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Milwaukee in Stone and Clay: A Guide to the Cream City's Architectural Geology
by Raymond WiggersMilwaukee in Stone and Clay follows directly in the footsteps of Raymond Wiggers's previous award-winning book, Chicago in Stone and Clay. It offers a wide-ranging look at the fascinating geology found in the building materials of Milwaukee County's architectural landmarks. And it reveals the intriguing and often surprising links between science, art, and engineering. Laid out in two main sections, the book first introduces the reader to the fundamentals of Milwaukee's geology and its amazing prehuman history, then provides a site-by-site tour guide. Written in an engaging, informal style, this work presents the first in-depth exploration of the interplay among the region's most architecturally significant sites, the materials they're made of, and the sediments and bedrock they're anchored in. Raymond Wiggers crafted Milwaukee in Stone and Clay as an informative and exciting overview of this city. His two decades of experience leading architectural-geology tours have demonstrated the popularity of this approach and the subject matter.
Modern Hospice Design: The Architecture of Palliative and Social Care
by Ken WorpoleThe new edition of this acclaimed book comprehensively updates its timely advocacy of the need for good quality palliative care, today more necessary than ever. Rooted in the social history of the care of the elderly and terminally ill, Modern Hospice Design: The Architecture of Palliative and Social Care takes cognisance of the new conditions of social care in the 21st century, principally in the UK, Europe and North America. It does so with regard to the development of new building types, but also in response to new philosophies of palliative care and the status of the elderly and the dying. Benefitting from a clearer methodological approach and conceptual framework, the expanded book allows a broad section of readers to navigate the text more easily. At its core is a public discussion of a philosophy of design for providing care for the elderly and the vulnerable, taking the importance of architectural aesthetics, the use of quality materials, the porousness of design to the wider world, and the integration of indoor and outdoor spaces as part of the overall care environment. In doing so it advocates care settings that, in the words of Maggie Jencks whose life and ideas inspired the Maggie’s Centres, ‘rise to the occasion’. Including new chapters and new in-depth case studies, complete will full colour illustrations, this book is for architects and interior designers and their students, healthcare professionals, social care providers, estate and facility managers, hospital administrators and Healthcare Trust Boards.
Modern Hospice Design: The Architecture of Palliative and Social Care
by Ken WorpoleThe new edition of this acclaimed book comprehensively updates its timely advocacy of the need for good quality palliative care, today more necessary than ever. Rooted in the social history of the care of the elderly and terminally ill, Modern Hospice Design: The Architecture of Palliative and Social Care takes cognisance of the new conditions of social care in the 21st century, principally in the UK, Europe and North America. It does so with regard to the development of new building types, but also in response to new philosophies of palliative care and the status of the elderly and the dying. Benefitting from a clearer methodological approach and conceptual framework, the expanded book allows a broad section of readers to navigate the text more easily. At its core is a public discussion of a philosophy of design for providing care for the elderly and the vulnerable, taking the importance of architectural aesthetics, the use of quality materials, the porousness of design to the wider world, and the integration of indoor and outdoor spaces as part of the overall care environment. In doing so it advocates care settings that, in the words of Maggie Jencks whose life and ideas inspired the Maggie’s Centres, ‘rise to the occasion’. Including new chapters and new in-depth case studies, complete will full colour illustrations, this book is for architects and interior designers and their students, healthcare professionals, social care providers, estate and facility managers, hospital administrators and Healthcare Trust Boards.
A Morphological Interpretation of a Northern Chinese Traditional Village: Case Study of Zhangdaicun Village
by Kun LiThis book challenges the definition of a new approach for integrating protection and enhancing the Chinese heritage category of “Traditional Villages”. By applying a specific case study in the Hancheng context, Shaanxi Province, which lacks sound studies, the book formulates new theoretical prerequisites for future re-searches, an in-depth knowledge path, and sound methodological principles. By working in a multiple scales approach, the object of preservation and enhancement is first of all redefined in its ontology as a unity formed by the courtyard type, the morphology of the village, and the related landscape structures. All these three levels of study have been deeply investigated, put into the relationship and resulting in a new methodology which overcomes the inadequacy and ineffectiveness of the notion of “setting” deriving from conservation Charters, to embrace the structural notion of “context” and a knowledge approach to rural settlements’ form. The innovative and original features of this book are both in the reading villages in their landscape dimension, which in turn is studied as a context made of several interrelated structures. Another original feature of the book is the integration of Italian historic-structural and morphological methodologies with specific Chinese cultural aspects. The author’s work dug deeply and interdisciplinary in all those dimensions to account for the complex issues that are related and embodied in both the physical and intangible meaning of human settlements, opening a novel scientific methodology for Chinese studies as a sound base to define three key integrated project actions: what, why, how to preserve, enhance, develop.
