Browse Results

Select your format based upon: 1) how you want to read your book, and 2) compatibility with your reading tool. To learn more about using Bookshare with your device, visit the Help Center.

Here is an overview of the specialized formats that Bookshare offers its members with links that go to the Help Center for more information.

• Bookshare Web Reader - A customized reading tool for Bookshare members offering all the features of DAISY with a single click of the "Read Now" link.
• DAISY (Digital Accessible Information System) - A digital book file format. DAISY books from Bookshare are DAISY 3.0 text files that work with just about every type of access technology that reads text. Books that contain images will have the download option of ‘DAISY Text with Images’.
• BRF (Braille Refreshable Format) - Digital Braille for use with refreshable Braille devices and Braille embossers.
• MP3 (MPEG audio layer 3) - Provides audio only with no text. These books are created with a text-to-speech engine and spoken by Kendra, a high quality synthetic voice from Ivona. Any device that supports MP3 playback is compatible.
• DAISY Audio - Similar to the DAISY option above; however, this option uses MP3 files created with our text-to-speech engine that utilizes Ivonas Kendra voice. This format will work with Daisy Audio compatible players such as Victor Reader Stream and Read2Go.
• EPUB - A standard e-book format that can be read on many tools, such as iBooks, Readium or others.
• Word - Accessible Word output, which can be unzipped and opened in any tool that allows .docx files

Goblins and Ghosties: Stories of Darkness from Around the World

A stunning selection of folk tales and legends about things that go bump in the night. A wide variety of traditional stories from all over the world, ranging from magical to farcical, unnerving to terrifying. Delightfully illustrated in paper-cut style by Francesca Greenwood.

Goblins and Ghosties: Stories of Darkness from Around the World

A stunning selection of folk tales and legends about things that go bump in the night. A wide variety of traditional stories from all over the world, ranging from magical to farcical, unnerving to terrifying. Delightfully illustrated in paper-cut style by Francesca Greenwood.

The Goblin's Gift: Tales of Fayt, Book 2

Joseph Grubb is the newest member of the Demon's Watch. He and his fellow watchmen protect Port Fayt, where humans live in peace alongside trolls, elves and fairies. And now the town needs them more than ever, because the almighty League of the Light has sent an armada to wipe it off the map. Fayt's only hope is to persuade the magical merfolk to fight with them. But the merfolk won't go to war. Not unless their princess is returned to them from the clutches of the most dangerous nine-year-old in the Ebony Ocean. It's up to Joseph and his friend Tabitha to rescue the mermaid princess . . . But a secret from Joseph's past is about to change everything.

Gobseck

Gockel, Hinkel und Gackeleia

Kein

God: The Autobiography (Chicago Shorts)

At the center of Franco Ferrucci's God: An Autobiography is one tender, troubled character: God. In the beginning is God's solitude, and because God is lonely he creates the world. He falls in love with Earth, plunges into the oceans, lives as plant and reptile and bird. His every thought and mood serve to populate the planet, with consequences that run away from him—sometimes delightfully, sometimes unfortunately. Witty, thought-provoking, and beautifully translated, this playful and irresistible Short will leave you wondering where philosophy ends and fiction begins, while it recounts thousands of years of religious thought—and reminds you that above all else, God knows how to tell a good story.

God 99

Chess-playing people-traffickers, suicidal photographers, absurdist sound sculptors, cat-loving rebel sympathisers, murderous storytellers... The characters in Hassan Blasim’s debut novel are not the inventions of a wild imagination, but real-life refugees and people whose lives have been devastated by war. Interviewed by Hassan Owl, an aspiring Iraq-born writer, they become the subjects of an online art project, a blog that blurs the boundaries between fiction and autobiography, reportage and the novel. Framed by an email correspondence with the mysterious Alia, a translator of the Romanian philosopher Emil Cioran, the project leads us through the bars, brothels and bathhouses of Hassan’s past and present in a journey of trauma, violence, identity and desire. Taking its conceit from the Islamic tradition that says God has 99 names, the novel trains a kaleidoscopic lens on the multiplicity of experiences behind Europe’s so-called ‘migrant crisis’, and asks how those who have been displaced might find themselves again. God 99 is the highly anticipated debut novel by award-winning Iraqi writer, poet and filmmaker Hassan Blasim. Translated from the Arabic by Jonathan Wright. Winner of an English PEN Translates Award.

