time combines these two collections in a single-volume edition. The Caribbean rhythms and culture that come through Grace Nichols' writing blend with the experience of moving to Britain to make this a truly multicultural collection from one of our foremost poets.
Sunjata: Gambian Versions of the Mande Epic
by Bamba Suso Lucy Duran Graham Furniss Gordon Innes Banna Kanute Bakari SidibeSunjata Keita was the founder of one of the greatest empires of Western Africa. These two epic accounts of his life portray a greedy, slow-witted child - said to have crawled until the age of seven - who grew up as prophecy foretold to become a mighty warrior, renowned for his bravery and superhuman strength. They describe how, with the help of his sister, who seduced their arch-enemy Sumanguru into revealing his secret powers, Sunjata defeated the Susu overlords and created the Mali Empire which would last for two centuries. Based on events from the early thirteenth century, these tales of heroism and magic are still celebrated across West Africa as part of a living epic oral tradition.
The Sunjata Story
by Bamba Suso Banna KanuteA child is born who will overthrow a king...After the leader of a great African kingdom hears that a baby has been born who will destroy him, he hides behind a mighty army and surrounds himself with magical charms. There remains only one way to kill him.Concealing this secret weakness from the world, the ruler clings to power. But when the sister of his enemy seduces him, lust overwhelms the king. And as he lies beside her in the night, desperate to know her body, he foolishly begins to share his secret...
Sunk!
by Rob BiddulphPenguin Blue is back, in a swashbuckling new adventure about pirates, treasure, and friendship!
Sunken Garden Poetry: 1992–2011 (Garnet Books)
by Brad Davis Lary Bloom Rennie McQuilkinSince 1992, the Sunken Garden Poetry Festival has welcomed nationally acclaimed poets to the picturesque landscape of Hill-Stead Museum, a National Historic Landmark in Farmington, Connecticut. Reflecting the festival that has attracted thousands to this rolling country estate, the poems in this collection have been selected with a broad audience in mind. In the spirit of the festival's mission to nurture the art of poetry, the anthology features young and emerging poets alongside established poets, including Lucille Clifton, Billy Collins, Carolyn Forche, Yusef Komunyakaa, Maxine Kumin, James Merrill, Marilyn Nelson, Grace Paley, and Richard Wilbur. This new anthology captures the exciting and unique relationship between a distinctive American museum and poetic expression. In addition to a rich selection of poetry, the book includes both an illustrated introduction providing a history of the festival and an appendix listing all festival dates, poets, and musicians for each year."The Sunken Garden Poetry Festival is a little paradise for poetry." – Galway Kinnell
Sunrise: Poems to Kick-Start Your Day
by Susie GibbsIf you struggle to get out of bed in the morning, here’s a poetry collection that’s just right for you. Sunrise is an energizing and rousing collection of classic poetry all about purpose, hope and perseverance. Part of the Macmillan Collector’s Library; a series of stunning, pocket-sized classics with ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition is edited and introduced by Susie Gibbs.Wise, reassuring words and magical verses conjure up the promise and possibilities of each new day. With contributions from poets such as William Wordsworth, G. K. Chesterton, Ian McMillan, Christina Rossetti, Walt Whitman, Emily Dickinson and Edward Lear, the wonderful poetry in Sunrise will inspire its readers to greet each day with optimism and confidence.
Super-Infinite: The Transformations of John Donne
by Katherine RundellSometime religious outsider and social disaster, sometime celebrity preacher and establishment darling, John Donne was incapable of being just one thing. In his myriad lives he was a scholar of law, a sea adventurer, a priest, an MP - and perhaps the greatest love poet in the history of the English language. Along the way he converted from Catholicism to Protestantism, was imprisoned for marrying a sixteen-year old girl without her father's consent; struggled to feed a family of ten children; and was often ill and in pain. He was a man who suffered from black surges of misery, yet expressed in his verse many breathtaking impressions of electric joy and love.
Superworm (PDF)
by Julia Donaldson Axel SchefflerNever fear, Superworm's here! He can fish Spider out of a well, and rescue Toad from a busy road. But who will come to Superworm's rescue, when he's captured by a wicked Wizard Lizard? Luckily, all of Superworm's insect friends have a cunning plan. . .
Supplice (Colorado Prize for Poetry)
by T. Zachary CotlerPublished by the Center for Literary Publishing at Colorado State University Winner of the 2014 Colorado Prize for Poetry, Supplice is the second installment in T. Zachary Cotler’s sonnet sequence that began with Sonnets to the Humans.These are amatory sonnets, but with love and rhyme tortured into broken and boneset textures. Supplice herself, the dark lady of these poems, is difficult to pin down with an epithet. Is she the angel of reality, banality, popular culture, pornography, uncertainty, or economic and environmental crisis? She has something to do with the history of cruelty and pain, with the devaluation of traditional ideas of beauty, and with the silence and science that have replaced divinity.
Surge
by Jay Bernard*Shortlisted for Forward Prize for Best First Collection 2019**Winner of the Ted Hughes Award for New Work in Poetry*Jay Bernard’s extraordinary debut is a fearlessly original exploration of the black British archive: an enquiry into the New Cross Fire of 1981, a house fire at a birthday party in south London in which thirteen young black people were killed. Dubbed the ‘New Cross Massacre’, the fire was initially believed to be a racist attack, and the indifference with which the tragedy was met by the state triggered a new era of race relations in Britain.Tracing a line from New Cross to the ‘towers of blood’ of the Grenfell fire, this urgent collection speaks with, in and of the voices of the past, brought back by the incantation of dancehall rhythms and the music of Jamaican patois, to form a living presence in the absence of justice. A ground-breaking work of excavation, memory and activism – both political and personal, witness and documentary – Surge shines a much-needed light on an unacknowledged chapter in British history, one that powerfully resonates in our present moment.
Surprised by Sin: Reader in "Paradise Lost"
by Stanley Eugene FishStanley Fish's Surprised by Sin argues here that Paradise Lost is a poem about how its readers came to be the way they are and therefore the fact of their divided responses makes perfect sense.
Surprised in Translation
by Mary Ann CawsFor Mary Ann Caws—noted translator of surrealist poetry—the most appealing translations are also the oddest; the unexpected, unpredictable, and unmimetic turns that translations take are an endless source of fascination and instruction. Surprised in Translation is a celebration of the occasional and fruitful peculiarity that results from some of the most flavorful translations of well-known authors. These translations, Caws avers, can energize and enliven the voice of the original. In eight elegant chapters Caws reflects on translations that took her by surprise. Caws shows that the elimination of certain passages from the original—in the case of Stéphane Mallarmé translating Tennyson, Ezra Pound interpreting the troubadours, or Virginia Woolf rendered into French by Clara Malraux, Charles Mauron, and Marguerite Yourcenar—often produces a greater and more coherent art. Alternatively, some translations—such as Yves Bonnefoy’s translations of Shakespeare, Keats, and Yeats into French—require more lines in order to fully capture the many facets of the original. On other occasions, Caws argues, a swerve in meaning—as in Beckett translating himself into French or English—can produce a new text, just as true as the original. Imbued with Caws’s personal observations on the relationship between translators and the authors they translate, Surprised in Translation will interest a wide range of readers, including students of translation, professional literary translators, and scholars of modern and comparative literature.