Mosque: Approaches to Art and Architecture
by Idries TrevathanMosque examines the history, culture, evolution and functions of the Muslim house of worship through the prism of its artistic objects and architectural elements. Contributors present a range of elements, from dome to mihrab, to mosque furniture including lamps, prayer rugs and Qur’an stands. In addition, the book draws attention to the importance of mosque heritage through special projects and initiatives that study, preserve and revitalize the traditional arts of the mosque. This unique book brings together prominent architects, art historians, artists, historians and curators to explore innovative approaches towards the study of mosques through the presentation of original research and insights about mosque-related cultural objects. It is essential reading for anyone interested in the art and culture of the Muslim world.
Mosque: Approaches to Art and Architecture
Mosque examines the history, culture, evolution and functions of the Muslim house of worship through the prism of its artistic objects and architectural elements. Contributors present a range of elements, from dome to mihrab, to mosque furniture including lamps, prayer rugs and Qur’an stands. In addition, the book draws attention to the importance of mosque heritage through special projects and initiatives that study, preserve and revitalize the traditional arts of the mosque. This unique book brings together prominent architects, art historians, artists, historians and curators to explore innovative approaches towards the study of mosques through the presentation of original research and insights about mosque-related cultural objects. It is essential reading for anyone interested in the art and culture of the Muslim world.
My Family and Other Seedlings: A Year on a Dorset Allotment
by Lalage SnowA few years ago Lally Snow moved to a Dorset village with her husband and three small children, having spent over a decade as a war photographer, foreign correspondent and film maker living in Kabul. She covered the conflict there as well as other wars from Gaza to Eastern Ukraine, and Iraq.In the late winter of 2021-22, Lally decided to rent an allotment, despite having only a rudimentary knowledge of gardening. She was starting from scratch and setting herself the dual challenge of growing an allotment at the same time as growing a family.This is a heart-warming, wry and at times tearful account of Lally's travails as a mother and novice allotment holder, counterpointing horticultural progress with the perils of parenting. Along the way she reflects on the drudgery of English rural domesticity after a professional life chasing war and adventure, the history of the allotment since Saxon times, and the wonderful moment when gardening becomes fun rather than just feeding a family.
Nature-Based Design in Landscape Architecture
by Bruce SharkyNature-Based Design in Landscape Architecture showcases a range of built works designed by landscape architects from many countries of the world representing diverse environmental regions and uses. These projects demonstrate the transformative potential of a nature-based approach to landscape architecture.The nature-based design approach supports and encourages natural regeneration with a view to promoting sustainable environments, preserving natural resources, and mitigating the impacts of climate change and development. The projects selected for this book demonstrate the potential of nature-based landscape design to support healthy, natural and managed ecosystems, sequester carbon, and support the recovery of biodiversity. In addition to examples of design-led environmental interventions, Nature-Based Design in Landscape Architecture, the book, also demonstrates the potential for nature-based design to improve people’s relationship with their surroundings by encouraging them to be active participants in their communities. As such, each project featured in the book promotes a discussion around future scenarios in which landscape architects can and will be engaged, from minimizing environmental impact through sustainable design to fostering social justice through community engagement.This book will be a welcome supplement for undergraduate landscape architecture, survey or design studio courses, and may also be used at the master’s degree level either as part of a landscape architecture survey seminar or early design studio.
Nature-Based Design in Landscape Architecture
by Bruce SharkyNature-Based Design in Landscape Architecture showcases a range of built works designed by landscape architects from many countries of the world representing diverse environmental regions and uses. These projects demonstrate the transformative potential of a nature-based approach to landscape architecture.The nature-based design approach supports and encourages natural regeneration with a view to promoting sustainable environments, preserving natural resources, and mitigating the impacts of climate change and development. The projects selected for this book demonstrate the potential of nature-based landscape design to support healthy, natural and managed ecosystems, sequester carbon, and support the recovery of biodiversity. In addition to examples of design-led environmental interventions, Nature-Based Design in Landscape Architecture, the book, also demonstrates the potential for nature-based design to improve people’s relationship with their surroundings by encouraging them to be active participants in their communities. As such, each project featured in the book promotes a discussion around future scenarios in which landscape architects can and will be engaged, from minimizing environmental impact through sustainable design to fostering social justice through community engagement.This book will be a welcome supplement for undergraduate landscape architecture, survey or design studio courses, and may also be used at the master’s degree level either as part of a landscape architecture survey seminar or early design studio.
