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Urban Soundscapes: A Guide to Listening for Landscape Architecture and Urban Design

Sound and listening are intrinsically linked to how we experience and engage with places and communities. This guide puts forward a new conceptual framework of embodied affectivity that emphasises listening in urban research and design and advances new ways of knowing and making. The guide invites landscape architects and urban designers to become soundscape architects and offers practical advice on sound and listening applicable to each stage of a design project: from reading the environment to intervening on it.Urban Soundscapes foregrounds listening as an affective mediator between subjects and multispecies environments, and a vehicle to think and conceptualise environmental research and design beyond prevailing visual and human-centred modes. The guide expands landscape architects’ and urban designers’ tools and skills to assess existing soundscapes, predict how those soundscapes will be altered through their designs, consider sound as a creative and active part of the design process and envisage how users might perceive and be affected by those soundscapes as they evolve in time. The volume sits in the interface of research and practice and interweaves theoretical, methodological and creative contributions from acoustic ecology, ecoacoustics, bioacoustics and sound art. Each of the design stages is illustrated through project examples that demonstrate the many advantages of incorporating attentive listening and sound into Landscape Architecture and Urban Design Practice. This book shows how incorporating listening and sounding as part of the design process promotes slow and subtle ways of practice, adds social and ecological value through the reduction of noise pollution and by monitoring the health of habitats, and enables the design of soundscapes that complement the character and design intent of a scheme and elicit joy and wonder.The book will be of interest to practitioners and academics in landscape architecture, and other design and spatial fields such as urban design, architecture, geography and engineering, who play a primary role in the composition of the soundscape.

Urban Soundscapes: A Guide to Listening for Landscape Architecture and Urban Design

Sound and listening are intrinsically linked to how we experience and engage with places and communities. This guide puts forward a new conceptual framework of embodied affectivity that emphasises listening in urban research and design and advances new ways of knowing and making. The guide invites landscape architects and urban designers to become soundscape architects and offers practical advice on sound and listening applicable to each stage of a design project: from reading the environment to intervening on it.Urban Soundscapes foregrounds listening as an affective mediator between subjects and multispecies environments, and a vehicle to think and conceptualise environmental research and design beyond prevailing visual and human-centred modes. The guide expands landscape architects’ and urban designers’ tools and skills to assess existing soundscapes, predict how those soundscapes will be altered through their designs, consider sound as a creative and active part of the design process and envisage how users might perceive and be affected by those soundscapes as they evolve in time. The volume sits in the interface of research and practice and interweaves theoretical, methodological and creative contributions from acoustic ecology, ecoacoustics, bioacoustics and sound art. Each of the design stages is illustrated through project examples that demonstrate the many advantages of incorporating attentive listening and sound into Landscape Architecture and Urban Design Practice. This book shows how incorporating listening and sounding as part of the design process promotes slow and subtle ways of practice, adds social and ecological value through the reduction of noise pollution and by monitoring the health of habitats, and enables the design of soundscapes that complement the character and design intent of a scheme and elicit joy and wonder.The book will be of interest to practitioners and academics in landscape architecture, and other design and spatial fields such as urban design, architecture, geography and engineering, who play a primary role in the composition of the soundscape.

Urban Surfaces, Graffiti, and the Right to the City (ISSN)

This landmark book focuses on urban surfaces, on exploring their authorship and management, and on their role in struggles for the right to the city.Graffiti, pristine walls, advertising posters, and municipal signage all compete on city surfaces to establish and imprint their values on our environments. It is the first time that the surfacescapes of our cities are granted the entire attention of a book as material, visual, and legal territories. The book includes a critical history of graffiti and street art as contested surface discourses and argues for surfaces as sites of resistance against private property, neoliberal creativity, and the imposition of urban order. It also proposes a seven-point manual for a semiotics of urban surfaces, laying the ground for a new discipline: surface studies.Page after page and layer after layer, surfaces become porous and political and emerge as key spatial conditions for rethinking and re-practicing urban dwelling and spatial justice. They become what the author terms the surface commons.The book will appeal to a wide readership across the disciplines of urban studies, architectural theory and design, graffiti, street art and public art, criminology, semiotics, visual culture, and urban and legal geography. It will also serve as a tool for city scholars, policy makers, artists, and vandals to disrupt existing imaginaries of order, justice, and visibility in cities.

