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Philosophy Goes to the Movies: An Introduction to Philosophy
by Christopher FalzonNow emulated in several competing publications, but still unsurpassed in clarity and insight, Philosophy Goes to the Movies: An Introduction to Philosophy, Third Edition builds on the approach that made the two earlier editions so successful. Drawing on many popular and some lesser known films from around the world, Christopher Falzon introduces students to key areas in philosophy, like: • Ethics • Social and Political Philosophy • The Theory of Knowledge • The Self and Personal Identity • Critical Thinking Perfect for beginners, this book guides the reader through philosophy using illuminating cinematic works, like Avatar, Inception, Fight Club, Wings of Desire, Run Lola Run, A Clockwork Orange, Blade Runner, Dirty Harry and many other films. The fully revised and updated Third Edition features: an expanded introduction that provides a new discussion of the relationship between film and philosophy; new material on notable philosophers such as Aristotle, Merleau-Ponty and Rawls; and coverage of new topics like virtue ethics and what Socrates offers for critical thinking. An updated glossary, references and bibliography, and a filmography, are also included in the Third Edition.
A Place at the Table: The Crisis of 49 Million Hungry Americans and How to Solve It
by Participant MediaForty-nine million people-including one in four children-go hungry in the U.S. every day, despite our having the means to provide nutritious, affordable food for all. Inspired by the acclaimed documentary A Place at the Table, this companion book offers powerful insights from those at the front lines of solving hunger in America, including:Jeff Bridges, Academy Award-winning actor, cofounder of the End Hunger Network, and spokesperson for the No Kid Hungry Campaign, on raising awareness about hungerKen Cook, president of Environmental Working Group, unravels the inequities in the Farm Bill and shows how they affect America's hunger crisisMarion Nestle, nutritionist and acclaimed critic of the food industry, whose latest work tracks the explosion of calories in today's "Eat More” environmentBill Shore, Joel Berg, and Robert Egger, widely-published anti-hunger activists, suggest bold and diverse strategies for solving the crisisJanet Poppendieck, sociologist, bestselling author, and well-known historian of poverty and hunger in America, argues the case for school lunch reformJennifer Harris, of Yale University's Rudd Center for Food Policy and Obesity, uncovers the new hidden persuaders of web food advertisersDavid Beckmann, head of Bread for the World, and Sarah Newman, researcher on A Place at the Table, explore the intersection of faith and feeding the hungryMariana Chilton, director of Drexel University's Center for Hunger-Free Communities, discusses the health impacts of hunger and the groundbreaking Witnesses to Hunger projectTom Colicchio, chef and executive producer of television's Top Chef, presents his down-to-earth case to Washington for increases in child nutrition programsAndy Fisher, veteran activist in community food projects, argues persuasively why we have to move beyond the charity-based emergency feeding programKelly Meyer, cofounder of Teaching Gardens, illuminates the path to educating, and providing healthy food for, all childrenKristi Jacobson and Lori Silverbush, the film's directors/producers, tell their personal stories of how and why they came to make the documentaryHunger and food insecurity pose a deep threat to our nation. A Place at the Table shows they can be solved once and for all, if the American public decides-as they have in the past-that making healthy food available, and affordable, is in the best interest of us all.
The Political Economy of Television Sports Rights (Palgrave Global Media Policy and Business)
by T. Evens P. Iosifidis P. SmithSport on television is big business, but it is about more than just commerce. Using a range of national case studies from Europe and beyond, this book analyses the political, economic, social and regulatory issues raised in relation to the buying and selling of television sports rights.
Politics as Form in Lars von Trier: A Post-Brechtian Reading
by Angelos KoutsourakisThis is the first study that employs a materialist framework to discuss the political implications of form in the films of Lars von Trier. Focusing mainly on early films, Politics as Form in Lars von Trier identifies recurring formal elements in von Trier's oeuvre and discusses the formal complexity of his films under the rubric of the post-Brechtian. Through an in depth formal analysis, the book shows that Brecht is more important to von Trier's work than most critics acknowledge and deems von Trier a dialectical filmmaker. This study draws on many untranslated resources and features interviews with Lars von Trier and his mentor, the great Danish director Jørgen Leth.
Politics as Form in Lars von Trier: A Post-Brechtian Reading
by Angelos KoutsourakisThis is the first study that employs a materialist framework to discuss the political implications of form in the films of Lars von Trier. Focusing mainly on early films, Politics as Form in Lars von Trier identifies recurring formal elements in von Trier's oeuvre and discusses the formal complexity of his films under the rubric of the post-Brechtian. Through an in depth formal analysis, the book shows that Brecht is more important to von Trier's work than most critics acknowledge and deems von Trier a dialectical filmmaker. This study draws on many untranslated resources and features interviews with Lars von Trier and his mentor, the great Danish director Jørgen Leth.
