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Senses of Style: Poetry before Interpretation
by Jeff DolvenIn an age of interpretation, style eludes criticism. Yet it does so much tacit work: telling time, telling us apart, telling us who we are. What does style have to do with form, history, meaning, our moment’s favored categories? What do we miss when we look right through it? Senses of Style essays an answer. An experiment in criticism, crossing four hundred years and composed of nearly four hundred brief, aphoristic remarks, it is a book of theory steeped in examples, drawn from the works and lives of two men: Sir Thomas Wyatt, poet and diplomat in the court of Henry VIII, and his admirer Frank O’Hara, the midcentury American poet, curator, and boulevardier. Starting with puzzle of why Wyatt’s work spoke so powerfully to O’Hara across the centuries, Jeff Dolven ultimately explains what we talk about when we talk about style, whether in the sixteenth century, the twentieth, or the twenty-first.
Senses of Style: Poetry before Interpretation
by Jeff DolvenIn an age of interpretation, style eludes criticism. Yet it does so much tacit work: telling time, telling us apart, telling us who we are. What does style have to do with form, history, meaning, our moment’s favored categories? What do we miss when we look right through it? Senses of Style essays an answer. An experiment in criticism, crossing four hundred years and composed of nearly four hundred brief, aphoristic remarks, it is a book of theory steeped in examples, drawn from the works and lives of two men: Sir Thomas Wyatt, poet and diplomat in the court of Henry VIII, and his admirer Frank O’Hara, the midcentury American poet, curator, and boulevardier. Starting with puzzle of why Wyatt’s work spoke so powerfully to O’Hara across the centuries, Jeff Dolven ultimately explains what we talk about when we talk about style, whether in the sixteenth century, the twentieth, or the twenty-first.
Sentenced to Life: Poems
by Clive JamesIn his insightful collection of poems Clive James looks back over an extraordinarily rich life with a clear-eyed and unflinching honesty. There are regrets, but no trace of self-pity in these verses, which - for all their open dealings with death and illness - are primarily a celebration of what is treasurable and memorable in our time here. Again and again, James reminds us that he is not only a poet of effortless wit and lyric accomplishment: he is also an immensely wise one, who delights in using poetic form to bring a razor-sharp focus to his thought. Miraculously, these poems see James writing with his insight and energy not only undiminished but positively charged by his situation: Sentenced to Life represents a career high point from one of the greatest literary intelligences of the age.
Septet for the Luminous Ones (Wesleyan Poetry Series)
by fahima ifeContinuing her search for a neotropical mythos, in this brilliant second collection poet fahima ife articulates various scenes of subduction. Spoken in quiet recognition and grounded in desire, Septet for the Luminous Ones imagines a lush soundscape textured in oblique spiritual fusion of the Taíno and Yoruba. Or, what it sounded like coming together for the first time, and what it sounds like ever after—breathless, diaspora calling. Similar to the incidents in Maroon Choreography, what resounds in these poems is an ecstatic love song of the Caribbean Americas, of the main lands and islands, shaped and reshaped as breathwork, ritual, communion, and fantasy. In essence, the collection speaks to raise the vibrational frequencies of all species on Earth through a sensual pulse of Black English.From Alchemical Sirensit flickers in balsamic appealmoist in the palms of our handsa psalm a lamp a sap in our lapsan aspplausible love song after love poemswere last put on holdas in b l a ck a r tthe new black art is this — find the lost soul and love it
Sergio Raimondi, Selected Poems (Aris & Phillips Hispanic Classics)
by Ben Bollig Mark LeechSergio Raimondi’s work engages in the most complex issues of his time, including globalisation, colonialism, industrialisation and environmental degradation. Yet all his concerns are rigorously analysed through the medium of the poet’s art, steeped in literary tradition and craft. He is widely considered Argentina’s most important and influential contemporary poet, with an international reputation. Many of Raimondi’s poems address what might seem unlikely subjects for poetry: industrial practices, global trade, or labour legislation. Yet among the allusions, the immense research, the unsparing gaze, and the expert skill of the language there’s also room for desert-dry humour, touches of self-deprecation and immense empathy for individuals caught up in seemingly implacable historical processes. This volume includes a generous selection of his poems from Poesía civil (Civil Poetry) and Lexikón (Lexikon) in bilingual Spanish-English facing-pages format. A substantial introduction by the translators places Raimondi’s work in its literary and wider cultural context, and reflects on the challenges faced when bringing his unique poetry into English.