Nature Therapy: How to Use Ecotherapy to Boost Your Sense of Well-Being
by Rémy DambronNature therapy is the practice of reconnecting with the natural world to refresh your physical and mental well-being. Including tips to help you discover your connection with the outdoors, activity inspiration and a holistic approach to wellness, this book is the ultimate guide to unlocking the transformative power of nature.
Nineteenth-Century Interiors: Volume IV: Products and Processes
by Clive EdwardsThis volume of primary source materials documents the essential practical aspects of making a home, decorating it and then furnishing it. The crucial constitutive parts that make up an interior from floor to ceiling are considered here in detail. The role of advice books and articles that attempted to direct homemakers in particular directions are examined, as are the more practical how-to publications that demonstrated the processes of interior decoration. Accompanied by extensive editorial commentary, this collection will be of great interest to students and scholars of art history.
Nineteenth-Century Interiors: Volume III: Domestic Interior Spaces
by Clive EdwardsThis volume of primary source materials documents the spatial layouts of the nineteenth century home as they often became more precisely planned with rooms for specific purposes being developed. The styles began to truly reflect the owner’s taste and position. The range is of course vast from single room dwellings to large-scale mansions and numerous variations in-between. Accompanied by extensive editorial commentary, this collection will be of great interest to students and scholars of art history.
Nineteenth-Century Interiors: Volume I: Theories and Discourses Around the Home
This volume of primary source materials documents the nature of the home and the theories and discussions around the concept. It examines the class divisions that become evident with the ostentatious lifestyles of political and society hostesses at the peak, whilst middle-class housing often in suburbia, seemed to have created a separation of home and work, arguably suggesting men and women lived in separate spheres. Working-class interiors, often seen the eyes of middle-class observers, were at the bottom of the hierarchy and often reflected concerns of social inequality and misery. The documents also address the process of purchasing and decorating a home, advice on decoration and home management, the nature of taste and comfort, and the symbolic roles of the home as an anchor in society. Accompanied by extensive editorial commentary, this collection will be of great interest to students and scholars of art history.
Nineteenth-Century Interiors: Volume II: Styles of Decoration and Design
This volume of primary source materials documents the nineteenth-century search for a representative style, and the alternating fashions for interiors that demonstrated the consumerism of the period. Although in some senses every interior is unique so that a style canon may seem to be meaningless, there have been important historical trends or styles that have influenced individual interiors, and these have formed the groundwork from which other styles and tastes have developed and changed. Accompanied by extensive editorial commentary, this collection will be of great interest to students and scholars of art history.
Nineteenth-Century Interiors: Volume III: Domestic Interior Spaces
This volume of primary source materials documents the spatial layouts of the nineteenth century home as they often became more precisely planned with rooms for specific purposes being developed. The styles began to truly reflect the owner’s taste and position. The range is of course vast from single room dwellings to large-scale mansions and numerous variations in-between. Accompanied by extensive editorial commentary, this collection will be of great interest to students and scholars of art history.
Nineteenth-Century Interiors: Volume II: Styles of Decoration and Design
by Clive EdwardsThis volume of primary source materials documents the nineteenth-century search for a representative style, and the alternating fashions for interiors that demonstrated the consumerism of the period. Although in some senses every interior is unique so that a style canon may seem to be meaningless, there have been important historical trends or styles that have influenced individual interiors, and these have formed the groundwork from which other styles and tastes have developed and changed. Accompanied by extensive editorial commentary, this collection will be of great interest to students and scholars of art history.
Nineteenth-Century Interiors: Volume I: Theories and Discourses Around the Home
by Clive EdwardsThis volume of primary source materials documents the nature of the home and the theories and discussions around the concept. It examines the class divisions that become evident with the ostentatious lifestyles of political and society hostesses at the peak, whilst middle-class housing often in suburbia, seemed to have created a separation of home and work, arguably suggesting men and women lived in separate spheres. Working-class interiors, often seen the eyes of middle-class observers, were at the bottom of the hierarchy and often reflected concerns of social inequality and misery. The documents also address the process of purchasing and decorating a home, advice on decoration and home management, the nature of taste and comfort, and the symbolic roles of the home as an anchor in society. Accompanied by extensive editorial commentary, this collection will be of great interest to students and scholars of art history.
Nineteenth-Century Interiors: Volume IV: Products and Processes
This volume of primary source materials documents the essential practical aspects of making a home, decorating it and then furnishing it. The crucial constitutive parts that make up an interior from floor to ceiling are considered here in detail. The role of advice books and articles that attempted to direct homemakers in particular directions are examined, as are the more practical how-to publications that demonstrated the processes of interior decoration. Accompanied by extensive editorial commentary, this collection will be of great interest to students and scholars of art history.