The Politics of Hollywood Cinema: Popular Film and Contemporary Political Theory
by R. RushtonThe Politics of Hollywood Cinema radically transforms our understanding of cinema's potential to be politically engaging and challenging. Examining several films from Hollywood's classical era, including Marked Woman, Mr Smith Goes to Washington, Born Yesterday, On the Waterfront and It Should Happen to You, alongside contemporary theories of democracy advanced by Ernesto Laclau, Chantal Mouffe, Claude Lefort, Étienne Balibar and Jacques Rancière, Richard Rushton argues that popular films can offer complex subtle, relevant and controversial approaches to democracy and politics.
The Politics of Insects: David Cronenberg's Cinema of Confrontation
by Scott WilsonCanadian film director David Cronenberg has long been a figure of artistic acclaim and public controversy. Bursting into view with a trio of shocking horror films in the 1970s, Cronenberg's work has become increasingly complex in its sensibilities and inward-looking in its concerns and themes. This trajectory culminates in the multiplex successes of his most recent films, which appear to conclude a straightforward evolutionary arc that begins in the cold outside of shock-horror and arrives in the warm embrace of commercial and critical success. Scott Wilson argues persuasively that Cronenberg's career can be divided into broad thematic stages and instead offers a complex examination of the relationship between three inter-related terms: the director as auteur; the industry that support or denies commercial opportunity; and the audience who receive, interpret and support (or decry) the vision represented on screen. The Politics of Insects provides an opportunity to explore Cronenberg's films in relation to each other in terms of their thematic continuity, and in terms of their relationship to industrial concerns and audience responses.
Popular Cinema as Political Theory: Idealism and Realism in Epics, Noirs, and Satires
by J. NelsonThe book presents cinematic case studies in political realism versus political idealism, demonstrating methods of viewing popular cinema as political theory. The book appreciates political myth-making in popular genres as especially practical and accessible theorizing about politics.
Popular Italian Cinema
by Louis Bayman and Sergio RigolettoExciting new critical perspectives on popular Italian cinema including melodrama, poliziesco, the mondo film, the sex comedy, missionary cinema and the musical. The book interrogates the very meaning of popular cinema in Italy to give a sense of its complexity and specificity in Italian cinema, from early to contemporary cinema.
Portuguese Film, 1930-1960: The Staging of the New State Regime
by Patricia VieiraPortuguese Film, 1930-1960: The Staging of the New State Regime provides groundbreaking analysis of Portuguese feature films produced in the first three decades of the New State (Estado Novo), a right-wing totalitarian regime that lasted between 1933 and 1974. These films, sponsored by the National Propaganda Institute (Secretariado Nacional de Propaganda), convey a conservative image of both mainland Portugal and the country's overseas African colonies (Angola, Mozambique, Cape Verde, Guinea-Bissau and St. Thomas and Principe). The films about the mainland emphasize traditional values, the importance of obedience to authorities and a strict division of gender roles, whereby women are relegated to the domestic sphere. The Portuguese countryside, where age-old customs and a strong social hierarchy prevailed, is presented in these movies as a model for the rest of the country. The films about the colonies, in turn, underline the benefits of the Portuguese presence in Africa and portray the colonized as docile subjects to Portuguese rule. The book includes chapter summaries in the introduction, in-depth analyses of the most important Portuguese films produced between 1930 and 1960, a discussion of the main topics of Portuguese cinema from the New State, and a comprehensive bibliography that guides students who wish to read further on a specific topic. First published in Portuguese to wide acclaim, Portuguese Film, 1930-1960: The Staging of the New State Regime fills a gap in English-language scholarship on the history of the national cinema of the Iberian peninsula. Films covered include Fatima, Land of Faith (Terra de Fe), Spell of the Empire (Feitico do Imperio), and Chaimite.
Postfeminism and Contemporary Hollywood Cinema
by Joel Gwynne and Nadine MullerBy analyzing the negotiation of femininities and masculinities within contemporary Hollywood cinema, Postfeminism and Contemporary Hollywood Cinema presents diverse interrogations of popular cinema and illustrates the need for a renewed scholarly focus on contemporary film production.
The Postfeminist Biopic: Narrating the Lives of Plath, Kahlo, Woolf and Austen
by B. PolaschekThis book contributes to the growing literature on the biopic genre by outlining and exploring the conventions of the postfeminist biopic. It does so by analyzing recent films about the lives of famous women including Sylvia Plath, Frida Kahlo, Virginia Woolf and Jane Austen.