Sergius Seeks Bacchus
by Norman PasaribuSergius Seeks Bacchus is a heartbreaking and humorous rumination on what it means to be in the minority in terms of sexuality, ethnicity, and religion. Drawing on the poet's life as an openly gay writer of Bataknese descent and Christian background, the collection furnishes readers with an alternative gospel, a book of bittersweet and tragicomic good news pieced together from encounters with ridicule, persecution, loneliness, and also happiness. The thirty-three poems in Norman Pasaribu's prize-winning debut display a thrilling diversity of style, length, and tone, and telescope out from individual experience to that of fellow members of the queer community, finding inspiration equally in the work of great Indonesian poets and the international literary canon, from Dante to Herta Müller.
Serious Concerns
by Wendy CopeWendy Cope's first book of poems and parodies, Making Cocoa for Kingsley Amis, went straight into the bestseller lists. Its successor, Serious Concerns has proved even more popular, addressing such topics as 'Bloody Men', 'Men and Their Boring Arguments', 'Two Cures for Love', 'Kindness to Animals' and 'Tumps' (Typically Useless Male Poets).
The Serpent's Teeth
by OvidIn a world of gods and monsters, nothing is as it seems.When a deadly serpent's teeth are sown in the ground, warriors spring from the bloody soil. Only a great man can tame them and fulfil his destiny. Far away, Medusa, snakes writhing in her hair, meets her nemesis; the princess Andromeda is chained to a rock; people are transformed into owls, frogs, even mountains; a boy falls tragically in love with his own reflection.Enter a universe where love is cruel, men are destroyed by the gods and treachery is paid for in blood ...
Set in Motion: Essays, Interviews, and Dialogues (Poets On Poetry)
by A. R. AmmonsSet in Motion collects for the first time the prose writings of A. R. Ammons, one of our most important and enduring contemporary poets. Hailed as a major force in American poetry by such redoubtable critics as Harold Bloom and Helen Vendler, Ammons has reflected upon the influences of luminaries like Emerson, Thoreau, Whitman, Frost, Stevens, and Williams while creating a compelling style and an artistic vision uniquely his own. Set in Motion includes essays, reviews, and interviews as well as a selection of Ammons's poems, with commentary from the author about their inspiration and effects. He takes up the questions that have been central to American poetry over the last forty years and connects them to the larger enterprise of living in a difficult, changing world. At a moment when the arts are under attack, Ammons reminds us of the crucial role poetry plays in teaching us to recognize and use sources of understanding that are irreducible to statement. A. R. Ammons is the author of Sphere, A Coast of Trees, and Garbage and was recently the editor of The Best American Poetry 1994. His awards include the MacArthur and Guggenheim fellowships, the Bollingen Prize, two National Book Awards, and prizes from the American Academy of Arts and Letters and the National Book Critics Circle. He is Goldwin Smith Professor of Poetry, Cornell University.
Set Me On Fire: A Poem For Every Feeling
by Ella Risbridger"Broad in scope, generous in spirit and wittily accompanied by Risbridger's commentary"Sarah Perry, author of The Essex SerpentSet Me On Fire is an anthology for a new moment in poetry: a collection of fresh, vibrant voices from poets all over the globe, both living and dead. With an intuitive, accessible, feelings-first format, these are poems for the moments when you really need to know that someone else has been there too.These are poems about eating and kissing and having too many feelings, about being outside and inside and loving someone so much you think you might die. They are about break-ups and getting back together and oh-god-it’s-complicated-don’t-ask-me moments. They are about wanting and waiting and having, about grieving and life after death and the end of the world. They are, in other words, about being alive.
Set Me On Fire: A Poem For Every Feeling
by Ella RisbridgerTHE PERFECT GIFT FOR POETRY LOVERS"Broad in scope, generous in spirit and wittily accompanied by Risbridger's commentary"Sarah Perry, author of The Essex SerpentSet Me On Fire is an anthology for a new moment in poetry: a collection of fresh, vibrant voices from poets all over the globe, both living and dead. With an intuitive, accessible, feelings-first format, these are poems for the moments when you really need to know that someone else has been there too.These are poems about eating and kissing and having too many feelings, about being outside and inside and loving someone so much you think you might die. They are about break-ups and getting back together and oh-god-it’s-complicated-don’t-ask-me moments. They are about wanting and waiting and having, about grieving and life after death and the end of the world. They are, in other words, about being alive.