God and Elizabeth Bishop: Meditations on Religion and Poetry

In God and Elizabeth Bishop Cheryl Walker takes the bold step of looking at the work of Elizabeth Bishop as though it might have something fresh to say about religion and poetry. Going wholly against the tide of recent academic practice, especially as applied to Bishop, she delights in presenting herself as an engaged Christian who nevertheless believes that a skeptical modern poet might feed our spiritual hungers. This is a book that reminds us of the rich tradition of religious poetry written in English, at the same time taking delicious detours into realms of humour, social responsibility, and mysticism.

A God and His Gifts (King Penguin Ser.)

First published in 1963, A God and his Gifts was the last of Ivy Compton-Burnett's novels to be published in her lifetime and is considered by many to be one of her best. Set in the claustrophobic world of Edwardian upper-class family life, it is the story of the self-willed and arrogant Hereward Egerton. In his marriage to Ada Merton he maintains a veneer of respectability but through his intimate relationships with his sister, Emmeline, and his son's future wife, Hetty, he steps beyond the bounds of conventional morality with both comic and tragic results…

God and Man According To Tolstoy

With a critical look at Tolstoy's persona, faith, and thought, this book treats the writer as a midwife of modern counterculture. It shows and tries to correct the metaphysical blunder on which Tolstoy's philosophy was based.

God and Nature in the Thought of Margaret Cavendish

Only recently have scholars begun to note Margaret Cavendish’s references to 'God,' 'spirits,' and the 'rational soul,' and little has been published in this regard. This volume addresses that scarcity by taking up the theological threads woven into Cavendish’s ideas about nature, matter, magic, governance, and social relations, with special attention given to Cavendish’s literary and philosophical works. Reflecting the lively state of Cavendish studies, God and Nature in the Thought of Margaret Cavendish allows for disagreements among the contributing authors, whose readings of Cavendish sometimes vary in significant ways; and it encourages further exploration of the theological elements evident in her literary and philosophical works. Despite the diversity of thought developed here, several significant points of convergence establish a foundation for future work on Cavendish’s vision of nature, philosophy, and God. The chapters collected here enhance our understanding of the intriguing-and sometimes brilliant-contributions Cavendish made to debates about God’s place in the scientific cosmos.

God and Nature in the Thought of Margaret Cavendish

Only recently have scholars begun to note Margaret Cavendish’s references to 'God,' 'spirits,' and the 'rational soul,' and little has been published in this regard. This volume addresses that scarcity by taking up the theological threads woven into Cavendish’s ideas about nature, matter, magic, governance, and social relations, with special attention given to Cavendish’s literary and philosophical works. Reflecting the lively state of Cavendish studies, God and Nature in the Thought of Margaret Cavendish allows for disagreements among the contributing authors, whose readings of Cavendish sometimes vary in significant ways; and it encourages further exploration of the theological elements evident in her literary and philosophical works. Despite the diversity of thought developed here, several significant points of convergence establish a foundation for future work on Cavendish’s vision of nature, philosophy, and God. The chapters collected here enhance our understanding of the intriguing-and sometimes brilliant-contributions Cavendish made to debates about God’s place in the scientific cosmos.