Urban Surfaces, Graffiti, and the Right to the City (ISSN)

This landmark book focuses on urban surfaces, on exploring their authorship and management, and on their role in struggles for the right to the city.Graffiti, pristine walls, advertising posters, and municipal signage all compete on city surfaces to establish and imprint their values on our environments. It is the first time that the surfacescapes of our cities are granted the entire attention of a book as material, visual, and legal territories. The book includes a critical history of graffiti and street art as contested surface discourses and argues for surfaces as sites of resistance against private property, neoliberal creativity, and the imposition of urban order. It also proposes a seven-point manual for a semiotics of urban surfaces, laying the ground for a new discipline: surface studies.Page after page and layer after layer, surfaces become porous and political and emerge as key spatial conditions for rethinking and re-practicing urban dwelling and spatial justice. They become what the author terms the surface commons.The book will appeal to a wide readership across the disciplines of urban studies, architectural theory and design, graffiti, street art and public art, criminology, semiotics, visual culture, and urban and legal geography. It will also serve as a tool for city scholars, policy makers, artists, and vandals to disrupt existing imaginaries of order, justice, and visibility in cities.

Urbanism and Town Planning: Understanding and Anticipating Urban Renewal

Sustainable urban planning and urban renewal are major challenges of the 21st century. In this context, Urbanism and Town Planning proposes a geohistorical approach to urban construction. The city and its neighborhoods are studied through their materials and general layout, which sometimes reveal a logic of economic profitability, prestige and social equity, and sometimes a more innovative approach from an environmental perspective. Across these elements, unbuilt spaces (distinctive streets and squares) and built spaces (commercial and residential areas, both individual and collective) form a three-dimensional grid of “voids” and “solids”, characteristic of urban landscapes and lifestyles. Supported by numerous original examples, this book is a comprehensive summary of the most tangible elements of urban planning and development; elements that must be put into context in order to think concretely about the development of the cities of the future.

Urbanism and Town Planning: Understanding and Anticipating Urban Renewal

Sustainable urban planning and urban renewal are major challenges of the 21st century. In this context, Urbanism and Town Planning proposes a geohistorical approach to urban construction. The city and its neighborhoods are studied through their materials and general layout, which sometimes reveal a logic of economic profitability, prestige and social equity, and sometimes a more innovative approach from an environmental perspective. Across these elements, unbuilt spaces (distinctive streets and squares) and built spaces (commercial and residential areas, both individual and collective) form a three-dimensional grid of “voids” and “solids”, characteristic of urban landscapes and lifestyles. Supported by numerous original examples, this book is a comprehensive summary of the most tangible elements of urban planning and development; elements that must be put into context in order to think concretely about the development of the cities of the future.

Variations in Christian Art: Mennonite, Mormon, Quaker, and Swedenborgian

The artistic traditions of four major Christian denominations are examined and outlined in detail in this groundbreaking volume that presents the first synthesis of the artistic contributions of those traditions. Diane Apostolos-Cappadona has curated a volume that presents four single-authored contributions in one place, broadening the study of Christian art beyond Roman Catholic, Orthodox and 'protestant' traditions to consider these more recent Christian approaches in close and expert detail. Rachel Epp Buller examines art in the Mennonite tradition, Mormon art is considered by Heather Belnap, Quaker contributions by Rowena Loverance and Swedenborgian art by Diane Apostolos-Cappadona. Each writer presents elements of the theology of their chosen tradition through the prism of the artists and artistic works that they have selected. Alongside mainstream artistic figures such as William Blake less known figures come to the fore and the volume features color illustrations that support and underline the theological and artistic themes presented in each section of the book. Together these studies of artistic presentations in these four traditions will be a much need means of filling a gap in the study of Christian art.

Vehicles Activity And Colouring Book

Verhüllung und Entblößung: Vom erzählenden Text:il zur filmischen Haut als Erfahrungsraum affektiver Identitätsentfaltung