Postwall German Cinema: History, Film History and Cinephilia (Film Europa #14)
by Mattias FreySince the fall of the Berlin Wall, there has been a proliferation of German historical films. These productions have earned prestigious awards and succeeded at box offices both at home and abroad, where they count among the most popular German films of all time. Recently, however, the country’s cinematic take on history has seen a significant new development: the radical style, content, and politics of the New German Cinema. With in-depth analyses of the major trends and films, this book represents a comprehensive assessment of the historical film in today’s Germany. Challenging previous paradigms, it takes account of a postwall cinema that complexly engages with various historiographical forms and, above all, with film history itself.
Powell and Pressburger: A Cinema of Magic Spaces (Cinema and Society)
by Andrew MoorThe film-making partnership of Michael Powell and Emeric Pressburger was one of the most remarkable and visionary in cinema. They made an extraordinary range of films, from The Spy in Black and The Life and Death of Colonel Blimp to A Canterbury Tale and The Red Shoes. With champions like Martin Scorsese and Francis Ford Coppola, and revived critical interest worldwide, they now find new generations of admirers. This illuminating new book looks closely at these classic films to explore their complex relationship to national identity, and their interest in exile, borderlands, utopias, escapism, art and fantasy. Moor reveals for example how the visual imagery of the films of the Second World War question current cinematic styles and how post war films like The Red Shoes and The Tales of Hoffman are in their highly expressive use of design, music and dance utterly international in character.
Practice as Research in the Arts: Principles, Protocols, Pedagogies, Resistances
by Robin NelsonAt the performance turn, this book takes a fresh 'how to' approach to Practice as Research, arguing that old prejudices should be abandoned and a PaR methodology fully accepted in the academy. Nelson and his contributors address the questions students, professional practitioner-researchers, regulators and examiners have posed in this domain.
Preaching to Convert: Evangelical Outreach and Performance Activism in a Secular Age
by John FletcherPreaching to Convert offers an intriguing new perspective on the outreach strategies of U.S. evangelicals, framing them as examples of activist performance, broadly defined as acts performed before an audience in the hopes of changing hearts and minds. Most writing about activist performance has focused on left-progressive causes, events, and actors. Preaching to Convert argues against such a constricted view of activism and for a more nuanced understanding of U.S. evangelicalism as a movement defined by its desire to win converts and spread the gospel. The book positions evangelicals as a diverse, complicated group confronting the loss of conservative Christianity’s default status in 21st-century U.S. culture. In the face of an increasingly secular age, evangelicals have been reassessing models of outreach. In acts like handing out Bible tracts to strangers on the street or going door-to-door with a Bible in hand, in elaborately staged horror-themed morality plays or multimillion-dollar creationist discovery centers, in megachurch services beamed to dozens of satellite campuses, and in controversial “ex-gay” ministries striving to return gays and lesbians to the straight and narrow, evangelicals are redefining what it means to be deeply committed in a pluralist world. The book’s engaging style and careful argumentation make it accessible and appealing to scholars and students across a range of fields.
Preparing For Takeoff: Preproduction for the Independent Filmmaker
by Arthur VincieYou have the camera, time, money (or credit card), so why don't you just start shooting? Preparing for Takeoff will give you the tools you need to fully prepare for your independent film. This book features: Vital preproduction tips on scheduling, previsualization, script analysis, location scouting, budgeting, hiring vendors, and clearing permits A detailed analysis of the role both producers and directors play in the preproduction process Crucial advice on how to prepare for postproduction and distribution while still in the early stages of making a film Lessons from the field in how to avoid mid-shoot changes, unhappy actors, fostering a resentful crew, wasted days and dwindling finances An accompanying website that includes sample script analyses, storyboards, beat sheets, editable budget forms, and more
Preparing For Takeoff: Preproduction for the Independent Filmmaker
by Arthur VincieYou have the camera, time, money (or credit card), so why don't you just start shooting? Preparing for Takeoff will give you the tools you need to fully prepare for your independent film. This book features: Vital preproduction tips on scheduling, previsualization, script analysis, location scouting, budgeting, hiring vendors, and clearing permits A detailed analysis of the role both producers and directors play in the preproduction process Crucial advice on how to prepare for postproduction and distribution while still in the early stages of making a film Lessons from the field in how to avoid mid-shoot changes, unhappy actors, fostering a resentful crew, wasted days and dwindling finances An accompanying website that includes sample script analyses, storyboards, beat sheets, editable budget forms, and more
Presenting Oprah Winfrey, Her Films, and African American Literature
by Tara T. GreenOprah Winfrey has long promoted black issues by being involved as a producer or actor in the adaptation of works by African American writers for film. This volume evaluates Winfrey's involvement in the visual interpretation of African American literary texts using film, music, black masculinity, black feminist, and cultural theory.