The Set Up: The Lost Classic by the Author of The Wild Party
by Joseph Moncure MarchWritten in 1928, The Set-Up is a long narrative poem about the US boxing underworld - a hard-boiled tragedy told in syncopated rhyming couplets. When the work was first published it made The New York Times bestseller list, and in 1949 it was adapted into an award-winning film featuring Robert Ryan and Audrey Totter. This reprinting of the original, unchanged 1928 poem features dynamic, specially commissioned artwork by Erik Kriek that vividly conveys the story of Pansy, an up-and-coming Black prize-fighter who takes on all comers. When Pansy was in the ring, "It was over before you knew it. He'd carve you up like a leg of mutton. And drop you flat with a sock on the button." Pansy's complicated love life leads to a spell in prison and his career subsequently takes a nosedive, but he continues to box until the fateful night his fight managers and opponent triple-cross him.
Sex, Scandal, and Sermon in Fourteenth-Century Spain: Juan Ruiz's Libro de Buen Amor (The New Middle Ages)
by L. HaywoodThis book is an innovative study of humour and the body in Juan Ruiz's Libro de Buen Amor (1330), using modern analytical techniques to examine the place of the Libro's bawdy and grotesque in relation to secular and sacred culture.
Sexuality and the Culture of Sensibility in the British Romantic Era
by C. NagleThis is the first study to fully trace the influence of Sensibility on British Romanticism. Sensibility continually found new forms of expression in the late Eighteenth and early Nineteenth century. Nagle explores how it coexisted and intermingled with Romanticism and revises the traditional narratives of literary periodization of this era.
Sexy Blake
by Helen P. Bruder Tristanne ConnollyThis book lays bare numerous sexy Blakes, arguing for both chastity and pornography, violence and domination as well as desire and redemption, and also journeying in the realms of conceptual sex and conceptual art. Fierce tussles over the body in, and the body of, the poet-artist's work celebrate Blakean attractions and repulsions.
Shades (Wesleyan Poetry Series)
by Heather McHughShades is a book of shadow and light cast between trees and sun, between day and room, between life and death. It acknowledges endings as beginnings; it offers compassion and tenderness, searching for hope in the richness of nature; it seeks the same resources within the human being.Heather McHugh's companion volume to To the Quick (Wesleyan 1987) continues the music and brilliance characteristic of her work but moves more deeply into the metaphysical. She writes in paradox, with serious wit and intensity, the crafted language of "stitches in hand and birds in time"; "We part/ before we part; indeed,/ we part before we meet…" She studies "going matched with coming." She begins with a series of elegies that bring sexuality and death into brutal juxtaposition. Living and dying are the occasions of these poems, the soul the ultimate concern. This poetry takes to heart the fundamental strangeness of being.
Shades of the Sublime & Beautiful
by John KinsellaAustralian John Kinsella is one of the most highly regarded poets currently writing in English. Taking Edmund Burke’s 250-year old masterpiece A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful as his template, Kinsella has produced his most accomplished and broadly representative work to date. Shades of the Sublime & Beautiful is a warm, human, anecdotally rich book, concentrating many of the themes that have obsessed its author over the last twenty years: language, love, the invocation of place, the mysteries of the Australian wilderness, and our mediations between the human and natural realms. Together, these lyric meditations build towards a profound thesis on the ecology of the imagination, and are always conducted in concrete, vivid and exuberant language that is unmistakably Kinsella’s own. ‘Kinsella’s poems are a very rare feat: they are narratives of feeling. Vivid sight – of landscapes, of animals, of human forms in distant light – becomes insight. There is, often, the shock of the new. But somehow awaited, even familiar. Which is the homecoming of a true poet’ George Steiner ‘John Kinsella is an Orphic fountain, a prodigy of the imagination . . . he frequently makes me think of John Ashbery: improbable fecundity, eclecticism, and a stand that fuses populism and elitism in poetic audience’ Harold Bloom
Shadow of a Cloud but No Cloud (Phoenix Poets)
by Killarney ClaryShadow of a Cloud but No Cloud, the latest collection from enigmatic prose poet Killarney Clary, is a book-length sequence of unnumbered, untitled poems, each evoking a clear moment in time. The details on which Clary chooses to focus suggest a narrative that will not resolve. The unnamed people with whom she interacts offer exchanges she is desperate to prolong, and in attempts to understand her place, she reaches beneath the fragile armor of those loved, especially those who can no longer answer her. This quietly haunting book, remarkable for its subtlety and delicacy, is Clary’s strongest, most engaging work to date and amply shows her to be a master of this lyric genre.