Dieses Buch enthält eine interdisziplinäre Betrachtung zum identitätsbildenden Wechselspiel von Text, Textilem und der Haut im und über den Film. Kernthese ist die Überlegung, dass sich im Film über den Wechsel zwischen Textilem und nackter Haut ikonische Verdichtungen zugunsten eines assoziativen Erfahrungsraums entfalten. Dabei weicht der Stoff – der erzählerische gleichermaßen wie der textile – dem Sinnlichen, der Affizierung über die Haut. Die Untersuchung beleuchtet den Zusammenhang zwischen filmischer Rezeption und Selbstreflexion der Zuschauenden, aber auch einer Gesellschaft sowie des Films selbst im jeweils zeitlichen Kontext. Die Filmsehenden erfahren nicht nur das Geschehen und die Protagonist*innen, sondern vor allem auch sich selbst im Spiegel des Anderen – der anderen Figur, der anderen Geschichte, der anderen, filmischen Welt. Ziel der Untersuchung ist es, unter symbolische Hüllen zu schauen und das Wesentliche darunter zu entdecken. Durch die Interdisziplinarität der Arbeit werden nicht nur Interessierte der Film-, Medien- und Kulturwissenschaft, sondern auch der Soziologie, der Psychologie, des (Mode-)Designs, der Kunstgeschichte und der Architektur angesprochen. Das Buch regt zu Perspektivwechseln und interdisziplinärem Austausch auf der Basis der für uns alle existenziellen Haut an. Mit diesem Alleinstellungsmerkmal werden Grenzen überwunden und Kollaborationen angeregt.

The VES Handbook of Virtual Production

The VES Handbook of Virtual Production is a comprehensive guide to everything about virtual production available today – from pre-production to digital character creation, building a stage, choosing LED panels, setting up Volume Control, in-camera compositing of live action and CG elements, Virtual Art Departments, Virtual Previs and scouting, best practices and much more.Current and forward-looking, this book covers everything one may need to know to execute a successful virtual production project – including when it is best to use virtual production and when it is not. More than 80 industry leaders in all fields of virtual production share their knowledge, experiences, techniques, and best practices. The text also features charts, technical drawings, color images, and an extensive glossary of virtual production terms.The VES Handbook of Virtual Production is a vital resource for anyone wishing to gain essential knowledge in all aspects of virtual production. This is a must-have book for both aspiring and veteran professionals. It has been carefully compiled by the editors of The VES Handbook of Visual Effects.

The VES Handbook of Virtual Production

The VES Handbook of Virtual Production is a comprehensive guide to everything about virtual production available today – from pre-production to digital character creation, building a stage, choosing LED panels, setting up Volume Control, in-camera compositing of live action and CG elements, Virtual Art Departments, Virtual Previs and scouting, best practices and much more.Current and forward-looking, this book covers everything one may need to know to execute a successful virtual production project – including when it is best to use virtual production and when it is not. More than 80 industry leaders in all fields of virtual production share their knowledge, experiences, techniques, and best practices. The text also features charts, technical drawings, color images, and an extensive glossary of virtual production terms.The VES Handbook of Virtual Production is a vital resource for anyone wishing to gain essential knowledge in all aspects of virtual production. This is a must-have book for both aspiring and veteran professionals. It has been carefully compiled by the editors of The VES Handbook of Visual Effects.

The Victorian Idyll in Art and Literature: Subject, Ecology, Form (Routledge Research in Art History)

Resonating with contemporary ecological and queer theory, this book pioneers the theorization of the Victorian idyll, establishing its nature, lineaments, and significance as a formal mode widely practised in nineteenth-century British culture across media and genre. Chapters trace the Victorian idyll’s emergence in the 1830s, its flourishing in the 1860s, and its evolution up to the century’s close, drawing attention to the radicalism of idyllic experiments with pictorial, photographic, dramatic, literary, and poetic form in the work of canonical and lesser-known figures. Approaching the idyll through three intersecting categories—subject, ecology, and form—this book remaps Victorian culture, reshaping thinking about artistic form in the nineteenth century, and recalibrating accepted chronologies. In the representations by a host of Victorian artists and writers engaging with other-than-human forms, and in the natures of the subjectivities animated by these encounters, we find versions of Victorian ecology providing provocative imaginative material for ecocritics, scholars, writers, and artists today. This book will be of interest to scholars working in art history, English literature, Victorian studies, British history, queer and trans* theory, musicology, and ecocriticism, and will enliven debates pertaining to the environmental across periods.

The Victorian Idyll in Art and Literature: Subject, Ecology, Form (Routledge Research in Art History)

Resonating with contemporary ecological and queer theory, this book pioneers the theorization of the Victorian idyll, establishing its nature, lineaments, and significance as a formal mode widely practised in nineteenth-century British culture across media and genre. Chapters trace the Victorian idyll’s emergence in the 1830s, its flourishing in the 1860s, and its evolution up to the century’s close, drawing attention to the radicalism of idyllic experiments with pictorial, photographic, dramatic, literary, and poetic form in the work of canonical and lesser-known figures. Approaching the idyll through three intersecting categories—subject, ecology, and form—this book remaps Victorian culture, reshaping thinking about artistic form in the nineteenth century, and recalibrating accepted chronologies. In the representations by a host of Victorian artists and writers engaging with other-than-human forms, and in the natures of the subjectivities animated by these encounters, we find versions of Victorian ecology providing provocative imaginative material for ecocritics, scholars, writers, and artists today. This book will be of interest to scholars working in art history, English literature, Victorian studies, British history, queer and trans* theory, musicology, and ecocriticism, and will enliven debates pertaining to the environmental across periods.