Prima Donna
by Karen SwanBreaking the rules was what she liked best. That was her sport. Renegade, rebel, bad girl. Getting away with it. Pia Soto is the sexy and glamorous prima ballerina, the Brazilian bombshell who's shaking up the ballet world with her outrageous behaviour. She's wild and precocious, and she's a survivor. She's determined that no man will ever control her destiny. But ruthless financier Will Silk has Pia in his sights, and has other ideas . . . Sophie O'Farrell is Pia's hapless, gawky assistant, the girl-next-door to Pia's Prima Donna, always either falling in love with the wrong man or just falling over. Sophie sets her own dreams aside to pick up the debris in Pia's wake, but she's no angel. When a devastating accident threatens to cut short Pia's illustrious career, Sophie has to step out of the shadows and face up to the demons in her own life.Prima Donna is an excitingly glamorous novel from Karen Swan, author of the bestselling Christmas at Tiffany's.
Private Television in Western Europe: Content, Markets, Policies (Palgrave Global Media Policy and Business)
by Karen Donders, Caroline Pauwels and Jan LoisenPrivate Television in Western Europe: Content, Markets, Policies describes, analyses and evaluates the phenomenon of private television in Europe, clustered around the themes of European and national experiences, content and markets, and policies.
Producing for TV and New Media: A Real-World Approach for Producers
by Cathrine Kellison Dustin Morrow Kacey MorrowThis book provides a thorough look at the role of the producer in television and new media. Written for new and aspiring producers, it looks at both the big picture and the essential details of this demanding job. In a series of interviews, seasoned TV and new media producers share their real-world professional practices to provide rich insight into the complex, billion-dollar industries. The third edition features more on the topics of new media and what that encompasses, covering the expansion of the global marketplace of media content. The traditional role of a television producer is transforming into a new media producer, and this book provides a roadmap to the key differences, and similarities, between the two.
Producing for TV and New Media: A Real-World Approach for Producers
by Cathrine Kellison Dustin Morrow Kacey MorrowThis book provides a thorough look at the role of the producer in television and new media. Written for new and aspiring producers, it looks at both the big picture and the essential details of this demanding job. In a series of interviews, seasoned TV and new media producers share their real-world professional practices to provide rich insight into the complex, billion-dollar industries. The third edition features more on the topics of new media and what that encompasses, covering the expansion of the global marketplace of media content. The traditional role of a television producer is transforming into a new media producer, and this book provides a roadmap to the key differences, and similarities, between the two.
Programming Theater History: The Actor's Workshop of San Francisco
by Herbert Blau‘One of the great stories of the American theater..., the Workshop not only built an international reputation with its daring choice of plays and nontraditional productions, it also helped launch a movement of regional, or resident, companies that would change forever how Americans thought about and consumed theater.’ – Elin Diamond, from the Introduction Herbert Blau founded, with Jules Irving, the legendary Actor's Workshop of San Francisco, in 1952, starting with ten people in a loft above a judo academy. Over the course of the next 13 years and its hundred or so productions, it introduced American audiences to plays by Brecht, Beckett, Pinter, Genet, Arden, Fornes, and various unknown others. Most of the productions were accompanied by a stunningly concise and often provocative programme note by Blau. These documents now comprise, within their compelling perspective, a critique of the modern theatre. They vividly reveal what these now canonical works could mean, first time round, and in the context of 1950s and 60s American culture, in the shadow of the Cold War. Programming Theater History curates these notes, with a selection of the Workshop's incrementally artful, alluring programme covers, Blau's recollections, and evocative production photographs, into a narrative of indispensable artefacts and observations. The result is an inspiring testimony by a giant of American performance theory and practice, and a unique reflection of what it is to create theatre history in the present.
Programming Theater History: The Actor's Workshop of San Francisco
by Herbert Blau‘One of the great stories of the American theater..., the Workshop not only built an international reputation with its daring choice of plays and nontraditional productions, it also helped launch a movement of regional, or resident, companies that would change forever how Americans thought about and consumed theater.’ – Elin Diamond, from the Introduction Herbert Blau founded, with Jules Irving, the legendary Actor's Workshop of San Francisco, in 1952, starting with ten people in a loft above a judo academy. Over the course of the next 13 years and its hundred or so productions, it introduced American audiences to plays by Brecht, Beckett, Pinter, Genet, Arden, Fornes, and various unknown others. Most of the productions were accompanied by a stunningly concise and often provocative programme note by Blau. These documents now comprise, within their compelling perspective, a critique of the modern theatre. They vividly reveal what these now canonical works could mean, first time round, and in the context of 1950s and 60s American culture, in the shadow of the Cold War. Programming Theater History curates these notes, with a selection of the Workshop's incrementally artful, alluring programme covers, Blau's recollections, and evocative production photographs, into a narrative of indispensable artefacts and observations. The result is an inspiring testimony by a giant of American performance theory and practice, and a unique reflection of what it is to create theatre history in the present.