God and Self in the Confessional Novel

God and Self in the Confessional Novel explores the question: what happened to the theological practice of confession when it entered the modern novel? Beginning with the premise that guilt remains a universal human concern, this book considers confession via the classic confessional texts of Augustine and Rousseau. Employing this framework, John D. Sykes, Jr. examines Goethe’s The Sorrows of Young Werther, Dostoevsky’s Notes from Underground, Percy’s Lancelot, and McEwan’s Atonement to investigate the evolution of confession and guilt in literature from the eighteenth century to the early twenty-first century.

God and Self in the Confessional Novel

God and Self in the Confessional Novel explores the question: what happened to the theological practice of confession when it entered the modern novel? Beginning with the premise that guilt remains a universal human concern, this book considers confession via the classic confessional texts of Augustine and Rousseau. Employing this framework, John D. Sykes, Jr. examines Goethe’s The Sorrows of Young Werther, Dostoevsky’s Notes from Underground, Percy’s Lancelot, and McEwan’s Atonement to investigate the evolution of confession and guilt in literature from the eighteenth century to the early twenty-first century.

God and the Land: The Metaphysics of Farming in Hesiod and Vergil

In this pathbreaking book, which includes a powerful new translation of Hesiod's Works and Days by esteemed translator David Grene, Stephanie Nelson argues that a society's vision of farming contains deep indications about its view of the human place within nature, and our relationship to the divine. She contends that both Hesiod in the Works and Days and Vergil in the Georgics saw farming in this way, and so wrote their poems not only about farming itself, but also about its deeper ethical and religious implications. Hesiod, Nelson argues, saw farming as revealing that man must live by the sweat of his brow, and that good, for human beings, must always be accompanied by hardship. Within this vision justice, competition, cooperation, and the need for labor take their place alongside the uncertainties of the seasons and even of particular lucky and unlucky days to form a meaningful whole within which human life is an integral part. Vergil, Nelson argues, deliberately modeled his poem upon the Works and Days, and did so in order to reveal that his is a very different vision. Hesiod saw the hardship in farming; Vergil sees its violence as well. Farming is for him both our life within nature, and also our battle against her. Against the background of Hesiods poem, which found a single meaning for human life, Vergil thus creates a split vision and suggests that human beings may be radically alienated from both nature and the divine. Nelson argues that both the Georgics and the Works and Days have been misread because scholars have not seen the importance of the connection between the two poems, and because they have not seen that farming is the true concern of both, farming in its deepest and most profoundly unsettling sense.

God Behind the Screen: Literary Portraits of Personality Disorders and Religion (Routledge Interdisciplinary Perspectives on Literature)

This interdisciplinary study of literary characters sheds light on the relatively under-studied phenomenon of religious psychopathy. God Behind the Screen: Literary Portrais of Religious Psychopathy identifies and rigorously examines protagonists in works from a variety of genres, written by authors such as Aldous Huxley, Jane Austin, Sinclair Lewis, and Steven King, who are both fervently religous and suffer from a range of disorders underneath the umbrella of psychopathy.

God Behind the Screen: Literary Portraits of Personality Disorders and Religion (Routledge Interdisciplinary Perspectives on Literature)

This interdisciplinary study of literary characters sheds light on the relatively under-studied phenomenon of religious psychopathy. God Behind the Screen: Literary Portrais of Religious Psychopathy identifies and rigorously examines protagonists in works from a variety of genres, written by authors such as Aldous Huxley, Jane Austin, Sinclair Lewis, and Steven King, who are both fervently religous and suffer from a range of disorders underneath the umbrella of psychopathy.

God Beneath The Sea

Leon Garfield and Edward Blishen retells some of the most famous Greek myths in this classic of children's literature. This is the epic history of the Greek Gods told from their violent beginnings to the creation of man.