Video Based Machine Learning for Traffic Intersections

Video Based Machine Learning for Traffic Intersections describes the development of computer vision and machine learning-based applications for Intelligent Transportation Systems (ITS) and the challenges encountered during their deployment. This book presents several novel approaches, including a two-stream convolutional network architecture for vehicle detection, tracking, and near-miss detection; an unsupervised approach to detect near-misses in fisheye intersection videos using a deep learning model combined with a camera calibration and spline-based mapping method; and algorithms that utilize video analysis and signal timing data to accurately detect and categorize events based on the phase and type of conflict in pedestrian-vehicle and vehicle-vehicle interactions. The book makes use of a real-time trajectory prediction approach, combined with aligned Google Maps information, to estimate vehicle travel time across multiple intersections. Novel visualization software, designed by the authors to serve traffic practitioners, is used to analyze the efficiency and safety of intersections. The software offers two modes: a streaming mode and a historical mode, both of which are useful to traffic engineers who need to quickly analyze trajectories to better understand traffic behavior at an intersection. Overall, this book presents a comprehensive overview of the application of computer vision and machine learning to solve transportation-related problems. Video Based Machine Learning for Traffic Intersections demonstrates how these techniques can be used to improve safety, efficiency, and traffic flow, as well as identify potential conflicts and issues before they occur. The range of novel approaches and techniques presented offers a glimpse of the exciting possibilities that lie ahead for ITS research and development. Key Features: Describes the development and challenges associated with Intelligent Transportation Systems (ITS) Provides novel visualization software designed to serve traffic practitioners in analyzing the efficiency and safety of an intersection Has the potential to proactively identify potential conflict situations and develop an early warning system for real-time vehicle-vehicle and pedestrian-vehicle conflicts

Video Based Machine Learning for Traffic Intersections

Video Based Machine Learning for Traffic Intersections describes the development of computer vision and machine learning-based applications for Intelligent Transportation Systems (ITS) and the challenges encountered during their deployment. This book presents several novel approaches, including a two-stream convolutional network architecture for vehicle detection, tracking, and near-miss detection; an unsupervised approach to detect near-misses in fisheye intersection videos using a deep learning model combined with a camera calibration and spline-based mapping method; and algorithms that utilize video analysis and signal timing data to accurately detect and categorize events based on the phase and type of conflict in pedestrian-vehicle and vehicle-vehicle interactions. The book makes use of a real-time trajectory prediction approach, combined with aligned Google Maps information, to estimate vehicle travel time across multiple intersections. Novel visualization software, designed by the authors to serve traffic practitioners, is used to analyze the efficiency and safety of intersections. The software offers two modes: a streaming mode and a historical mode, both of which are useful to traffic engineers who need to quickly analyze trajectories to better understand traffic behavior at an intersection. Overall, this book presents a comprehensive overview of the application of computer vision and machine learning to solve transportation-related problems. Video Based Machine Learning for Traffic Intersections demonstrates how these techniques can be used to improve safety, efficiency, and traffic flow, as well as identify potential conflicts and issues before they occur. The range of novel approaches and techniques presented offers a glimpse of the exciting possibilities that lie ahead for ITS research and development. Key Features: Describes the development and challenges associated with Intelligent Transportation Systems (ITS) Provides novel visualization software designed to serve traffic practitioners in analyzing the efficiency and safety of an intersection Has the potential to proactively identify potential conflict situations and develop an early warning system for real-time vehicle-vehicle and pedestrian-vehicle conflicts

Video Game Art Reader: Volume 5: The Game Art Curators Kit

Many ambitious and experimental game forms don't fit into the digital download or retail distribution channels that support so-called “traditional” video games. Instead, these games are supported by a new global movement in video game curation. This special edition of the Video Game Art Reader features an international collaboration of video game professionals working together to create a resource for game exhibition organization, design, and curation. Professionals, artists, and others who organize and curate video game exhibitions and events act within a rhizomatic network of methods, missions, and goals. They establish organizations like galleries, collectives, and non-profits. Methods of sharing video games as critical cultural phenomena continue to evolve and expand. Conceived during the first meeting of GAIA (Game Arts International Assembly), the Game Art Curators Kit documents and shares the collective experience of an international network of video game curators and organizers. Sharing practical tips on everything from accessibility to preservation, the book also serves as a guide to support a new global movement in video game curation.