Shadow of a Cloud but No Cloud (Phoenix Poets)
by Killarney ClaryShadow of a Cloud but No Cloud, the latest collection from enigmatic prose poet Killarney Clary, is a book-length sequence of unnumbered, untitled poems, each evoking a clear moment in time. The details on which Clary chooses to focus suggest a narrative that will not resolve. The unnamed people with whom she interacts offer exchanges she is desperate to prolong, and in attempts to understand her place, she reaches beneath the fragile armor of those loved, especially those who can no longer answer her. This quietly haunting book, remarkable for its subtlety and delicacy, is Clary’s strongest, most engaging work to date and amply shows her to be a master of this lyric genre.
Shadow of a Cloud but No Cloud (Phoenix Poets)
by Killarney ClaryShadow of a Cloud but No Cloud, the latest collection from enigmatic prose poet Killarney Clary, is a book-length sequence of unnumbered, untitled poems, each evoking a clear moment in time. The details on which Clary chooses to focus suggest a narrative that will not resolve. The unnamed people with whom she interacts offer exchanges she is desperate to prolong, and in attempts to understand her place, she reaches beneath the fragile armor of those loved, especially those who can no longer answer her. This quietly haunting book, remarkable for its subtlety and delicacy, is Clary’s strongest, most engaging work to date and amply shows her to be a master of this lyric genre.
Shadow of a Cloud but No Cloud (Phoenix Poets)
by Killarney ClaryShadow of a Cloud but No Cloud, the latest collection from enigmatic prose poet Killarney Clary, is a book-length sequence of unnumbered, untitled poems, each evoking a clear moment in time. The details on which Clary chooses to focus suggest a narrative that will not resolve. The unnamed people with whom she interacts offer exchanges she is desperate to prolong, and in attempts to understand her place, she reaches beneath the fragile armor of those loved, especially those who can no longer answer her. This quietly haunting book, remarkable for its subtlety and delicacy, is Clary’s strongest, most engaging work to date and amply shows her to be a master of this lyric genre.
Shakespeare: The Sonnets (Analysing Texts) (PDF)
by John BladesThe appearance in 1609 of Shakespeare's Sonnets is cloaked in mystery and controversy, while the poems themselves are masterpieces of silence and deception. The intervening four centuries have done little to diminish either their mystique or their appeal, and recent years have witnessed an upsurge in interest in these brilliant and contentious lyrics. John Blades' penetrating study of the Sonnets is a highly lucid introduction to Shakespeare's subjects and poetic craft, involving detailed insights on the major themes, together with a comprehensive exploration of the Rival Poet and Dark Mistress sequences.
Shakespeare: Dramatizations of Court Society (Contemporary Interpretations of Shakespeare)
by G. Holderness J. Turner N. PotterThis book examines six plays by Shakespeare (Love's Labour's Lost, Hamlet, As You Like It, Twelfth Night, The Winter's Tale, and The Tempest) as dramatizations of the Renaissance court in its developing history - a history searched by Shakespeare to disclose its most characteristic gains and losses. For these plays do not simply celebrate Tudor and Stuart rule: they scrutinize it too, in the centre of its institutional theatre of power, the court. This book shows how, if the plays came into the court, the court also came into the plays, with its most salient features - its competitiveness, its inner tensions and its contradictions, its language, its cultural life and its entertainments - exposed to the scrutiny of an art-form that proved itself to be a new mode of historical understanding.
Shakespeare: The Dramatist’s Manipulation of Response
by E. HonigmannThis classic text, reprinted several times since its first publication in 1976, has been extensively revised in this new edition and includes new chapters on Henry V, As You Like It, and on 'the study of the audience and the study of response'. Both readers and actors/theatre-goers will find will find it opens up new ways of looking at the plays and at the mechanisms that underpin some of the most magical moments in Shakespeare's plays.
Shakespeare After Mass Media
by R. BurtShakespeare in mass media - particularly film, video, and television - is arguably the hottest, fastest growing research agenda in Shakespeare studies. Shakespeare after Mass Media provides students and scholars with the most comprehensive resource available on the market for studying the pop cultural afterlife of The Bard. From marketing to electronic Shakespeare, comics to romance novels, Star Trek to Branagh, radio and popular music to Bartlett's Quotations , the volume explores the contemporary cultural significance of Shakespeare in an unprecedently broad array of mass media contexts. With theoretical sophistication and accessible writing, it will be the ideal text for courses on Shakespeare and mass media.