Not the End of the World: How We Can Be the First Generation to Build a Sustainable Planet
by Hannah Ritchie‘A book for anyone who finds it difficult to believe in a better future’ THE TIMESFeeling anxious, powerless, or confused about the future of our planet? This book will transform how you see our biggest environmental problems -- and how we can solve them.A STYLIST BEST NON-FICTION 2024 * A GUARDIAN BIGGEST FICTION AND NON-FICTION FOR 2024 * A WATERSTONES ‘BOOK YOU NEED TO READ IN 2024’ * A GUARDIAN ‘FIVE GREAT READS’ We are bombarded by doomsday headlines that tell us the soil won't be able to support crops, fish will vanish from our oceans, that we should reconsider having children.But in this bold, radically hopeful book, data scientist Hannah Ritchie argues that if we zoom out, a very different picture emerges. The data shows we've made so much progress on these problems, and so fast, that we could be on track to achieve true sustainability for the first time in history.Packed with the latest research, practical guidance and enlightening graphics, this book will make you rethink almost everything you've been told about the environment, from the virtues of eating locally and living in the countryside, to the evils of overpopulation, plastic straws and palm oil. It will give you the tools to understand what works, what doesn't and what we urgently need to focus on so we can leave a sustainable planet for future generations.These problems are big. But they are solvable. We are not doomed. We can build a better future for everyone. Let's turn that opportunity into reality.‘I find it hard to express how much I love this book’ RUTGER BREGMAN * 'An unmissable myth-busting book to save our planet – read it' TIM SPECTOR
Objects in Exile: Modern Art and Design across Borders, 1930–1960
by Robin SchuldenfreiAn essential examination of how emigration and resettlement defined modernismIn the fraught years leading up to World War II, many modern artists and architects emigrated from continental Europe to the United States and Britain. The experience of exile infused their modernist ideas with new urgency and forced them to use certain materials in place of others, modify existing works, and reconsider their approach to design itself. In Objects in Exile, Robin Schuldenfrei reveals how the process of migration was crucial to the development of modernism, charting how modern art and architecture was shaped by the need to constantly face—and transcend—the materiality of things.Taking readers from the prewar era to the 1960s, Schuldenfrei explores the objects these émigrés brought with them, what they left behind, and the new works they completed in exile. She argues that modernism could only coalesce with the abandonment of national borders in a process of emigration and resettlement, and brings to life the vibrant postwar period when avant-garde ideas came together and emerged as mainstream modernism. Examining works by Walter Gropius, László Moholy-Nagy, Lucia Moholy, Herbert Bayer, Anni and Josef Albers, and others, Schuldenfrei demonstrates the social impact of art objects produced in exile.Shedding critical light on how the pressures of dislocation irrevocably altered the course of modernism, Objects in Exile shows how artists and designers, forced into exile by circumstances beyond their control, changed in unexpected ways to meet the needs and contexts of an uncertain world.
Objects in Exile: Modern Art and Design across Borders, 1930–1960
by Robin SchuldenfreiAn essential examination of how emigration and resettlement defined modernismIn the fraught years leading up to World War II, many modern artists and architects emigrated from continental Europe to the United States and Britain. The experience of exile infused their modernist ideas with new urgency and forced them to use certain materials in place of others, modify existing works, and reconsider their approach to design itself. In Objects in Exile, Robin Schuldenfrei reveals how the process of migration was crucial to the development of modernism, charting how modern art and architecture was shaped by the need to constantly face—and transcend—the materiality of things.Taking readers from the prewar era to the 1960s, Schuldenfrei explores the objects these émigrés brought with them, what they left behind, and the new works they completed in exile. She argues that modernism could only coalesce with the abandonment of national borders in a process of emigration and resettlement, and brings to life the vibrant postwar period when avant-garde ideas came together and emerged as mainstream modernism. Examining works by Walter Gropius, László Moholy-Nagy, Lucia Moholy, Herbert Bayer, Anni and Josef Albers, and others, Schuldenfrei demonstrates the social impact of art objects produced in exile.Shedding critical light on how the pressures of dislocation irrevocably altered the course of modernism, Objects in Exile shows how artists and designers, forced into exile by circumstances beyond their control, changed in unexpected ways to meet the needs and contexts of an uncertain world.