Video Object Segmentation: Tasks, Datasets, and Methods (Synthesis Lectures on Computer Vision)

This book provides a thorough overview of recent progress in video object segmentation, providing researchers and industrial practitioners with thorough information on the most important problems and developed technologies in the area. Video segmentation is a fundamental topic for video understanding in computer vision. Segmenting unique objects in a given video is useful for a variety of applications, including video conference, video editing, surveillance, and autonomous driving. Given the revolution of deep learning in computer vision problems, numerous new tasks, datasets, and methods have been recently proposed in the domain of segmentation. The book includes these recent results and findings in large-scale video object segmentation as well as benchmarks in large-scale human-centric video analysis in complex events. The authors provide readers with a comprehensive understanding of the challenges involved in video object segmentation, as well as the most effective methods for resolving them.

Video Object Tracking: Tasks, Datasets, and Methods (Synthesis Lectures on Computer Vision)

This book provides a thorough overview of recent progress in video object tracking, allowing researchers and industrial practitioners to gain a better understanding of the most important problems and developed technologies in the area. Video tracking is a key research area in computer vision and aims to track unique objects in a given video, which are useful for various applications such as video conference, video editing, surveillance, and autonomous driving. This book begins with an introduction to the task of video object tracking, including the most common problem settings. Given the revolution of deep learning in computer vision problems, numerous new tasks, datasets, and methods have been recently proposed in the domain of video tracking. The book includes these recent results as well as benchmarks in large-scale human-centric video analysis in complex events.

Video Production: Disciplines and Techniques

This seminal text, now in its thirteenth edition, provides a comprehensive and accessible overview of the operations underlying video production.It provides thorough coverage of the theory and techniques readers need to know, balancing complexity with practical how-to information about detailed subjects in a concise, conversational style. The book has been updated to incorporate recent changes in the video production pipeline–emphasizing digital video, non-linear video production, streaming platforms, mobile production, and do-it-yourself video–while maintaining the foundational, nuanced, teamwork-based approach that has made the book popular.Chapters include key takeaways, review questions, on-set exercises, and QR codes, and a comprehensive glossary defines all the key production terms discussed. An accompanying eResource includes downloadable versions of the forms and paperwork used in the book, in addition to links to further online resources.

Video Production: Disciplines and Techniques

This seminal text, now in its thirteenth edition, provides a comprehensive and accessible overview of the operations underlying video production.It provides thorough coverage of the theory and techniques readers need to know, balancing complexity with practical how-to information about detailed subjects in a concise, conversational style. The book has been updated to incorporate recent changes in the video production pipeline–emphasizing digital video, non-linear video production, streaming platforms, mobile production, and do-it-yourself video–while maintaining the foundational, nuanced, teamwork-based approach that has made the book popular.Chapters include key takeaways, review questions, on-set exercises, and QR codes, and a comprehensive glossary defines all the key production terms discussed. An accompanying eResource includes downloadable versions of the forms and paperwork used in the book, in addition to links to further online resources.

Videogame Sciences and Arts: 13th International Conference, VJ 2023, Aveiro, Portugal, November 28–30, 2023, Revised Selected Papers (Communications in Computer and Information Science #1984)

This book constitutes the revised selected papers of the 13th International Conference on Videogame Sciences and Arts, VJ 2023, held in Aveiro, Portugal, during November 28–30, 2023. The 17 full papers and the 6 short papers presented were carefully reviewed and selected from 64 submissions. They are organized in topical sections named: game experience and evaluation; game-based learning and edutainment; games and culture; game design and development.