God Bless the Child (Modern Plays)

When he was small and his parents told him if he was good he would get a sweet, the boy knew it was not true. Getting the sweet had nothing to do with being good.'Badger Do Best' has landed, bringing with it a new world of rules and regulations. But the kids in the classroom are fighting back. Tired of being guinea pigs in yet another government scheme, can the class of 4N bring down the education regime set to pacify them?After years working in the classroom, Molly Davies imagines a mutiny of eight-year-olds in her play commissioned by the Royal Court. God Bless the Child received its world premiere in the Upstairs space on 12 November 2014, directed by Royal Court Artistic Director Vicky Featherstone.

God Bless the Child (Modern Plays)

When he was small and his parents told him if he was good he would get a sweet, the boy knew it was not true. Getting the sweet had nothing to do with being good.'Badger Do Best' has landed, bringing with it a new world of rules and regulations. But the kids in the classroom are fighting back. Tired of being guinea pigs in yet another government scheme, can the class of 4N bring down the education regime set to pacify them?After years working in the classroom, Molly Davies imagines a mutiny of eight-year-olds in her play commissioned by the Royal Court. God Bless the Child received its world premiere in the Upstairs space on 12 November 2014, directed by Royal Court Artistic Director Vicky Featherstone.

God Bless You, Mr Rosewater (Henry Holt Classics Library)

Eliot Rosewater is tortured by a fabulous inheritance he feels he does not deserve, so he devotes himself to drink, and to a life serving the dull, the ugly, the irrelevant and the useless. This is a novel about the pleasures, pains and perversions of people and money. It is the story of a millionaire's lunacy, the obsessions of a famous family and the collective madness of a nation.

The God Botherers: The Mentalists - Under The Whaleback - The God Botherers (Modern Playwrights Ser.)

‘The borders don't make any sense, there's no rule of law, no running water, you never know when the electric's on, the last war's fucked everything, and the next war will fuck everything else.’A dark and deeply funny tale of foreign aid workers in far-flung Tambia... Truly alternative Christmas entertainment, not for the faint hearted or politically correct. The God Botherers was produced by The Bush Theatre in November 2003.

The God Child

'Meditative, gestural, philosophic: a brave reinvention of the immigrant narrative ... Unprecedented' Taiye Selasi'I read this novel very slowly. I didn't want to miss anything ... It is a rich, beautiful book and when I got to the end, I wanted to start again' Chibundu OnuzoMaya grows up in Germany knowing that her parents are different: from one another, and from the rest of the world. Her reserved, studious father is distant; and her beautiful, volatile mother is a whirlwind, with a penchant for lavish shopping sprees and a mesmerising power for spinning stories of the family's former glory – of what was had, and what was lost. And then Kojo arrives one Christmas, like an annunciation: Maya's cousin, and her mother's godson. Kojo has a way with words – a way of talking about Ghana, and empire, and what happens when a country's treasures are spirited away by colonialists. For the first time, Maya has someone who can help her understand why exile has made her parents the way they are. But then Maya and Kojo are separated, shuttled off to school in England, where they come face to face with the maddening rituals of Empire. Returning to Ghana as a young woman, Maya is reunited with her powerful but increasingly troubled cousin. Her homecoming will set off an exorcism of their family and country's strangest, darkest demons. It is in this destruction's wake that Maya realises her own purpose: to tell the story of her mother, her cousin, their land and their loss, on her own terms, in her own voice.

God Dies by the Nile and Other Novels: God Dies by the Nile, Searching, The Circling Song

God Dies by the Nile is Saadawi's attempt to square religion with a society in which women are respected as equals; Searching expresses the poignancy of loss and doubt with the hypnotic intensity of a remembered dream; while in The Circling Song, Saadawi pursues the conflicts of sex, class, gender and military violence deep into the psyche.

God Dies by the Nile and Other Novels: God Dies by the Nile, Searching, The Circling Song

God Dies by the Nile is Saadawi's attempt to square religion with a society in which women are respected as equals; Searching expresses the poignancy of loss and doubt with the hypnotic intensity of a remembered dream; while in The Circling Song, Saadawi pursues the conflicts of sex, class, gender and military violence deep into the psyche.