Olympic Cities: City Agendas, Planning, and the World’s Games, 1896 – 2032 (ISSN)
by John R. Gold Margaret M. GoldThe first edition of Olympic Cities, published in 2007, provided a pioneering overview of the changing relationship between cities and the modern Olympic Games. This substantially revised and much enlarged fourth edition builds on the success of its predecessors. The first of its three parts provides overviews of the urban legacy of the four component Olympic festivals: the Summer Games; Winter Games; Cultural Olympiads; and the Paralympics. The second part comprises systematic surveys of six key aspects of activity involved in staging the Olympics and Paralympics: finance; sustainability; the creation of Olympic Villages; security; urban regeneration; and tourism. The final part consists of ten chronologically arranged portraits of host cities from 1960 to 2032, with complete coverage of the Summer Games of the twenty-first century.As controversy over the growing size and expense of the Olympics, with associated issues of democratic accountability and legacy, continues unabated, this book’s incisive and timely assessment of the Games’ development and the complex agendas that host cities attach to the event will be essential reading for a wide audience. This will include not just urban and sports historians, urban geographers, event managers, and city planners, but also anyone with an interest in the staging of mega-events and concerned with building a better understanding of the relationship between cities, sport, and culture.
Olympic Cities: City Agendas, Planning, and the World’s Games, 1896 – 2032 (ISSN)
The first edition of Olympic Cities, published in 2007, provided a pioneering overview of the changing relationship between cities and the modern Olympic Games. This substantially revised and much enlarged fourth edition builds on the success of its predecessors. The first of its three parts provides overviews of the urban legacy of the four component Olympic festivals: the Summer Games; Winter Games; Cultural Olympiads; and the Paralympics. The second part comprises systematic surveys of six key aspects of activity involved in staging the Olympics and Paralympics: finance; sustainability; the creation of Olympic Villages; security; urban regeneration; and tourism. The final part consists of ten chronologically arranged portraits of host cities from 1960 to 2032, with complete coverage of the Summer Games of the twenty-first century.As controversy over the growing size and expense of the Olympics, with associated issues of democratic accountability and legacy, continues unabated, this book’s incisive and timely assessment of the Games’ development and the complex agendas that host cities attach to the event will be essential reading for a wide audience. This will include not just urban and sports historians, urban geographers, event managers, and city planners, but also anyone with an interest in the staging of mega-events and concerned with building a better understanding of the relationship between cities, sport, and culture.
Open Building for Architects: Professional Knowledge for an Architecture of Everyday Environment (Open Building)
by Stephen H. Kendall N. John HabrakenOpen Building is an internationally recognized approach to the design of buildings and building complexes with roots in the way the ordinary built environment grows and regenerates. The Open Building approach recognizes that both stability and change are realities to be managed in the contemporary built environment. Buildings – and the neighborhoods they occupy – are not static during the most stable times or during times of rapid social and technical change. They are living organisms that need constant adjustments to remain attractive, safe and valuable.Using case studies of built projects from around the world, this book explains the Open Building approach and discusses important characteristics of everyday built environment that the Open Building approach designs for. It also presents a key method that can be used to put the approach into use. It addresses questions such as: How can we design large projects for inevitable change? How can we balance the demands of large projects for efficient implementation with the need for ‘fine-grained’ decision-making control? How can we separate design tasks, one task being the design of what should last a century, the other task being the design of more mutable units of occupancy? How can we identify and share architectural themes and, at the same time, make variations on them? How can we use the Open Building approach to steward the earth’s scarce resources and contribute to a circular economy that benefits all people? This book is an essential resource for practitioners, investors and developers, regulators, builders, product manufacturers and educators interested in why the Open Building approach matters and how to practice Open Building.
Open Building for Architects: Professional Knowledge for an Architecture of Everyday Environment (Open Building)
by Stephen H. Kendall N. John HabrakenOpen Building is an internationally recognized approach to the design of buildings and building complexes with roots in the way the ordinary built environment grows and regenerates. The Open Building approach recognizes that both stability and change are realities to be managed in the contemporary built environment. Buildings – and the neighborhoods they occupy – are not static during the most stable times or during times of rapid social and technical change. They are living organisms that need constant adjustments to remain attractive, safe and valuable.Using case studies of built projects from around the world, this book explains the Open Building approach and discusses important characteristics of everyday built environment that the Open Building approach designs for. It also presents a key method that can be used to put the approach into use. It addresses questions such as: How can we design large projects for inevitable change? How can we balance the demands of large projects for efficient implementation with the need for ‘fine-grained’ decision-making control? How can we separate design tasks, one task being the design of what should last a century, the other task being the design of more mutable units of occupancy? How can we identify and share architectural themes and, at the same time, make variations on them? How can we use the Open Building approach to steward the earth’s scarce resources and contribute to a circular economy that benefits all people? This book is an essential resource for practitioners, investors and developers, regulators, builders, product manufacturers and educators interested in why the Open Building approach matters and how to practice Open Building.