Videojournalism: Multimedia Storytelling for Online, Broadcast and Documentary Journalists

Videojournalism: Multimedia Storytelling for Online, Broadcast and Documentary Journalists is an essential guide for solo video storytellers—from "backpack" videojournalists to short-form documentary makers to do-it-all broadcast reporters.Based on interviews with award-winning professionals sharing their unique experiences and knowledge, Videojournalism covers topics such as crafting and editing eye-catching short stories, recording high-quality sound, and understanding the laws and ethics of filming in public and private places. Other topics include:• understanding the difference between a story and a report• finding a theme and telling a story in a compact time frame• learning to use different cameras and lenses—from smart phones to mirrorless and digital cinema cameras• using light, both natural and artificial • understanding color and exposureThe second edition of this best-selling text has been completely revised and updated. Heavily illustrated with more than 550 photographs, the book also includes more than 200 links to outstanding examples of short-form video stories. Anatomy of a News Story, a short documentary made for the book, follows a day in the life of a solo TV videojournalist on an assignment (with a surprise ending), and helps readers translate theory to practice.This book is for anyone learning how to master the art and craft of telling real, short-form stories with words, sound, and pictures for the Web or television.A supporting companion website links to documentaries and videos, and includes additional recommendations from the field’s most prominent educators.

Videojournalism: Multimedia Storytelling for Online, Broadcast and Documentary Journalists

Videojournalism: Multimedia Storytelling for Online, Broadcast and Documentary Journalists is an essential guide for solo video storytellers—from "backpack" videojournalists to short-form documentary makers to do-it-all broadcast reporters.Based on interviews with award-winning professionals sharing their unique experiences and knowledge, Videojournalism covers topics such as crafting and editing eye-catching short stories, recording high-quality sound, and understanding the laws and ethics of filming in public and private places. Other topics include:• understanding the difference between a story and a report• finding a theme and telling a story in a compact time frame• learning to use different cameras and lenses—from smart phones to mirrorless and digital cinema cameras• using light, both natural and artificial • understanding color and exposureThe second edition of this best-selling text has been completely revised and updated. Heavily illustrated with more than 550 photographs, the book also includes more than 200 links to outstanding examples of short-form video stories. Anatomy of a News Story, a short documentary made for the book, follows a day in the life of a solo TV videojournalist on an assignment (with a surprise ending), and helps readers translate theory to practice.This book is for anyone learning how to master the art and craft of telling real, short-form stories with words, sound, and pictures for the Web or television.A supporting companion website links to documentaries and videos, and includes additional recommendations from the field’s most prominent educators.

Vienna and the New Wohnkultur, 1918-1938

While the domestic sphere might seem tangential to the dire political situation and humanitarian crises of interwar Europe, it was nevertheless at the forefront of debates about cultural identity and economic policy in the Viennese press, culture, and arts. Vienna and the New Wohnkultur, 1918-1938 explores why and how the Viennese design landscape was set apart--aesthetically and theoretically--from other European explorations of modern design. Jackson-Beckett examines interior design exhibitions, press, and debates about modern living in interwar Vienna, an overlooked area of modern European architecture and design history, arguing for a reconsideration of the contours of European modernism. The text analyses varied interpretations of modern domestic culture (Wohnkultur) in Vienna, and explores why these interpretations were distinct from other strands of European modernism. Vienna and the New Wohnkultur introduces new research and translation of primary sources on flexible, adaptable, and affordable design by architects, designers, and retailers. Vienna's design discourse also prefigured important postmodern and contemporary discussions on historicism, eclecticism, empathy, and user experience. Through extensive new research in archival and period sources, Jackson-Beckett illustrates how design ideas, taste, and portrayals of domestic culture of fin-de-si?cle Viennese Modernism (Wiener Moderne) were also deployed as forms of cultural and national identity both during the early years of the Social Democratic government in Vienna (1918-1934) and later under the fascist state (1934-1938).

Viking Heritage and History in Europe: Practices and Re-creations (Critical Heritages of Europe)

Viking Heritage and History in Europe presents new research and perspectives on the use of the Vikings in public history, especially in relation to museums, re-creation, and re-enactment in a European context.Taking a critical heritage approach, the volume provides new insights into the re-creation of history, imagining the past, interpretation, ambivalence of authenticity, authority of History, remembrance and memory, medievalism, and public history. Highlighting the complexity of the field of public history today, the fourteen chapters all engage with questions of historical authenticity and authority. The volume also critically examines the public’s reception, engagement with, and interpretation of the Viking Age and the concepts of who these individuals were. Each chapter illuminates an aspect of these themes in relation to museums, leisure activities, politics, tourism, re-enactment, and popular culture – all from the vantage point of Viking cultural heritage.Viking Heritage and History in Europe is one of the first volumes to examine the use and role of the Vikings within the field of public history, both past and present. The book will be of interest to those engaged in the study of heritage, public history, history, the Vikings, vikingism, medievalism, and media history.